BooIc____: ^^' 'wm ""^ FRIENDSHIP ' ^n7 -^ Love tempts at appropriation and use. What else did Jean Paul Richter signify, when he said to music, " Away ! away ! thou speakest to me of things which in all my endless life I have found not, and shall not find." The same fact may be observed in every work of the plas- tic arts. The statue is then beautiful, when it begins to be incomprehensible, when it is passing out of criticism, and can no longer be defined by compass and measuring wand, but demands an active imagination to go with it, and to say what it is in the act of doing. The God or hero of the sculptor is always represented in a transition from that which is representable to the senses, to that which is not. Then fixst it ceases to be a stone. The same remark holds of painting. And 68 Love^ of poetry, the success is not attained when it lulls and satisfies, but when it astonishes and fires us with new en- deavours after the unattainable. Con- cerning it, Landor inquires " whether it is not to be referred to some purer state of sensation and existence." So must it be with personal beauty, which love worships. Then first is it charming and itself, when it dissatisfies us with any end ; when it becomes a story without an end ; when it suggests gleams and visions, and not earthly satisfactions ; when it seems " Too bright and good. For human nature's daily food ; *' when it makes the beholder feel his unworthiness, when he cannot feel his right to it, though he were Caesar; 69 ^ Love he cannot feel more right to it, than to the firmament and the splendours of a sunset. Hence arose the saying : " If I love you, what is that to you ? " We say so, because we feel that what we love, is not in your will, but above it. It is the radiance of you and not you. It is that which you know not in your- self, and can never know. 'This agrees well with that high phi- losophy of Beauty which the ancient writers delighted in ; for they said, that the soul of man, embodied here on earth, went roaming up and down in quest of that other world of its own, out of which it came into this, but was soon stupefied by the light of the nat- ural sun, and unable to see any other objects than those of this world, which 70 Love^ are but shadows of real things. There- fore, the Deity sends the glory of youth before the soul, that it may avail itself of beautiful bodies as aids to its recol- lection of the celestial good and fair ; and the man, beholding such a person in the female sex, runs to her, and finds the highest joy in contemplating the form, movement, and intelligence of this person, because it suggests to him the presence of that which indeed is within the beauty, and the cause of the beauty. If, however, from too much convers- ing with material objects, the soul was gross, and misplaced its satisfaction in the body, it reaped nothing but sorrow \ body being unable to fulfil the promise which beauty holds out ; but if, accept- ing the hint of these visions and sugges- 71 -m Love >AJ> tions which beauty makes to his mind, the soul passes through the body, and fails to admire strokes of character, and the lovers contemplate one another in their discourses and their actions, then they pass to the true palace of Beauty, more and more inflame their love of it, and by this love extinguishing the base affection, as the sun puts out the fire by shining on the hearth, they be- come pure and hallowed. By conver- sation with that which is in itself ex- cellent, magnanimous, lowly, and just, the lover comes to a warmer love of these nobilities, and a quicker appre- hension of them. Then, he passes from loving them in one, to lov- ing them in all, and so is the one beautiful soul only the door through which he enters to the society of all 72 • Love^ true and pure souls. In the particular society of his mate, he attains a clearer sight of any spot, any taint, which her beauty has contracted from this world, and is able to point it out, and this with mutual joy that they are now able with- out offense to indicate blemishes and hinderances in each other, and give to each all help and comfort in curing the same. And, beholding in many souls the traits of the divine beauty, and separating in each soul that which is divine from the taint which they have contracted in the world, the lover ascends ever to the highest beauty, to the love and knowledge of the Divinity, by steps on this ladder of created souls. Somewhat like this have the truly wise told us of love in all ages. The doctrine is not old, nor is it new. If ^ Love Plato, Plutarch, and Apuleius taught it, so have Petrarch, Angelo, and Milton. It awaits a truer unfolding in opposi- tion and rebuke to that subterranean prudence which presides at marriages with words that take hold of the upper world, while one eye is eternally boring down into the cellar, so that its gravest discourse has ever a slight savour of hams and powdering-tubs. Worst, when the snout of this sensualism in- trudes into the education of young women, and withers the hope and affection of human nature, by teach- ing that marriage signifies nothing but a housewife's thrift, and that woman's life has no other aim. But this dream of love, though beautiful, is only one scene in our play. In the procession of the soul 74 Love^ from within outward, it enlarges its circles ever, like the pebble thrown into the pond, or the light proceeding from an orb. The rays of the soul alight first on things nearest, on every utensil and toy, on nurses and domes- tics, on the house and yard and pas- sengers, on the circle of household ac- quaintance, on politics, and geography, and history. But by the necessity of our constitution, things are ever group- ing themselves according to higher or more interior laws. Neighbourhood, size, numbers, habits, persons, lose by degrees their power over us. Cause and effect, real affinities, the longing for harmony between the soul and the circumstance, the high progressive idealising instinct, these predominate later, and ever the step backward from 75 ^ Love the higher to the lower relations is im- possible. Thus even love^ which is the deification of persons, must be- come more impersonal every day. Of this at first it gives no hint. Little think the youth and maiden who are glancing at each other across crowded rooms, with eyes so full of mutual in- telligence, — of the precious fruit long hereafter to proceed from this new quite external stimulus. The work of vegetation begins first in the irri- tability of the bark and leaf-buds. From exchanging glances, they ad- vance to acts of courtesy, of gallantry, then to fiery passion, to plighting troth and marriage. Passion beholds its ob- ject as a perfect unit. The soul is wholly embodied, and the body is wholly ensouled. 76 Love ^ " Her pure and eloquent blood Spoke in her cheeks, and so distinctly wrought, That one might almost say her body thought. " Romeo, if dead, should be cut up into little stars to make the heavens fine. Life, with this pair, has no other aim, asks no more than Juliet — than Romeo. Night, day, studies, talents, kingdoms, religion, are all contained in this form full of soul, in this soul which is all form. The lovers delight in endearments, in avowals of love, in comparisons of their regards. When alone, they solace themselves with the remembered image of the other. Does that other see the same star, the same melting cloud, read the same book, feel the same emotion that now de- light me ? They try and weigh their affection, and adding up all costly ad- L.ofc. Love vantages, friends, opportunities, proper- ties, exult in discovering that willingly, joyfully, they would give all as a ransom for the beautiful, the beloved head, not one hair of which shall be harmed. But the lot of humanity is on these children. Danger, sorrow, and pain arrive to them, as to all. Love prays. It makes covenants with Eternal Power, in behalf of this dear mate. The union which is thus af- fected, and which adds a new value to every atom in nature, for it trans- mutes every thread throughout the whole web of relation into a golden ray, and bathes the soul in a new and sweeter element, is yet a temporary state. Not always can flowers, pearls, poetry, protestations, nor even home in another heart, content the awful 1'^ Love^ soul that dwells in clay. It arouses Itself at last from these endearments, as toys, and puts on the harness, and aspires to vast and universal aims. The soul which is in the soul of each, craving for a perfect beatitude, detects incongruities, defects, and dispropor- tion in the behaviour of the other. Hence arises surprise, expostulation, and pain. Yet that which drew them to each other was signs of loveliness, signs of virtue : and these virtues are there, however eclipsed. They appear and reappear, and continue to attract ; but the regard changes, quits the sign, and attaches to the substance. This repairs the wounded affection. Mean- time, as life wears on, it proves a game of permutation and combination of all possible positions of the parties, 79 ^ Love to extort all the resources of each, and acquaint each with the whole strength and weakness of the other. For, it is the nature and end of this relation, that they should represent the human race to each other. All that is in the world, which is or ought to be known, is cunningly wrought into the texture of man, of woman. *' The person love does to us fit. Like manna, has the taste of all in it." The world rolls : the circumstances vary, every hour. All the angels that inhabit this temple of the body appear at the windows, and all the gnomes and vices also. By all the virtues, they are united. If there be virtue, all the vices are known as such ; they confess and flee. Their once flaming 80 Love^ regard is sobered by time in either breast, and losing in violence what it gains in extent, it becomes a thorough good understanding. They resign each other, without complaint, to the good offices which man and woman are severally appointed to discharge in time, and exchange the passion which once could not lose sight of its object, for a cheerful, disengaged furtherance, whether present or absent, of each other's designs. At last they discover that all which at first drew them to- gether — those once sacred features, that magical play of charms — was deciduous, had a prospective end, like the scaffolding by which the house was built ; and the purification of the intellect and the heart, from year to year, is the real marriage, foreseen and 8i ■^ES^ -^ Love prepared from the first, and wholly above their consciousness. Looking at these aims with which two persons, a man and a woman, so variously and correlatively gifted, are shut up in one house to spend in the nuptial society forty or fifty years, I do not wonder at the emphasis with which the heart prophesies this crisis from early in- fancy, at the profuse beauty with which the instincts deck the nuptial bower, and nature and intellect and art emulate each other in the gifts and the melody they bring to the epithala- mium. Thus are we put in training for a love which knows not sex, nor person, nor partiality, but which seeketh virtue and wisdom everywhere, to the end of increasing virtue and wisdom. We are Love ^ by nature observers, and thereby learn- ers. That is our permanent state. But we are often made to feel that our affections are but tents of a night. Though slowly and with pain, the objects of the affections change, as the objects of thought do, there are moments when the affections rule and absorb the man, and make his happi- ness dependent on a person or persons. But in health the mind is presently seen again, — its overarching vault, bright with galaxies of immutable lights, and the warm loves and fears that swept over us as clouds, must lose their infinite character, and blend with God, to attain their own perfection. But we need not fear that we can lose anything by the progress of the soul. The soul may be trusted to the end. 83 >A-J> Love That which is so beautiful and attract- ive as these relations, must be suc- ceeded and supplanted only by what is more beautiful, and so on for ever. THE END. m 31934