N E .1 15 1 ... CATALOGUE OF ETCHINGS AND DRY POINTS BY REMBRANDT j&L , se rv9 Storas* Coll*!** 1 ** Class l)/nZfl*r Book ft±f : Copyright^ COPYRIGHT DEPOSIT. that tin- I li.ui. I900> C ITALOGUE OF I T( HINGS AM) DRV POINTS in REMBRANDT -A- ATALOGUE OF ETCHINGS AND DRY POINTS BY REMBRANDT sAa MI. IX I ED FOR KXHIBI'I [ON AT I HI GROIIER CU B OF THE CI I \ OF M W i ORK APRIL— MAI . 1900 NEW \ ORK PI BUSHED BY nil. GROLIER cl 11 \K \I TWO COPIES RECEIVED, Library of GafigrQ8$ Offlca of til* MAY 2 9 1900 heglator of CopyrlgMfc FIRST COPY, Copyright, 1900, by The Grolier Club of the City of New York. NQTE The pin at exhibition i . fine im- pre 'i as man) camples of the etched « Rembrandt, and to ill quately both his rai er in i It is not for lack of material thai the display is limited in nui While a com- plete exhibition of original impn isimpossibl from the private collecti •!'•!'« iusl) of the Club, a m< ibition could have been m The result, however, would not have been more r nta- tive of the arti \t* i work. As nerally known, wide differen cist anion-' reo agnized authoril certain print i attributed to Rembrandt n which has followed the agitation ol the subject bj S mour I Lulcn. has led to the definite i .-• num- ber of etchings included in the earlier catalogues Regard- ing others, the work of investigation and criticism still o tinues. Bartsch, in 1797, placed the total numl tchings and dry points by Rembrandl - Middli w Mid- 8 NOTE dleton-Wake), in 1878, questioned the genuineness of all but 329. Michel, in 1893, with hesitation in some cases, settled upon 270. Von Seidlitz, in 1895, reached the conclusion that only 260 could with certainty be credited to Rembrandt Further comment on this subject is not made here, since it is not deemed to be the mission of the Grolier Club to under- take work which may be regarded as more properly within the province of a public institution possessed of a permanent collection of prints. In the various catalogues of Rembrandt's etchings, conflict- ing views ha.ve resulted in differences of classification and numbering. In the present catalogue, Dutuit has been fol- lowed in determining states as well as in the classification ac- cording to subjects. Twelve divisions are made as follows : (1) Portraits of Rembrandt; (2) Subjects from the Old Tes- tament; (3) Subjects from the New Testament; (4) Pious Subjects; (5) Allegorical, Historical and Fancy Subjects; (6) Beggars ; (7) Free Subjects and Academic Figures ; (8) Landscapes; (9) Portraits of Men; (10) Fancy Heads of Men; (n) Portraits of Women; (12) Studies of Heads and Sketches. This is an earlier classification than that adopted by Middleton-Wake, who placed all the prints under four heads, namely: (1) Studies and Portraits; (2) Biblical and Religious Subjects; (3) Fancy Subjects, and (4) Landscapes. While the present exhibition is notable as a whole, yet some of the impressions are worthy of special remark. Such are those of " Christ Healing the Sick" (the hundred-guilder printj, "Christ Preaching/' " Christ Before Pilate" ( D. S$), one of six impre known to ; the portraits of Clement de Jonghe, Van Tolling, Old Haaring, Y Haaring, Burgomaster Six, Jan Sylvius ; and the land- scape-, known as "The I hree Tr "Landscape with a Cottage and Dutch II m," and • I. indscape with a Fl It may be thought in- vidious to mention any impr • so many other i fine, but those mention* the more important in su Important and extensive privafc Rembran etch;:: them vying with lie colli i in Europe and in this country, notably tl. M I mond de R< »tfa < hild, i t Pari . Mr, ( ! e W. \ ' »ilt, of Biltmore, North Carolina, and Mr. Th Irwin ; k. Rembrandt's etched work substantial! ible only in great public colli — In ti eum at London, the Royal Museum lam, the N Library at Paris, the Imperial Museum at Berlin, i tina and Imperial Museum at Vienna, th um at I )i'< iden, and perha] in 1 the Museum of Fine Arts at Boston. Unfortui the City of Xew York has no important pul Uection prints; the comparatively few prints in the | »ion of the Metropolitan Museum of Art having n nity oi a collection. It is hoped, hou< vi r, that through 10 NOTE provision for a print department in the New Public Li- brary, this city may, in the course of time, possess such a public collection as will be worthy of the metropolis of this country. Doubts exist regarding the dates of Rembrandt's birth and death. Orlers and Van Leeuwen say that he was born in 1606, and Sir F. Seymour Haden (with whom Messrs. Michel and Colvin agree) gives reasons for being of the same opinion. Others say that 1608 was the year. Mr. Middleton-Wake, however, is quite positive that Vosmaer's date of 1607 is correct^ Nearly all writers and commentators are agreed that Rem- brandt was born at Ley den, and that the day of his birth was the 15th of July, and that he died in October, 1669, at Amster- dam, where he was buried in the Wester Kerk on October 8th. It may be noted that the earliest date found upon any of his etchings is 1628, while he was still at Leyden, and that the latest is 1661. The student is referred to the following authorities which may be consulted with special reference to the life of Rem- brandt as well as his etched work : Gersaint, " Catalogue raisonne de toutes les pieces qui forment l'ceuvre de Rembrandt," Paris : 1 75 1. Yver, Pierre, Supplement au " Catalogue raisonne de M. M. Gersaint," Helle et Glomy, Amsterdam: 1756. Daulby, Daniel, " A Descriptive Catalogue of the Works IT. 11 of Rembrandt and His Scholars," Liverpool and London: 170. Clan »sin, P<- Chevalier Catal impes qui formenl ' Reml >randt," iris : ;. Supplement Paris : 1 828. Wilson, Thoi Prints of Rembrandt B) an Am iteur." London: 1 ;6. BL ibrandt," 2 vols, and Pari V< ismaer, C, " Rembr mdt, sa \ ie el s< ed The I [ague Middleton, ( 'harles ! lenrj Work of Rembrandt" I a >nd< m Middle t< »n, ( lhar the Etched Work ol Rembrai j n. w I I laden. Sir F ran mour, " Th Lem- brandt. A M< ph." New ed. London: 1 79. 1 )utuit, 1 ■• I ,'oeui re complet I Lembran< 2 vols., supplement and plat( . I 'aris : 1 8 Koehler, S. R., " ( !atal< I t the I Work of Rembrandt and Ie," printed for the M useum of Fine Art . 1 1 ton: Rovinsky, Dimitri, "L'ceuvre grav< Rembran St Petersburg : 1 S90. Michel, Emile, " Rembran n oeui son temps. "' Paris, English translation by Rorence Si initials, edited bj Frederick Wed more 12 NOTE Von Seidlitz, W., "Kritisches Verzeichnis der Radierungen, Rembrandt." Leipzig: 1895. Hamerton, Philip Gilbert, "The Etchings of Rembrandt." London: 1896. Colvin, Sidney, " Guide to an Exhibition of Drawings and Etchings by Rembrandt and Etchings by Other Masters in the British Museum." Printed by order of the Trustees, 1899. CATALOGUE \ Catalog**. * h title ar' Mi : I . ReMBRANDI WHEN YOUNG, wim BUSHY HAIR. D. i. i: i. BL i i. w r M There is i >iil | tc 2 REMBRAND1 uiih MOUSTACH] \M> -mam BEARD. D. i. B i 5. w. B< M. 106. There tr ■.II. u boo ( !oUe< don. R BMBRANDT HOI DING A BIRD OP PR] D v B. ; v BL I 7. W. j, M. ioo. There are thn Second STATE. From the Aylcsfnnl ind Hawkins I M, 14 REMBRANDT 4 Rembrandt in a fur cap and dark dress. D. 6. B. 6. Bl. 210. W. 6. M. 17. There are two states. Second State. Duplicate from the Cambridge University Collection. 5 Rembrandt in a turned-up hat and an embroid- ered mantle. D. 7. B. 7. Bl. 211. W. 7. M. 52. There are ten states. Ninth State, with Dighton's mark. From the McGowan and W. Koller Collections. Robert Dighton, the caricaturist, abstracted a number of prints from the British Museum about the years 1 794-1800. Upon discovery of the theft, most of the prints were recovered. 6 Rembrandt with bushy hair. D. 8. B. 8. Bl. 212. W. 8. M. 50. There are six states. Fifth State. 7 Rembrandt with a cap and robe of fur. D. 14. B. 14. Bl. 225. W. 14. M. 44. * There are two states. First State. From the Howard Collection. Rembrandt with a fur mantle or cape. D. 15. B. 15. Bl. 222. W. 15. M. 48. There are four states. Third State. us 9 R EMBRANOI \vn H a k< ii \\> I>. 16. B. 16. III. 223. \V. 16. M. 45. 'I here an • 1 j . ir Abraham Hume Collection. LO I\ 1 MBRAND1 Wi III \ 1 IUND HIS \! i>. >;. 1:. 17- bl 1*9. wr. 17. \i There are tin Th .1. 11 K 1 IIBRAND1 w 11 H \ DRAW \ - \!;kl in LI [GH r l). 18. l:. 1 Third Si mi. 12 I\ EMBRAND 1 AND HIS will i>. 1 '. k 3. W. 1 : There ai 1 1 State. 1:; Rembrandt i\ a cap and i eai her. !»• I • 1'-. I W. 10. M. : There i> only ooe Mate. 16 REMBRANDT 14 Rembrandt leaning on a stone sill. D. 21. B. 2i. Bl. 234. W. 21. M. 137. There are two states. (a) First State, before the band of the cap was extended over the hair at the extreme right. (b) Second State. It has Dighton's mark. 15 Rembrandt at a window, drawing. D. 22. B. 22. Bl. 235. W. 22. M. 160. There are ten states. Eighth State. From the John Barnard Collection. 16 Rembrandt, in an oval. D. 23. B. 23. Bl. 232. W. 23. M. in. There are three states. Third State. From the Verstolk Collection. 17 Rembrandt laughing. D. 29. B. 316. Bl. 218. W. 29. M. 25. There are three states. Second State. From the Sir Abraham Hume Collection. 18 Abraham entertaining the angels. D. 36. B. 29. Bl. 2. W. 36. M. 250. There is only one state. Impression, full of bur, on Japan paper. From the St. John Dent and Seymour Haden Collections. CATALOG1 17 L9 Abraham sending away hagar and ishmael. D.37. B.30. Bl.3. W. 37 . M. 204. There is only one state. Abraham cari ssing esaac. D. • m. BL4. W. i 3 '. M. , There is Qnl 'Jl A ham WITH in- SON I D, ft. B. :;. BL ;. W. 38. M. 220. J J I >S1 : if 1 M LING IN- DR] IMS, D. p. B. -,;• BL 9. W. p. If. 205. ■ ! m the \\ ACOB I \M1 \ 1 inc. 1 in 51 l) Di a 1 11 01 JOSEPH. D : BL 10. W. A3. M. 1S9. I m the I [cbu h Coll 24 David on his knees, 1. B. ji. BL 13. W. 15. M There are t\\ Statb. 18 REMBRANDT 25 ToBIT BLIND, WITH A DOG. D. 45. B. 42. Bl. 15. W. 46. M. 226. There is only one state. From the Liphart Collection. 26 The angel ascending from tobit and his family. D. 46. B. 43. Bl. 16. W. 48. M. 213. There are two states. First State. 27 Four prints from a Spanish book. D. 47. B. 36. Bl. 8. W. 40. M. 247. (a) THE STATUE OF NEBUCHADNEZZAR. There are five states. Third State, on Japan paper. From the Seymour Haden Collection. (b) JACOB'S LADDER. There are three states. Third State. From the Danby Seymour Collection. (C) DAVID AND GOLIATH. There are three states. Second State, on Japan paper. From the Danby Seymour Collection. (d) THE VISION OF DANIEL. There are three states. Third State. From the Danby Seymour Collection. 28 The triumph of mordecai. D. 48. B. 40. Bl. 12. W. 44. M. 228. There is only one state. From the Liphart Collection. CATALOG U 1 ( J The angel appearing to nu. shepherds. I). 49. B. 44. BL 17. W. 49. M. 191. Third • Collections. I HE N.\ l [VII \ . I). 50. 1;. r. Bl 1 . - . M. 238. in the < mi. ::l FhE ADORATION 01 I HI. SHI PH I). 51, B. ; ,. W, 51. M. 230. Til- ThI CIR< i M« [SU >\ 1). 5.'. I'-. ; I'll I ill CIRCUMCISION. D. 1 ... ■ There is on! :;i I III I'RKSl NTATION l\ 1 HI \ All. 1ID 1 i Mi : I). IV, 54. M. 208. There are fn ( \) PlRSl Si \ 1 1 . »m the I [awkina and Buc< leugfa : bird State, 20 REMBRANDT 35 The presentation in the temple. D. 55. B. 50. Bl. 23. W. 55. M. 243. There is only one state. Early impression on Japan paper. From the Hawkins, Astley and Buccleugh Collections. 36 THE FLIGHT INTO EGYPT. D. 57. B. 52. Bl. 25. W. 57. M. 184. There are two states. First State. From the Howard Collection. 37 The flight into egypt. D. 58. B. 53. Bl. 26. W. 58. M. 227. There are three states. Third State. Duplicate from the Cambridge University Collection. 38 The flight into egypt. D. 61. B. 56. Bl. 29. W. 61. M. 236. There are five states. (a) Third State, with large margins. From the John Barnard Collection. (b) Another impression. 39 The repose in a wood. D. 62. B. 57. Bl. 30. W. 62. M. 221. There are three states. Third State. Duplicate from the Cambridge University Collection. J J CATALOGl '21 40 IT! ING with THE I" >] D. 68. 15. 65. BL 36. w. 69. M. 131. There are thr I iritfa l)iir. From the Ay lections. n l 51 - \M) HIS PAREN 1 SALEM. D. 70. B. 6 k, i;:. |8. w. I There ia onlj Early impresaiorj with bur. 1 : in the Seymour 1 1 »n. Christ preaching I). 7.. B. 67. '.', : , 'I'll : ri» li iin; (n) Anotfa I '■ D Off tll< ; IH] GOOD S wi aki 1 w I). ; 90. BL II, W. 95. M. 185. I . State, ■ 1 1 1 . 11 I HE KI I »| I HI. PRODIGA1 D. 76, 1:. 91. BL : ■. M. 101. There i> only one state. 22 REMBRANDT 45 Christ healing the sick: called "the hundred guilder piece." D. 77. B. 74. Bl. 49. W. 78. M. 224. There are five states. (a) Second State. One of the finest impressions known. From the De Fries, Verstolk, Price and Fisher Collections. (b) Another impression of the Second State. (c) Another impression of the Second State. From the Kalle collection. 46 The RESURRECTION OF LAZARUS. (The small plate). D. 78. B. 72. Bl. 47. W. 76. M. 215. There are two states. (a) Second State. (b) Another impression of the Second State. Drawn upon with India ink. 47 The resurrection of lazarus. D. 79. B. 73. Bl. 48. W. 77. M. 188. There are nine states. Seventh State. 48 Christ driving out the money changers. D. 80. B. 69. Bl. 44. W. 73. M. 198. There are two states. First State. 49 Christ in the garden of olives. D. 82. B. 75. Bl. 50. W. 79. M. 251. There is only one state. Early impression on Japan paper. From the Edward Smith, Phillips and de Claussin Collections. CATALOGUE Christ bej om pilai D. 83. B. f6. BL -i. \v. 80. M. 248. (a) I- ik- 1 Si re the plate was cut at the t Fl ;i the II iwkins and Uuccleu^h Collections. . 1 1.. 1 the Did lion. :.i EcCE HOMO. D 1 B. 77- BL 52. w. 82. If, 200. 1 , 1.. I HI. I Hli I CI D, 85. B . ; i. M. 1 i State, I HE I KM II IX ION. D. 86. B. \ :. If, .-. There arc thit 3 • State. .1 the W, K .' don. M IHE Dl >< ENT l ft >\i l ill. D. nx. B. Bi. 1 There arc fou I : 1 . M Of the finest im: known. 24 REMBRANDT 55 The descent from the cross. D. 90. B. S 3 . Bl. 58. W. 88. M. 242. There is only one state. 56 The body of christ carried to the tomb. D. 92. B. 84. Bl. 60. W. 89. M. 217. There is only one state. 57 The entombment. D. 93. B. 86. Bl. 61. W. 91. M. 233. There are three states. (a) First State, on Japan paper. (b) This impression is between the second and third states of Dutuit, there being no diagonal lines on the top of the poteau. There are a great variety of impressions of this plate, owing to different effects of printing. From the Didot Collection. 58 Christ and the disciples at emmaus. D. 94. B. 87. Bl. 63. W. 92. M. 237. First State, drawn upon in India ink. 59 Christ and the disciples at emmaus. D. 95. B. 88. Bl. 62. W. 93, M. 194. There are two states. Second State. From the Burleigh James Collection. Christ in i he midsi oi h I). 96. B. 89. W. j. B. 100. Bl. 71. W, 105. M. 190. I OND M mi. \ Collection. 4 26 REMBRANDT 65 St. JEROME WRITING, SEATED NEAR A LARGE TREE. D. 106. B. 103. Bl. 74. W. 108. M. 223. There are two states. Second State. 66 St. JEROME; AN UNFINISHED PIECE. D. 107. B. 104. Bl. 75. W. 109. M. 234. There are two states. (A) First State, on Japan paper. From the Haden Collection. (b) Second State. The supports of the bridge are more strongly marked. 67 St. JEROME; IN REMBRANDT'S DARK MANNER. D. 108. B. 105. Bl. 76. W. no. M. 214. There are two states. Second State. There are later impressions taken from the plate, which was badly retouched long after Rembrandt's death. 68 St. FRANCIS PRAYING. D. 109. B. 107. Bl. 78. W. 112. M. 252. There are two states. Second State, on Japan paper. From the John Barnard Collection. 69 Youth surprised by death. D. no. B. 109. Bl. 79. W. 113. M. 265. There are three states. First State. CATALOG 27 70 Ax ALLEGORICAL PIE( I), in. B. mo. BL So. W. 114. M. 296. \c. in Japan pa] 1 r n tl Barnard and Hcbich Collections. 71 M EDI \ ; OR I HE M . 1 II JAS »N AN] D. 113. B. 1 1.'. BL to. w. ,r • : 186. (a) I I of Juno fol (B) Fou« hi mm 1 , iritfa tl 1 Dupli< ate from ti e *.;on. 72 A 1 I ( ) \ HI N 1 D. IIS- B. 1 1 j. ! ■! -' W. ,,-, M. :■ Thci -I MI. 1 the Did tion. I HE WANDERING HUSK D. iso. B. 1 19 BL 90. v, m. ; 6 3 . Th( 1 , State, 7! I ill. SPANISH D. isi. B. 1: . BL B3. ^\'. laa. M There ia only one state. ■ ly impression. V 28 REMBRANDT 75 The rat killer. D. 122. B. i2i. Bl. 95. W. 125. M. 261, There are two states. Second State. 76 The game of golf. D. 126. B. 125. Bl. 97. W. 129. M. 294. There are two states. First State, before the plate was finished at the top. From the Mariette Collection. 77 A SYNAGOGUE. D. 127. B. 126. Bl. 98. W. 130. M. 288. There are three states. Second State. From the Aylesford, Hawkins and Buccleugh Collections. 78 The mountebank. D. 129. B. 129. Bl. 92. W. 132. M. 117. There is only one state. Impression from the Burleigh James Collection. 79 The onion-woman. D. 133. B. 134. Bl. 102. W. rejected. M. 66. There are two states. Second State. CATALOG 90 80 A PEASANT WITH HIS HANDS BEHIND HIM D. . ;». B. i- 111. 103. W. 136. ' There arc four states. 1 i . J III. BUN D I [DDL] D. 136. B. 138. BL 91. w. 138. m. 'In :i. I ■ .. H I lle( tion. 32 A POL WM.k. I>. 138, B. 14 107. W. 140. If. 1 Th' 1 State; the pUt< ilar. I wo ik win i\(i i'i \a \\ 1 g I>. 1 42. B. 1 \ \. BL IIO. R M. 104. 'I I 84 A PHILOS( tPHER Ml I > I I \ 1 [N( D . ].]. B. . 17. BL in. w. 1 l5 . M. 1 There are twi > State. An < >i i) m \\ w 1 1 m< )i r \ BEARD. D. 1 \(>. w. 15 ., BL 114. w.i 18. M. 71. There are fotur sfe i I II 9i Ml. 30 REMBRANDT 86 The skater. D. 152. B. 156. Bl. 121. W. 153. M. 103. There is only one state. From the Didot Collection. 87 A HOG. D. 153. B. 157. Bl. 350. W. 154. M. 277. There are two states. First State ; the plate is irregular. From the Hibbert and Maberly Collections. 88 The little dog sleeping. D. 154. B. 158. Bl. 352. W. 155. M. 267. There are three states. Third State. From the Didot Collection. 89 The shell. D. 155. B. 159. Bl. 353. W. 156. M. 290. There are two states. Second State, with the back-ground. From the Hebich Collection. 90 Two BEGGARS, A MAN AND A WOMAN, CONVERSING. D. 160. B. 164. Bl. 128. W. 161. M. 37. There are two states. Second State. CATALOG1 31 91 T\VO BEGGARS, A MAX AND A WOMAN, COMING FROM BEHIND A BANK. I). 161. B. 165. BL 129. w. 169. M. 10. There are seven states. Tiiiku Si ail, before the plate iced in nze, A BEGGAR in \ 5L kSHl D CLOAK. I). 163. B. !'•: BL 131. w. 164. M. 70. There arc three st Si A Bl GG \K wom \n ASKING ALMS I). i( 6. B. 170. BL 134, v 'l here ii only one state Early imp 1 run the Hawk. M An OLD BEGGAR WITH A LONG HEARD, WD \ I i;v HIS SIDE. I). .7.. B. 17;. BL I39, W. ,;:. m. 1 There is only one state. Early impresaion, from the Linck . ! H . h CoUecrJ Beggars \ r the door i >i 1 house. I). 17a. B. >;'-. BL 1 |.6. w. 173. M. 1 There are thi FlRSI Si \ 1 1 . 32 REMBRANDT 96 A BEGGAR WITH A WOODEN LEG. D. 175. B. 179. Bl. 142. W. 176. M. 35. There are two states. Second State. From the Howard Collection. 97 A PAINTER DRAWING FROM A MODEL. D. 189. B. 192. Bl. 157. W. 189. M. 284. There are two states. Second State. There is only one impression known of the first state. 98 A WOMAN SEATED BEFORE A DUTCH STOVE. D. 194. B. 197. Bl. 161. W. 194. M. 299. There are six states. Third State, on Japan paper; before the key was added to the stove-pipe. From the Webster Collection. 99 A WOMAN PREPARING TO DRESS AFTER BATHING. D. 196. B. 199. Bl. 163. W. 196. M. 298. There are two states. Second State, on Japan paper. 100 The woman with the arrow. D. 199. B. 202. Bl. 166. W. 199. M. 302. There are three states. Third State. From the Gervaise, Didot and Peoli Collections. J CATALOGUE 33 Ml UPITER AND ANTIOPE. B. 103. BL 167. \Y. 200. M. 301. 1 re arc two states. . the Astlev Collection. A NAKED WOIA W SE1 N 1 ft »M i D. 20J. B. 205. BL 169. W. soa. If. 300. There arc thl Sl 1 I :.. ■':. : . . CollCCti SlX'S B] I). 1 5. B |i 1. VI i one oi ■ 104 View oi ow dam. D, 106. B. 2 9. BL 31a. v. m. | lf , 'I I. ■ [mprea n. \ [EW oi AMS1 1 Kl'AM 1>. I07. B. I 1 I 7. M. 304. There is onlj 1 Earl) impression, with l>ur. m the Paar, Firm - ter Colic 1 34 REMBRANDT 106 The sportsman. D. 208. B. 211. Bl. 314. W. 208. M. 329. There are two states. Second State. 107 The THREE TREES. D. 209. B. 212. Bl. 315. W. 209. M. 309. There is only one state. (a) Impression from the G. Walker Collection. (b) Another impression. (c) Another impression. (d) Another impression. 108 THE LANDSCAPE WITH THE MILKMAN. D. 210. B. 213. Bl. 316. W. 210. M. 320. There are two states. Second State. From the Danby Seymour Collection. 109 The two houses with pointed gables. D. 211. B. 214. Bl. 317. W. 211. Rejected by M. There is only one state. Impression on Japan paper, washed with colour to imitate a drawing. From the Webster Collection. 110 The coach landscape. D. 212. B. 215. W. 212. Impression on Chinese paper, tinted to imitate a drawing. " Premier Effet." See Dutuit, vol. II, page 7. From the Van der Meer, P. Mariette, Astley and Webster Collections. As may be inferred from the absence of their numbers above, Blanc and Middleton have rejected this print as not having been etched by Rembrandt. CATALOGUE 35 111 The thi -I i AGi I). ->i \. B. 117. BL 318. W. 114. II • Then arc three s: Third State. Q2 A VILLAGE u I Ml A 3 I). 115 B , W. 111 I Nil.. Hi A 1. INDSC \ri W] 1 11 \ man SKE rCH] N I). 916. B. 119. BL 3a Tl. [mpre lion from the Liphari 1 111 I ill C wai \ LANDSC IP! "l i: EU GULAB 1 ORAL D. n 1: Tin ■ i rlv impn I : l iother iin I : . 11.. A 1 wdm \n wiiii a \ 1S1 a. I). 119. B. iaa. BL 3*3. W. 119. If. 3 1 here ire three it rHiRD State. From tlu- Aylesford, Ifaberly, Harford and I b Another irnpn 36 REMBRANDT 116 Landscape with a ruined tower. D. 220. B. 223. Bl. 324. W. 220. M. 317. There are three states. Third State. From the Liphart and Drugulin Collections. 117 An arched landscape with a flock of sheep. D. 221. B. 224. Bl. 325. W. 221. M. 319. There are three states. (a) First State. From the Holford Collection. (b) Third State. From the Artaria Collection. (c) Another impression of the Third State. Dutuit mentions the second state as having been described by Wilson. It is doubtful, however, if it exists, as none of the other Commentators have ever seen it. 118 Landscape with a cottage and a hay-barn. D. 222. B. 225. Bl. 327. W. 222. M. 306. There is only one state. (a) Very early impression. From the Holford Collection. (b) Another impression. From the Mariette Collection. (c) Another impression. From the Webster Collection. (d) Another impression. 119 Landscape with a mill-sail seen above a cottage. D. 223. B. 226. Bl. 326. W. 223. M. 307. There is only one state. CATALOG1 37 120 A LANDSCAPE WITH AN OBELISK. D. 224. B. 127. BL 318. W. 134. M. 324. There are two states. OUT ST4 l_'l A VILLAGE WITH A CANAL AND A VESSEL UNDER SAIL. J). 135. 1; 1 •: There is on] tC In:; OS, 122 A N OR( hard w I I H A ];.\ D. 8*7. B ^6. 1 A GROTTO WITH A BROOK. 1). 198. B. 131. Bl 331, VI . 11& M. 312 'I litre .ire t\\ .11. 1 !■ :n the Paai ( lollet don. [24 A CO! rAGi Willi win 1 1 i'A: I). 2..,. B.13S. BL331. \ II.308. There .ire two gtftl (i 1 . State. i; m •... 11 ^ Esdaile and Baodeugh CoUectkM (w) Second State. From the Firmin-Didot Collection. 38 REMBRANDT 125 Rembrandt's mill. D. 230. B. 233. Bl. 333. W. 230. M. 305. There is only one state. 126 The GOLD-WEIGHER'S FIELD. D. 231. B. 234. Bl. 334. W. 231. M. 326. There is only one state. From the Festetics and Hebich Collections. 127 Landscape with a canal and swans. D. 232. B. 235. Bl. 335. W. 232. M. 322. There are two states. Second State. 128 Landscape with a canal and a large boat. D. 233. B. 236. Bl. 336. w - 2 33- M - 3 2 3- There are two states. Second State. From the Mariette Collection. 129 Landscape with a cow drinking. D. 234. B. 237. Bl. 337. W. 234. M. 318. There are two states. Second State. 130 Landscape with the white paling. D. 239. B. 242. There are three states. Third State. 39 Landscape, with a canal. D. 241. B, 2 14. W. 240. There is only one state. Impression from the Mecklenl InccJengh CoH Sec note to No. no. I III. U >W HOI -1 I »\ I III. B INK \\.\i.. I). 242. 11. 245. i;l. 342. w. 141. M. There u in tile W( I\ I Ml K W ■ N A I'. A I* I I>1 MINIS! I D. 154. B. 171. BL 17 . W. 173. M. 1 . k 1 1 . \ 1 1 . J \\ \» 1 1 \ \. D ■;;. BL 171. W, r >. M. 16 Thei wd State, d paper. 136 Ephraim B< >m S. P. 156. B. ■;- BL 17a. W L 158, I 1). : State. 1 the Dulut Collection. 40 REMBRANDT 136 LlEVEN WILLEMSZ VAN COPPENOL. D. 257. B. 282. Bl. 174. W. 284. M. 162. There are six states. Sixth State. From the Didot and Peoli Collections. 137 LlEVEN WILLEMSZ VAN COPPENOL. D. 258. B. 283. Bl. 175. W. 285. M. 174. There are seven states. Sixth State. 138 Doctor faustus. D. 259. B. 270. Bl. 84. W. 272. M. 291. There are three states. First State. From the Alferoff Collection. 139 Abraham fransz. D. 260. B. 273. Bl. 176. W. 275. M. 172. There are ten states. (a) Seventh State, on Japan paper. (b) Eighth State. 140 Old haaring. D. 261. B. 274. Bl. 178. W. 276. M. 168. There are three states. (a) Third State. From the John Barnard Collection. (b) Another impression of the Third State. From the John McGowan Collection. There are probably only two states of this plate, as the unique first state mentioned by Bl. and W. is not known to exist. CATALOGUE 41 i n Young haaring. I). 2C2. I; .•--. . 17 , w. 277. M. 169. There are (\: I 1 . h ColleC (B) I D the thinl an'.: vin- skr been cut down. icate from the Berlin M .>cum. L42 ( LEMEN1 hi JONGHE. I). 16 :. B. .. -,. M. i( 1 • I I . D Cullert: J J W \\ rONIDl S VAN Dl K I IXD1 N. r B K 1 BL .-1. u 166. M re the pli 1 H OIIN 1 I TM A. 'I'll : I i I ;iul. 42 REMBRANDT 145 MeNASSEH BEN ISRAEL. D. 266. B. 269. Bl. 183. W. 271. M. 127. There are two states. First State. 146 The burgomaster six. D. 267. B. 285. Bl. 184. W. 287. M. 159. There are three states. (a) Third State printed in brown-black ink. (b) Another impression in black ink. From the Josi, Hume and Seymour Haden Collections. J J 147 AN CORNELIUS SYLVIUS, PROTESTANT MINISTER OF AMSTERDAM. D. 268. B. 266. Bl. 186. W. 268. M. no. There is only one state. From the Peoli Collection. 148 AN CORNELIUS SYLVIUS. D. 269. B. 280. Bl. 187. W. 282. M. 155. There is only one state. (A) Impression from the Denon, Hardy, Garford and Brodhurst Collections. (b) Another impression from the Liphart Collection. 149 Petrus VAN TOLLING. D. 270. B. 284. Bl. 188. W. 286. M. 170. There are two states. Undescribed impression between the first and second states. Unique. From the Pole-Carew, Grose, Barnard, Hawkins and Buccleugh Col- lections. CATALOGUE L60 UtENBOGAE] LLED "THE Gi fl D-Wl [GHER. n I). 171, I:. 2.S1. BL 189. w. 2S3. |l 183. There arc three stales. Third State. Election. L51 Joll \\M S 1 1 ENBOGAI R I. A D1 rCH MINIS! Ik. I). 17s. a 179. Bl. 190. \V. 181. M. 114. 1 . 1 1 . 162 A M \.\ I\ A\ \i ■!:■ I). 173 l; 1 M. . I m ■ A MAN Willi \ CR1 I II IX WD < II A I). .-77. l:. .: ■ Thud Si i n . I L54 A \ OLD M \N ui 111 a \\ III 1 E BEARD LN CAP. 1). 178. B. 16a. Bl 270. W. |< : M 9 o. There are thr Third Si mi. From the Kuhl Colta I 44 REMBRANDT 155 A MAN WITH A SHORT BEARD AND EMBROIDERED CLOAK. D. 279. B. 263. Bl. 267. W. 265. M. 77. There are four states. Third State. From the Gawet and Firmin-Didot Collections. 156 An old man with a divided fur cap. D. 280. B. 265. Bl. 271. W. 267. M. 145. There is only one state. 157 A young man musing. D. 282. B. 268. Bl. 258. W. 270. M. 132. There is only one state. 158 Oriental head: full face. (Portrait of Jacob Cats, the poet.) D. 283. B. 286. Bl. 173. W. 288. M. 122. There are two states. Second State. 159 Oriental head: profile, to left. D. 284. B. 287. Bl. 288. W. 289. M. 123. There is only one state. 160- Oriental head: profile to right. D. 285. B. 288. Bl. 289. W. 290. M. 124. There is only one state. Sir Francis Seymour Haden's opinion of this rare plate, and the two preceding it, may be read on page 28 of his Monograph on Rembrandt. CATALOG! L61 A YOUNG MAN IN' A MK/.I.IIN CAP. D. 2S6. a 189. BL 255. W. 191. M. 1- re arc tu State. L62 Bust oi \ man. sei n in \ cap. I). 300. B. 304 BL 165. W. 304. M. 3S. I , 1 . Prom th Liphart < A BOY, H Ml II SC l II. D. j 6. 1:. 310. BL 177. W. -it. M. 148. There is 011 !>:;': | ■::. | An OLD MAN WITH \ BEARD, IN A RICH VEL \ 1 1 C \i'. D. 309. B.313. B ■ ). W :i }. M. I There >^ onl »n. A PHI! OSOPHER will! \n n< hk (,i 1SS. 1). 31 j. B. 318. BL 1 1 ■ • n M. 1 ■ Lte& >State, aving or tin. In an] it may whether done (.• 46 REMBRANDT 166 A MAN WITH MUSTACHES, IN A HIGH CAP, SITTING. D. 314. B. 321. Bl. 266. W. 319. M. 36. There are two states. Second State. 167 THE WHITE NEGRO, OR MORISCO. D. 328. B. 339. W. 333. There is only one state. From the Hebich Collection. See note to No. no. 168 THE GREAT JEWISH BRIDE. D. 329. B. 340. Bl. 199. W. 337. M. 108. There are four states. (a) First State. From the Hawkins, Aylesford and Buccleugh Collections. (b) Fourth State. 169 THE LITTLE JEWISH BRIDE. D. 331. B. 342. Bl. 200. W. 33 S. M. 135. There is only one state. From the Aylesford Collection. 170 An OLD WOMAN SITTING, LOOKING TO THE RIGHT, D. 332. B. 343. Bl. 196. W. 339. M. 54. There are four states. Second State. CATALOGUE 47 171 An old woman sitting, looking to ran n D. 333. 15. 344. BL 197. W. uo. M. There is only one state. L72 A vol \., woman will! A HEAD-DRESS 01 PI OILS. I). 335. B. 347. BL 201. w. 343, M. 107. 1 ere arc t* i r and L phart Col; 17:; A\ OLD WOMAN Willi HER HAND ON HER I I' There .ire t* 1 oiro v i \ 1 1 . From the Pirmin 171 Ri MBRANDTS M« 'l Hi EL i» 1 17, 1 . 195. w. 344. m. 53, There 1 tc. Prom 1 ■ ■ 1 ; , c k. 17.-. An OLD woman SLE1 PIN( i'. (38. B. 35 • Bi 144. v There ia onlj te, L76 I I I \D ( >I \\ I 'ID W( >M \\ I). 339, B 351, Bl [91. R M. 101. There are two atates. Si v mm » Si \ 1 1 . Prom the Edward Smith ami Hil>l>ert Collection! 48 REMBRANDT 177 Bust of an old woman, lightly etched. D. 341. B. 354. Bl. 193. W. 348. M. 5. There are two states. Second State. 178 An old woman in a black veil. D. 343. B. 355. Bl. 245. W. 349. M. 67. There are three states. Third State. From the Schloesser Collection. 179 A WOMAN WITH A BASKET. D. 344. B. 356. Bl. 240. W. 350. M. 151. There are two states. Second State. From the Liphart Collection. 180 A MORISCO. D. 345- B. 357. Bl. 241. W. 351. M. Rejected. There are two states. Second State. 181 A WOMAN IN A LARGE HOOD. D. 347- B - 359- Bl. 202. W. 353. M. 150. There is only one state. 182 REMBRANDT'S WIFE AND FIVE OTHER HEADS. D. 353. B. 365. Bl. 249. W. 359. M. 129. There is only one state. CATALOGUE 4 1 j Three heai women. D.3SS- l '^l- BLaso. w. 361. II. 115. I here U 184 I HR] 1. Ill IDS 1 v. < >\l AS! l i P D. 356. B. II 130. 11. s having appc.a. Sa; IWO WOMEN in 3EPARAT1 BKDS, AND o Till rCHES I I ). M , 1 1 here 11 only 1 don. L86 R 1 MM' WDl S HEAD, AND I >l HER SKETCH] - I). 358. B. ;; . I- .-;v I'm 1 ; . 1 II on. L87 I HE BEHI ADING I >!■ ST. JOHN I HI BAPTIST. B. Etovinski Third State. Before the oblique li chain. Dutait : • int It u /" LIBRARY OF CONGRESS 1II1II111IR111U1IIN11I 021 183 050 5 ■