{"1": {"fulltext": "a; S _\u00e2\u0080\u00a2", "height": "4228", "width": "2614", "jp2-path": "shakespearequota00shak_0001.jp2"}, "2": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0002.jp2"}, "3": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0003.jp2"}, "4": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0004.jp2"}, "5": {"fulltext": "", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0005.jp2"}, "6": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0006.jp2"}, "7": {"fulltext": "Shakespearean\\nQuotations\\nSUBJECTS CLASSIFIED AND\\nALPHABETICALLY ARRANGED\\nUjjlLi.\\nCOMPILED BY\\nEMMA M. RAWLINS\\nNEW YORK\\nPublished by The Author\\n148 St. Ann s Avenue\\n1900", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0007.jp2"}, "8": {"fulltext": "I WO COPIES HECEiVK^,\\nLibrary of Q%ugttt%\\ni}if\\\\c4 of t|g\\nAPfU61900\\n50G66\\nCopyright, 1898, by\\nEMMA M. RAWLINS\\nSECOND COPY.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0008.jp2"}, "9": {"fulltext": "TO\\nTHIS LITTLE BOOK\\nIS MOST\\nGRA TEFULL Y INSCRIBED", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0009.jp2"}, "10": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0010.jp2"}, "11": {"fulltext": "PREFATORY NOTE.\\nThe compiler s apology for oflFering this little\\nwork to the public is that, during a wide expe-\\nrience as teacher, she has found great need for\\nsuch a book of reference.\\nIt is therefore hoped that the convenient size,\\nclear type, and classification of subjedls of this\\nmanual will recommend it to students of Shakes-\\npeare.\\nAll the so-called Familiar quotations are\\ngiven, with many others, which, perhaps, are not\\nso well known.\\nBut few of the selections are more than two\\nlines, thus making them easy to memorize.\\nAn appendix is subjoined, however, for refer-\\nence to special longer passages.\\nE. M. R.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0011.jp2"}, "12": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0012.jp2"}, "13": {"fulltext": "CONTENTS\\nAngels\\nAmbition\\nBrain\\nBeauty\\nBook\\nConscience\\nCourtesy\\nCourage\\nCustom\\nCurse\\nCalumny\\nCaptain\\nCupid\\nCandle\\nCoward\\nDeath\\nDagger\\nDevil\\nDivinity\\nDoubts\\nDogs\\nEnemy\\nEarth\\nFriends\\nFaults\\nFortune\\nFools\\n9\\nII\\n12\\n13\\n14\\n16\\n19\\n20\\n20\\n21\\n22\\n23\\n23\\n25\\n25\\n26\\n28\\n29\\n30\\n31\\n31\\n32\\n33\\n34\\n37\\n38\\n40\\nJi ashion\\n42\\nFancy\\n43\\nFates\\n43\\nFlattery\\n44\\nGod\\n45\\nGrief\\n46\\nGhost\\n48\\nGoing\\n49\\nGold\\n49\\nGifts\\n50\\nHearts\\n51\\nHeaven\\n53\\nHonour\\n56\\nIngratitude\\n57\\nImagination\\n59\\nInnocence\\n59\\nInk\\n60\\nJealousy\\n60\\nJudgment\\n62\\nJustice\\n63\\nJests\\n63\\nKing\\n64\\nLove\\n65\\nLife\\n70\\nMan\\n71\\nMen\\n72", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0013.jp2"}, "14": {"fulltext": "VI\\nSHAKESPEAREAN QUOTATIONS\\nMercy\\n73\\nSleep\\nMusic\\n75\\nSaint\\nMadnes\\n76\\nSin\\nName\\n78\\nSlander\\nOffence\\n78\\nTongue\\nObservation\\n79\\nTime\\nPrayer\\n80\\nUses\\nPatience\\n82\\nPeace\\nS3\\nVirtue\\nPity\\n85\\nVillain\\nPhilosophy\\n86\\nWomen\\nQuarrel\\n87\\nWorld\\nRemedy\\nReason\\n88\\n88\\nWords\\nWar\\nWit\\nSoul\\n89\\nSorrow\\n91\\nYouth\\nMISCELLANEOUS.\\nA\\nB\\nC\\nD\\nE\\nF\\nG\\nH\\nI\\nJ\\nK\\nAppendix\\n114\\nL\\n116\\nM\\n119\\nN\\n123\\n126\\nP\\n127\\nR\\n130\\nS\\n130\\nT\\n133\\nV\\n135\\nw\\n136\\n156", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0014.jp2"}, "15": {"fulltext": "SHAKESPEAREAN QUOTATIONS\\nANGELS\\nAngels and ministers of grace, defend us\\nHamlet. Act I. Sc. 4.\\nA ministering angel shall my sister be,\\nWhen thou liest howling.\\nAct V. Sc. I.\\nFlights of angels sing thee to thy rest\\nAct V. Sc. 2.\\nO, what may man within him hide.\\nThough angel on the outward side\\nMeasure for Measure. Act III. Sc. 2.\\nC^rse his better angel from his side.\\nOtheUo. Act V. Sc. 2.\\nSome holy angel\\nFly and unfold\\nHis message ere he come.\\nMacbeth. Act III. Sc. 6.\\nAngels are bright still, though the brightest fell.\\nAct IV. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0015.jp2"}, "16": {"fulltext": "lo SHAKESPEAREAN QUOTATIONS\\nThough this is a heavenly angel, hell is here\\nCymbeline. Act II. Sc. 2.\\nBy Jupiter, an angel or, if not.\\nAn earthly paragon\\nAct III. Sc. 6.\\nThere s not the smallest orb which thou behold st,\\nBut in his motion like an angel sings.\\nMerchant of Venice. Act V. Sc. i.\\nIf angels fight,\\nWeak men must fall, for heaven still guards the\\nright.\\nKing Richard II. Act III. Sc. 2.\\nAnd vaulted with such ease into his seat.\\nAs if an angel dropp d down from the clouds.\\nKing Henry IV. Part I. Act. IV. Sc. i.\\nThere is a good angel about him.\\nPart II. Act II. Sc. 4.\\nConsideration, like an angel, came\\nAnd whipp d the offending Adam out of him.\\nKing Henry V. Act I. Sc. i.\\nGood angels guard thee!\\nKing Richard III. Act IV. Sc. i.\\nGood angels guard thy battle.\\nAct V. Sc. 3.\\nYe have angels faces, but heaven knows your\\nhearts.\\nKing Henry VIII. Act III. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0016.jp2"}, "17": {"fulltext": "SHAKE3PKARE)AN QUOTAI IONS II\\nNow, good angels\\nFly o er thy head, and shade thy person\\nUnder their blessed wings!\\nAct V. Sc. I.\\nAMBITION\\nThy ambition,\\nThou^carlet sin, robb d this bewailing land.\\nKing Henry VIII. Act III. Sc. 2.\\nI charge thee, fling away ambition:\\nBy that sin fell the angels.\\nIbid.\\nBut tis a common proof,\\nThat lowliness is young ambition s ladder.\\nJulius Csesar. Act. II. Sc. I.\\nWhen that the poor have cried, Csesar hath wept:\\nAmbition should be made of sterner stuff*.\\nAct III. Sc. 2.\\nI have no spur\\nTo prick the sides of my intent, but only\\nVaulting ambition.\\nMacbeth. Act i. Sc. 7.\\nAnd ambition,\\nThe soldier s virtue, rather makes choice of loss,\\nThan gain which darkens him.\\nAntony and Cleopatra. Act III. Sc. i.\\nFarewell the plumed troop, and the big wars,\\nThat make ambition virtue! O, farewell!\\nOthello. Act III. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0017.jp2"}, "18": {"fulltext": "12 SHAKESPEAREAN QUOTATIONS\\nBRAIN\\nO, there has been much throwing about of brains!\\nHamlet. Act II. Sc. 2.\\nSleep rock thy brain!\\nAct III. Sc. 2.\\nThis is the very coinage of your brain.\\nAct III. Sc. 4.\\nCudgel thy brains no more about it.\\nActV. Sc. I.\\nHis pure brain,\\nWhich some suppose the soul s frail dwelling-\\nhouse,\\nDoth by the idle comments that it makes\\nForetell the ending of mortalit3^\\nKing John. Act V. Sc. 7.\\nMy brain 1*11 prove the female to my soul.\\nMy soul the father.\\nKing Richard II. Act V. Sc. 5.\\nBrain him with his lady s fan.\\nKing Henry IV. Act II. Sc. 3.\\nMy brain more busy than the labouring spider\\nWeaves tedious snares to trap mine enemies.\\nKing Henry VI. Part II. Act III. Sc. 2.\\nRaze out the written troubles of the brain.\\nMacbeth. Act V. Sc. 3.\\nI talk of dreams,\\nWhich are the children of an idle brain.\\nRomeo and Juliet. Act I. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0018.jp2"}, "19": {"fulltext": "SHAKKSPKAREAN QUOTA TIONS I3\\nThe brain may devise laws for the blood,\\nbut a hot temper leaps o er a cold decree.\\nThe Merchant of Venice. Act I. Sc. 2.\\nHave I laid my brain in the sun and dried it, that\\nit wants matter to prevent so gross o er reach-\\ning as this?\\nMerry Wives of Windsor. Act V. Sc. 5.\\nShall quips and sentences and these paper bullets\\nof the brain awe a man from the career of his\\nhumour?\\nMuch Ado About Nothing. Act II. Sc. 3.\\nIf a man will be beaten with brains, a shall wear\\nnothing handsome about him.\\nAct V. Sc. 4.\\nI have very poor and unhappy brains for\\ndrinking.\\nOthello. Act 11. Sc. 3.\\nBEAUTY\\nThen let her beauty be her wedding dower.\\nTwo Gentlemen of Verona. Act III. Sc. i.\\nO beauty,\\nTill now I never knew thee!\\nKing Henry VIII. Act I. Sc. 4.\\nBeauty is bought by judgment of the eye,\\nNot utter d by base sale of chapmen s tongues.\\nLove s Labour s Lost. Act IL Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0019.jp2"}, "20": {"fulltext": "14 SHAKESPEAREAN QUOTATIONS\\nO, she is rich in beauty, only poor,\\nThat when she dies with beauty dies her store.\\nRomeo and Juliet. Act I. Sc. I.\\nBeauty too rich for use, for earth too dear!\\nAct I. Sc. 5.\\nBeautiful tyrant! fiend angelical!\\nAct III. So. 2,\\nAy, beauty *s princely majesty is such,\\nConfounds the tongue and makes the senses rough.\\nKing Henry VI. Part I. Act V. Sc. 3.\\n*Tis beauty that doth oft make women proud.\\nPart III. Act I. Sc. 4.\\nTis beauty truly blent, whose red and white\\nNature s own sweet and cunning hand laid on.\\nTwelfth Night. Act I. Sc. 5.\\nFor beauty is a witch\\nAgainst whose charms faith melteth into blood.\\nMuch Ado About Nothing. Act II. Sc. i.\\nBeauty is but a vain and doubtful good.\\nPassionate Pilgrim.\\nBOOK\\nThat book in many s eyes doth share the glory.\\nThat in gold clasps locks in the golden story.\\nRomeo and Juliet. Act I. Sc. 3.\\nYou kiss by the book.\\nAct I. Sc. 5.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0020.jp2"}, "21": {"fulltext": "shake;spe:arkan quotai^ions 15\\nOne writ with me in sour misfortune s book!\\nAct V. Sc. 2.\\nIn nature s infinite book of secrecy\\nA little I can read.\\nAntony and Cleopatra. Act I. Sc. 2.\\nDeeper than did ever plummet sound\\nI ll drown my book.\\nThe Tempest. Act V. Sc. i.\\nI had rather than forty shillings I had my\\nBook of Songs and Sonnets here.\\nThe Merry Wives of Windsor. Act I. Sc. i.\\nSmall have continual plodders ever won\\nSave base authority from others books.\\nLove s Labour s Lost. Act I. Sc. i.\\nMark d with a blot, damn d in the book of heaven.\\nKing Richard IL Act IV. Sc. i.\\nI ll read enough,\\nWhen I do see the very book indeed,\\nWhere all my sins are writ, and that s myself.\\nIbid.\\nWho hath not heard it spoken\\nHow deep you were within the books of God\\nKing Henry IV. Part IL Act IV. Sc. 2.\\nI ll note you in my book of memory.\\nKing Henry VI. Part I. Act II. Sc. 4.\\nOur forefathers had no other books but the score\\nand the tally.\\nPart 1 1. Act IV. So. 7.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0021.jp2"}, "22": {"fulltext": "1 6 SHAKKSPKARBAN QUOTATIONS\\nMade him my book, wherein my soul recorded\\nThe history of all her secret thoughts.\\nKing Richard III. Act III. So. 5.\\nBooks in the running brooks.\\nAs You Like It. Act II. Sc. i.\\nThese trees shall be my books\\nAnd in their barks my thoughts I ll character.\\nAct III. Sc. 2.\\nI see, lady, the gentleman is not in your books.\\nMuch Ado About Nothing. Act I. Sc. i.\\nCONSCIENCE.\\nSo much my conscience whispers in your ear.\\nWhich none but heaven and you and I shall hear.\\nKing John. Act. I. Sc, i.\\nNow, for our consciences, the arms are fair,\\nWhen the intent of bearing them is just.\\nKing Henry IV. Part I. Act V. Sc. 2.\\nWhat you speak is in your conscience washed\\nAs pure as sin with baptism.\\nKing Henry V. Act I. Sc. 2.\\nAnd he but naked, though lock d up in steel,\\nWhose conscience with injustice is corrupted.\\nKing Henry VI. Part II. Act III. Sc. 2.\\nThe worm of conscience still begnaw thy soul!\\nKing Richard III. Act I. Sec. 3.\\nFaith, some certain dregs of conscience are yet\\nwithin me.\\nAct I. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0022.jp2"}, "23": {"fulltext": "SHAKE^SPKARKAN QUCTATIONS 1 7\\nEvery man s conscience is a thousand swords.\\nAct V. Sc. 2.\\nO, coward conscience, how dost thou afflict me!\\nAct V. Sc. 3.\\nMy conscience hath a thousand several tongues.\\nIbid.\\nConscience is but a word that cowards use.\\nAct V. So. 4.\\nO my\\nThe quiet of my wounded conscience.\\nKing Henry VIII. Act II. Sc. 2.\\nIt seems the marriage with his brother s wife\\nHas crept too near his conscience.\\nIbid.\\nNo, his conscience\\nHas crept too near another lady.\\nKing Henry VIII. Act II. Sc. 2.\\nBut conscience, conscience!\\nO, tis a tender place.\\nAct II. Sc. 2.\\nI meant to rectify my conscience.\\nAct II. Sc. 4.\\nThere s nothing I have done yet, o my con-\\nscience,\\nDeserves a corner.\\nAct III. Sc. I.\\nA peace above all earthly dignities,\\nA still and quiet conscience.\\nAct III. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0023.jp2"}, "24": {"fulltext": "1 8 SHAKKSPEAREAN QUOTATIONS\\nVery reverend sport, truly; and done in the testi-\\nmony of a good conscience.\\nLove s Labour s Lost. Act. IV. Sc. 2.\\nConsciences that will not die in debt.\\nAct V. Sc. 2.\\nFor policy sits above conscience.\\nTimon of Athens. Act III. Sc. 2.\\nThus conscience does make cowards of us all.\\nHamlet. Act IIL Sc. i.\\nNow must your conscience my acquittance seal.\\nAct IV. Sc. 7.\\nIs t not perfec5l conscience,\\nTo quit him with this arm\\nAct V. Sc. 2.\\nA very gentle beast, and of a good conscience.\\nMidsummer Night s Dream. Act V. Sc. i.\\nTwenty consciences,\\nThat stand twixt me and candied be they\\nAnd melt ere they molest.\\nThe Tempest. Act II. Sc. i.\\nTherefore is it most expedient for the wise (if\\nDon Worm, his conscience, find no impediment\\nTo the contrary) to be the trumpet to his own\\nvirtues.\\nMuch Ado About Nothing. Act V. Sc. 2.\\nI ll haunt thee like a wicked conscience still,\\nThat mouldeth goblins swift as frenzy s thoughts.\\nTroilus and Cressida. Act V. Sc. 10.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0024.jp2"}, "25": {"fulltext": "SHAKKSPKARE^AN QUOTATIONS 1 9\\nCOURTESY\\nHow lie did seem to dive into their hearts,\\nWith humble and familiar courtesy.\\nKing Richard II. Act I. Sc. 4.\\nMe rather had my heart might feel your love\\nThan my unpleased eye see your courtesy.\\nAct III. Sc. 3.\\nAnd then I stole all courtesy from heaven,\\nAnd dress d myself in such humility\\nThat I did pluck allegiance from men s hearts.\\nKing Henry IV. Part I. Act III. Sc. 2.\\nIf a man will make courtesy and say nothing, he\\nis virtuous.\\nKing Henry IV. Part II. Act II. Sc. i.\\nThe mirror of all courtesy.\\nKing Henry VIII. Act II. Sc. i.\\nI am the very pink of courtesy.\\nRomeo and Juliet. Act II. Sc. 4.\\nHe is not the flower of courtesy.\\nAct II. Sc. 5.\\nIn courtesy gives undeserving praise.\\nLove s Labour s Lost. Act V. Sc. 2.\\nWhy, this is he\\nThat kiss d his hand away in courtesy.\\nIbid.\\nCourtesy itself must convert to disdain, if you\\ncome in her presence.\\nMuch Ado About Nothing. Act I. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0025.jp2"}, "26": {"fulltext": "20 SHAKESPEAREAN QUOTATIONS\\nThen is courtesy a turncoat.\\nIbid.\\nBut manhood is melted into courtesies, valour\\ninto compliments.\\nMuch Ado About Nothing. Act IV. Sc. i.\\nHe was wont to lend money for a Christian\\ncourtesy; let him look to his bond.\\nMerchant of Venice. Act III. Sc. i.\\nIt must appear in other ways than words,\\nTherefore I scant this breathing courtesy.\\nAct V. So. I.\\nI was beset with shame and courtesy.\\nIbid.\\nHow courtesy would seem to cover sin!\\nPericles. Act I. Sc. i.\\nCOURAGE.\\nFor courage mounteth with occasion.\\nKing John. Act II. Sc. i.\\nBut screw your courage to the sticking-place,\\nAnd we ll not fail.\\nMacbeth. Act I. Sc. 7.\\nCUSTOM.\\nThough I am native here\\nAnd to the nirmner born, it is a custom\\nMore honour d in the breach than the observance.\\nHamlet. Act I. Sc. 4,", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0026.jp2"}, "27": {"fulltext": "SHAKKSPBARBAN QUOTATIONS 21\\nSleeping within my orchard,\\nMy custom always of the afternoon.\\nAct I. Sc. 5.\\nNature her custom holds,\\nLet shame say what it will.\\nAct IV. Sc. 7.\\nCustom hath made it in him a property of easi-\\nness.\\nAct V. Sc. I.\\nAge can not wither her, not custom stale\\nHer infinite variety.\\nAntony and Cleopatra. Act II. Sc. 2.\\nThink of this\\nBut as a thing of custom, tis no other;\\nOnly it spoils the pleasure of the time.\\nMacbeth. Act III. Sc. 4.\\nNice customs curtsey to great kings.\\nKing Henry V. Act V. Sc. 2.\\nCURSE\\nThe common curse of mankind, folly and igno-\\nrance, be thine in great revenue!\\nTroilus and Cressida. Act II Sc. 3.\\nTis the curse of service\\nPreferment goes by letter and affection,\\nAnd not by old gradation.\\nOthello. Act I. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0027.jp2"}, "28": {"fulltext": "22 SHAKESPEAREAN QUOTATIONS\\nO curse of marriage,\\nThat we can call these delicate creatures ours,\\nAnd not their appetites!\\nAct III. Sc. 3.\\nDreading the curse that money may buy out;\\nAnd by the merit of vile gold, dross, dust,\\nPurchase corrupted pardon of a man.\\nKing John. Act III. Sc. i.\\nCan curses pierce the clouds and enter heaven\\nWhy, then, give way, dull clouds, to my quick\\ncurses!\\nKing Richard III. Act I. Sc. 3.\\nTheir curses now\\nlyive where their prayers did.\\nKing Henry VIII. Act I. Sc. 2.\\nCurses, not loud but deep.\\nMacbeth. Act V. Sc. 3.\\nCursed be he that moves my bones.\\nShakespeare s Epitaph.\\nCAI.UMNY\\nBe thou as chaste as ice, as pure as snow, thou\\nshalt not escape caltmmy.\\nHamlet. Act III. Sc. i.\\nNo might nor greatness in mortality\\nCan censure scape; back-wounding calumny.\\nMeasure for Measure. Act III. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0028.jp2"}, "29": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 23\\nCAPTAIN\\nAnd there at Venice gave\\nHis body to that pleasant country s earth,\\nAnd his pure soul unto his captain, Christ.\\nKing Richard II. Act IV. So. i.\\nO Thou, whose captain I account myself,\\nLook on my forces with a gracious eye.\\nKing Richard III. Act V. So. 3.\\nThat in the captain s but a choleric word,\\nWhich in the soldier is flat blasphemy.\\nMeasure for Measure. Act 11. So. 2.\\nWho does i the wars more than his captain can,\\nBecomes his captain s captain.\\nAntony and Cleopatra. Act III. So. i.\\nO, he is the courageous captain of compliments!\\nRomeo and Juliet. Act II. Sc. 4.\\nCUPID\\nIf we can do this, Cupid is no longer an archer.\\nMuch Ado About Nothing. Act II. Sc. i.\\nOf this matter\\nIs little Cupid s crafty arrow made,\\nThat only wounds by hearsay.\\nAct III. Sc. I.\\nSome Cupid kills with arrows, some with traps.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0029.jp2"}, "30": {"fulltext": "24 SHAKESPKAREAN QUOTATIONS\\nHe hath twice or thrice cut\\nCupid s bow-string, and the little hangman dare\\nnot shoot at him. Act III. Sc 2.\\nCupid is a knavish lad,\\nThus to make poor females mad.\\nMidsummer Night s Dream. Act III. Sc. 2.\\nDian s bud o er Cupid s flower\\nHath such force and blessed power.\\nAct IV. Sc. I.\\nHe is Cupid s grandfather and learns news of\\nhim. Love s Labour s Lost. Act II. Sc. i.\\nSaint Cupid, then! Act IV. Sc. 3.\\nShe ll not be hit\\nWith Cupid s artow: she hath Dian s wit.\\nRomeo and Juliet. Act L Sc. i.\\nWhy, now is Cupid a child of conscience; he\\nmakes restitution.\\nMerry Wives of Windsor. Act V. Sc. 5.\\nFor I long to see\\nQuick Cupid s post that comes so mannerly.\\nThe Merchant of Venice. Act II. Sc. 9.\\nHe that will divide a minute into a thousand\\nparts and break but a part of the thousandth\\npart of a minute in the affairs of love, it may\\nbe said of him that Cupid hath clapp d him o\\nthe shoulder, but I ll warrant him heart whole.\\nAs You Like It. Act IV, Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0030.jp2"}, "31": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 25\\nYoung Adam Cupid, he that shot so trim,\\nWhen King Cophetua loved the beggar maid!\\nRomeo and Juliet. Act II. Sc. i.\\nCANDIyE\\nHow far that little candle throws his beams!\\nSo shines a good deed in a naughty world.\\nThe Merchant of Venice. Act V. Sc. i.\\nBy these blessed candles of the night.\\nIbid.\\nNight^s candles are burned out, and jocund day\\nStands tiptoe on the misty mountain tops.\\nRomeo and Juliet. Act III. Sc. 5.\\nThere s husbandry in heaven;\\nTheir candles are all out.\\nMacbeth. Act II. Sc. I.\\nOut, out, brief candle!\\nAct V. Sc. 5.\\nCOWARD\\nWe ll have a swashing and a martial outside\\nAs m.any other mannish cowards have.\\nAs You Like It. Act I. Sc. 3.\\nCowards father cowards and base things sire base.\\nCymbeline. Act IV. Sc. 2.\\nA plague of all cowards!\\nKing Henry IV. Part I. Act II. Sc. 4.\\nI was now a coward on instinc?t.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0031.jp2"}, "32": {"fulltext": "26 SHAKESPEAREAN QUOTATIONS\\nDEATH\\nO, now doth death line his dead chaps with steel.\\nKing John. Act II. Sc. i.\\nDeath, death: O amiable lovelv death!\\nAct III. Sc. 4.\\ndeath, made proud with pure and princely\\nbeauty!\\nAct IV. Sc. 3.\\nTis strange that death should sing.\\nAct V. Sc. 7.\\nAnd nothing can we call our own but death.\\nKing Richard II. Act III. Sc. 2.\\n1 were better to be eaten to death with a rust\\nthan to be scoured to nothing with perpetual\\nmotion.\\nKing Henry IV. Part II. Act I. Sc. 2.\\nJust death, kind umpire of men s miseries,\\nWith sweet enlargement doth dismiss me hence.\\nKing Henry VI. Part I. Act II. Sc. 5.\\nThou antic deat i, which laugh st us here to\\nscorn!\\nAct IV. So. 7.\\nAh, what sign it is of evil life,\\nWhere death s approach is seen so terrible!\\nPart II. Act III. Sc. 3.\\nThe worst is death; and death ^411 have his day.\\nKing Richard III. Act III. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0032.jp2"}, "33": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 2^\\nThe sense of death is most in apprehension.\\nMeasure for Measure. Act III. Sc. I.\\nAv, but to die, and go we know not where.\\nERRATA.\\nP. 26, bottom line for Richard III. read II.\\nP. 40, line 10 from top for Sc. 5 read 15.\\nP. 40, line 15 from top for Sc. 3 read 2.\\nP. 42, line 2 from top for Sc. i read 3.\\nP. 98, line g from top for Sc. 2 read i.\\nP. 102, line 7 from top for Part II. read I.\\nP. 112, line 5 from top for Sc. i read 2.\\nP. 114, line 8 from bottom for Sc. i read 2.\\nP. 114, bottom line for Sc. 2 read i.\\nP. 124, line II from top for Othello read Macbeth.\\nP. 142, line 6 from top for III. read V.\\nP. 143, line 7 from top for Sc. 2 read 7.\\nP. 154, line 3 from top for Act III. read II.\\nDeath, that hath suck d the honey of thy breath,\\nHath had no power yet upon thy beauty.\\nAct V. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0033.jp2"}, "34": {"fulltext": "26 SHAKESPEAREAN QUOTATIONS\\nDEATH\\nO, now doth death line his dead chaps with steel.\\nKing John. Act II. Sc. i.\\nran ii. Act 111. Sc. 3.\\nThe worst is death; and death will have his day.\\nKing Richard III. Act III. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0034.jp2"}, "35": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 2^\\nThe sense of death is most in apprehension.\\nMeasure for Measure. Act III. Sc. i.\\nAy, but to die, and go we know not where.\\nIbid.\\nBe absolute for death: either death or life\\nShall thereby be the sweeter.\\nMeasure for Measure. Act III. Sc. i.\\nYet in this life\\nlyie hid more thousand deaths, yet death we fear,\\nThat makes these odds all even.\\nIbid.\\nO, death s a great disguiser!\\nAct IV. Sc. 2.\\nWhen beggars die there are no comets seen;\\nThe heavens themselves blaze forth the death of\\nprinces.\\nJulius Caesar. Act II. Sc. 2.\\nIt seems to me most strange that men should fear:\\nSeeing that death, a necessary end,\\nWill come when it will come.\\nIbid.\\nDeath lies on her like an untimely frost\\nUpon the sweetest flower of all the field.\\nRomeo and Juliet. Act IV. Sc. 5.\\nDeath, that hath suck d the honey of thy breath.\\nHath had no power yet upon thy beauty.\\nAct V. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0035.jp2"}, "36": {"fulltext": "28 SHAKESPEAREAN QUOTATIONS\\nI would fain die a dry death.\\nThe Tempest. Act I. Sc. i.\\nHe that dies pays all debts.\\nAct III. Sc. 2.\\nDeath, that dark spirit, in s nervy arm doth lie;\\nWhich, being advanced, declines, and then men\\ndie.\\nCoriolanus. Act II. Sc. i.\\nOut of the jaws of death.\\nTwelfth Night. Act III. Sc. 4.\\nDone to death by slanderous tongues.\\nMuch Ado About Nothing. Act V. Sc. 3.\\nSpeak me fair in death.\\nMerchant of Venice. Act IV. Sc. i.\\nFor death remember d should be like a mirror,\\nWho tells us life s but breath, to trust it error.\\nPericles. Act I. Sc. i.\\nDAGGER\\nArt thou but\\nA dagger of the mind\\nMacbeth. Act II. Sc. i.\\nThere s daggers in men s smiles.\\nAct II. Sc. 3.\\nThis is the air-drawn dagger.\\nAct III. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0036.jp2"}, "37": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 29\\nShe Speaks poniards, and every word stabs.\\nMuch Ado About Nothing. Act II. Sc. I.\\nHath no man s dagger here a point for me\\nAct IV. Sc. I.\\nI will speak daggers to her, but use none.\\nHamlet. Act III. Sc. 2.\\nThese words, like daggers, enter in mine ears.\\nAct III. Sc. 4.\\nFor I wear not\\nMy dagger in my mouth.\\nCymbeline. Act IV. Sc. 2.\\nThou hidest a thousand daggers in thy thoughts!\\nKing Henry IV. Part II. Act IV. Sc. 5.\\nDEVIL\\nSome airy devil hovers in the sky\\nAnd pours down mischief.\\nKing John. Act III. Sc. 2.\\nHe will give the devil his due.\\nKing Henry IV. Part I. Act I. Sc. 2.\\nTell truth and shame the devil.\\nAct III. Sc. I.\\nYou are mortal,\\nAnd mortal eyes can not endure the devil.\\nKing Richard III. Act I. Sc. 2.\\nThe devil hath power\\nTo assume a pleasing shape.\\nHamlet. Act II. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0037.jp2"}, "38": {"fulltext": "30 SHAKESPEAREAN QUOTATIONS\\nWith devotion s visage\\nAnd pious action we do sugar o er\\nThe de\\\\ il himself.\\nAct III. Sc. I.\\nThe devil can cite Scriptures for his purpose.\\nThe Merchant of Venice. Act I. Sc. 3.\\nHe must needs go that the devil drives.\\nAll s Well That Ends Well. Act. I. Sc. 3.\\nTis the eye of childhood\\nThat fears a painted devil.\\nMacbeth. Act II. Sec. 2.\\nEven-\\nInordinate cup is unblessed, and the ingredient\\nis a devil.\\nOthello. Act II. Sec. 3.\\nHe must have a long spoon that must eat with\\nthe devil.\\nThe Comedy of Errors. Act IV. Sc. 4.\\nDevils soonest tempt, resembling spirits of light.\\nLove s Labour s Lost. Act IV. Sc. 3.\\nDrV^IXITY\\nThere s such divinity- doth hedge a king,\\nThat treason can but peep to what it would.\\nHamlet. Act. IV. Sc. 5.\\nThere s a di\\\\ inity that shapes our ends,\\nRough-hew them how we will.\\nAct V. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0038.jp2"}, "39": {"fulltext": "SHAKHSPKARKAN QUOTATIONS 3 1\\nThey say there is divinity in odd numbers,\\neither in nativity, chance, or death.\\nMerry Wives of Windsor. Act V. Sc. i.\\nDOUBTS\\nOur doubts are traitors\\nAnd make us lose the good we oft might win\\nBy fearing to attempt.\\nMeasure for Measure. Act I. Sc. 4.\\nBut now I am cabin d, cribb d, confined, bound\\nin\\nTo saucy doubts and fears.\\nMacbeth. Act III. Sc. 4.\\nModest doubt is calPd\\nThe beacon of the wise.\\nTroilus and Cressida. Act. II. Sc. 2.\\nDOGS\\nI had rather be a dog and bay the moon.\\nThan such a Roman.\\nJulius Caesar. Act IV. Sc. 3.\\nHounds, and grayhounds, mongrels, spaniels,\\ncurs,\\nShoughs, water-rugs, and demi- wolves, are clept\\nAll by the name of dogs.\\nMacbeth. Act III. Sc. i.\\nIf I want gold, steal but a beggar s dog,\\nAnd give it Timon, why, the dog coins gold.\\nTimon of Athens. Act II. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0039.jp2"}, "40": {"fulltext": "32 SHAKESPKARKAN QUOI ATIONS\\n1\\nI had rather be a beggar s dog than Apemantus.\\nAct IV. Sc. 3.\\nGive to dogs\\nWhat thou deny St to men.\\nIbid.\\nI had rather hear my dog bark at a crow than a\\nman swear he loves me.\\nMuch Ado About Nothing. Act I. Sc. i.\\nAnd he had been a dog that should have howled\\nthus, they would have hanged him.\\nAct II. Sc. 3.\\nMake them of no more voice\\nThan dogs that are as often beat for barking\\nAs, therefore, kept to do so.\\nCoriolanus. Act II. Sc. 3.\\nI have dogs\\nWill rouse the proudest panther in the chase.\\nTitus Andronicus. Act II. Sc. 2.\\nThe little dogs and all,\\nTray, Blanch, and Sweetheart, too, see they bark\\nat me.\\nKing Lear. Act III. Sc. 6.\\nENEMY\\nO God, that men should put an enemy in their\\nmouths to steal away their brains!\\nOthello. Act II. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0040.jp2"}, "41": {"fulltext": "SHAKESPEAREAN QUOTATIONS 33\\nTis death to me to be at enmity.\\nKing Richard III. Act II. Sc. i.\\nA thing devised by the enemy.\\nAct V. Sc. 3.\\nHe would not in mine age\\nHave left me naked to mine enemies.\\nKing Henry VIII. Act III. Sc. 2.\\nMine enemy s dog,\\nThough he had bit me, should have stood that\\nnight\\nAgainst my fire.\\nKing Lear. Act IV. Sc. 7.\\nIn cases of defence tis best to weigh\\nThe enemy more mighty than he seems.\\nKing Henry V. Act II. Sc. 4.\\nI am sure care s an enemy to life.\\nTwelfth Night. Act I. Sc. 3.\\nSecurity\\nIs mortals* chiefest enemy.\\nMacbeth. Act III. Sc. 5.\\nEARTH\\n1*1 put a girdle round about the earth\\nIn forty minutes.\\nMidsummer Night s Dream. Act II. Sc. i.\\nFor naught so vile that on the earth doth live.\\nBut to the earth some special good doth give.\\nRomeo and Juliet. Act II. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0041.jp2"}, "42": {"fulltext": "34 SHAKKSPKARKAN QUOTATIONS\\nGive him a little earth for charity.\\nKing Henry VIII. Act IV. Sc. 2.\\nO, pardon me, thou bleeding piece of earth,\\nThat I am meek and gentle with these butchers\\nJulius Caesar. Act III. Sc. i.\\nThe earth has bubbles, as the water has,\\nAnd these are of them.\\nMacbeth. Act I. Sc. 3.\\nFRIENDS\\nCall you that backing of your friends A plague\\nupon such backing!\\nKing Henry IV. Part I. Act II. Sc. 4.\\nAnd all my friends which thou must make thy\\nfriends\\nHave but their stings and teeth newly ta en out.\\nPart II. Act IV. Sc. 5.\\nGod keep me from false friends!\\nKing Richard III. Act III. Sc. i.\\nFor those you make friends\\nAnd give your hearts to, when they once per-\\nceive\\nThe least rub in your fortunes, fall away\\nlyike water from ye.\\nKing Henry VIII. Act II. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0042.jp2"}, "43": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 35\\nI am wealthy in my friends.\\nTimon of Athens. Act II. Sc. 2.\\nAll gone! and not\\nOne friend to take his fortune by the arm,\\nAnd go along with him\\nAct IV. Sc. 2.\\nWhat viler thing upon the earth than friends\\nWho can bring noblest minds to basest ends!\\nAct IV. Sc. 3.\\nNeither a borrower nor a lender be\\nFor loan oft loses both itself and friend.\\nHamlet. Act I. Sc. 3.\\nThose friends thou hast and their adoption tried,\\nGrapple them to thy soul with hoops of steel.\\nAct I. Sc. 3.\\nWho in want a hollow friend doth try,\\nDirectly seasons him his enemy.\\nAct III. Sc. 2.\\nFor who not needs shall never lack a friend.\\nIbid.\\nHe that wants money, means and content is\\nwithout three good friends.\\nAs You Like It. Act III. Sc. 2.\\nA friend should bear his friend s infirmities,\\nBut Brutus makes mine greater than they are.\\nJulius Caesar. Act IV. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0043.jp2"}, "44": {"fulltext": "36 SHAKKSPKARKAN QUOTATIONS\\nThis passion, and the death of a dear friend, would\\ngo near to make a man look sad.\\nMidsummer Night s Dream. Act V. Sc. I.\\nAnd do as adversaries do in law,\\nStrive mightily, but eat and drink as friends.\\nTaming of the Shrew. Act I. Sc. 2.\\nMy friends were poor, but honest.\\nAll s Well That Ends Well. Act I. Sc. 3.\\nNow I dare not say I have one friend alive.\\nThe Two Gentlemen of Verona. Act V. Sc. 4.\\nWe have no friend\\nBut resolution, and the briefest end.\\nAntony and Cleopatra. Act IV. Sc, 15.\\nHe that is thy friend, indeed,\\nHe will help thee in thy need.\\nThe Passionate Pilgrim.\\nEvery man will be thy friend,\\nWhilst thou hast wherewith to spend.\\nIbid.\\nLeft and abandoned of his velvet friends.\\nAs You Like It. Act II. Sc. i.\\nLose not so noble a friend on vain suppose,\\nNor with sour looks afflict his noble heart.\\nTitus Andronicus. Act I. Sc. I.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0044.jp2"}, "45": {"fulltext": "SHAKKSPBAREAN QUOTATIONS 37\\nFAUI.TS\\nO, what a world of vile ill-favour d faults\\nlyooks handsome in three hundred pounds a year!\\nMerry Wives of Windsor. Act III. Sc. 4.\\nCondemn the fault, and not the actor of it\\nMeasure for Measure. Act II. Sc. 2.\\nThat we were all, as some would seem to be,\\nFree from our faults, as from faults seeming free!\\nMeasure for Measure. Act HI. Sc. 2\\nTis a fault to heaven,\\nA fault against the dead, a fault to nature.\\nTo reason most absurd.\\nHamlet. Act I. Sc. 2.\\nEvery man has his fault, and honesty is his.\\nTimon of Athens. Act HI. Sc. i.\\nAnd oftentimes excusing of a fault\\nDoth make the fault the worse by the excuse.\\nKing John. Act IV. Sc. 2.\\nThe image of a wicked heinous fault\\nlyives in his eye.\\nIbid.\\nThe fault, dear Brutus, is not in our stars,\\nBut in ourselves, that we are underlings.\\nJulius Caesar. Act I. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0045.jp2"}, "46": {"fulltext": "38 SHAKKSPKAREAN QUOTATIONS\\nAll his faults observed,\\nSet in a note-book, leam d, and conn d by rote.\\nAct IV. Sc. 3.\\nEvery one fault seeming monstrous till his fellow-\\nfault came to match it.\\nAs You Like It. Act III. Sc. 2.\\nFORTUNE\\nFortune reigns in gifts of the world.\\nAs You Like It. Act i. Sc. 2.\\nOne out of suits with fortune.\\nIbid.\\nMy pride fell with my fortunes.\\nIbid.\\nI^et us sit and mock the good housewife\\nFortune from her wheel.\\nIbid.\\nAnd raiPd on I ady Fortune in good terms.\\nAct II. Sc. 7.\\nFortune shall cull forth\\nOut of one side her happy minion.\\nKing John. Act II. Sc. i.\\nWhen Fortune means to men most good,\\nShe looks upon them with a threatening eye.\\nAct III. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0046.jp2"}, "47": {"fulltext": "SHAKKSPBARKAN QUOTATIONS 39\\nWill Fortune never come with both hands full\\nKing Henry IV. Part II. Act IV. Sc. 4.\\nAnd giddy Fortune s furious fickle wheel.\\nKing Henry V. Act III. Sc. 6.\\nYield not thy neck\\nTo fortune s yoke, but let thy dauntless mind\\nStill ride in triumph over all mischance.\\nKing Henry VI. Part III. Act III. Sc. 3.\\nThough Fortune s malice overthrow my state,\\nMy mind exceeds the compass of her wheel.\\nPart III. Act IV. Sc. 4.\\nBut stoop with patience to my fortune.\\nPart III. Act V. Sc. 5.\\nFortune is merry,\\nAnd in this mood will give us anything.\\nJulius Caesar. Act III. Sc. 2.\\nThere is a tide in the affairs of men.\\nWhich, taken at the flood, leads on to fortune.\\nAct IV. Sc. III.\\nI d whistle her oflF and let her down the wind,\\nTo prey at fortune.\\nOthello. Act. III. Sc. 3.\\nOn Fortune s cap we are not the very button.\\nHamlet. Act II. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0047.jp2"}, "48": {"fulltext": "40 SHAKKSPKARKAN QUO TATIONS\\nNow the fair goddess Fortune,\\nFall deep in love with thee!\\nCoriolanus. Act I. Sc. 5.\\nWell, if Fortune be a woman,\\nshe s a good wench for this gear.\\nMerchant of Venice. Act II. Sc. 2.\\nNo, let me speak; and let me rail so high.\\nThat the false housewife Fortune break her wheel,\\nProvok d by my offence.\\nAntony and Cleopatra. Act IV. Sc. 5.\\nFortune brings in some boats that are not steer d.\\nCymbeline. Act V. Sc. 3.\\nHe shall not knit a knot in his fortunes with the\\nfinger of my substance.\\nMerry Wives of Windsor. Act III. Sc. 3.\\nFOOLS\\nThus we play the fools with the time, and the\\nspirits of the wise sit in the clouds and mock us.\\nKing Henry IV. Part II. Act II. Sc. 2.\\nHow ill white hairs become a fool and jester!\\nKing Henry IV. Part II. Act V. Sc. 5.\\nA fool s bolt is soon shot.\\nKing Henry V. Act III. Sc. 7.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0048.jp2"}, "49": {"fulltext": "SHAKBSPEJARBAN QUOTATIONS 4I\\nThe dullness of the fool is the whetstone of the\\nwits.\\nAs You Like It. Act I. Sec. 2.\\nThe more pity, that fools may not speak wisely\\nwhat wise men do foolishly.\\nIbid.\\nThe little foolery that wise men have makes a\\ngreat show.\\nIbid.\\nA fool, a fool! I met a fool i the forest,\\nA motley fool.\\nAct II. Sc. 7.\\nMy lungs began to grow like chanticleer,\\nThat fools should be so deep contemplative.\\nIbid.\\nI had rather have a fool to make me merry than\\nexperience to make me sad.\\nAct IV. Sc. I.\\nrhe fool doth think he is wise, but the wise man\\nknows himself to be a fool.\\nAct V. Sc. I.\\nHere comes a pair of very strange beasts, which\\nin all tongues are called fools.\\nAct V. Sc. 4.\\nO, these deliberate fools!\\nMerchant of Venice. Act II. Sc. 9.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0049.jp2"}, "50": {"fulltext": "42 SHAKKSPKARKAN QUOTATIONS\\nThis is the fool that lent out money gratis.\\nMerchant of Venice. Act III. Sc. i.\\nFolly in fools bears not so strong a note\\nAs foolery in the wise when wit doth dote.\\nLove s Labour s Lost. Act V. Sc. 2.\\nThou art the cap of all the fools alive.\\nTimon of Athens. Act IV. Sc. 3.\\nlyord, what fools these mortals be!\\nMidsummer Night s Dream. Act III. Sc. 2.\\nFASHION\\nPoor I am stale, a garment out of fashion\\nCymbeline. Act III. Sc. 4,\\nI\\nlyet s do it after the high Roman fashion.\\nAntony and Cleopatra. Act IV. Sc. 15.\\nHe wears his faith but as the fashion of his hat.\\nMuch Ado About Nothing. Act I. Sc. I.\\nNow will he lie ten nights awake, carving the\\nfashion of a new doublet.\\nAct II. Sc. 3.\\nThe fashion wears out more apparel than the man.\\nAct III. Sc. 3.\\nThou art not for the fashion of these times,\\nWhere none will sweat but for promotion.\\nAs You Like It. Act II. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0050.jp2"}, "51": {"fulltext": "SHAKKSPBARKAN QUOTATIONS 43\\nA man in all the world s new fashion planted,\\nThat hath a mint of phrases in his brain.\\nLove s Labour s Lost. Act L Sc. i.\\nFANCY\\nChewing the food of sweet and bitter fancy.\\nAs You Like It. Act IV. Sc. 3.\\nAnd the imperial votaress passed on,\\nIn maiden meditation, fancy-free.\\nMidsummer Night s Dream. Act II. Sc. i.\\nAll impediments in fancy *s course,\\nAre motives of more fancy.\\nAll s Well That Ends Well. Act V. Sc. 3.\\nTell me where is fancy bred,\\nOr in the heart or in the head\\nThe Merchant of Venice. Act. III. Sc. 2.\\nFATES\\nOur wills and fates do so contrary run\\nThat our devices still are overthrown.\\nHamlet. Act III. Sc. 2.\\nMen at some time are masters of their fates.\\nJulius Caesar. Act L Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0051.jp2"}, "52": {"fulltext": "44 SHAKE^SPKARBAN QUOTATIONS\\nBut yet I ll make assurance double sure,\\nAnd take a bond of fate.\\nMacbeth. Act IV. Sc. i.l\\nO God! that one might read the book of fate!\\nKing Henry IV. Part II. Act III. Sc. i.\\nI and my fellows\\nAre ministers of Fate.\\nThe Tempest. Act III. Sc. 3.\\nFI.ATTERY\\nBut when I tell him he hates flatterers,\\nHe says he does, being then most flattered.\\nJulius Caesar. Act II. Sc. i.\\nHe that loves to be flattered is worthy o the\\nflatterer.\\nTimon of Athens. Act I. Sc. i.\\nThou flatter st misery.\\nAct IV. Sc. 3.\\nThere is flattery in friendship.**\\nKing Henry V. Act III. Sc. 7.\\nHe would not flatter Neptune for his trident,\\nOr Jove for s power to thunder.\\nCoriolanus. Act III. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0052.jp2"}, "53": {"fulltext": "SHAKBSPHARKAN QUOTATIONS 45\\nGOD\\nGod and our right!\\nKing John. Act II. Sc. I.\\nGod in thy good cause make thee prosperous.\\nKing Richard II. Act I. Sc. 3.\\nGod save the mark!\\nKing Henry IV. Part I. Act I. Sc. 3.\\nGod made him, and therefore let him pass for a\\nman.\\nThe Merchant of Venice. Act I, Sc. 2.\\nYou have the grace of God, and he hath\\nenough.\\nAct II. Sc. 2.\\nGod send every one their heart s desire!\\nMuch Ado About Nothing. Act III. Sc. 4.\\nGod defend but God should go before such\\nvillains!\\nAct IV. Sc. 2.\\nGod grant us patience.\\nLove s Labour s Lost. Act I. So. I.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0053.jp2"}, "54": {"fulltext": "46 SHAKKSPEARKAN QUOTATIONS\\nGRIEF\\nFor grief is proud and makes his owner stoop.\\nKing John. Act III. Sc. i.\\nFor my grief s so great\\nThat no supporter but the huge firm earth\\nCan hold it up.\\nIbid.\\nThe fire is dead with grief.\\nAct IV. Sc. I.\\nOur griefs, and not our manners, reason now.\\nSc. 3.\\nBut grief makes one hour ten.\\nKing Richard II. Act I. Sc. 3.\\nThy grief is but thy absence for a time.\\nJoy absent, grief is present for that time.\\nIbid.\\nWithin me grief hath kept a tedious fast.\\nAct II. Sc. I.\\nEach substance of a grief hath twenty shadows.\\nSc. 2.\\nO that I were as great\\nAs is my grief, or lesser than my name\\nAct III. Sc. 3.\\nDrinking my griefs whilst you mount up on high.\\nAct IV. Sc. I.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0054.jp2"}, "55": {"fulltext": "SHAKBSPBARKAN QUOTATIONS 47\\n*Tis very true, my grief lies all within\\nAnd these external manners of laments\\nAre merely shadows to the unseen grief.\\nIbid.\\nBut that still use of grief makes wild grief tame.\\nKing Richard III. Act IV. Sc. 4.\\nEvery one can master a grief but he that has it.\\nMuch Ado About Nothing. Act III. Sc. 2.\\nBeing that I flow in grief,\\nThe smallest twine may lead me.\\nAct IV. Sc. I.\\nPatch grief with proverbs.\\nAct v. So. I.\\nMy griefs cry louder than advertisements.\\nIbid.\\nSome griefs are med cinable.\\nCymbeline. Act III. Sc. 2.\\nTriumphs for nothing and lamenting toys\\nIs jollity for apes and grief for boys.\\nAct IV. Sc. 2.\\nO, grief hath changed me since you saw me last.\\nThe Comedy of Errors. Act. V. Sc. i.\\nMy grief lies onward and my joy behind.\\nSonnet L.\\nThis grief is crowned with consolation.\\nAntony and Cleopatra. Act I. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0055.jp2"}, "56": {"fulltext": "43 SHAKESPEAREAN QUOTATIONS\\nI have\\nThat honorable grief lodged here which burns\\nWorse than tears drown.\\nThe Winter s Tale. Act II. Sc. i,\\nSome grief shows much of love,\\nBut much of grief shows still some want of wit^\\nRomeo and Juliet. Act III. Sc. 5.\\nTis unmanly grief:\\nIt shows a will most incorrect to heaven.\\nHamlet. Act I. Sc.\\nExtremity of griefs would make men mad.\\nTitus Andronicus. Act IV. Sc.\\nGHOST\\nNever, O never, do his ghost the wrong\\nTo hold your honour more precise and nice\\nWith others than with him\\nKing Henry IV. Part II. Act II. Sc. 3.\\nVex not his ghost; O, let him pass! he hates\\nhim much\\nThat would upon the rack of this tough world\\nStretch him out longer.\\nKing Lear. Act V. Sc. 3.\\nBy heaven, I ll make a ghost of him that lets me!\\nHamlet. Act I. So. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0056.jp2"}, "57": {"fulltext": "SHAKKSPEARKAN QUOTATIONS 49\\nRemember thee!\\nAy, thou poor ghost, while memory holds a seat\\nIn this distradled globe.\\nAct I. Sc. 5.\\nGOING\\nNay, pray you, seek no colour for your going\\nBut, bid farewell, and go.\\nAntony and Cleopatra. Act I. Sc. 3.\\nStand not upon the order of your going,\\nBut go at once.\\nMacbeth. Act III. Sc. 4.\\nGOLD\\nAll that glisters is not gold.\\nThe Merchant of Venice. Act II. Sc. 7.\\nSaint-seducing gold.\\nRomeo and Juliet. Act I. Sc. i.\\nThere is thy gold, worse poison to men s souls,\\nDoing more murders in this loathsome world.\\nThan these poor compounds that thou mayst not\\nseU.\\nAct V. Sc. I.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0057.jp2"}, "58": {"fulltext": "50 SHAKESPEAREAN QUOTATIONS\\n*Tis gold\\n1\\nWMch buys admittance.\\nCymbeline. Act II. Sc. 3\\nTis gold\\nWhich makes the true man kill d and\\nSaves the thief.\\nIbid.\\nYou 3 ourself\\nAre much condemned to have an itching palm\\nTo sell and mart your offices for gold\\nTo imdeservers.\\nJulius Caesar. Act IV. Sc. 3.\\nGIFTS.\\nSeven hundred pounds and possibilities is goot\\ngifts.\\nThe Merry Wives of Windsor. Act I. Sc. i.\\nRich gifts wax poor when givers prove unkind.\\nHamlet. Act III. Sc. I.\\nIf ladies be but 3 oung and fair,\\nThey have the gift to know it.\\nAs You Like It. Act II. Sc. 7.\\nWin her with gifts, if she respecfl not words.\\nTwo Gentlemen of Verona. Act III. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0058.jp2"}, "59": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 5 1\\nHEARTS\\nIf heart s presages be not vain,\\nWe three here part that ne er shall met again.\\nKing Richard II. Act II. Sc. 2.\\nFor I will ease my heart,\\nAlbeit I make a hazard of my head.\\nKing Henry IV. Part I. Act I. Sc. 3.\\nAn habitation giddy and unsure\\nHath he that buildeth on the vulgar heart.\\nPart II. Act I. Sc. 3.\\nA good heart s worth gold.\\nPart II. Act II. Sc. 4.\\nA heart unspotted is not easily daunted.\\nKing Henry VI. Part II. Act III. Sc. i.\\nWhat Stronger breastplate than a heart untainted!\\nSc. 2.\\nCherish those hearts that hate thee.\\nKing Henry VIII. Act III. Sc. 2.\\nWith a proud heart he wore his humble weeds.\\nCoriolanus. Act II. Sc. 3.\\nI have a heart as little apt as yours,\\nBut yet a brain that leads my use of anger\\nTo better vantage.\\nAct III. Sc. 2.\\nYour heart s desires be with you!\\nAs You Like It. Act I. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0059.jp2"}, "60": {"fulltext": "52 SHAKESPEAREAN QUOTATIONS\\nShe may wear her heart out first.\\nMuch Ado About Nothing. Act II. Sc. 3.\\nGod send every one their heart s desire!\\nAct III. Sc. 4.\\nO serpent heart, hid with a flowering face!\\nRomeo and Juliet. Act III. Sc. 2.\\nA heavy heart bears not a nimble tongue.\\nLove s Labour s Lost. Act V. Sc. 2.\\nA light heart lives long.\\nIbid.\\nThe valiant heart is not whipt out of his trade.\\nMeasure for Measure. Act II. Sc. i.\\nBetter a little chiding than a great deal of heart-\\nbreak.\\nMerry Wives of Windsor. Act. V. Sc. 2.\\nMy heart prays for him, though my tongue do\\ncurse.\\nComedy of Errors. Act IV. Sc. 2.\\nMy heart\\nIs true as steel.\\nMidsummer Night s Dream. Act II. Sc. i.\\nBut break, my heart; for I must hold my tongue.\\nHamlet. Act I. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0060.jp2"}, "61": {"fulltext": "SHAKESPKAREAN QUOTATIONS 53\\nI^t me wring your heart.\\nAct III. Sc. 4.\\nI will wear my heart upon my sleeve\\nFor daws to peck at.\\nOthello. Act I. Sc. i.\\nHEAVEN\\nHeaven lay not my transgression to my charge!\\nKing John. Act I. Sc. i.\\nO, let thy vow\\nFirst made to heaven, first be to heaven performed!\\nAct III. Sc. I.\\nThe breath of heaven has blown his spirit out\\nAnd strew d repentant ashes on his head.\\nAct IV. Sc. I.\\nThe sun of heaven methought was loath to set,\\nBut stayed and made the western welkin blush.\\nAct V. Sc. 4.\\nWithhold thine indignation, mighty heaven,\\nAnd tempt us not to bear above our power!\\nActV. Sc. 6.\\nlyCt heaven revenge for I may never lift\\nAn angry arm against His minister.\\nKing Richard II. Act I. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0061.jp2"}, "62": {"fulltext": "54 SHAKKSPKARKAN QUOTATIONS\\nComfort s in heaven and we are on the earth,\\nWhere nothing lives but crosses, cares and grief.\\nAct 11. Sc. 2.\\nBut heaven hath a hand in these events,\\nTo whose high will we bound our calm contentsj\\nAct V. Sc.\\nHe finds the joys of heaven here on earth.\\nThe Merchant of Venice. Act. III. Sc. sj\\nThen\\nIn reason he should never come to heaven.\\nIbid.\\nHeaven doth with us as we with torches do,\\nNot light them for themselves.\\nMeasure for Measure. Act I. Sc. 2.\\nShall we serve heaven\\nWith less respedl than we do minister\\nTo our gross selves\\nMeasure for Measure. Act II. Sc. 2.\\nHeaven hath my empty words\\nHeaven in my mouth;\\nAnd in my heart the strong and swelling evil\\nOf my conception.\\nAct II. Sc. 4.\\nHe who the sword of heaven will bear,\\nShould be as holy as severe.\\nAct III. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0062.jp2"}, "63": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 55\\nO heaven, the vanity of wretched fools!\\nActV. Sc. I.\\nShe wished\\nThat heaven had made her such a man.\\nOthello. Act I. Sc. 3.\\nThe grace of heaven,\\nBefore, behind thee, and on every hand,\\nEn wheel thee round!\\nAct II. Sc. I.\\nlyook how the floor of heaven\\nIs thick inlaid with patines of bright gold.\\nThe Merchant of Venice. Act V. Sc. i.\\nHe will make the face of heaven so fine\\nThat all the world will be in love with night.\\nRomeo and Juliet. Act III. Sc. 2.\\nThe heavens do lour upon you for some ill;\\nMove them no more by crossing their high will.\\nAct IV. Sc. 5.\\nHeaven make you better than your thoughts\\nMerry Wives of Windsor. Act III. Sc. 3.\\nO heaven, can you hear a good man groan\\nAnd not relent, or compassion him\\nTitus Andronicus. Act IV. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0063.jp2"}, "64": {"fulltext": "56 SHAKKSPHARKAN QUOTATIONS\\nHONOUR\\nAnd if his name be George, I ll call him Peter;\\nFor new made honour doth forget men s names.\\nKing John. Act I. Sc. i.\\nA foot of honour better than I was:\\nBut many a many foot of land the worse.\\nIbid.\\nHonour pricks me on. Yea, but how if honour\\nprick me oflF when I come on how then\\nCan honour set to a leg No: or an arm\\nNo: or take away the grief of a wound No.\\nKing Henry IV. Part I. Act V. Sc. i.\\nHonour hath no skill in surgery then No.\\nWhat is honour A word.\\nIbid.\\nAnd sounded all the depths and shoals of honour,\\nFound thee a way, out of his wreck, to rise in.\\nKing Henry VIII. Act III. Sc. 2.\\nHe gave his honours to the world again,\\nHis blessed part to heaven, and slept in peace.\\nAct IV. Sc. 2.\\nAnd those about her\\nFrom her shall read the perfect ways of honour.\\nAct V. Sc. 6.\\nSet honour in one eye and death i the other,\\nAnd I will look on both indifferently.\\nJulius Caesar. Act I. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0064.jp2"}, "65": {"fulltext": "shake)spe;arkan quo TAI ions 57\\nFor let the gods so speed me as I love\\nThe name of honour more than I fear death.\\nIbid.\\nWell, honour is the subjedl of my story.\\nIbid.\\nBelieve me for mine honour, and have respedl\\nto mine honour, that you may believe.\\nAct III. Sc. 2.\\nAnd as the sun breaks through the darkest\\nclouds.\\nSo honour peereth in the meanest habit.\\nTaming of the Shrew. Act IV. Sc. 3.\\nI, I, I myself sometimes, leaving the fear of God\\non the left hand and hiding mine honour in\\nmy necessity, am fain to shuffle.\\nMerry Wives of Windsor. Act II. Sc. 2.\\nINGRATITUDE\\nIngratitude, thou marble-hearted fiend,\\nMore hideous when thou show st thee in a child\\nThan the sea monster!\\nKing Lear. Act i. Sc. 4.\\nHow sharper than a serpent s tooth it is\\nTo have a thankless child\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0065.jp2"}, "66": {"fulltext": "58 SHAKKSPKARKAN QUOTATIONS\\nPray to the gods to intermit the plague\\nThat needs must light on this ingratitude.\\nJulius Caesar. Act i. Sc. i.\\nIngratitude, more strong than traitors arms,\\nQuite vanquished him.\\nAct III. Sc. 2.\\nO, see the monstrousness of man\\nWhen he looks out in an ungrateful shape!\\nTimon of Athens. Act III. Sc. 2.\\nHe *s flung in rage from this ingrateful seat\\nOf monstrous friends.\\nAct IV. Sc. 2.\\nI am rapt and can not cover\\nThe monstrous bulk of this ingratitude\\nWith any size of words.\\nAct V. Sc. I.\\nIngratitude is monstrous, and for the multi-\\ntude to be ingrateful, were to make a monster\\nof the multitude.\\nCoriolanus. Act II. Sc. 3.\\nI hate ingratitude more in a man\\nThan lying, vainness, babbling drunkenness,\\nOr any taint of vice whose strong corruption\\nInhabits our frail blood.\\nTwelfth Night. Act III. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0066.jp2"}, "67": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 59\\nIMAGINATION\\nThe lunatic, the lover, and the poet\\nAre of imagination all compadl.\\nMidsummer Night s Dream. Act V. Sc. I.\\nAnd as imagination bodies forth\\nThe forms of things unknown, the poet s pen\\nTurns them to shapes and gives to airy nothing\\nA local habitation and a name.\\nIbid.\\nSuch tricks hath strong imagination.\\nThat, if it would but apprehend some joy-\\nIt comprehends some bringer of that joy\\nIbid.\\nINNOCENCE\\nlyook like the innocent flower,\\nBut be the serpent under t.\\nMacbeth. Act I. Sc. 5.\\nThe silence often of pure innocence\\nPersuades when speaking fails.\\nThe Winter s Tale. Act II. Sc. 2.\\nInnocence shall make\\nFalse accusation blush, and tyranny\\nTremble at patience.\\nAct III. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0067.jp2"}, "68": {"fulltext": "6o SHAKKSPKARKAN QUOTATIONS\\nINK\\nI^et there be gall enough in thy ink,\\nThough thou write with a goose-pen.\\nTwelfth Night. Act III. Sc. 2.\\nTaunt him with the license of ink.\\nIbid.\\nNever durst poet touch a pen to write\\nUntil his ink were temper d with love s sighs.\\nLove s Labour s Lost. Act IV. Sc. 3.\\nHe hath not eat paper, as it were; he hath not\\ndrunk ink.\\nAct IV. Sc. 2.\\nBeauteous as ink.\\nAct V. Sc. 2.\\nO, she is fallen\\nInto a pit of ink, that the wide sea\\nHath drops too few to wash her clean again.\\nMuch Ado About Nothing. Act IV. Sc. i.\\nJEALOUSY\\nTrifles light as air\\nAre to the jealous confirmation strong\\nAs proofs of holy writ.\\nOthello. Act. III. Sc. 3.\\nO beware. of jealousy\\nIt is the green-eyed monster which doth mock\\nThe meat it feeds on.\\nIbid.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0068.jp2"}, "69": {"fulltext": "shak^spe;are:an quotations 6 1\\nThen must you speak\\nOf one not easily jealous, but being wrought\\nPerplexed in the extreme.\\nAct V. Sc. 2.\\nThen a soldier,\\nFull of strange oaths and bearded like the pard,\\nJealous in honour.\\nAs You Like It. Act II. Sc. 7.\\nGod be praised for my jealousy!\\nMerry Wives of Windsor. Act II. Sc. 2.\\nSo full of artless jealousy is guilt,\\nIt spills itself in fearing to be spilt.\\nHamlet. Act IV. Sc. 5.\\nO, how hast thou with jealousy infected\\nThe sweetness of affiance!\\nKing Henry V, Act II. Sc. 2.\\nSelf- harming jealousy! fie, beat it hence!\\nThe Comedy of Errors. Act II. Sc. i.\\nHow many fond fools serve mad jealousy!\\nIbid.\\nAnd shuddering fear, and green-eyed jealousy!\\nThe Merchant of Venice. Act III. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0069.jp2"}, "70": {"fulltext": "62 SHAKESPEAREAN QUOTATIONS\\nJUDGMENT\\nO judgment! thou art fled to brutish, beasts,\\nAnd men have lost their reason.\\nJulius Caesar. Act III. Sc. 2.\\nTake our good meaning, for our judgment sits\\nFive times in that ere once in our five wits.\\nRomeo and Juliet. Act I. Sc. 4.\\nHow would you be\\nIf He, which is the top of judgment, should\\nBut judge you as you are\\nMeasure for Measure. Act II. Sc. 2.\\nMy salad days\\nWhen I was green in judgment.\\nAntony and Cleopatra. Act I. Sc. 5\\nMen s judgments are\\nA parcel of their fortunes.\\nAct III. Sc. II.\\nFor what he has he gives, what thinks he shows;\\nYet gives he not till judgment guides his bounty.\\nTroilus and Cressida. Act IV. Sc. 5.\\nI have, perhaps, some shallow spirit of judgment.\\nKing Henry VI. Part I. Act II. Sc. 4.\\nIf my suspedl be false, forgive me, God,\\nFor judgment only doth belong to thee.\\nPart II. Act III. Sc. 2", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0070.jp2"}, "71": {"fulltext": "SHAKKSPKARHAN QUOTATIONS 63\\nJUSTICE\\nThis even-handed justice\\nCommends the ingredients of our poison d chalice\\nTo our own lips.\\nMacbeth. Act I. Sc. 7.\\nTremble, thou wretch,\\nThat hast within thee undivulged crimes,\\nUnwhipp d of justice.\\nKing Lear. Act III. Sc. 2.\\nSee how yond justice rails upon yond simple\\nthief.\\nAct IV. Sc. 6.\\nTherefore, Jew,\\nThough justice be thy plea, consider this.\\nThat, in the course of justice, none of us\\nShould see salvation.\\nThe Merchant of Venice. Act IV. Sc. i.\\nJESTS\\nYou break jests as braggarts do their blades\\nwhich hurt not.\\nMuch Ado About Nothing. Act V. Sc. i.\\nO jest unseen, inscrutable, invisible.\\nAs a nose on a man s face, or a weathercock on a\\nsteeple!\\nThe Two Gentlemen of Verona. Act II. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0071.jp2"}, "72": {"fulltext": "64 SHAKKSPEARKAN QUOTATIONS\\nA jest s prosperity lies in the ear\\nOf him that hears it, never in the tongue\\nOf him that makes it.\\nLove s Labour s Lost. Act V. Sc. 2.\\nIf you will jest with me, know my aspedl\\nAnd fashion your demeanor to my looks.\\nComedy of Errors. Act IL Sc. 2.\\nHis jest will savour but of shallow wit.\\nWhen thousands weep more than did laugh at it.\\nKing Henry V. Act L Sc. 2.\\nHe jests at scars that never felt a wound.\\nRomeo and Juliet. Act IL Sc. 2.\\nKING\\nI\\nVn call thee Hamlet,\\nKing, father, royal Dane.\\nHamlet. Act L Sc. 4.\\nThe play s the thing\\nWherein 111 catch the conscience of the king.\\nAct IL Sc. 2.\\nA king of shreds and patches.\\nAct III. Sc. 4,\\nA mockery king of snow.\\nKing Richard II. Act IV. Sc. I.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0072.jp2"}, "73": {"fulltext": "SHAKKSPE^ARKAN QUOTATIONS 65\\nIf he be not fellow with the best king, thou\\nshalt find the best king of good fellows.\\nKing Henry V. Act V. Sc. 2.\\nAy, every inch a king.\\nKing Lear. Act IV. Sc. 6.\\nI,OVE\\nIn the sweetest bud\\nThe eating canker dwells; so eating love\\nInhabits in the finest wits of all.\\nThe Two Gentlemen of Verona. Act I. Sc. i,\\nEven so by love the young and tender wit\\nIs turned to folly.\\nIbid.\\nJul. They do not love that do not show their love.\\nLuc. O, they love least that let men know their\\nlove!\\nSc. 2.\\nO, how this spring of love resembleth\\nThe uncertain glory of an April day!\\nSc. 3.\\nlyove is blind.\\nAct II. Sc. I.\\nThough the chameleon I^ove can feed on the air,\\nI am one that am nourished by my victuals.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0073.jp2"}, "74": {"fulltext": "66 SHAKESPEARKAN QUOTATIONS\\nVal. Love hath twent}^ pair of eyes.\\nSC.4.JJ\\nThu.) They say that love hath not an eye at all.\\nIbid.\\nLove hath chased sleep from my enthralled eyes\\nAnd made them watchers of mine own heart s\\nsorrow.\\nThe Tv/o Gentlemen of Verona. Act II. Sc. 4.\\nLove s a mighty lord.\\nIbid.\\nFor love, thou know st, is full of jealousy!\\nIbid.\\nLove bade me swear and Love bids me forswear.\\nO, sweet suggesting Love!\\nSc. 6.\\nDidst thou but know the inly touch of love,\\nThou wouldst as soon go kindle fire wdth snow\\nAs seek to quench the fire of love with words.\\nSc. 7.\\nFor Love is like a child,\\nThat longs for everything that he can come by.\\nAct III. Sc. I.\\nYet, spaniel-like, the more she spurns my love,\\nThe more it grows and fawneth on her still.\\nAct IV. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0074.jp2"}, "75": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 6^\\nBut love will not be spurr d to what it loathes.\\nTwo Gentlemen of Verona. Act V. Sc. i.\\nO, tis the curse in love, and still approved,\\nWhen women cannot love where they re beloved!\\nSc. 4.\\nThe course of true love never did run smooth.\\nMidsummer Night s Dream. Act I. Sc. i.\\nO, then, what graces in my love do dwell,\\nThat he hath turn d a heaven unto a hell!\\nIbid.\\nThings base and vile, holding no quantity,\\nlyove can transpose to form and dignity.\\nIbid.\\nlyove looks not with the eyes, but with the mind;\\nAnd therefore is wing d Cupid painted blind.\\nIbid.\\nAnd therefore is lyOve said to be a child,\\nBecause in choice he is so oft beguiled.\\nIbid.\\nAs waggish boys in games themselves forswear,\\nSo the boy love is perjured everywhere.\\nIbid.\\nlyOve, therefore, and tongue-tied simplicity\\nIn least speak most, to my capacity.\\nAct V. Sc. I.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0075.jp2"}, "76": {"fulltext": "68 SHAKESPEAREAN QUOTATIONS\\nBut love is blind and lovers can not see\\nThe pretty follies that themselves commit.\\nThe Merchant of Venice. Act II. Sc. 6.\\nLove is merely a madness, and deserves\\nas well a dark house and a whip as madmen do.\\nAs You Like It. Act III. Sc. 2.\\nLove s tongue proves dainty Bacchus gross in\\ntaste:\\nFor valour, is not love a Hercules?\\nLove s Labour s Lost. Act. IV. Sc. 3.\\nAnd when Love speaks, the voice of all the gods J J\\nMake heaven drowsy w4th the harmonv.\\nIbid.\\nIn love the heavens themselves do guide the\\nstate;\\nMoney buys lands, and w4ves are sold b}^ fate.\\nThe Merry Wives of Windsor. Act V. Sc. 5.\\nLove-thoughts lie rich when canopied with\\nbowers.\\nTwelfth Night. Act I. Sc. i.\\nLove sought is good, but given unsought is\\nbetter.\\nAct III. Sc. I.\\nShe never told her love,\\nBut let concealment, like a worm i the bud,\\nFeed on her damask cheek.\\nTwelfth Night. Act II. So. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0076.jp2"}, "77": {"fulltext": "SHAKESPEAREAN QUOTATIONS 69\\nIf love be blind, love can not hit the mark.\\nRomeo and Juliet. Act II. Sc. i.\\nYoung men s love then lies\\nNot truly in their hearts, but in their eyes.\\nSc. 3.\\nIvove s heralds should be thoughts,\\nWhich ten times faster glide than the sun s\\nbeams.\\nSc. 5.\\nLove s reason s without reason.\\nCymbeline. Act IV. Sc, 2.\\nSpeak low, if you speak love.\\nMuch Ado About Nothing. Act II. Sc. i.\\nThis is the very ecstasy of love.\\nHamlet. Act II. Sc. i.\\nThe pangs of despised love.\\nAct III. Sc. I.\\nWhat my love is, proof hath made you know;\\nAnd as my love is sized, my fear is so.\\nSc. 2.\\nWhere love is great the littlest doubts are fear;\\nWhere little fears grow great, great love grows\\nthere.\\nIbid.\\nThere s beggary in the love that can be reckoned.\\nAntony and Cleopatra. Act I. .Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0077.jp2"}, "78": {"fulltext": "yo SHAKESPKARKAN QUOTATIONS\\nLIFE\\nI do not set my life at a pin s fee.\\nHamlet. Act I. Sc. 4.\\nI can not tell what you and other men\\nThink of this life; but, for my single self,\\nI had as lief not be as live to be\\nIn awe of such a thing as I myself.\\nJulius Caesar. Act I. Sc. 2.\\nI bear a charmed life.\\nMacbeth. Act V. Sc. 8.\\nHe hath a daily beauty in his life.\\nOthello. Act V. Sc. i.\\nAnd this our life, exempt from public haunt,\\nFinds tongues in trees, books in the running\\nbrooks,\\nSermons in stones and good in everything.\\nAs You Like It. Act II. Sc. i.\\nThink you I bear the shears of destiny\\nHave I commandment on the pulse of life\\nKing John. Act IV. Sc. 2.\\nThat life is better life, past fearing death.\\nThan that which lives to fear.\\nMeasure for Measure. Act V. Sc. i.\\nO, this life\\nIs nobler than attending for a check.\\nProuder than rustling in unpaid-for silk.\\nCymbeline Act III. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0078.jp2"}, "79": {"fulltext": "SHAKKSPKARBAN QUOTATIONS 7I\\nMAN\\nO, how wretched\\nIs that poor man that hangs on princes favours!\\nKing Henry VIIL Act III. Sc. 2.\\nAn old man, broken with the storms of state,\\nIs come to lay his weary bones among ye.\\nAct IV. Sc. 2.\\nThis is a slight unmeritable man,\\nMeet to be sent on errands.\\nJulius Caesar. Act IV. Sc. i.\\nThere s many a man hath more hair than wit.\\nComedy of Errors. Act II. Sc. 2.\\nI am a woman s man and besides myself.\\nAct. III. Sc. 2.\\nA man of my kidney.\\nMerry Wives of Windsor. Act III. Sc. 5.\\nI am a man\\nMore sinn d against than sinning.\\nKing Lear. Act III. Sc. 2.\\nHe can not be a perfedl man,\\nNot being tried and tutor d in the world.\\nThe Two Gentlemen of Verona. Act I. Sc. 3.\\nA man I am cross d with adversity.\\nAct IV. Sc. I.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0079.jp2"}, "80": {"fulltext": "72 SHAKESPEAREAN QUOTATIONS\\nO heaven were man\\nBut constant, he were perfect.\\nAct V. Sc. 4-\\nGive every man thy ear, but few thy voice.\\nHamlet. Act I. Sc. 3.\\nTake each man s censure, but reserve thy judg-\\nment.\\nIbid.\\nGive me that man\\nThat is not passion s slave.\\nAct III. Sc. 2.\\nWhat is a man\\nIf his chief good and market of his time\\nBe but to sleep and feed\\nAct IV. Sc. 4.\\nMEN\\nMen s evil manners live in brass; their virtues\\nWe write in water.\\nKing Henry VIII. Act IV. Sc. 2.\\nBut we are all men,\\nIn our own natures frail, and capable\\nOf our flesh: few are angels.\\nAct V. Sc. 3.\\nMen at some time are masters of their fates.\\nJulius Caesar. Act I. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0080.jp2"}, "81": {"fulltext": "SHAKKSPE^ARKAN QUOTATIONS 73\\nLet me have men about me that are fat;\\nSleek-headed men and such as sleep o nights.\\nIbid.\\nThe evil that men do lives after them;\\nThe good is oft interred with their bones.\\nAct III. Sc. 2.\\nThey say, best men are moulded out of faults.\\nMeasure for Measure. Act V. Sc. i.\\nO, what men dare do what men may do what\\nmen daily do, not knowing what they do\\nMuch Ado About Nothing. Act IV. Sc. i.\\nMen s vows are women s traitors!\\nCymbeline. Act III. Sc. 4.\\nO, give me the spare men and spare me the great\\nones.\\nKing Henry IV. Part II. Act III. Sc. 2.\\nMKRCY\\nMercy is not itself that oft looks so.\\nMeasure for Measure. Act II. Sc. i.\\nNo ceremony that to great ones longs\\nBecomes them with one-half so good a grace\\nAs mercy does.\\nSc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0081.jp2"}, "82": {"fulltext": "74 SHAKESPKARKAN QUOTATIONS\\nLawful mercy\\nIs nothing kin to foul redemption.\\nSc. 4,\\nSweet mercy is nobility s true badge.\\nTitus Andronicus. Act I. Sc. i.\\nThe quality of mercy is not strained,\\nIt droppeth as the gentle rain from heaven\\nUpon the place beneath.\\nThe Merchant of Venice. Act IV. Sc. i.\\nBut mercy is above this sceptred sway.\\nIbid\\nAnd earthl}^ power doth then show likest God s\\nWhen mercy seasons justice.\\nIbid.\\nWe do pray for mercy;\\nAnd that same prayer doth teach us all to render\\nThe deeds of merc3^\\nIbid.\\nThe gates of mercy shall be all shut up.\\nKing Henry V. Act III. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0082.jp2"}, "83": {"fulltext": "SHAKE^SPKARKAN QUOTATIONS 75\\nMUSIC\\nMakes a swan-like end,\\nFading in music.\\nMerchant of Venice. Act III. Sc. 2.\\nHere will we sit and let the sounds of music creep\\nin our ears.\\nAct V. Sc. I.\\nThe man that hath no music in himself,\\nNor is not moved with concord of sweet sounds.\\nIs fit for treasons, stratagems and spoils:\\nI^t no such man be trusted.\\nIbid.\\nIt will discourse most eloquent music.\\nHamlet. Act III. Sc. 2.\\nIf music be the food of love, play on.\\nTwelfth Night. Act I. Sc. i.\\nI had rather hear you to solicit that\\nThan music from the spheres.\\nAct III. Sc. 2.\\nIn sweet music is such art.\\nKilling care and grief of heart.\\nFall asleep, or hearing, die.\\nKing Henry VIII. Song. Act III. Sc. i.\\nTax not so bad a voice\\nTo slander music any more than once.\\nMuch Ado About Nothing. Act II. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0083.jp2"}, "84": {"fulltext": "76 SHAKESPKARBAN QUOTATIONS\\nWilt thou have music? hark! Apollo plays\\nAnd twenty caged nightingales do sing.\\nTaming of the Shrew. Induction. Sc. 2.\\nOne whom the music of his own vain tongue\\nDoth ravish like enchanting harmony.\\nLove s Labour s Lost. Act I. Sc. i.\\nThe music of the spheres!\\nPericles. Act V. Sc. i.\\nMADNESS\\nI am but mad north-north-west; when the wind is\\nsoutherly I know a hawk from a handsaw.\\nHamlet. Act IL Sc. 2.\\nThough this be madness, yet there is method\\nin^\\nIbid.\\nMad call I it; for, to define true madness.\\nWhat is t but to be nothing else but mad\\nIbid.\\nThat he is mad His true; tis true, tis pity;\\nAnd pity tis, tis true.\\nIbid.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0084.jp2"}, "85": {"fulltext": "SHAKKSPKARKAN QUOTATIONS\\nMadness in great ones must not unwatched go.\\nAct III. Sc. I.\\nIf she be mad, as I believe, no other,\\nHer madness hath the oddest frame of sense.\\nMeasure for Measure. Act V. Sc. i.\\nGood Lord, what madness rules in brain-sick\\nmen!\\nKing Henry VI. Part I. Act IV. Sc. i.\\nThis is very midsummer madness.\\nTwelfth Night. Act III. Sc. 4.\\nMad world! mad kings! mad composition!\\nKing John. Act II. Sc. i.\\nI am not mad; I would to heaven I were!\\nAct III. Sc. 4.\\nI am not mad; too well, too well I feel\\nThe different plague of each calamity.\\nIbid.\\nThou art essentially mad, without seeming so.\\nKing Henry IV. Act II. Sc. 4.\\nO, that way madness lies; let me shun that.\\nKing Lear. Act III. Sc. 4,", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0085.jp2"}, "86": {"fulltext": "78 SHAKKSPEAREAX QUOTATIONS\\nNAME\\nYour name is great\\nIn mouths of wisest censure.\\nOthello. Act II. Sc. 3.\\nGood name in man and woman\\nIs the immediate jewel of their souls.\\nAct III. Sc. 3.\\nBut he that filches from me my good name\\nRobs me of that which not enriches him\\nAnd makes me poor indeed.\\nIbid.\\nWliat s in a name that which we call a rose\\nBy an}^ other name would smeU as sweet.\\nRomeo and Juliet. Act II. Sc. 2.\\nFrailt} th} name is woman\\nHamlet. Act I. Sc. 2.\\nI can not tell what the dickens his name is.\\nThe Merry Wives of Windsor. Act III. Sc. 2.\\nOFFENCE\\nHence hath offence his quick celerity,\\nWhen it is borne in high authority.\\nMeasure for Measure. Act IV. Sc. 2.\\nO, my offence is rank, it smells to heaven.\\nHamlet. Act III. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0086.jp2"}, "87": {"fulltext": "SHAKBSPKARKAN QUOTATIONS 79\\nIn the corrupted currents of this world\\nOffence* s gilded hand may shove by justice.\\nIbid.\\nAnd where the offence is let the great axe fall.\\nAct. IV. Sc. 5.\\nAll s not offence that indiscretion finds\\nAnd dotage terms so.\\nKing Lear. Act II. So. 4.\\nOBSERVATION\\nHe is a great observer, and he looks\\nQuite through the deeds of men.\\nJulius Caesar. Act I. Sc. 2.\\nThe observed of all observers.\\nHamlet. Act III. Sc. i.\\nBy my penny of observation.\\nLove s Labour s Lost. Act III. Sc. i.\\nWhat observation madest thou in this case\\nOf his heart s meteors tilting in his face?\\nThe Comedy of Errors. Act IV. Sc. 2.\\nFor he is but a bastard to the time\\nThat doth not smack of observation.\\nKing John. Act I. Sc. i.\\nHe hath strange places cramm d with observation.\\nAs You Like It. Act II. Sc. 7,\\ni", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0087.jp2"}, "88": {"fulltext": "8o SHAKKSPKARHAN QUOTATIONS\\nPRAYER\\nBeing thus frighted swears a prayer or two,\\nAnd sleeps again.\\nRomeo and Juliet. Act I. Sc. 4.\\nNor tears nor prayers shall purchase out abuses.\\nAct III. Sc. I.\\nHe prays but faintly and would be denied;\\nWe pray with heart and soul and all beside.\\nKing Richard II. Act V. Sc. 3.\\nHis prayers are full of false hypocrisy;\\nOurs of true zeal and deep integrity.\\nIbid.\\nOur pra3 ers do out-pray his; then let them have\\nThat mercy which true prayer ought to have.\\nIbid.\\nHe scorns to say his prayers, lest a should be\\nthought a coward.\\nKing Henry V. Act III. Sc. 2.\\nAnd what s in prayer but this two-fold force,\\nTo be forestalled ere we come to fall,\\nOr pardon d being down\\nHamlet. Act III. Sc. 3.\\nWith true prayers\\nThat shall be up at heaven and enter there\\nEre sun-rise, prayers from preserved souls.\\nMeasure for Measure. Act II. Sc. s.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0088.jp2"}, "89": {"fulltext": "SHAKBSPEJARKAN QUOTATIONS 8l\\nWhen I would pray and tiiink, I think and pray\\nTo several subjects.\\nSc. 4.\\nTruly I would desire you to clap into\\nyour prayers.\\nAct IV. Sc. 3.\\nAnd my ending is despair,\\nUnless I be relieved by prayer,\\nWhich pierces so that it assaults\\nMercy itself and frees all faults.\\nThe Tempest Epilogue.\\nThe more my prayer, the lesser is my grace.\\nMidsummer Night s Dream. Act 11. Sc. 2.\\nIf when you make your prayers,\\nGod should be so obdurate as yourselves.\\nHow would it fare with your departed souls\\nKing Henry VL Part II. Act IV. Sc. 7.\\nI have said my prayers and devil Envy say Amen.\\nTroilus and Cressida. Act II. Sc. 3.\\nIf I could pray to move prayers would move me.\\nJulius Caesar. Act III. Sc. i.\\nWhen thou hast leisure say thy prayers.\\nAll s Well That Ends Well. Act I. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0089.jp2"}, "90": {"fulltext": "82 SHAKESPKAREAN QUOTATIONS\\nPATIENCE\\nShe sat like patience on a monument\\nSmiling at grief.\\nTwelfth Night. Act II. Sc. 4.\\nI thank God I have as little patience as another\\nman.\\nLove s Labour s Lost. Act L Sc. i.\\nFor a very little thief of occasion will rob you of\\na great deal of patience.\\nCoriolanus. Act IL Sc. i.\\nThat which in mean men we entitle patience\\nIs pale cowardice in noble breasts.\\nKing Richard II. Act L Sc. 2\\nPatience is stale, and I am weary of it.\\nAct V. Sc. 5\\nThough patience be a tired mare, yet she wil\\nplod.\\nKing Henry V. Act IL Sc. i\\nO, you blessed ministers above,\\nKeep me in patience!\\nMeasure for Measure. Act V. Sc. i,\\nHow poor are they that have not patience!\\nOthello. Act II. Sc. 3\\nPatience, thou young and rose-lipp d cherubin.\\nAct IV. Sc. 2,", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0090.jp2"}, "91": {"fulltext": "shakkspe;arkan quotations 83\\nHere will be an old abusing of God s patience\\nand the king s English.\\nThe Merry Wives of Windsor. Act I. Sc. 4.\\nPatience and sorrow strove\\nWho should express her goodliest.\\nKing Lear. Act IV. Sc. 3.\\nTis all men s office to speak patience\\nTo those that wring under the load of sorrow.\\nMuch Ado About Nothing. Act V. Sc. i.\\nPEACK\\nIn peace there s nothing so becomes a man\\nAs modest stillness and humility.\\nKing Henry V. Act III. Sc. i.\\nWho should study to prefer a peace,\\nIf holy churchmen take delight in broils?\\nKing Henry VI. Part I. Act III. Sc. i.\\nWhy, I, in this weak piping time of peace,\\nHave no delight to pass away the time.\\nKing Richard III. Act I. Sc. i.\\nStill in thy right hand carry gentle peace.\\nTo silence envious tongues.\\nKing Henry VIII. Act III. Sc. 2.\\nHe gave his honours to the world again,\\nHis blessed part to heaven, and slept in peace.\\nAct IV. Sc. 2", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0091.jp2"}, "92": {"fulltext": "84 SHAKKSPKARKAN QUOTATIONS\\nThe peace of heaven is theirs that lift their\\nswords\\nIn such a just and charitable war.\\nKing John. Act II. Sc. i.\\nAnd on the marriage-bed\\nOf smiling peace to march a bloody host,\\nAnd make a riot on the gentle brow\\nOf true sincerity\\nAct III. Sc. I.\\nIn war was never lion raged more fierce,\\nIn peace was never gentle lamb more mild.\\nKing Richard II. Act II. Sc. i.\\nThe cankers of a calm world and a long peace.\\nKing Henry IV. Part I. Act IV. Sc. 2.\\nI speak of peace, while covert enmity\\nUnder the smile of safety wounds the world.\\nPart II. Induction.\\nOut of the speech of peace that bears such grace,\\nInto the harsh and boisterous tongue of war\\nAct IV. Sc. I.\\nOur peace will, like a broken limb united.,\\nGrow stronger for the breaking.\\nIbid.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0092.jp2"}, "93": {"fulltext": "SHAKKSPEJARBAN QUO TAI IONS 85\\nPITY\\nForget to pity him, lest thy pity prove\\nA serpent that will sting thee to the heart.\\nKing Richard II. Act V. Sc. 3.\\nHe hath a tear for pity and a hand\\nOpen as day for meeting charity.\\nKing Henry IV. Part II. Act IV. Sc. 4.\\nPity was all the fault that was in me.\\nKing Henry VI. Part II. Act III. Sc. i.\\nO, pity, pity, gentle heaven, pity!\\nPart III. Act 11. Sc. 5.\\nBut yet the pity of it, lago!\\nO lago, the pity of it, lago!\\nOthello. Act IV. Sc. i.\\nAnd wiped our eyes\\nOf drops that sacred pity hath engendered.\\nAs You Like It. Act II. Sc. 7.\\nIs there no pity sitting in the clouds,\\nThat sees into the bottom of my grief\\nRomeo and Juliet. Act III. Sc. 5.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0093.jp2"}, "94": {"fulltext": "86 SHAKESPKARKAN QUOTATIONS\\nPHILOSOPHY\\nThere are more things in heaven and earth,\\nHoratio,\\nThan are dreamt of in your philosophy.\\nHamlet. Act I. Sc. 5.\\nThere is something in this more than natural, if\\nphilosophy could find it out.\\nAct IL Sc. 2.\\nTo love, to wealth, to pomp, I pine and die;\\nWith all these living in philosophy.\\nLove s Labour s Lost. Act L Sc. i.\\nOf your philosophy you make no use,\\nIf you give place to accidental evils.\\nJulius Caesar. Act IV. Sc. 3.\\nAdversity s sweet milk, philosophy.\\nRomeo and Juliet. Act IIL Sc. 3,\\nFor there was never yet philosopher\\nThat could endure the toothache patiently.\\nMuch Ado About Nothing. Act V. Sc. i.\\nI am\\nGlad that you thus continue your resolve\\nTo suck the sweets of sweet philosophy.\\nTaming of the Shrew. Act L Sc. I.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0094.jp2"}, "95": {"fulltext": "SHAKD^PE^ARKAN QUOTATIONS 87\\nQUARREly\\nBeware\\nOf entrance to a quarrel, but being in,\\nBear t that the opposed may beware of thee.\\nHamlet. Act I. Sc. 3.\\nBut greatly to find quarrel in a straw\\nWhen honour s at the stake.\\nAct IV. Sc. 4.\\nThrice is he armed that hath his quarrel just.\\nKing Henry VI. Part II. Act III. Sc. 2.\\nSudden and quick in quarrel.\\nAs You Like It. Act 11. Sc. 7.\\nO we quarrel in print, by the book;\\nas you have books for good manners.\\nAs You Like It. Act V. Sc. 4.\\nThy head is as full of quarrels as an egg is full\\nof meat.\\nRomeo and Juliet. Act III. Sc. i.\\nIn a false quarrel there is no true valour.\\nMuch Ado About Nothing. Act V. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0095.jp2"}, "96": {"fulltext": "88 SHAKKSPEARKAN QUOTATIONS\\nREMEDY\\nThings without all remedy\\nShould be without regard.\\nMacbeth. Act III. Sc. 2.\\nAnd He that might the vantage best have took\\nFound out the remedy.\\nMeasure for Measure. Act II. Sc. 2.\\nI can get no remedy against this consumption of\\nthe purse.\\nKing Henry IV. Part II. Act I. Sc. 2.\\nWhen remedies are past, the griefs are ended\\nBy seeing the worst, which late on hopes depended.\\nOthello. Act I. Sc. 3.\\nOur remedies oft in ourselves do lie,\\nWhich we ascribe to heaven.\\nAll s Well That Ends Well. Act I. Sc. i.\\nREASON\\nNeither rhyme nor reason can express how much.\\nAs You Like It. Act III. Sc. 2.\\nThe will of man is by his reason sway d.\\nMidsummer Night s Dream. Act II. Sc. 2.\\nReason becomes the marshal to my will.\\nIbid.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0096.jp2"}, "97": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 89\\nTo say the truth, reason and love keep little\\ncompany together nowadays.\\nAct III. Sc. I.\\nReason thus with life\\nIf I do lose thee, I do lose a thing\\nThat none but fools would keep.\\nMeasure for Measure. Act III. Sc. I.\\nNow, see that noble and most sovereign reason,\\nI^ike sweet bells jangled, out of tune and harsh.\\nHamlet. Act III. Sc. i.\\nSOUI.\\nO my prophetic soul\\nHamlet. Act I. Sc. 5.\\nSince my dear soul was mistress of her choice,\\nAnd could of men distinguish, her eleAion\\nHath seard thee for herself.\\nAct III. Sc. 2.\\nO, it offends me to the soul to hear a robustious\\nperiwig-pated fellow tear a passion to tatters.\\nO limed soul, that, struggling to be free,\\nArt more engaged\\nSc. 3.\\nLay not that flattering unAion to your soul.\\nAct III. Sc. 4.\\nk", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0097.jp2"}, "98": {"fulltext": "90 SHAKESPEAREAN QUOTATIONS\\nMy soul is full of discord and dismay.\\nAct IV. Sc. 1\\nTo my sick soul, as sin s true nature is,\\nEach toy seems prologue to some great amiss.\\nSc. 5.\\nI have a kind soul that would give 3 ou thanks\\nAnd knows not how to do it but with tears.\\nKing John. Act V. Sc. 7.\\nNow m}^ soul hath elbow-room.\\nIbid.\\nAnd from the organ-pipe of frailty sings\\nHis soul and body to their lasting rest.\\nIbid.\\nPlain well-meaning soul,\\nWhom fair befal in heaven mongst happy souls!\\nKing Richard II. Act II. Sec. i.\\nNow hast my soul brought forth her prodigy.\\nSec. 2.\\nAn evil soul producing holy witness\\nIs like a villain with a smiling cheek.\\nThe Merchant of Venice. Act I. Sc. 3.\\nA wretched soul, bruised with adversity.\\nThe Comedy of Errors. Act II. Sc. I.\\nAll the souls that were were forfeit once.\\nMeasure for Measure, Act II. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0098.jp2"}, "99": {"fulltext": "SHAKKSPE^ARKAN QUOTAI IONS 9 1\\nThe soul of this man is his clothes.\\nAll s Well That Ends Well. Act II. Sc. 5.\\nI have a soul of lead\\nSo stakes me to the ground I can not move.\\nRomeo and Juliet. Act I. Sc. 4.\\nI will deal in this\\nAs secretly and justly as your soul\\nShould with your body.\\nMuch Ado About Nothing. Act IV. Sc. I.\\nSORROW\\nO, if thou teach me to believe this sorrow,\\nTeach thou this sorrow how to make me die.\\nKing John. Act III. Sc. I.\\nI will instruct my sorrows to be proud.\\nIbid.\\nHere I and sorrows sit.\\nIbid.\\nBut now will canker sorrow eat my bud\\nAnd chase the native beauty from, his cheek.\\nSc. 4.\\nTo seek out sorrow that dwells everywhere.\\nKing Richard II. Act I. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0099.jp2"}, "100": {"fulltext": "92 SHAKESPEAREAN QUOTATIONS\\nFor gnarling sorrow hath less power to bite\\nThe man that mocks at it and sets it light.\\nSc. 3.\\nFell sorrow s tooth doth never rankle more\\nThan when he bites, but lanceth not the sore.\\nIbid.\\nGive sorrow leave awhile to tutor me\\nTo this submission.\\nAct IV. Sc. I.\\nOne sorrow never comes but brings an heir.\\nPericles. Act I. Sc. 4.\\nWHien sorrows come, they come not single spies.\\nBut in battalions.\\nHamlet. Act IV. Sc. 5.\\nAre you like the painting of a sorrow,\\nA face without a heart\\nSc. 7.\\nSorrow would be a rarity most beloved,\\nIf all could so become it.\\nKing Lear. Act IV. Sc. 3.\\nAffliction may one day smile again; and till then.\\nSit thee down, sorrow.\\nLove s Labour s Lost. Act I. Sc. i.\\nAnd sleep, that sometimes shuts up sorrow* s eye,\\nSteal me awhile from mine own company.\\nMidsummer Night s Dream. Act III Sc. 2,", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0100.jp2"}, "101": {"fulltext": "SHAKi^PKARBAN QUOTATIONS 93\\nBut sorrow, that is couched in seeming gladness,\\nIs like that mirth fate turns to sudden sadness.\\nTroilus and Cresseda. Act I. Sc. i.\\nSorrow concealed, like an oven stopped.\\nDoth bum the heart to cinders where it is.\\nTitus Andronicus. Act II. Sc. 4.\\nIs not my sorrow deep, having no bottom\\nAct III. Sc. I.\\nSLEEP\\nO sleep, thou ape of death, lie dull upon her!\\nCymbeline. Act II. Sc. 2.\\nHe that sleeps feels not the toothache.\\nAct V. Sc. 4.\\nSleep shall neither night nor day\\nHang upon his pent-house lid.\\nMacbeth. Act I. Sc. 3.\\nThe innocent sleep.\\nSleep that knits up the ravelPd sleave of care.\\nAct II. Sc. 2.\\nO sleep, O gentle sleep,\\nNature s soft nurse\\nKing Henry IV. Part II. Act III. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0101.jp2"}, "102": {"fulltext": "94 SHAKESPEAREAN QUOTATIONS\\nSAINT\\nI\\nAnd seem a saint, when most I play the devil.\\nKing Richard III. Act I. Sc. 3.\\nO, thou hast damnable iteration, and art indeed\\nable to corrupt a saint.\\nKing Henry IV. Part I. Act I. Sc. 2.\\nI hold you as a thing ensky d, and sainted\\nAnd to be talk d with in sincerity,\\nAs with a saint.\\nMeasure for Measure. Act I. Sc. 5.\\nI conjure thee by all the saints in heaven\\nThe Comedy of Errors. Act IV. Sc. 4.\\nSIN\\nSome sins do bear their privilege on earth.\\nKing John. Act I. Sc. i.\\nTis no sin for a man to labour in his vocation.\\nKing Henry IV. Part I. Act I. Sc. 2.\\nIf to be old and merry be a vSin, then many an old\\nhost that I know is damned.\\nKing Henry IV. Part I. Act II. Sc. 4.\\nCommit\\nThe oldest sins the newest kind of wa3^s\\nPart II. Act IV. Sc. 5.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0102.jp2"}, "103": {"fulltext": "SHAKE)SPKARKAN QUOTATIONS 95\\nSelf-love is not so vile a sin\\nAs self-neglecting.\\nKing Henry V. Act II. Sc. 4.\\nBut if it be a sin to covet honour,\\nI am the most offending soul alive.\\nAct IV. So. 3.\\nIt is a great sin to swear unto a sin,\\nBut greater sin to keep a sinful oath.\\nKing Henry VI. Part II. Act V. Sc. i.\\nBut I am in\\nSo far in blood that sin will pluck on sin.\\nKing Richard III. Act IV. Sc. 2.\\nBut cardinal sins and hollow hearts I fear ye.\\nKing Henry VIII. Act III. Sc. i.\\nBy that sin fell the angels.\\nSc. 2.\\nSome rise by sin, and some by virtue fall.\\nMeasure for Measure. Act II. Sc. i.\\nOur compeU d sins\\nStand more for number than for accompt.\\nSc. 4.\\nNothing emboldens sin so much as mercy.\\nTimon of Athens. Act III. Sc. 5.\\nYou can not make gross sins look clear.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0103.jp2"}, "104": {"fulltext": "96 SHAKESPE^ARKAN QUOTATIONS\\nThe sin of my ingratitude even now\\nWas heavy on me.\\nMacbeth. Act I. Sc. 4.\\nTeadi sin the carriage of a holy saint.\\nComedy of Errors. Act III. Sc. i.\\nCut off even in the blossoms of my sin.\\nHamlet. Act I. Sc. 5.\\nFew love to hear the sins they love to act.\\nPericles. Act I. Sc. i.\\nFor he s no man on whom perfections wait\\nThat, knowing sin within, will touch the gate.\\nIbid.\\nOne sin, I know, another doth provoke.\\nIbid.\\nWhen devils will the blackest sins put on.\\nThey do suggest at first with heavenly shows.\\nOthello. Act II. Sc. 3.\\nO, what authority and show of truth\\nCan cunning sin cover itself withal!\\nMuch Ado About Nothing. Act IV. Sc, i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0104.jp2"}, "105": {"fulltext": "SHAKKSPKARBAN QUCTATIONS 97\\nSlyANDER\\nOnly his gift is in devising impossible vslanders.\\nMuch Ado About Nothing. Act II. Sc. i.\\nThy slander hath gone through and through her\\nheart.\\nAct V. Sc. I.\\nSlander d to death by villains.\\nIbid.\\nBetrays to slander,\\nWhose sting is sharper than the sword s.\\nThe Winter s Tale. Act II. Sc. 3.\\nNo, tis slander.\\nWhose edge is sharper than the sword, whose\\ntongue\\nOutvenoms all the worms of Nile.\\nCymbeline. Act III. Sc. 4.\\nFor slander lives upon succession,\\nForever housed where it gets possession.\\nThe Comedy of Errors. Act. III. Sc. i.\\nThat is no slander which is a truth.\\nRomeo and Juliet. Act IV. Sc. i.\\nThere is no slander in an allowed fool, though\\nhe do nothing but rail.\\nTwelfth Night. Act I. Sc. 5.\\nA partial slander sought I to avoid,\\nAnd in the sentence my own life destroy d.\\nKing Richard II. Act I. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0105.jp2"}, "106": {"fulltext": "98 SHAKESPEAREAN QUOTATIONS\\nTOXGL*E\\n1\\nHe speaks plain cannon fire, and smoke, and\\nbounce;\\nHe gives the bastinado with his tongue.\\nKing John. Act. II. Sc. i.\\nO, that my tongue were in the thunder s mouth!\\nAct III. Sc. 4.\\nMy tongue shall hush again this storm of war\\nAnd make fair weather in vour blustering land.\\nAct V. Sc. 2.\\nLet the tongue of war\\nPlead for our interest and our being here.\\nIbid.\\nO, but they say the tongues of dying men\\nEnforce attention like deep harmony.\\nKing Richard II. Act II. Sc. i.\\nHe does me double wrong\\nThat wounds me with the flatteries of his tongue.\\nAct III. Sc. 2.\\nMy tongue could never learn sweet smoothing\\nwords.\\nKing Richard III. Act I. Sc. 2\\nEvery tongue brings in a several tale,\\nAnd every tale condemns me for a illain.\\nAct V. Sc, 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0106.jp2"}, "107": {"fulltext": "SHAKESPKARBAN QUOTATIONS 99\\nHow silver-sweet sound lovers tongues by night,\\nlyike softest music to attending ears\\nRomeo and Juliet. Act II. Sc. 2.\\nThat man that hath a tongue, I say, is no man,\\nIf with his tongue he can not win a woman.\\nThe Two Gentlemen of Verona. Act III. Sc. i.\\nWhile thou livest, keep a good tongue in thy\\nhead.\\nThe Tempest. Act III. Sc. 2.\\nThe Iron tongue of midnight hath told twelve.\\nThe Midsummer Night s Dream. Act V. Sc. i.\\nNo, let the candied tongue lick absurd pomp.\\nAnd crook the pregnant hinges of the knee\\nWhere thrift may follow fawning.\\nHamlet. Act III. Sc. 2.\\nJ Put a tongue\\nIn every wound of Caesar that should move\\nThe stones of Rome to rise and mutiny.\\nJulius Caesar. Act III. Sc. 2.\\nTIME\\nBut here, upon this bank and shoal o time,\\nWe Id jump the life to come.\\nMacbeth. Act I. Sc. 7.\\nlyive to be the vShow and gaze o the time.\\nAct V. Sc. 8.\\nI", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0107.jp2"}, "108": {"fulltext": "lOO SHAKKSPKARKAN QUOTATIONS\\nTime is a very bankrupt, and owes more than\\nhe s worth to season.\\nThe Comedy of Errors. Act IV. Sc. 3.\\nHave 3^ou not heard men say,\\nThat Time comes steaUng on by night and day\\nIbid.\\nIf Time be in debt and theft, and a sergeant in\\nthe way,\\nHath he not reason to turn back an hour in a\\nday?\\nIbid.\\nThe end crowns all,\\nAnd that old common arbitrator. Time,\\nWill one day end it.\\nTroilus and Cressida. Act IV. Sc. 5.\\nOld Time, the clock-setter, that bald sexton. Time,\\nIs it as he will\\nKing John. Act III. Sc. i.\\nO, call back yesterday, bid time return\\nKing Richard II. Act III. Sc. 2.\\nTime shall unfold what plaited cunning hides.\\nKing Lear. Act I. Sc. i.\\nThe time is out of joint; O cursed spite,\\nlet it right\\nHamlet. Act I. So. 5.\\nThat ever I was born to set it right", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0108.jp2"}, "109": {"fulltext": "SHAKKSPKAR^AN QUOTATIONS IOj\\nWhat seest thou else\\nIn the dark backward and abyss of time\\nThe Tempest, Act I. Sc. 2.\\nThe inaudible and noiseless foot of time.\\nAll s Well That Ends Well. Act V. Sc. 3.\\nTime and the hour runs through the roughest\\nday.\\nMacbeth. Act I. Sc. 3.\\nTo beguile the time,\\nLook like the time; bear welcome in your eye,\\nYour hand, your tongue.\\nSc. 5.\\nUSES\\nHow weary, stale, flat and unprofitable,\\nSeem to me all the uses of this world!\\nHamlet. Act I, Sc. 2.\\nFor use almost can change the stamp of nature.\\nAct III. Sc. 4.\\nTo what base uses we may return!\\nAct V. Sc. ic\\nHow use doth breed a habit in a man!\\nThe Two Gentlemen of Verona. Act V. Sc. 4.\\nSweet are the uses of adversity.\\nAs You Like It. Act II. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0109.jp2"}, "110": {"fulltext": "I02 SHAKKSPKAREAN QUOTATIONS\\nVIRTUE\\nI see virtue in his looks.\\nKing Henry IV. Part I. Act II. Sc. 4.\\nIs there no virtue extant\\nIbid.\\nVirtue is not regarded in handicrafts-men.\\nKing Henry VI. Part II. Act IV. Sc. 2.\\nHer virtues graced with external gifts\\nDo breed love s settled passions in my heart.\\nAct. V. Sc. 5.\\nVirtue itself scapes not calumnious strokes.\\nHamlet. Act I. Sc. 3.\\nBut virtue, as it never will be moved,\\nThough lewdness court it in a shape of heaven.\\nSc. 5.\\nAssume a virtue, if you have it not.\\nAct III. Sc. 4.\\nVirtue itself of vice must beg pardon.\\nIbid.\\nVirtue itself turns vice, being misapplied,\\nAnd vice sometimes by action dignified.\\nRomeo and Juliet. Act II. Sc. 3.\\nIf our virtues\\nDid not go forth of us, twere all alike\\nAs if we had them not.\\nMeasure for Measure. Act I. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0110.jp2"}, "111": {"fulltext": "SHAKBSPEJARKAN QUOTATIONS IO3\\nVirtue is bold, and goodness never fearful.\\nAct III. Sc. I.\\nMake a virtue of necessity.\\nTwo Gentlemen of Verona. Act IV. Sc. i.\\nThe rarer action is\\nIn virtue than in vengeance.\\nThe Tempest. Act V. Sc. i.\\nYou nickname virtue\\nFor virtue s ofl ce never breaks men s troth.\\nLove s Labour s Lost. Act V. Sc. 2.\\nVirtue is beauty, but the beauteous evil\\nAre empty trunks o erflourished with the devil.\\nTwelfth Night. Act III. Sc. 4.\\nMy heart laments that virtue can not live\\nOut of the teeth of emulation.\\nJulius Csesar. Act II. Sc. 3.\\nSo our virtues\\nIfie in the interpretation of the time.\\nCoriolanus. Act IV. Sc. 7.\\nCan virtue hide itself?\\nMuch Ado About Nothing. Act II. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0111.jp2"}, "112": {"fulltext": "I04 SHAKKSPKARKAN QUOTATIONS\\nVILLAIN\\nO villain! thou wilt be condemned into everlast-\\ning redemption for this.\\nMuch Ado About Nothing. Act IV. Sc 2.\\nVillain and he be many miles asunder.\\nRomeo and Juliet. Act III. Sc. 5.\\nO villain, villain, smiling, damned villain!\\nHamlet. Act I. Sc. 5.\\nMy tables, meet it is I set it down.\\nThat one may smile, and smile, and be a villain.\\nIbid.\\nAs if we were villains by necessity; fools by\\nheavenly compulsion.\\nKing Lear. Act I. Sc. 2.\\nThough I can not be said to be a flattering honest\\nman, it must not be denied but I am a plain-\\ndealing villain.\\nMuch Ado About Nothing. Act I. Sc. 3.\\nPrecise villains they are, that I am sure of; and\\nvoid of all profanation in the world that good\\nChristians ought to have.\\nMeasure for Measure. Act II. Sc. i.\\nThou wert better thou hadst struck thy mother,\\nthou paper- faced villain.\\nKing Henry IV. Part 11. Act V. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0112.jp2"}, "113": {"fulltext": "SHAKKSPBARKAN QUOTATIONS I05\\nThe villainy you teach me, I will execute, and it\\nshall go hard but I will better the instruction.\\nThe Merchant of Venice. Act III. Sc. i.\\nWOMAN\\nA poor lone woman.\\nKing Henry IV. Part II. Act II. Sc. i,\\nThese women are shrewd tempters with their\\ntongues.\\nKing Henry VL Part I. Act I. Sc. 2.\\nO most pernicious woman!\\nHamlet. Act I. Sc. 5.\\nHow hard it is for women to keep counsel!\\nJulius Caesar. Act II. Sc. 4.\\nWould it not grieve a woman to be overmastered\\nwith a piece of valiant dust? to make an\\naccount of her life to a clod of wayward marl\\nMuch Ado About Nothing. Act II. Sc. i.\\nLet not women s weapons, water-drops.\\nStain my man s cheeks!\\nKing Lear. Act II. Sc. 4.\\nI have no other but a woman s reason;\\nI think him so because I think him so.\\nThe Two Gentlemen of Verona, Act I. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0113.jp2"}, "114": {"fulltext": "I06 SHAKKSPKARKAN QUOTATIONS\\nO, that she could speak now like a wood woman!\\nAct II. Sc. 3.\\nA woman sometimes scorns what best contents\\nher.\\nAct III. Sc. I.\\nThe venom clamours of a jealous woman\\nPoisons more deadly than a mad dog s tooth.\\nThe Comedy of Errors. Act V. Sc. i.\\nFor where is any author in the world\\nTeaches such beauty as a woman s eye?\\nLove s Labour s Lost. Act IV. Sc. 3.\\nShe is a woman, therefore may be woo d;\\nShe is a woman, therefore may be won.\\nTitus Andronicus. Act II. Sc. i.\\nA woman moved is like a fountain troubled.\\nThe Taming of the Shrew. Act V. Sc. 2.\\nA woman would run through fire and water for\\nsuch a kind heart.\\nMerry Wives of Windsor. Act III. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0114.jp2"}, "115": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 107\\nWORI.D\\nHereafter, in a better world than this,\\nI shall desire more love and knowledge of you.\\nAs You Like It. Act I. Sc. 2.\\nO, how full of briers is this working-day world!\\nSc. 3.\\nO, what a world is this, when what is comely\\nEnvenoms him that bears it!\\nAct II. Sc. 3.\\nYou have too much respedl upon the world;\\nThey lose it that do buy it with much care.\\nThe Merchant of Venice. Act I. Sc. i.\\nI hold the world but as the world\\nA stage where every man must play a part,\\nAnd mine a sad one.\\nIbid.\\nThe world is still deceived with ornament.\\nAct III. Sc. 2.\\nThe world is not thy friend nor the world s law;\\nThe world affords no law to make thee rich.\\nRomeo and Juliet. Act V. Sc. i.\\nAn arrant traitor as any is in the universal world,\\nor in France, or in England!\\nKing Henry V. Act IV. Sc. 8.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0115.jp2"}, "116": {"fulltext": "I08 SHAKKSPKAREAN QUOTATIONS\\nWhy, then the world s mine oyster,\\nWhich I with sword will open.\\nThe Merry Wives of Windsor. Act II. Sc. 2.\\nO world, how apt the poor are to be proud\\nTwelfth Night. Act III. Sc. i.\\nThis world to me is like a lasting storm,\\nWhirring me from my friends.\\nPericles. Act IV. Sc. i.\\nO, let the vile world end,\\nAnd the promised flames of the last day\\nKnit earth and heaven together.\\nKing Henry VI. Act V. Sc. 2.\\nIt is a reeling world, indeed.\\nKing Richard III. Act III. Sc. 2.\\nWORDS\\nMy words fly up, my thoughts remain below:\\nWords without thoughts never to heaven go.\\nHamlet. Act III. Sc. 3.\\nOne doth not know\\nHow much an ill word may empoison liking.\\nMuch Ado About Nothing. Act III. Sc. i.\\nCharm ache with air, and agony with words.\\nAct V. Sc. I.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0116.jp2"}, "117": {"fulltext": "SHAKKSPKARKAN QUOTAMONS lOQ\\nO, they have lived long on the alms-basket of\\nwords.\\nLove s Labour s Lost. Act V. Sc. i.\\nHonest plain words best pierce the ear of grief.\\nSc. 2.\\nBut for your words, they rob the Hybla bees,\\nAnd leave them honeyless.\\nJulius Caesar. Act V. Sc. i.\\nA fine volley of words and quickly\\nshot off.\\nThe Two Gentlemen of Verona. Act IL Sc. 4.\\nYou have an exchequer of words.\\nIbid.\\nHis words are bonds, his oaths are oracles,\\nHis love sincere, his thoughts immaculate.\\nThe Two Gentlemen of Verona. Ace IL Sc. 7.\\nTo be slow in words is a woman s only virtue.\\nAct III. Sc. I.\\nWhere words are scarce they are seldom spent\\nin vain.\\nFor they breathe truth that breathe their words\\nin pain.\\nKing Richard II. Act II. Sc. i.\\nZounds! I was never so be thumped with words\\n^^tnce I first called my brother s father dad.\\nKing John. Act II. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0117.jp2"}, "118": {"fulltext": "no SHAKESPEAREAN OUOTATIOXS\\nThe) shoot but calm words folded up in smoke.\\nIbid.\\nBut words are words; I never yet did hear\\nThat the bruised heart was pierced through the\\near.\\nOtheUo. Act I. Sc. 3,\\nWAR\\nNow for the bare-picked bone of majesty\\nDoth dogged war bristle his angry crest.\\nKing John. Act IV. Sc. 3.\\nAway, and glister like the god of war.\\nAct V. Sc. I.\\nHe is come to open\\nThe purple testament of bleeding war.\\nKing Richard II. Act III. Sc. 3.\\nBut when the blast of war blows in our ears,\\nThen imitate the action of the tiger.\\nKing Henry V. Act III. Sc. i.\\nThe tyrant custom\\nHath made the flinty- and steel couch of war\\nMj thrice-driven bed of down.\\nOthello. Act I. Sc. 3.\\nO, wither d is the garland of the war!\\nAntony and Cleopatra. Act IV. Sc, 15.\\nCry havoc and let slip the dogs of war.\\nJulius Caesar. Act III. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0118.jp2"}, "119": {"fulltext": "SHAKKSPKAREJAN QUOTATIONS III\\nWIT\\nI shall ne er be ware of mine own wit till I break\\nmy shins against it.\\nAs You Like It. Act II. Sc. 4.\\nMake the doors upon a woman s wit and it will\\nout at the casement.\\nAct IV. Sc. I.\\nThere s a skirmish of wit between them.\\nMuch Ado About Nothing. Act I. Sc. i.\\nThy wit is as quick as the greyhound s mouth.\\nAct V, Se. 2.\\nDevise, wit; write, pen.\\nLove s Labour s Lost. Act L Sc. 2.\\nThat handful of wit\\nAh, it is a most pathetical nit\\nAct IV. Sc. I.\\nHe s winding up the watch of his wit; by and\\nby it will strike.\\nThe Tempest. Act IL Sc. i.\\nWhen the age is in the wit is out.\\nMuch Ado About Nothing. Act IIL Sc. 5.\\nA good wit will make UvSe of anything.\\nKing Henry IV. Part IL Act L Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0119.jp2"}, "120": {"fulltext": "112 SHAKKSPEARKAN QUOTATIONS\\nI am not only witty njyself, but the cause that\\nwit is in other men.\\nIbidP\\nThey have a plentiful lack of wit.\\nHamlet. Act II. Sc. i.\\nUpon her wit doth earthly honours wait,\\nAnd virtue stoops and trembles at her frown.\\nTitus Andronicus. Act II. Sc. i.\\nYOUTH\\nWe that are in the vaward of our youth.\\nKing Henry IV. Part II. Act I. Sc. 2.\\nHe was, indeed, the glass\\nWherein the noble youth did dress themselves.\\nAct II. So. 3.\\nAnd in the morn and liquid dew of youth\\nContagious blastments are most imminent.\\nHamlet. Act I. Sc. 3.\\nHe wears the rose\\nOf youth upon him.\\nAntony and Cleopatra. Act III. Sc. 13.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0120.jp2"}, "121": {"fulltext": "SHAKKSPKARKAN QUOTATIONS II3\\nThis morning, like the spirit of a youth\\nThat means to be of note, begins betimes.\\nAct IV. Sc. 4.\\nWe have some salt of our youth in us.\\nThe Merry Wives of Windsor. Act II. Sc. 3.\\nHe that hath a beard is more than a youth, and\\nhe that hath no beard is less than a man.\\nMuch Ado About Nothing. Act II. Sc. i.\\nHome-keeping youth have ever homely wits.\\nThe Two Gentlemen of Verona. Act I. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0121.jp2"}, "122": {"fulltext": "114 SHAKESPEAREAN QUOTATIONS\\nMISCELLANEOUS.\\nA\\nThus can the demigod Authority\\nMake us pay down for our oflFence by weight\\nThe words of heaven.\\nMeasure for Measure. Act. I. Sc. 2\\nWhat authority surfeits on would relieve us.\\nCoriolanus. Act I. Sc.\\nO, some authority how to proceed;\\nSome tricks, some quillets how to cheat the devil\\nLove s Labour s Lost. Act IV, Sc. 3\\nOut of my lean and low ability\\nI ll lend you something.\\nTwelfth Night. Act IIL Sc. 4.\\nI dote on his very absence.\\nThe Merchant of Venice. Act L Sc. i.\\nA goodly apple rotten at the heart.\\nSc. 3.\\nAnother lean unwashed artificer.\\nKing John. Act IV. Sc. 2.\\nI^et me embrace thee, sour adversity,\\nFor wise men say it is the wisest course.\\nKing Henry VI. Part III. Act III. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0122.jp2"}, "123": {"fulltext": "SHAKKSPKAR1)AN QUOTATIONS II5\\nTo dance attendance on their lordships pleasures.\\nKing Henry VIII. Act V. Sc. 2.\\nEgregiously an ass.\\nOthello. Act II. Sc. i.\\nSmooth as monumental alabaster.\\nAct V. Sc. 2.\\nSeason your admiration for a while.\\nHamlet. Act I. Sc. 2.\\nTis not so above;\\nThere is no shuffling, there the action lies\\nIn his true nature.\\nAct III. Sc. 3.\\nAbout some act that has no relish of salvation\\nin it.\\nIbid.\\nCrabbed age and youth\\nCan not live together.\\nThe Passionate Pilgrim, VIII.\\nAll the perfumes of Arabia will not sweeten this\\nlittle hand.\\nMacbeth. ActV. Sc. i.\\nI could find it in my heart to disgrace my man s\\napparel and to cry like a woman.\\nAs You Like It. Act II. Sc. 4.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0123.jp2"}, "124": {"fulltext": "Il6 SHAKKSPKARKAN QUOTATIONS\\nThe amity that wisdom knits not, folly may\\neasily untie.\\nTroilus and Cressida. Act II. Sc. 3,\\nIf for I want that glib and oily art,\\nTo speak and purpose not.\\nKing Lear. Act I. Sc. i\\nPreposterous ass, that never read so far\\nTo know the cause why music was ordained\\nTaming of the Shrew. Act III. Sc. i\\nB\\nEating the bitter bread of banishment.\\nKing Richard II. Act III. Sc. I,\\nBut in the way of bargain, mark ye me,\\nI ll cavil on the ninth part of a hair.\\nKing Henry IV. Part I. Act III. Sc. i\\nOnce more unto the breach, dear friends, once\\nmore.\\nKing Henry V. Act III. Sc. i.\\nGets him to rest cramm d with distressful bread.\\nAct IV. Sc. I.\\nTis better to be lowly born,\\nAnd range with humble livers in content.\\nThan to be perk d up in a glistering grief.\\nAnd wear a golden sorrow.\\nKing Henry VIII. Act II. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0124.jp2"}, "125": {"fulltext": "shake;spkarkan quotations 117\\nBeggar that I am, I am even poor in thanks,\\nHamlet. Act II. Sc. 2.\\nBy and by is easily said.\\nAct III. Sc. 2.\\nA Cain-coloured beard.\\nMerry Wives of Windsor. Act I. Sc. 4.\\nA beggarly account of empty boxes.\\nRomeo and Juliet. Act V. Sc. i.\\nKt tu, Brute!\\nJulius Caesar. Act III. Sc. i.\\nI am in blood\\nStepp d in so far that, should I wade no more,\\nReturning were as tedious as go o er.\\nMacbeth. Act III. Sc. 4.\\nShall I never see a bachelor of threescore again\\nMuch Ado About Nothing. Act I. Sc. i.\\nIn time the savage bull doth bear the yoke.\\nIbid.\\nWhat need the bridge much broader than the\\nflood?\\nIbid.\\nI have for barbarism spoke more\\nThan for that angel knowledge you can say.\\nLove s Labour s Lost. Act I. Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0125.jp2"}, "126": {"fulltext": "Il8 SHAKKSPKARKAN QUOTATIONS\\nA very beadle to a humorous sigh.\\nAct III. Sc. I.\\nlyct me take you a button-hole lower.\\nActV. Sc. 2,\\nThe true beginning of our end.\\nA Midsummer Night s Dream. Act V. Sc. i,\\nTis not your inky brows, your black silk hair,\\nYour bugle eye-balls, nor your cheek of cream,\\nThat can entame my spirits to your worship.\\nAs You Like It. Act III. Sc. 5.\\nTell me what blessings I have here alive,\\nThat I should fear to die\\nThe Winter s Tale. Act III. Sc. 2.\\nWe are bom to do benefits.\\nTimon of Athens. Act I. Sc. 2,\\n*Tis pity bounty had not eyes behind.\\nThat man might ne er be wretched for his mind.\\nIbid.\\nFor bounty that makes gods, does still mar men.\\nAct IV. Sc. 2.\\nTo business that we love we rise betime.\\nAnd go to t with delight.\\nAntony and Cleopatra. Act IV. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0126.jp2"}, "127": {"fulltext": "shak:kspkare:an quotations 119\\nFor his bounty,\\nThere was no winter in t; an autumn t was\\nThat grew the more by reaping.\\nAct V. Sc. 2.\\nAnd the poor beetle that we tread upon,\\nIn corporal sufferance finds a pang as great\\nAs when a giant dies.\\nMeasure for Measure. Act III. Sc. i.\\nWhere the bee sucks, there suck I;\\nIn a cowslip s bell I lie.\\nTempest. Act V. Sc. I.\\nMerrily, merrily shall I live now.\\nUnder the blossom that hangs on the bough.\\nIbid.\\nlyight boats sail swift, though greater hulks\\ndraw deep.\\nTroilus and Cressida. Act II. Sc. 3,\\nCompany, villanous company, hath been the\\nspoil of me.\\nKing Henry IV. Part 1. Act III. Sc. 3.\\nUneasy lies the head that wears a crown.\\nPart II. Act III. Sc. i.\\nA rotten case abides no handling.\\nAct IV. Sc. I.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0127.jp2"}, "128": {"fulltext": "I20 SHAKKSPEARKAN QUOTATIONS\\nThere s a dish of leather coats for you.\\nAct V. Sc. 3.\\nIt follows then the cat must stay at home.\\nKing Henry V. Act I. Sc. 2.\\nThe church s prayers made him so prosperous.\\nKing Henry VI. Part I. Act I. Sc. i.\\nHad not churchmen pray d\\nHis thread of life had not so soon decayed.\\nIbid,\\nFor friendly counsel cuts off many foes.\\nKing Henry VI. Part I. Act III. Sc. i.\\nBanish the canker of ambitious thoughts.\\nKing Henry VI. Part II. Act I. Sc. 2.\\nSmall curs are not regarded when they grin.\\nAct III. Sc. I.\\nMy crown is called content,\\nA crown it is that seldom kings enjoy.\\nPart III. Act. III. Sc. i.\\nDeliver all with charity.\\nKing Henry VIII. Act I. Sc. 2.\\nYour colt s tooth is not cast yet.\\nSc. 3.\\nTis a cruelty\\nTo load a falling man.\\nAa V. Sc. 3.\\nI\\n*i", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0128.jp2"}, "129": {"fulltext": "SHAKBSPKARKAN QUOTATIONS 121\\nThrough tatter d clothes small vices do appear,\\nRobes and furr d gowns hide all.\\nKing Lear. Act IV. Sc. 6.\\nAt Christmas I no more desire a rose\\nThan wish a snow in May s new-fangled mirth.\\nLove s Labour s Lost. Act I. Sc. i.\\nPast cure is still past care.\\nAct V. Sc. 2.\\nCare keeps his watch in every old man s eye,\\nAnd where care lodges, sleep will never lie.\\nRomeo and Juliet. Act II. Sc. 3.\\nMore than prince of cats, I can tell you.\\nSo. 4.\\nTis an ill cook that cannot lick his own fingers.\\nAct IV. Sc. 2.\\nA countenance more in sorrow than in anger.\\nHamlet. Act I. Sc. 2.\\nA cutpurse of the empire.\\nAct III. Sc. 4.\\nThe cat will mew and dog will have his day.\\nAct V. Sc. I.\\nThe crowner hath sat on her, and finds it Chris-\\ntian burial.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0129.jp2"}, "130": {"fulltext": "122 SHAKESPEAREAN QUOTATIONS\\nA century of praj^ers.\\nC^ rnbeline. Act IV. Sc. 2.\\nGood counsellors lack no clients.\\nMeasure for Measure. Act I. Sc. 2.\\nFaith, thou hast some crotchets in th} head.\\nThe Merry Wives of Windsor. Act. II. Sc. i.\\nM} cake is dough.\\nTaraing of The Shrew. Act V. Sc. i.\\nA harmless necessary cat.\\nThe Merchant of Venice. Act IV. Sc. I.\\nFor I am nothing, if not critical.\\nOthello. Act II. Sc. i.\\nBut this denoted a foregone conclusion.\\nAct III. Sc. 3.\\nComparisons are odorous.\\nMuch Ado About Nothing. Act III. Sc. 5.\\nShut up\\nIn measureless content.\\nMacbeth. Act II. Sc. i.\\nConfusion now hath made his masterpiece.\\nAct II. Sc. 3.\\nTwo ma} keep counsel when the third s away.\\nTitus Andronicus. Act IV. Sc. 2.\\nHe that -^tU have a cake out of the wheat must\\nneeds tarr} the grinding.\\nTroilus and Cressida. Act I. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0130.jp2"}, "131": {"fulltext": "Shakesp:e)arkan quotations 123\\nCeremony was but devised at first\\nTo set a gloss on faint deeds, hollow welcomes.\\nTimon of Athens. Act I. Sc. 2.\\nThis was the most unkindest cut of all.\\nJulius Caesar. Act III. Sc. 2.\\nCelerity is never more admired\\nThan by the negligent.\\nAntony and Cleopatra. Act III. Sc. 7.\\nD\\nIt is the disease of not listening, the malady of\\nnot marking.\\nKing Henry IV. Part II. Act I. Sc. 2.\\nCivil dissension a viperous worm\\nThat gnaws the bowels of the commonwealth.\\nKing Henry VI. Part I. Act III. Sc. i.\\nDelays have dangerous ends.\\nSc. 2.\\nThe gaudy, blabbing and remorseful day\\nIs crept into the bosom of the sea.\\nPart II. Act IV. Sc. i.\\nOh, that deceit should steal such gentle shapes,\\nAnd with a virtuous vizard hide foul guile!\\nKing Richard III. Act II. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0131.jp2"}, "132": {"fulltext": "124 SHAKESPEAREAN QUOTATIONS\\nIf it were done when tis done, then twere\\nwell\\nIt were done quickly.\\nMacbeth. Act I. Sc. 7.\\nThe wealthy ctirled darUngs of our nation.\\nOthello. Act I. Sc. 2.\\nTo be once in doubt\\nIs once to be resolv d.\\nAct III. Sc. 3.\\nA deed without a name.\\nAct IV. Sc. I.\\nIt is a good di\\\\4ne that follows his own instruc-\\ntions.\\nThe Merchant of Venice. Act I. Sc. 2.\\nThere is no darkness but ignorance.\\nTwelfth Night. Act IV. Sc. 2.\\nIn the posteriors of this day, which the rude\\nmultitude call the afternoon.\\nLove s Labour s Lost. Act V. Sc. i.\\nThe live-long day.\\nJulius Caesar. Act I. Sc. i.\\nWe bum daylight.\\nRomeo and Juliet. Act I. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0132.jp2"}, "133": {"fulltext": "SHAK^P^ARE^AN QUOTATIONS 1 25\\nThese violent delights have violent ends.\\nAct II. Sc. 6.\\nDid ever dragon keep so fair a cave\\nAct III. Sc. 2.\\nO, that deceit should dwell\\nIn such a gorgeous palace\\nIbid.\\nThe danmed use that word in hell.\\nSc. 3.\\nAll difficulties are but easy when they are known.\\nMeasure for Measure. Act IV. Sc. 2.\\nI must go seek some dew-drops here,\\nAnd hang a pearl in every cowslip s ear.\\nA Midsummer Night s Dream. Act II. Sc. i.\\nI must dance barefoot on her wedding day.\\nTaming of the Shrew. Act II. Sc. I.\\nDiseases desperate grown\\nBy desperate appliance are relieved,\\nOr not at all.\\nHamlet. Act IV. Sec. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0133.jp2"}, "134": {"fulltext": "126 SHAKKSPKARKAN QUOTATIONS\\nE\\nEverything is left at six and seven.\\nKing Richard. Act II. Sc. 2.\\nEvermore thanks, the exchequer of the poor.\\nSc. 3.\\nShall I not take mine ease in mine inn\\nKing Henry IV. Part I. Act III. Sc. 3.\\nFor now sits Expedlation in the air.\\nKing Henry V. Act II. Prologue.\\nOft expectation fails and most oft there ^H\\nWhere most it promises.\\nAU s WeU That Ends WeU. Act II. Sc. i,\\nExpectation whirls me round.\\nTroilus and Cressida. Act III. Sc. 2.\\nPalsied eld.\\nMeasure for Measure. Act III. Sc. i.\\nWill you take eggs for money\\nThe Winter s Tale. Act I. Sc. 2.\\nUnless experience be a jewel.\\nThe Merry Wives of Windsor. Act II. Sc. 2.\\nI have gained my experience.\\nAs You Like It. Act IV. Sc. I.\\nThe eagle suffers little birds to sing.\\nTitus Andronicus. Act IV. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0134.jp2"}, "135": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 1 27\\nEnough, with over-measure.\\nCoriolanus. Act III. Sc. i.\\nStabbed with a white wench s black eye.\\nRomeo and Juliet. Act II. Sc. 4.\\nThe expedlancy and rose of the fair state,\\nThe glass of fashion and the mould of form.\\nHamlet. Act III. Sc. i.\\nI tax not you, you elements, with unkindness.\\nKing Lear. Act III. Sc. 2.\\nI am dying, Egypt, dying.\\nAntony and Cleopatra. Act IV. Sc. 15.\\nStill constant is a wondrous excellence.\\nSonnet CV.\\nNow expedlation, tickling skittish spirits.\\nOn one and other side.\\nTroilus and Cressida. Prologue.\\nThe ripest fruit first falls.\\nKing Richard II. Act II. Sc. i.\\nViolent fires soon burn out themselves.\\nIbid.\\nTo the latter end of a fray and the beginning of\\na feast\\nI\\nFits a dull fighter and a keen guest.\\nKing Henry IV. Part I. Act IV. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0135.jp2"}, "136": {"fulltext": "128 SHAKKSPKARHAN QUOTATIONS\\nFood for powder, food for powder; they 11 fill a\\npit as well as better.\\nAct IV. Sc. 2.\\nMost forcible Feeble.\\nPart II. Act III. Sc. 2.\\nA little fire is quickly trodden out,\\nWhich, being suffer d, rivers cannot quench.\\nKing Henry VI. Part III. Act IV. Sc. 8.\\nSweet flowers are slow and weeds make haste.\\nKing Richard III. Act II. Sc. 4,\\nFoundations fly the wretched.\\nCymbeline. Act III. Sc. 6.\\nSome falls are means the happier to arise.\\nCymbeline. Act IV. Sc. 2.\\nHang there Uke finiit, my soul,\\nTill the tree die!\\nAct V. So. 5\\nFears make devils of cherubins, they never see\\ntruly.\\nTroilus and Cressida. Act III. Sc. 2.\\nFair is foul, and foul is fair.\\nMacbeth. Act I. Sc. i.\\nTo feed were best at home;\\nFrom thence the sauce to meat is ceremony.\\nAct III. Sc. 4.\\n41", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0136.jp2"}, "137": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 1 29\\nAbsent thee from felicity awhile.\\nHamlet. Act V. Sc. 2.\\nSmall cheer and great welcome makes a merry\\nfeast\\nThe Comedy of Errors. Act III. Sc. i.\\nWhen fowls have no feathers and fish have no fin.\\nIbid.\\nFriendship s full of dregs.\\nTimon of Athens. Act I. Sc. 2.\\nHas friendship such a faint and milky heart,\\nIt turns in less than two nights\\nAct III. Sc. I.\\nHe lives in fame that died in virtue s cause.\\nTitus Andronicus. Act I. Sc. i.\\nAt my fingers ends.\\nTwelfth Night. Act I. Sc. 3.\\nAll the learned and authentic fellows.\\nAll s Well That Ends Well. Act II. Sc. 3.\\nO, what a goodly outside falsehood hath\\nThe Merchant of Venice. Act I. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0137.jp2"}, "138": {"fulltext": "130 SHAKKSPKAREAN QUOTATIONS\\nG\\nSome are born great, some achieve greatness\\nand some have greatness thrust upon them.\\nTwelfth Night. Act II. Sc. 5.\\nTis not for gravity to play at cherry-pit with\\nSatan.\\nAct III. Sc. 4.\\nHark, the game is roused!\\nCymbeline. Act III. Sc. 3.\\nGrace me no grace, and uncle me no uncle.\\nRing Richard II. Act II. Sc. 3.\\nH\\nI have sounded the very base-string of humility.\\nKing Henry IV. Part I. Act 11. Sc. 4,\\nThere is a history in all men s lives,\\nFiguring the nature of the times deceased.\\nKing Henry IV. Part II. Act III. Sc. i.\\nAll hell shall stir for this.\\nKing Henry V. Act V. Sc. i\\nBut Hercules himself must yield to odds.\\nKing Henry VI. Part III. Act II. Sc. i.\\nTrue hope is swift and flies with swallows wings;\\nKings it makes gods, and meaner creatures kings.\\nKing Richard III. Act V. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0138.jp2"}, "139": {"fulltext": "SHAKKSPE^ARBAN QUOTATIONS I3I\\nTo climb steep hills\\nRequires slow pace at first.\\nKing Henry VIII. Act I. Sc. i.\\nJust as high as my heart.\\nAs You Like It. Act III. Sc. 2.\\nHis very hair is of the dissembling color.\\nAs You Like It. Act III. Sc. 4.\\nBut, O, how bitter a thing it is to look into\\nhappiness through another man s eyes\\nAct V. Sc. 2.\\nRich honesty dwells like a miser, in a poor\\nhouse.\\nSc. 4.\\nHe is now as valiant as\\nHercules that only tells a lie and swears it.\\nMuch Ado About Nothing. Act IV. Sc. i.\\nHe that of greatest works is finisher\\nOft does them by the weakest minister.\\nAll s Well That Ends Well. Act II. Sc. I.\\nHanging and wiving goes by destiny.\\nThe Merchant of Venice. Act II. Sc. 9.\\nHe is well paid that is well satisfied.\\nAct IV. Sc. I.\\nMine host of the Garter!\\nMerry Wives of Windsor. Act I. Sc, 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0139.jp2"}, "140": {"fulltext": "132 SHAKKSPKARKAN QUOTATIONS\\nA high hope for a low heaven.\\nLove s Labour s Lost. Act I. Sc. I.\\nA horse to be ambassador for an ass.\\nAct in. Sc. I.\\nHe that is giddy thinks the world turns round.\\nTaming of the Shrew. Act V. Sc. 2.\\nHaste still pays haste, and leisure answers leisure.\\nMeasure for Measure. Act V. Sc. i.\\nHyperion to a satyr.\\nHamlet. Act L Sc. 2.\\nCostly thy habit as thy purse can buy,\\nBut not expressed in fancy, rich, not gaudy.\\nSc. 3.\\nWhat s Hecuba to him, or he to Hecuba,\\nThat he should weep for her\\nAct IL Sc. 2.\\nTo be honest as this world goes, is to be a man\\npicked out of ten thousand.\\nAct n. Sc. 2\\nA hit, a very palpable hit.\\nAct V. Sc. 2.\\nOur new heraldry is hands, not hearts.\\nOtheUo. Act in. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0140.jp2"}, "141": {"fulltext": "SHAKKSPBARKAN QUOI ATlONS 1 33\\nAnd now let s go hand in hand, not one before\\nanother.\\nThe Comedy of Errors. Act V. Sc. i.\\nHe sits mongst men like a descended god.\\nCymbeline. Act i. Sc. 6.\\nA horse a horse my kingdom for a horse\\nKing Richard III. Act V. Sc. 4.\\nNow would I give a thousand furlongs of sea for\\nan acre of barren ground.\\nThe Tempest. Act. I. Sc. i\\nI thus negledting worldly ends, all dedicated\\nTo closeness and the bettering of my mind.\\nSc. 2.\\nI have that within which passeth show;\\nThese but the trappings and the suits of woe.\\nHamlet. Act I. Sc. 2.\\nI could be bounded in a nutshell, and count my-\\nself a king of infinite space, were it not that I\\nhave bad dreams.\\nAct II. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0141.jp2"}, "142": {"fulltext": "134 SHAKKSPKARKAN QUOTATIONS\\nI am Sir Oracle,\\nAnd when I ope my lips, let no dog bark\\nThe Merchant of Venice. Act I. Sc. i.\\nI can easier teach twenty what were good to be\\ndone than be one of the twenty to follow mine\\nown teaching.\\nSo. 2.\\nCome, I will fasten on this sleeve of thine;\\nThou art an elm I a vine.\\nThe Comedy of Errors. Act 11. Sc. 2.\\nIt was Greek to me.\\nJulius Caesar. Act I. Sc. 2.\\nYour If is the only peacemaker\\nMuch \\\\4rtue in If.\\nAs You Like It. Act V. Sc. 4,\\nBeware the Ides of March.\\nJulius Caesar. Act III. Sc. I\u00c2\u00ab\\nI must hear from thee ever\\\\^ day in the hour.\\nRomeo and Juliet. Act III. Sc 5,\\nI am as vigilant as a cat to steal cream.\\nKing Henry IV. Act IV. Sc. 2\\nIgnorance is the curse of God.\\nKing Henry VI. Part II. Act IV. Sc. 7,", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0142.jp2"}, "143": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 1 35\\nI have an exposition of sleep come upon me.\\nMidsummer Night s Dream. Act IV. Sc. i.\\nI ll not budge an inch.\\nThe Taming of the Shrew. Induction. Sc. i.\\nAs poor as Job\\nThe Merry Wives of Windsor. Act V. Sc. 5.\\nIf he be sick with joy, he ll recover without\\nphysic.\\nKing Henry IV. Part II. Act IV. Sc. 5.\\nNow, by two-headed Janus,\\nNature hath framed strange fellows in her time.\\nThe Merchant of Venice. Act I. Sc. i.\\nI am a Jew. Hath not a Jew eyes? Hath not\\na Jew hands, organs, dimensions, senses, affec-\\ntions, passions?\\nAct III. Sc. I.\\nI thank thee, Jew, for teaching me that word.\\nAct IV. Sc. I.\\nI am a Jew else, an Ebrew Jew.\\nKing Henry IV. Part I. Act II. Sc. 4", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0143.jp2"}, "144": {"fulltext": "136 SHAKKSPKAREAN QUOTATIONS\\nK\\nWhat surety of the world, what hope, what stay,\\nWhen this was now a king, and now is clay\\nKing John. Act V. Sc. 7.\\nA rascally yea-for-sooth knave.\\nKing Henry IV. Part II. Act I. Sc. 2.\\nThree misbegotten knaves in kendal green.\\nKing Henry IV. Part I. Act II. Sc. 4.\\nThe knave is my honest friend, sir, therefore,\\nI beseech your worship, let him be countenanced.\\nPart II. Act V. Sc. i.\\nA crafty knave does need no broker.\\nKing Henry VI. Part II. Act I. Sc. 2.\\nMore knave than fool.\\nKing Lear. Act I. Sc. 4.\\nWhip me such honest knaves.\\nOtheUo. Act I. Sc. i.\\nHis kissing is as full of sandlity as the touch\\nof holy bread.\\nAs You Like It. Act III. Sc. 4.\\nA little more than kin and less than kind.\\nHamlet. Act I. Sc. 2.\\nI must be cruel, only to be kind.\\nAct III. Sc. 4.\\ni", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0144.jp2"}, "145": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 1 37\\nNow the king drinks to Hamlet.\\nAct V. Sc. 2c\\nYet do I fear thy nature\\nIt is too full o the milk of human kindness.\\nMacbeth. Act I. Sc. 5.\\nOld father antic the law.\\nKing Henry IV. Part I. Act I. Sc. 2.\\nMore than a little is by much too much.\\nAct III. Sc. 2.\\nLord, Lord, how subjedl we old men are to this\\nvice of lying\\nPart II. Act III. Sc. 2.\\nBut in these nice sharp quillets of the law,\\nGood faith, I am no wiser than a daw.\\nKing Henry VI. Part I. Act II. Sc. 4.\\nWoe to that land that s governed by a child\\nKing Richard III. Act II. Sc. 3.\\nA load would sink a navy.\\nKing Henry VIII. Act III. Sc. 2.\\nA most unspotted lily shall she pass\\nTo the ground, and all the world shall mourn her.\\nAct V. So. 5.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0145.jp2"}, "146": {"fulltext": "138 SHAKKSPKARKAN QUOTATIONS\\nHark, hark! the lark at heaven s gate smgs.\\nCymbeline. Act II. Sc. 2.\\nThe lamb entreats the butcher.\\nAct III. Sc. 4.\\nModerate lamentation is the right of the dead,\\nextravagant grief the enemy to the living.\\nAll s Well That Ends Well. Act I. Sc. i.\\nNo legacy is so rich as honesty.\\nAct III. Sc. 5.\\nStill you keep o* the windy side of the law.\\nTwelfth Night. Act III. Sc. 4.\\nAs good luck would have it.\\nThe Merry Wives of Windsor. Act III. Sc. 5.\\nIn law what plea so tainted and corrupt\\nBut, being seasoned with a gracious voice,\\nObscures the show of evil\\nThe Merchant of Venice. Act III. Sc. 2.\\nWhy, headstrong liberty is lashM with woe.\\nThe Comedy of Errors. Act II. Sc. i.\\nI have had my labour for my travail.\\nTroilus and Cressida. Act I. Sc. i.\\nThe labour we delight in physics pain.\\nMacbeth. Act II. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0146.jp2"}, "147": {"fulltext": "shake:sp:^arkan quotations 139\\nM\\nThe memory be green.\\nHamlet. Act I. Sc. 2.\\nWhile memory holds a seat\\nIn this distra(5led globe.\\nAct I. Sc. 5.\\nYea, from the table of my memory\\nI 11 wipe away all trivial fond records.\\nIbid.\\nHere s metal more attradlive.\\nAct III. Sc. 2.\\nTo hold, as twere, the mirror up to nature.\\nIbid.\\nThere s no art\\nTo find the mind s construdlion in the face.\\nMacbeth. Act I. Sc. 4.\\nMemory, the warder of the brain.\\nSc. 7.\\nPour the sweet milk of concord into hell.\\nAct IV. Sc. 3.\\nI^ayon, Macduff,\\nAnd damn d be him that first cries, Hold,\\nenough!\\nMacbeth. Act V. Sc. 8.\\nNothing comes amiss, so money comes withal.\\nThe Taming of the Shrew. Act 1. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0147.jp2"}, "148": {"fulltext": "140 SHAKESPKARKAN QUOTATIONS\\nTis the mind that makes the body rich.\\nAct IV. Sc. 3.\\nWhen maidens sue,\\nMen give like gods.\\nMeasure for Measure. Act I. Sc. 4.\\nThe miserable have no other medicine but only-\\nhope.\\nAct III. Sc. I.\\nYour marriage comes by destiny.\\nAll s Well That Ends Well. Act I. Sc. 3.\\nNow I see\\nThe mystery of your loneliness, and find your\\nsalt tears head.\\nIbid.\\nA young man married is a man that s marr d.\\nAct II. Sc. 3.\\nYou are thought here to be the most senseless and\\nfit man for the constable of the watch.\\nMuch Ado About Nothing. Act III. Sc. 3.\\nI have no moral meaning;\\nI meant, plain holy-thistle.\\nSc. 4.\\nThou flatter st misery.\\nTimon of Athens. Act IV. Sc. 3.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0148.jp2"}, "149": {"fulltext": "SHAKKSPKARKAN QUOTATIONS I41\\nWilling misery\\nOutlives incertain pomp.\\nIbid.\\nPut money in thy purse.\\nOthello. Act. I. Sc. 3.\\nA golden mind stoops not to shows of dross.\\nMerchant of Venice. Act II. Sc. 7.\\nAnd sleep in dull cold marble.\\nKing Henry VIII. Act III. Sc. 2.\\nHenceforth my wooing mind shall be expressed\\nIn russet yeas and honest kersey noes.\\nLove s Labour s Lost. Act. V. Sc. 2.\\nMisery acquaints a man with strange bed- fellows.\\nThe Tempest. Act II. Sc. 2.\\nUnquiet meals make ill digestions.\\nThe Comedy of Errors. Act V. Sc. i\\nIn a minute there are many days.\\nRomeo and Juliet. Act III. Sc. 5.\\nThey say if money go before,\\nAll ways do lie open.\\nMerry Wives of Windsor. Act II. Sc. 2.\\nHere^s a million of manners.\\nTwo Gentlemen of Verona. Act II. Sc. i.\\nYea, my memory is tired.\\nCoriolanus. Act L Sc. 9.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0149.jp2"}, "150": {"fulltext": "142 SHAKKSPEAI^EAN QUOTATIONS\\nN\\nTrue nobility is exempt from fear.\\nKing Henry VI. Part II. Act IV. Sc. i.\\nI am sworn brother\\nTo grim necessity^ and he and I\\nWill keep a league till death.\\nKing Richard II. Act III. Sc. i.\\nThey ll not show their teeth in way of smile\\nThough Xestor swear the jest be laughable.\\nThe Merchant of Venice. Act I. Sc. i.\\nThis night methinks is but the daylight sick.\\nAct V. Sc. I.\\nNature teaches beasts to know their friends.\\nCoriolanus. Act II. Sc. i.\\nThe deep of night is crept upon our talk,\\nAnd nature must obey necessity-.\\nJulius Caesar. Act IV. Sc. 3.\\nNothing is\\nBut what is not.\\nMacbeth. Act I. Sc. 3.\\nIn them nature s copy s not eteme.\\nAct III. Sc. 2.\\nThe night is long that never finds the day.\\nAct V. Sc. I.\\ni", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0150.jp2"}, "151": {"fulltext": "SHAKKSPKARKAN QUOTATIONS I43\\nA good mouth-filling oath.\\nKing Henry IV. Part I. Act III. Sc. 1.\\nOrder gave each thing view.\\nKing Henry VIII. Act I. Sc. i.\\nI have bought\\nGolden opinions from all sorts of people.\\nMacbeth Act I. Sc. 2.\\nThus ornament is but the guiled shore\\nTo a most dangerous sea.\\nThe Merchant of Venice. Act III. Sc. 2.\\nOne out of suits with fortune.\\nAs You Like It. Act I. Sc. 8.\\nAnd therefore welcome the sour cup of pros-\\nperity!\\nLove s Labour s Lost. Act i. Sc. i.\\nO me, with what strict patience have I sat,\\nTo see a king transformed to a gnat\\nAct IV. Sc. 3.\\nBut most it is presumption in us when\\nThe help of heaven we count the adl of men.\\nAll s Well That Ends Well. Act IL Sc. i.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0151.jp2"}, "152": {"fulltext": "144 SHAKESPEAREAN QUOTATIONS\\nFrom lowest place when virtuous things proceed,\\nThe place is dignified by the doer s deed.\\nSc. 3.\\nProsperity s the very bond of love.\\nThe Winter s Tale. Act IV. Sc. 4.\\nMuch is the force of heaven-bred poesy.\\nTwo Gentlemen of Verona. Act III. Sc. 2.\\nHow high a pitch his resolution soars\\nKing Richard II. Act I. Sc. i.\\nPride must have a fall.\\nAct V. Sc. 5.\\nHide not thy poison with such sugar d words.\\nKing Henry VI. Part II. Act III. Sc. 2\\nd\\nNo man s pie is freed\\nFrom his ambitious finger.\\nKing Henry VIII. Act I. Sc. i.\\nHe brings his physic\\nAfter his patient s death.\\nAct III. Sc. 2.\\nKill thy physician, and the fee bestow\\nUpon thy foul disease.\\nKing Lear. Act I. Sc. i.\\nPitchers have ears.\\nTaming of the Shrew. Act. IV. Sc. 4.\\nMy purpose is, indeed, a horse of that colour.\\nTwelfth Night. Act II. Sc. 3.\\n1", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0152.jp2"}, "153": {"fulltext": "SHAK]0;SPKARKAN QUOTATIONS I45\\nThe learned pate\\nDucks to the golden fool.\\nTimon of Athens. Act IV. Sc. 3.\\nAt lovers perjuries,\\nThey say, Jove laughs.\\nRomeo and Juliet. Act II. Sc. 2.\\nThe flighty purpose never is o ertook\\nUnless the deed go with it.\\nMacbeth. Act IV. Sc. i.\\nThrow physic to the dogs; I ll none of it.\\nAct V. Sc. 3.\\nR\\nNo reckoning made, but, sent to my account\\nWith all my imperfedlions on my head.\\nHamlet. Act I. Sc. 5.\\nWhy, right; you are i the right.\\nIbid.\\nA very riband in the cap of youth.\\nAct IV. Sc. 7.\\nI am more an antique Roman than a Dane.\\nAct V. Sc. 2.\\nRomans, countrymen, and lovers! hear me for\\nmy cause, and be silent, that you may hear.\\np Julius Caesar. Act III. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0153.jp2"}, "154": {"fulltext": "146 SHAKESPEAREAN QUOTATIONS\\nNot that I loved Caesar less, but that I loved^\\nRome more.\\nIbid\\nFriends, Romans, countrymen, lend me your\\nears;\\nI come to bury Cassar, not to praise him.\\nJulius Caesar. Act III. Sc. 2.\\nThis was the noblest Roman of them all\\nAct V. So. 5,\\nOn the sudden\\nA Roman thought had struck him.\\ni\\nAntony and Cleopetra. Act I. Sc. 2.\\nThe purest treasure mortal times afford\\nIs spotless reputation.\\nKing Richard II. Act I. Sc. i.\\nIn rage deaf as the sea, hasty as fire.\\nKing Richard II. Act I. Sc. i.\\nReputation, reputation, reputation\\nO, I have lost my reputation I have lost the\\nimmortal part of myself.\\nOthello. Act II. Sc. 3.\\nBut earthlier happy is the rose distill d\\nThan that which withering on the virgin thorn\\nGrows, lives, and dies in single blessedness.\\nA Midsummer Night s Dream. Act I. Sc. i.\\nTo revenge is no valour, but to bear.\\nTimon of Athens. Act III. Sc. 5.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0154.jp2"}, "155": {"fulltext": "SHAKESPEAREAN QUOTATIONS 1 47\\nO, Romeo, Romeo wherefore art thou Romeo?\\nRomeo and Juliet. Act II. Sc. 2.\\nThe insane root\\nThat takes the reason prisoner.\\nMacbeth. Act I. Sc. 3.\\ns\\nBootless speed,\\nWhen cowardice pursues and valour flies.\\nMidsummer Night s Dream. Act II. Sc. i.\\nOut of this silence yet I pick d a welcome.\\nAct V. Sc. I.\\nBe check d for silence,\\nBut never tax d for speech.\\nAU s WeU That Ends Well. Act I. Sc. i.\\nThough our silence be drawn from us with cars,\\nyet peace.\\nTwelfth Night. Act II. Sc. 5.\\nBirm. Things hid and barr d from com-\\nmon sense\\nKing, Ay, that is study s god-like recompense.\\nLove s Labour s Lost. Act J. Sc. i.\\nSociety, saith the text, is the happiness of life.\\nAct IV. Sc. 2.\\nI do desire we may be better strangers.\\nAs You Like It. Act III. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0155.jp2"}, "156": {"fulltext": "148 SHAKESPEAREAN QUOTATIONS\\nFor sufferance is the badge of all our tribe.\\nMerchant of Venice. Act I. Sc. 3.\\nHow oft the sight of means to do ill deeds\\nMake deeds ill done\\nKing John. Act IV. Sc. 2.\\nThe setting sun, and music at the close,\\nAs the last taste of sweets, is sweetest last.\\nKing Richard II. Act II. Sc. i.\\nIf all the year were playing holidays,\\nTo sport would be tedious as to work.\\nKing Henry IV. Part I. Act I. Sc. 2.\\nSink or swim.\\nSc. 3\\nA deal of skimble-skamble stuff.\\nAct III. Sc. I.\\nTwo stars keep not their motion in one sphere\\nAct V. Sc. 4,\\nBase is the slave that pays.\\nKing Henry V. Act II. Sc. i\\nYou rub the sore,\\nWhen you should bring the plaster.\\nThe Tempest. Act II. Sc. i\\nYet, spaniel-like, the more she spurns my love,\\nThe more it grows and fawneth on her still.\\nThe Two Gentlemen of Verona. Act IV. Sc. 2.\\ni", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0156.jp2"}, "157": {"fulltext": "SHAKKSPKAREAN QUOTATIONS 1 49\\nSociety is no comfort\\nTo one not sociable.\\nCymbeline, Act IV. Sc. 2.\\nThe self -same sun that shines upon his court\\nHides not his visage from our cottage.\\nThe Winter s Tale. Act IV. Sc. 4.\\nI have not kept my square but that to come\\nShall all be done by the rule.\\nAntony and Cleopatra. Act II. Sc. 3.\\nWhere s my serpent of old Nile\\nAntony and Cleopatra. Act I. Sc. 5.\\nFor greatest scandal waits on greatest state.\\nLucrece. Line 1006.\\nMend your speech a little,\\nI/CSt it may mar your fortunes.\\nKing Lear. Act I. Sc. i.\\nThen come kiss me, sweet and twenty.\\nTwelfth Night. Act II. Sc. 3.\\nI once did hold it, as our statists do,\\nA baseness to write fair.\\nHamlet. Act V. Sc. 2.\\nSuspicion all our lives shall be stuck full of eyes.\\nKing Henry IV. Part I. Act V. Sc. 2\\nSuspicion always haunts the guilty mind.\\nKing Henry VI. Part III. Act V. Sc. 6.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0157.jp2"}, "158": {"fulltext": "I50 SHAKKSPKARKAN QUOTATIONS\\nT\\nTruth hath a quiet breast.\\nKing Richard II. Act I. Sc. 3.\\nI know a trick worth. two of that.\\nKing Henry IV. Part I. Act II. Sc. i.\\nMark now, how a pla;n t^le shall put you down.\\nSc. 4.\\nTalkers are no good doers.\\nKing Richard III. Act I. Sc. 3.\\nAn honest tale speeds best being plainly told.\\nAct IV. Sc. 4.\\nTruth loves open dealing.\\nKing Henry VIII. Act III. Sc. i.\\nFor aught I see, they are as sick that surfeit\\nwith too much as they that starve with nothing.\\nThe Merchant of Venice. Act I. Sc. 2.\\nTruth will come to light; murder can not be hid\\nlong.\\nAct II. Sc. 2.\\nThe seeming truth which cunning times put on\\nTo entrap the wisest.\\nThe Merchant of Venice. Act III. Sc. 2.\\nHear you this Triton of the minnows Mark you\\nHis absolute shall.\\nCoriolanus. Act III. Sc. i.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0158.jp2"}, "159": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 15I\\nTruth s a dog must to kennel.\\nKing Lear. Act I. Sc. 4.\\nFor truth is truth\\nTo the end of reckoning.\\nMeasure for Measure. Act V. Sc. i.\\nHe draweth out the thread of his verbosity finer\\nthan the staple of his argument.\\nLove s Labour s Lost. Act V. Sc. i.\\nTruth hath better deeds than words to grace it.\\nThe Two Gentlemen of Verona. Act IL Sc. 2.\\nIf you have tears prepare to shed them now.\\nJulius Caesar. Act IIL Sc. 2.\\nIf after every tempest come such calms,\\nMay the winds blow till they have wakened death!\\nOthello. Act IL Sc. i.\\nThey laugh that win.\\nAct IV. Sc. I.\\nO, teach me how I should forget to think.\\nRomeo and Juliet. Act I. Sc. i.\\nWisely and slow; they stumble that run fast.\\nAct IL Sc. 3.\\nThank me no thanking, nor proud me no prouds.\\nAct III. Sc. 5.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0159.jp2"}, "160": {"fulltext": "152 SHAKBSPKARKAN QUOTATIONS\\nLike one\\nWho having into truth, by telling of it,\\nMade such a sinner of his memory,\\nTo credit his own lie.\\nThe Tempest. Act I. Sc. 2.\\nAnd thereby hangs a tale.\\nAs You Like It. Act II. Sc. 7.\\nThe better part of valour is discretion.\\nKing Henry IV. Part I. Act V. Sc. 4.\\nWhat valour were it, when a cur doth grin,\\nFor one to thrust his hand between his teeth\\nKing Henry VI. Part III. Act I. Sc. 4.\\nHer voice was ever soft,\\nGentle, and low, an excellent thing in woman.\\nKing Lear. Act V. Sc. 3.\\nHe s truly valiant that can wisely suffer.\\nTimon of Athens. Act III. Sc. 5.\\nA violet in the youth of primy nature,\\nForward, not permanent, sweet, not lasting.\\nHamlet. Act L Sc. 3.\\nMy ventures are not in one bottom trusted,\\nNor to one place.\\nThe Merchant of Venice. Act I. Sc. ic", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0160.jp2"}, "161": {"fulltext": "SHAK]^SPKARKAN QUOTATIONS 1 53\\nW\\nThe wise deserves a welcome.\\nMeasure for Measure. Act III. Sc. I,\\nWhat s mine is yours and what is yours is mine.\\nAct V. Sc. I.\\nBlow, blow, thou winter wind,\\nThou art not so unkind\\nAs man s ingratitude.\\nAs You Like It. Act II. Sc. 7.\\nAnswer me in one word.\\nAct III. Sc. 2.\\nIt is the witness still of excellency\\nTo put a strange face on his own perfection\\nMuch Ado About Nothing. Act II. Sc. 3.\\nSits the wind in that corner?\\nIbid.\\nThis fellow pecks up wit as pigeons pease.\\nLove s Labour s Lost. Act V. Sc. 2.\\nBehold the window of my heart, mine eye.\\nIbid.\\nWherefore are these things hid\\nTwelfth Night. Act I. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0161.jp2"}, "162": {"fulltext": "154 SHAKESPEAREAN QUOTATIONS\\nO thou invisible spirit of wine, if thou hast no\\nname to be known by, let us call thee devil\\nOthello. Act III. Sc. 3.\\nEvery puny whipster.\\nAct V. Sc. 2.\\nWishers were ever fools.\\nAntony and Cleopatra. Act IV. Sc. 13.\\nOne that loves a cup of hot wine with not a drop\\nof alla34ng Tiber in t.\\nCoriolanus. Act II. Sc. i.\\nCome not within the measure of my wrath.\\nThe Two Gentlemen of Verona. Act V. Sc. 4-\\nFull oft we see\\nCold wisdom waiting on superfluous folly.\\nAll s Well That Ends Well. Act I. Sc. I.\\nWealth is burden of my wooing dance.\\nTaming of the Shrew. Act I. Sc. 2.\\nWell, if my wind were but long enough to say\\nmy pra3 ers, I would repent.\\nThe Merry Wives of Windsor. Act IV. Sc. 5.\\nThe smallest worm will turn being trodden on.\\nKing Henry VI. Part III. Act II. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0162.jp2"}, "163": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 1 55\\n111 blows the wind that profits nobody.\\nSc. 5.\\nWelcome ever smiles,\\nAnd farewell goes out sighing.\\nTroilus and Cressida. Act III. Sc. 3.\\nA word and a blow.\\nRomeo and Juliet. Act III. Sc. i.\\nTis lack of kindly warmth they are not kind.\\nTimon of Athens. Act II. Sc. 2.\\nWe have seen better days.\\nAct IV. Sc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0163.jp2"}, "164": {"fulltext": "156 SHAKESPEAREAN QUOTATIONS\\nAPPENDIX\\nOur revels now are ended. These our actors,\\nAs I foretold you, were all spirits, and\\nAre melted into air, into thin air:\\nAnd, like the baseless fabric of this vision,\\nThe cloud-capped towers, the gorgeous palaces.\\nThe solemn temples, the great globe itself,\\nYea, all which it inherit, shall dissolve.\\nAnd, like this insubstantial pageant faded,\\nlyCave not a rack behind. We are such stuflF\\nAs dreams are made on; and our little life\\nIs rounded with a sleep.\\nThe Tempestc Act IV. Sc. i7\\nShe is mine own.\\nAnd I as rich in having such a jewel\\nAs twenty seas, if all their sand were pearl,\\nThe water nectar, and the rocks pure gold.\\nThe Two Gentlemen of Verona. Act II. Sc.\\nHe makes sweet music with th enamelled stones,\\nGiving a gentle kiss to every sedge\\nHe overtake th in his pilgrimage.\\nSc. 7.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0164.jp2"}, "165": {"fulltext": "SHAKESPKARE^AN QUOTATIONS 1 57\\nThyself and thy belongings\\nAre not thine own so proper as to waste\\nThyself upon thy virtues, they on thee.\\nHeaven doth with us, as we with torches do.\\nNot light them for themselves; for if our virtues\\nDid not go forth of us, twere all alike\\nAs if we had them not. Spirits are not finely\\ntouched\\nBut to fine issues, nor Nature never lends\\nThe smallest scruple of her excellence\\nBut, like a thrifty goddess, she determines\\nHerself the glory of a creditor.\\nMeasure for Measure. Act I. Sc. i.\\nNo ceremony that to great ones longs\\nNot the king s crown, nor the deputed sword.\\nThe marshal s truncheon, nor the judge s robe,\\nBecome them with one-half so good a grace\\nAs mercy does.\\nAct II. Sc. 2.\\nWhy, all the souls that were were forfeit once;\\nAnd He that might the vantage best have took\\nFound out the remedy. How would you be.\\nIf He, which is the top of judgment, should\\nBut judge you as you are?\\nIbid.\\nBut man, proud man,\\nBrest in a little brief authority.\\nMost ignorant of what he s most assured,", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0165.jp2"}, "166": {"fulltext": "158 SHAKESPEAREAN QUOTATIONS\\nHis glassy essence, like an angry ape,\\nPla3 S such fantastic tricks before high heaven\\nAs make the angels weep.\\nIbid.\\nThe rude sea grew civil at her song.\\nAnd certain stars shot madty from their spheres\\nTo hear the sea-maid s music.\\nA Midsummer Night s Dream. Act II. Sc. i.\\nAnd the imperial votaress passed on,\\nIn maiden meditation, fancy-free.\\nYet mark d I where the bolt of Cupid fell;\\nIt fell upon a little western flower,\\nBefore milk-white, now purple with love s wound,\\nAnd maidens call it love-in-idleness.\\nIbid.\\nI know a bank where the wild thyme blows,\\nWhere oxlips and the nodding violet grows.\\nQuite over-canopied with luscious woodbine,\\nWith sweet musk-roses and with eglantine.\\nIbid.\\nThe lover, all as frantic,\\nSees Helen s beauty in a brow of Egypt:\\nThe poet s eye in a fine frenz}^ rolling,\\nDoth glance from heaven to earth, from earth to\\nheaven;\\nAnd as imagination bodies forth\\nThe forms of things unknown, the poet s pen\\nI", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0166.jp2"}, "167": {"fulltext": "vSHAKESPKARKAN QUOTATIONS 1 59\\nTurns them to shapes, and gives to airy nothing\\nA local habitation and a name.\\nSuch tricks hath strong imagination,\\nThat if it would but apprehend some joy.\\nIt comprehends some bringer of that joy;\\nOr in the night, imagining some fear.\\nHow easy is a bush supposed a bear!\\nAct V. Sc. I.\\nAll things that are\\nAre with more spirit chased than enjoy d.\\nHow like a younker or a prodigal\\nThe scarfed bark puts from her native bay,\\nHugg d and embraced by the strumpet wind!\\nHow like the prodigal doth she return.\\nWith over- weathered ribs and ragged sails,\\nI^an, rent, and beggar d by the strumpet wind!\\nThe Merchant of Venice. Act II. Sc. 6.\\nI am a Jew. Hath not a Jew eyes Hath not\\na Jew hands, organs, dimensions, senses, affec-\\ntions, passions?\\nAct III. Sc. I.\\nThe villainy you teach me I will execute, and it\\nshall go hard, but I will better the instruction.\\nIbid.\\nIn law, what plea so tainted and corrupt\\nBut being season d with a gracious voice\\nObscures the show of evil\\nSc. 2.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0167.jp2"}, "168": {"fulltext": "l6o SHAKKSPEAREAN QUOTATIONS\\nYou call me misbeliever, cutthroat, dog,\\nAnd spit upon my Jewish gaberdine.\\nThe Merchant of Venice. Act I. Sc 3.\\nO father Abram! What these Christians are,\\nWhose own hard dealings teaches them suspect\\nThe thoughts of others!\\nAct I. Sc. 3.\\nThe quality of mercy is not strain d,\\nIt droppeth as the gentle rain from heaven\\nUpon the place beneath. It is twice blest:\\nIt blesseth him that gives and him that takes.\\nT is mightiest in the mightiest: it becomes\\nThe throned monarch better than his crown;\\nHis sceptre shows the force of temporal power,\\nThe attribute to awe and majesty,\\nWherein doth sit the dread and fear of kings;\\nBut mercy is above this sceptred sway.\\nIt is enthroned in the hearts of kings,\\nIt is an attribute to God himself;\\nAnd earthly power doth then show likest God s\\nWhen mercy seasons justice. Therefore, Jew,\\nThough justice be thy plea, consider this.\\nThat in the course of justice none of us\\nShould see salvation; we do pray for mercy;\\nAnd that same prayer doth teach us all to render\\nThe deeds of mercy.\\nAct IV. Sc. I.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0168.jp2"}, "169": {"fulltext": "SHAKKSPBARKAN QUOTATIONS l6l\\nHow sweet the moonlight sleeps upon this bank!\\nHere we will sit and let the sounds of music\\nCreep in our ears; soft stilness and the night\\nBecome the touches of sweet harmony.\\nSit lyook how the floor of heaven\\nIs thick inlaid with patines of bright gold;\\nThere s not the smallest orb which thou behold st\\nBut in his motion like an angel sings,\\nStill quiring to the young-eyed cherubins.\\nSuch harmony is in immortal souls;\\nBut whilst this muddy vesture of decay\\nDoth grossly close it in, we can not hear it.\\nAct V. Sc. I.\\nSweet are the uses of adversity,\\nWhich like the toad, ugly and venomous,\\nWears yet a precious jewel in his head;\\nAnd this our life, exempt from public haunt.\\nFinds tongues in trees, books in running brooks,\\nSermons in stones, and good in everything.\\nAs You Like It. Act II. Sc. I.\\nAll the world s a stage,\\nAnd all the men and women merely players;\\nThey have their exits and their entrances;\\nAnd one man in his time plays many parts,\\nHis acts being seven ages. At first the infant.\\nMewling and puking in the nurse s arms.\\nAnd then the whining school-boy, with his\\nsatchel", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0169.jp2"}, "170": {"fulltext": "l62 SHAKESPEAREAN QUOTATIONS\\nAnd shining morning face, creeping like snail\\nUnwillingly to school. And then the lover,\\nSighing like furnace, with a woeful ballad\\nMade to his mistress eyebrow. Then a soldier.\\nFull of strange oaths and bearded like the pard;\\nJealous in honour, sudden and quick in quarrel.\\nSeeking the bubble reputation\\nEven in the cannon s mouth. And then the\\njustice.\\nIn fair round bell}^ with good capon lined,\\nWith eyes severe and beard of formal cut,\\nFull of wise saws and modern instances;\\nAnd so he pia3 S his part. The sixth age shifts\\nInto the lean and slipper d pantaloon.\\nWith spectacles on nose and pouch on side;\\nHis youthful hose, well saved, a world too wide\\nFor his shrimk shank; and his big manly voice.\\nTurning again toward childish treble, pipes\\nAnd whistles in his sound. Last scene of all.\\nThat ends this strange eventful history.\\nIs second childishness and mere oblivion\\nSans teeth, sans eyes, sans taste, sans everything.\\nAs You Like It. Act II. Sc. 7.\\nThe Retort Courteous; the Quip Modest;\\nthe Reply Churlish; the Reproof Valient;\\nthe Counter check Quarrelsome;\\nthe Lie with Circumstance; the Lie Diredl.\\nAct V. Sc. 4.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0170.jp2"}, "171": {"fulltext": "SHAKKSPEARKAN QUOTATIONS 1 63\\nlyook in the chronicles; we came in with Richard\\nConqueror.\\nThe Taming of the Shrew. Induction. Sc. i.\\nIf music be the food of love, play on;\\nGive me excess of it, that, surfeiting.\\nThe appetite may sicken, and so die.\\nThat strain again! it had a dying fall:\\nOh, it came o er my ear like the sweet sound\\nThat breathes upon a bank of violets,\\nStealing and giving odour.\\nTwelfth Night. Act I. Sc. i.\\nDuke, And what s her history\\nVio. A blank, my lord. She never told her love,\\nBut let concealment, like a worm i the bud,\\nFeed on her damask cheek; she pined in thought,\\nAnd with a green and yellow melancholy\\nShe sat like patience on a monument.\\nSmiling at grief.\\nAct II. Sc. 4.\\nWhat you do\\nStill betters what is done. When you speak\\nsweet,\\nI d have you do it ever; when you sing,\\nI d have you buy and sell so, so give alms,\\nPray so; and for the ordering your affairs,\\nTo sing them, too; when you do dance, I wish\\nyou", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0171.jp2"}, "172": {"fulltext": "1 64 SHAKESPEAREAN QUOTATIONS\\nA wave o the sea, that you might ever do\\nNothing but that, move still, still so,\\nAnd own no other func^lion; each your doing,\\nSo singular in each particular,\\nCrowns what you are doing in the present deed.\\nThat all your adls are queens.\\nThe Winter s Tale. Act IV. Sc. 4.\\nTo gild refined gold, to paint the lily,\\nTo throw a perfume on the violet,\\nTo smooth the ice, or add another hue\\nUnto the rainbow, or with taper light\\nTo seek the beauteous eye of heaven to garnish.\\nIs wasteful and ridiculous excess.\\nKing John. Act IV. Sc. 2.\\nOh, who can hold a fire in his hand\\nBy thinking on the frosty Caucasus\\nOr cloy the hungry edge of appetite\\nBy bare imagination of a feast\\nOr wallow naked in December snow\\nBy thinking on fantastic summer s heat?\\nOh, no! the apprehension of the good\\nGives but the greater feeling to the worse.\\nKing Richard II. Act I. Sc. 3.\\nBy heaven, me thinks it were an easy leap\\nTo pluck bright honour from the pale-faced\\nmoon.\\nOr dive into the bottom of the deep,", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0172.jp2"}, "173": {"fulltext": "shakkspkar:e;an quotations 165\\nWhere fathom-line could never touch the ground,\\nAnd pluck up drowned honour by the locks.\\nKing Henry IV. Part I. Act I. Sc. 3.\\nI have peppered two of them, two I am sure I have\\npaid, two rogues in buckram suits. I tell thee\\nwhat, Hal, if I tell thee a lie, spit in my face;\\ncall me horse. Thou knowest my old word:\\nhere I lay, and thus I bore my point. Four\\nrogues in buckram let drive at me.\\nAct II. Sc. 4.\\nThree misbegotten knaves in Kendal green.\\nIbid.\\nGive you a reason on compulsion! if reasons\\nwere as plentiful as blackberries, I would give\\nno man a reason upon compulsion, I.\\nKing Henry IV. Part I. Act II. Sc. 4.\\nA plague of sighing and grief It blows a man\\nup like a bladder.\\nIbid.\\nFarewell! a long farewell, to all my greatness!\\nThis is the state of man: to-day he puts forth\\nThe tender leaves of hope; to-morrow blossoms.\\nAnd bears his blushing honours thick upon him;\\nThe third day comes a frost, a killing frost.\\nAnd when he thinks, good easy man, full surely\\nHis greatness is a-ripening, nips his root.\\nAnd then he falls, as I do. I have ventured,", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0173.jp2"}, "174": {"fulltext": "1 66 SHAKESPE^ARKAN QUOTATIONS\\nI\\nlyike little wanton boys that swim on bladders,\\nThis many summers in a sea of glory,\\nBut far beyond my depth my high-blown pride\\nAt length broke under me and now has left me,\\nWeary and old with service, to the mercy\\nOf a rude stream, that must forever hide me.\\nVain pomp and glory of this world, I hate ye:\\nI feel my heart new opened. Oh how wretched\\nIs that poor man that hangs on princes favours!\\nThere is betwixt that smile w^e would aspire to\\nThat sweet aspect of princes, and their ruin.\\nMore pangs and fears than wars or women have:\\nAnd when he falls, he falls like Lucifer,\\nNever to hope again.\\nKing Henry VIII. Act III. Sc. 2.\\nlyOve thyself last: cherish those hearts that hate\\nthee;\\nCorruption wins not more than honesty,\\nStill in thy right hand carry gentle peace,\\nTo silence envious tongues. Be just, and fear\\nnot:\\nLet all the ends thou aims t at be thy country s,\\nThy God s, and truth s; then if thou fall st\\nThou fall st a blessed martyr!\\nKing Henry VIII. Act III. Sc. 3.\\nImmortal gods I crave no pelf;\\nI pray for no man but myself;\\nGrant I may never prove so fond,\\nTo trust man on his oath or bond.\\nTimon of Athens. Act I. Sc. 2.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0174.jp2"}, "175": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 167\\nYe gods, it doth amaze me\\nA man of such a feeble temper should\\nSo get the start of the majestic world\\nAnd bear the palm alone.\\nJulius Csesar. Act I. Sc. 2.\\nWhy, man, he doth bestride the narrow world\\nLike a Colossus, and we petty men\\nWalk under his huge legs and peep about\\nTo find ourselves dishonourable graves.\\nMen at some time are masters of their fates;\\nThe fault, dear Brutus, is not in our stars,\\nBut in oinrselves, that we are underlings.\\nIbid.\\nRomans, countrymen, and lovers! hear me for\\nmy cause, and be silent, that you may hear:\\nbelieve me for mine honour, and have respect\\nto mine honour, that you may believe; censure\\nme in your wisdom, and awake your senses,\\nthat you may the better judge.\\nNot that I loved Caesar less, but that I loved\\nRome more.\\nAct III. Sc. 2.\\nFriends, Romans, countrymen, lend me your ears;\\nI come to bury Csesar, not to praise him.\\nThe evil that men do lives after them;\\nThe good is oft interred with their bones;", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0175.jp2"}, "176": {"fulltext": "l68 SHAKKSPKARKAN QUOTATIONS\\nSo let it be with Caesar. The noble Brutus\\nHath told you Csesar was ambitious:\\nIf it were so, it was a grievous fault,\\nAnd grievously hath Csesar answered it.\\nHere, under leave of Brutus and the rest\\nFor Brutus is an honourable man;\\nSo are they all, all honourable men\\nCome I to speak in Caesar s funeral.\\nHe was my friend, faithful and just to me;\\nBut Brutus says he was ambitious;\\nAnd Brutus is an honourable man.\\nHe hath brought many captives home to Rome,\\nWhose ransoms did the general coffers fill:\\nDid this in Csesar seem ambitious\\nWhen that the poor have cried, Caesar hath wept:\\nAmbition should be m.ade of sterner stuff:\\nYet Brutus says he was ambitious;\\nAnd Brutus is an honourable man.\\nYou all did see that on the Lupercal\\nI thrice presented him a kingly crown\\nWhich he did thrice refuse: was this ambition?\\nYet Brutus says he was ambitious;\\nAnd, sure, he is an honourable man.\\nI speak not to disprove what Brutus spoke,\\nBut here I am to speak what I do know.\\nYou all did love him once, not without cause:\\nWhat cause withholds you then, to mourn for him\\nO judgment! thou art fled to brutish beasts.\\nAnd men have lost their reason.\\nIbid.", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0176.jp2"}, "177": {"fulltext": "SHAKKSPKAREAN QUOTATIONS 1 69\\nMethought I heard a voice cry, Sleep no more!\\nMacbeth doth raurder sleep! the innocent sleep,\\nSleep that knits up the ravelPd sleave of care.\\nThe death of each day s life, sore labour s bath,\\nBalm of hurt minds, great nature s second course.\\nChief nourisher in life s feast.\\nMacbeth. Act II. Sc. 2.\\nThou canst not say I did it; never shake\\nThy gory locks at me.\\nMacbeth. Act III. Sc. 4.\\nThe time has been.\\nThat when the brains were out the man would\\ndie,\\nAnd there an end; but now they rise again.\\nWith twenty mortal murders on their crowns.\\nAnd push us from our stools.\\nIbid.\\nMy way of life\\nIs faU n into the sere, the yellow leaf;\\nAnd that which should accompany old age.\\nAs honour, love, obedience, troops of friends,\\nI must not look to have; but in their stead\\nCurses, not loud but deep, mouth-honour, breath.\\nWhich the poor heart would fain deny, and dare\\nnot.\\nMacbeth. Act V. Sc. 3.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0177.jp2"}, "178": {"fulltext": "IJO SHAKESPKAREAN QUOTATIONS\\nCure her of that.\\nCanst thou not minister to a mind diseas d,\\nPluck from the memory a rooted sorrow,\\nRaze out the written troubles of the brain,\\nAnd with some sweet obli\\\\4ous antidote\\nCleanse the stuff d bosom of that perilous stuff\\nWhich weighs upon the heart\\nIbid.\\nTo-morrow, and to-morrow, and to-morrow,\\nCreeps in this petty pace from day to day\\nTo the last syllable of recorded time,\\nAnd all our 3 esterda3^s have lighted fools\\nThe way to dusty death. Out, out, brief candle!\\nLife s but a walking shadow, a poor player\\nThat struts and frets his hour upon the stage\\nAnd then is heard no more: it is a tale\\nTold by an idiot, full of sound and fury,\\nSignif dng nothing.\\nMacbeth. Act V. Sc, 5.\\nIn the most high and palmy state of Rome,\\nA little ere the mightiest Julius fell.\\nThe graves stood tenantless, and the sheeted dead\\nDid squeak and gibber in the Roman streets.\\nHamlet. Act I. Sc. I.\\nSeems, Madam! nay, it is; I know not seems.*\\nTis not alone my inky cloak, good mother,\\nNor customary suits of solemn black.\\nSc. 2t", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0178.jp2"}, "179": {"fulltext": "SHAKKSPKARBAN QUOTATIONS I71\\nBut I have that within which passeth show;\\nThese but the trappings and the suits of woe.\\nIbid.\\nHyperion to a satyr; so loving to my mother,\\nThat he might not beteem the winds of heaven\\nVisit her face too roughly.\\nIbid.\\nDo not, as some ungracious pastors do,\\nShow me the steep and thorny way to heaven;\\nWhiles, like a puff d and reckless libertine.\\nHimself the primrose path of dalliance treads,\\nAnd recks not his own rede.\\nHamlet. Act I. Sc. 3.\\nBe thou familiar, but by no means vulgar.\\nThose friends thou hast, and their adoption tried,\\nGrapple them to thy soul with hoops of steel.\\nIbid.\\nBeware\\nOf entrance to a quarrel; but being in.\\nBear t that the opposed may beware of thee.\\nGive every man thy ear, but few thy voice;\\nTake each man s censure, but reserve thy judg-\\nment.\\nCostly thy habit as thy purse can buy,\\nBut not expressed in fancy, rich, not gaudy.\\nFor the apparal oft proclaims the man.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0179.jp2"}, "180": {"fulltext": "172 SHAKKSPKARKAN QUOTATIONS\\nNeither a borrower nor a lender be;\\nFor loan oft loses both itself and friend,\\nAnd borrowing dulls the edge of husbandry.\\nThis above all: to thine own self be true,\\nAnd it must follow, as the night the day,\\nThou canst not then be false to any man.\\nIbid.\\nThis goodly frame, the earth, seems to me a\\nsterile promontory; this most excellent canopy,\\nthe air, look you, this brave o erhanging firma-\\nment, this majestical roof fretted with golden\\nfire, why, it appears no other thing to me than\\na foul and pestilent congregation of vapours.\\nWhat a piece of work is a man! how noble in\\nreason! how infinite in faculty! in form and\\nmoving how express and admirable! in acflion\\nhow like an angel in apprehension how like a\\ngod!\\nAct II. Sc. 2.\\nTo be, or not to be; that is the question:\\nWhether tis nobler in the mind to suffer\\nThe slings and arrows of outrageous fortune,\\nOr to take arms against a sea of troubles.\\nAnd by opposing end them To die: to sleep:\\nNo more; and by a sleep to say we end\\nThe heartache and the thousand natural shocks", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0180.jp2"}, "181": {"fulltext": "SHAKKSPKARKAN QUOTATIONS 1 73\\nThat flesh is heir to tis a consummation\\nDevoutly to be wished. To die, to sleep;\\nTo sleep; perchance to dream ay, there s the\\nrub:\\nFor in that sleep of death what dreams may come.\\nWhen we have shuffled off this mortal coil,\\nMust give us pause: there s the respecft\\nThat makes calamity of so long life;\\nFor who would bear the whips and scorns of time,\\nThe oppressor s wrong, the proud man s con-\\ntumely,\\nThe pangs of dispised love, the law s delay,\\nThe insolence of office and the spurns\\nThat patient merit of the unworthy takes.\\nWhen he himself might his quietus make\\nWith a bare bodkin Who would fardels bear,\\nTo grunt and sweat under a weary life.\\nBut that the dread of something after death,\\nThe undiscovered country from whose bourn\\nNo traveller returns, puzzles the will\\nAnd makes us rather bear those ills we have\\nThan fly to others that we know not of?\\nThus conscience does make cowards of us all;\\nAnd thus the native hue of resolution\\nIs sicklied o er with the pale cast of thought,\\nAnd enterprises of great pith and moment\\nWith this regard their currents turn awry.\\nAnd lose the name of adlion.\\nAct III. Sc. I.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0181.jp2"}, "182": {"fulltext": "174 SHAKESPEAREAN QUOTATIONS\\nThere is a special providence in the fall of a\\nsparrow. If it be now, t is not to come if it\\nbe not to come, it will be now if it be not\\nnow, yet it will come the readiness is all.\\nSince no man has aught of what he leaves,*\\nwhat is t to leave betimes?\\nAct V. Sc. 2.\\nThis is the excellent fopper^^ of the world that,\\nwhen we are sick in fortune, often the surfeit\\nof our own beha\\\\ iour, we make guilty of our\\ndisasters the sun, the moon, and the stars; as\\nif we were illains by necessity; fools by\\nheavenly compulsion; knaves, thieves, and\\ntreachers by spherical predominance: drunk-\\nards, liars, and adulterers, by an enforced obed-\\nience of planetary influence; and all that we are\\nevil in, by a divine thrusting on: to lay\\nhis goatish disposition to the charge of a star J\\nKing Lear. Act I. Sc. 2.\\nPoor naked wretches, wheresoe er you are,\\nThat bide the pelting of this pitiless storm.\\nHow shall your houseless heads and unfed sides,\\nYour looped and windowed raggedness, defend\\nyou\\nFrom seasons such as these\\nAct III. Sc. 4.\\nA man may see how this world goes with no eyes.\\nL^ook with thine ears; see how yond justice rails", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0182.jp2"}, "183": {"fulltext": "SHAKKSPBARKAN QUOTA TlONS 1 75\\nUpon yond simple thief. Hark, in thine ear:\\nchange places; and, handy-dandy, which is the\\njustice, which is the thief?\\nAct IV. Sc. 6.\\nMost potent, grave, and reverend signiors,\\nMy very noble and approv d good masters,\\nThat I have ta en away this old man s daughter,\\nIt is most true: 1 have married her:\\nThe very head and front of my offending\\nHath this extent, no more. Rude am I in my\\nspeech.\\nAnd little bless d with the soft phrase of peace:\\nFor since these arms of mine had seven years\\npith,\\nTill now some nine moons wasted, they have\\nused\\nTheir dearest adlion in the tented field.\\nAnd little of this great world can I speak\\nMore than pertains to feats of broil and battle,\\nAnd therefore little shall I grace my cause\\nIn speaking for myself. Yet, by your gracious\\npatience,\\nI will a round unvarnished tale deliver\\nOf my whole course of love.\\nOthello. Act I. Sc. 3.\\nHer father loved me; oft invited me;\\nStill questioned me the story of my life\\nFrom year to year, the battles, sieges, fortunes,\\nThat I have passed.\\nIbid.", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0183.jp2"}, "184": {"fulltext": "Jy77~/", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0184.jp2"}, "185": {"fulltext": "", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0185.jp2"}, "186": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0186.jp2"}, "187": {"fulltext": "", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0187.jp2"}, "188": {"fulltext": "", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0188.jp2"}, "189": {"fulltext": "", "height": "4056", "width": "2484", "jp2-path": "shakespearequota00shak_0189.jp2"}, "190": {"fulltext": "LIBRARY OF CONGRESS\\n014 105 328", "height": "4024", "width": "2484", "jp2-path": "shakespearequota00shak_0190.jp2"}}