{"1": {"fulltext": "", "height": "3021", "width": "1553", "jp2-path": "parisexposition101kr_0001.jp2"}, "2": {"fulltext": "/\u00e2\u0080\u00a2\u00c2\u00ab\\\\tf^#AVv\\\\r l.\\\\\\\\.*if-\\nif vl:\u00c2\u00bb.viii\u00c2\u00ab/Jrz,i.^^i?t", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0002.jp2"}, "3": {"fulltext": "\u00c2\u00a5^\u00c2\u00a5Mi^\\nk^.\\n^m^\\nlOCllS\\n.xectee an\\nlONNET.", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0003.jp2"}, "4": {"fulltext": "a-Ui\\\\^--r.\\\\.W L:\\\\:rj^", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0004.jp2"}, "5": {"fulltext": "Traitement\\ndcs\\nakdies de la Peau\\net\\nDE L ESTOMAC\\nMaladies k Ciiir Clievelii Malaiiies Veiieriiiies\\nLe D MONNET, ancien Chef de diuiqiic de\\nla Faciilte, recoit a son Cabinet, 16, Boulevard\\nSaint-Germain, Paris, les malades atteints\\nde ces diverses affections, les Mardi, Jeudi, Sa-\\nmedl, de 2 heures a 4 lieures les aiitres jours sont\\nconsacres aux rendez-vous a Paris ou en province\\n(lemandes d avance et par lettre.\\nLe D MONNET a publie sur ces maladies iin\\nli\\\\re intitule \u00e2\u0080\u00a2.Peau el Estomac owxoyQ franco contrc\\n1 fr. en timbres francais ou en maiidat-puste.\\nLes Malades qui desirent se faire soig-ner sur\\nolace a Paris, pourront, s ils le veulent, etre recus\\nlans une Maison de Sante specialement aftectee au\\nraitement et sous la direction du D MONNET.", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0005.jp2"}, "6": {"fulltext": "fiTA BLISSEMENTSIBALNEAIRES\\nMAISON DE SANTE\\nSAISON DU 15 MA I AU 30 SEP FEMKnS\\nETAI5LISSEMENTS BALNEAIRES DE PIlEMlER ORBP.E\\nLfs eau\\\\ do BRI0B6 9 36 loni-piirgatives, sonl souveraines dans Ic^ maladies du FQIE,\\ndfs /!f/;V,J el des miESTIHS. TrailcmeiU special de VOB^SITt\\nBAINS DE SALINS, Anemie, Rachitisme, Malsdies des Os\\nATTRACTIONS DE TOUS GENRES\\nCASINO, THEATRE, CONCERTS, SEUX\\n\u00c2\u00a3}xcursioa9 en montagne Pfiche ii la truite\\nfeOLISE ANGLICANE\\nEECOHMiSDE GHRHD HOTEIi DES THEHIVIES bobi\\nASCENSEUR LUMIERE ELECTRIOt E\\nMAISON DE SANTE\\n_ _ _ 4gC-^\\nM (Directeur M. Is D Moreau de Te\u00c2\u00ab.rs\\n\u00e2\u0080\u00a2ti, RUE DE LA MAIRIE, 23. IVRY-SIJR-SEINE\\nF,i\\nTiliphone 801.67\\noninrii artuellement. deux etablissements sepaivs. L un ronsacn-\\n/3u iiMii Mnoiii lies maladies mentales. L auire au traitement des nia-\\nladlCv ljcr\\\\ nisrs i\\n[pavilions ISOLES ENTOURES de JARDINS\\nVASTES PARCS\\nLes pareiils des malades sont renus a Tetablissement tons l.^s\\njours, de 10 lioiiivs a 3 heuresVLes mercredis et dimanches, toute In\\njounice. Le doctcur Moreau de Tours reroit egalement a Pans le-^\\nluntjis ei vendredis, de 2 a 4 heures, 58, rue de I Universite\\nIjlo^ens de communication TiMiiiway .iUtj au CliaieliM\\nnalcaux-express lais.-iiii c^r.iK :1 In v.\\n1/", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0006.jp2"}, "7": {"fulltext": "I.ES GRANDES MARQUES\\nYELOCIPIrDIE\\naoufacturing\\np Syndicate Linnitecl. Market-Lar\\nne\\nNEWCASTLE-ON-TYNE\\n\u00e2\u0096\u00a0.\u00e2\u0080\u00a2Sisgrams\\n\u00e2\u0096\u00a0uyD-NEWCASTLE-ON-TyWE\\nNational Telephone\\nr 2101\\nDIRECTEUR GENERAL fOl\\ntejlfifl i. iMfL\\n2S, Avenue de la \u00e2\u0096\u00a0Cnande-Armee. 22\\nin\\n:p-a, f\\\\.xs", "height": "2915", "width": "1529", "jp2-path": "parisexposition101kr_0007.jp2"}, "8": {"fulltext": "LES GRANGES MARQUES\\nSOINS DE LA BdUCHE\\nDKMANDER^PARTOUT\\nI LE DENTELY\\n/A\\nSc troiiV( dans loutes leis\\nbonnes Maisnns Hp Parliimri-\\nnos, pniici(Ml^\\\\s t liarmacies\\nElixir Poudre, Brosse et Pate\\nDENTIFRICE\\nLF PLCS\\nANTISEPTIOUE CONMU\\nliiissani .1 U hnuclje m parlum j(]rpalilo\\nV/\\nKm (KSIiflAL \u00c2\u00bbjj JrVH3 JS 1\\nL. SPgRAT A wii\u00c2\u00bba ^\u00c2\u00ab\u00c2\u00abo\\nPARIS ^Sk^\\n.i|i|Esjtii: ninjjtil m .ii|.inoq c| b iur,ssiP|\\nRNNOO inOlldHSIlNV\\nssiS iiVji-fcin;! j\\ns C)ini!?A110vj J[) SUiSv:7i:|V k\\nSniDDtliJULIJ SeiBiJlOUI.Ilt Si.11.1\\nsaiiuM. imp ^lAiio.Ji .--s\\naoiHvdfixNaa\\nA131N3a 31", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0008.jp2"}, "9": {"fulltext": "LES GRANDES MARQUES\\nAUTOMOBILISME\\n--\u00e2\u0080\u00a2fef.\\n^^^S^fe^\\n\u00e2\u0080\u00a21\\n\u00e2\u0096\u00a0m\\nElectriques et Petrole\\n-13, Rue Deacombes\\nput, DP ...o pexE.BB ^.1. 3P\u00c2\u00bbA,!)Rk,XS\\nLocations k la volont^ des Clients\\nREPARTITIONS\\nStation de charge pour Accumulateurs\\nM:- ftL_LSOiNr .A. jsriCE\\n5^J5f:^^^^^gE? ^^p^", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0009.jp2"}, "10": {"fulltext": "liv\\nLES GRANDES MARQUES\\nAUTOMOBILISME-YELOCIPEDIE\\nnUADRICYGLE-AUTOMOBILE\\nI\\nGOYET 8t liEGRflS f\\nit\\nm\\nW\\n23 bis, Ru9 du Marche, 23, Ms", "height": "2915", "width": "1523", "jp2-path": "parisexposition101kr_0010.jp2"}, "11": {"fulltext": "LES GRANDES MARQUES\\nCYCLES ET MOTOCYCLES\\nCYCLb.S .fc.T MOTOCYCL.es\\n5, potifvl Jraosport et lc parage J\\nr =s-s\u00e2\u0080\u0094 j-;-^-?\\ndiKctiondune h.cyclctte. La (f,i-eciio,n suppniiiee, une machine ne reut ptus Sire\\nei!fourchec elleest aiiisi prcserveaconlre Ic vol c c\\n.nm,S!?^V- -f C\u00c2\u00abi Pa :?l ele ;au cadre,- la machine devieht d jine grand-\\ncoma|odae paurl? transport et e garage, QarJ espace occupe primitivarL par\\nle guidon est. enUei pmeat-ijupija ijne. =.iv P\u00c2\u00abi\\n*t I. entritii!\u00e2\u0080\u009e.iles nmcbjne? ef des af\u00c2\u00abii\u00c2\u00abys co /\u00c2\u00abs i^eparitionsea ttusgweS.\\nMOTEDRS a PSTilOLiloyp TRICYGLSS, VOITURBS et EMeARCATIONS\\nrp5^U.2:]fM e^\\nl5^\u00c2\u00a3rei c2u.rs-CorLSt,vuoteus-a\\n11, Hue Bellaiige!-, LEYALl,OIS-PER.RET\\nTE- ECHANGE ET ACHAT Ot VOITURES AUTOMCBILES 0\u00c2\u00a3 TOUi SYSTtMES", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0011.jp2"}, "12": {"fulltext": "r VI\\nLES GRANDES MARQUES\\nYOITURETTES POUR MOTOCYCLES\\nrniLippoN\\nS, rue du Debarcadere, 8\\nmri^", "height": "2915", "width": "1501", "jp2-path": "parisexposition101kr_0012.jp2"}, "13": {"fulltext": "LES GRANDES MARQUES\\nYELOCIPEDIE DE LUXE\\nCYCLES ARTICULES\\nThe Imperial Cycle\\nBICrCLETTES D\u00c2\u00a3 LUXE i BICYCLETTES DE PRECISION\\nPIECES DETACHEES FOURNITURES DIVERSES\\nMOTOCYCLES AUTOMOBILES\\nBICYCLETTE GRAND LUXE 300 FRANCS\\nB. imPERIAl-\\nP^ RIS, IS. rue de Ricljelieu, PJl RIS\\nSUCCURSAL.E DRUXULLE3\\nGuidon et tige de selle antitr6pidafeurs et antid6rapants\\nKMfVfTt! f.. l^ C. KB^HCE. Itmi.-ICEn\\nSupprimant entiereme.u les trepidations ct les choca dii pave et la nppage\\nSPECUtEMENT RECOMMAKDE AUX DAMES\\nNos mschincs garanties 5 aas et les pneumatiques 3 ans\\nBICYCLETTE\\nARTICUliEE\\nTrepidation, pfiisde Fatigue, roulement doux avec\\nLA BICYCLETTE ARTICULEE\\nPositions fixes sur les Pedales et sur la Selle\\nPAR LE DEPLACEMERT DE LA BOUE ARRlfiRE. lNDf,PElAMMENT DO CADRE\\nAux Caliots des Routes pavees et mal entretbnues\\nAVANTAGEUiSEMENT RECONNU\\npa un grand nombre de Touristes\\nPOUR LA DIMINUTION DE LA FATIGUE, POUR L HYGIENE, ETC.\\n\u00c2\u00a3nooi francs (lu Catalogue sur aemande\\nPUYBOURDilTGonstrueteur\\nll\u00c2\u00ab. Boulevord Haussu7a iii PARIS", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0013.jp2"}, "14": {"fulltext": "LES GRANDES MARQUES\\nEQUIPAOES DE LUXE\\nCHEVAUX DE SELLE A LOUER\\n5 fr. la matlnfee -lO fr. I epr63-midi\\n:Tasu \u00c2\u00abiie?j (faom fisras pm-Boc siuessttes mum\\nA IjOUEK, el la. Jaxir-n6\u00c2\u00a9 st au ivlols\\nt\\nPENSION DE CHEVAUX PRIX MODERES\\nCheir.in des Baumettes\\nT i;: L tt p :-s c; N f\\na. i^oy\\n51?\\n400 CHEVAUX OE LUXE DISPONIBLES\\n6arrossiers, Cobs PosH^res\\nSO, Rue Pinel Paris\\nBd DE L HOPITAL\\nPLMSIEDRS/IUTRES COIRS SUCCURSALES\\n-r^- 7, Roate de la R6voIte (PcKeMaiiioi)\\n104, Rue Charles-Laffitte\\nTelephone CARROS$IERS, COBS ET CHEVAUX DE SELLE\\nAdfes:: TJIegraphique HorSSroy- Par!S", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0014.jp2"}, "15": {"fulltext": "LES GRANDES MARQUES\\nROUES CAOUTCHOUTEES\\nfS\\nJWaw ST. f AliBOf\\nComid de SHti\u00c2\u00a3U/SRURY el TALBOT, Pmpri6taire\\n0. ABBAMY, Dinctmtr\\nBxnUBATJX 4, me Olvck (Op^ra)\\nBANDAGES CAOUTCHOUTES\\nPOUR ROUES DE VOITURES\\nSysleroe Brevets.\\n^^_^^.rr^..\\nfinooi Tr ih/y\\nfyjoo/ ^fl/2C0\\nsur\\ni\\nliiiP ^^^M\\n5tf/*\\ndemand\\nJ\\nS IB\\ndemande\\nUBIf\\n61\\nCATAL\u00c2\u00a7G3\u00c2\u00a3\\n?^P\\nTARIF\\net\\nSATALS6US\\n^P:^\\nMaison a BRUXELLES, 35, ru\u00c2\u00a9 Sl^vin.\\nMaison a MILAJN 8, Via TazzolL", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0015.jp2"}, "16": {"fulltext": "LES GRANDES MARQUES\\nHARNACHEMENTS, CARROSSERIE\\n?v\\njlaDufacture df paillettes et f asseienteries lilitaires\\n5?\\n6)r-. EQUIPEUENTS IHIUTAIRES, BUOOERIES DIPLOUtTIQUCS\\n(q)\\nSKLLERIE I ?ai3ia(jijiBa 8P;is]ai!.3 a aasaas Btaaeiaaa\\nCivile et Militaire\\n[Q Sabres et ^peee Y^^^.^- %\\\\t\\\\\\nd Ordonnancc\\ncl dc Bonlaisief\\nF^ I C M E S\\n\u00c2\u00bb^/fan\u00c2\u00a3aiSLc^\\n^.W\\nc)\u00c2\u00ab\\nSeUES D AMA20A \u00c2\u00a3g\\n-ft-\\ngpecialilc\\nde Harnais Riches\\n#5\\nFOURNISSEURS\\ntlu Senat,\\ndcs icotes St-Cyr, fonlamebleiu\\nVerssilles, du Borda el tfe St-Maixent\\nCeimm s CsiDisrons inieiiuiin eiUBiiiies neuiliiiiH\\nI BREVETt E\u00c2\u00bb I RAKCE ET A L ^TRAKQER\\ntV 41. rue de Richelieu\\ni^\\nf MRIQUEDEVOITURES\\nSjslnnc dc Frein biTvcip\\nVOITURES NEUES et rOCCASION\\npnix MODf;Kf;s\\n157, Boulevard de la Villette\\nParis\\nDU TIBHE\\nEntiferement reconstruit en 1898\\nPARIS\\n{BOULEVARD DES ITALIENS)\\nEn (ace ta Banqtie Ru^^e", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0016.jp2"}, "17": {"fulltext": ";les grandes marques\\nyachts a oile et a vapeur\\n^mil!!illlilillllllllllilllllilll!illllllllllllllllll!illlllllilllltlllllllllll||||||||||||||||li||l||||||l!|llll||^^^^^\\nI fllpl)Oi)\u00c2\u00a7e ItEG/lIi I\\nI Constructeur-lngenieup des Arts et Manufactures\\nANCIEiN ELEVE DES ECOLES d aRTS ET M-ETIERS\\nI PRA1RIE=AU=DUC, NANTES (Loire=Inferieure)\\nI L-\\n\u00e2\u0096\u00a0Bl\\nm\\nkm\\npivi\\npi\\n_J^\\ng^i^iH\\ny^\\n\u00e2\u0096\u00a0;*\u00c2\u00a3)^j\u00c2\u00bb:-v.^^,\u00e2\u0080\u009e\u00e2\u0080\u009e.\\nC a A XT D E, O N ISr B JR I E\\nI Constructions metalliques\\nI YACHTS A VAPEUR YACHTS A VOILE j\\nI Constructions mAritimes\\n^!!i in!iitiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiimwiitHiii)jiiiiMiHiHiiiiiiiiinmiiiiiriiiitiiiti!iiiiiiin", "height": "2920", "width": "1447", "jp2-path": "parisexposition101kr_0017.jp2"}, "18": {"fulltext": "LES GRANDES MARQUES\\nCANOTS A VOILES ET A YAPEUR\\nGODcsrsxDaxjGxxorsr\\nAncienne Maison WAUTHELET\\nUBHETOri\\n4, BoLiievard Diderot, 4\\nCAROTS DE PLAISANCE j\\nr\\nJe to us Grenres I\\nk YOll^ k VA! EU ii", "height": "2920", "width": "1453", "jp2-path": "parisexposition101kr_0018.jp2"}, "19": {"fulltext": "les:grandes marques\\npeintures specfales pour bateaux\\nMANUFACTURE DE PEINTURES YERNIS\\nZiM t MOETIGHT (Seioe-et-Oise), p^s PARIS\\ni WILLESDEH (pris Leodres) 8t gA]IIT-F\u00c2\u00a37EBSB0Dfl6\\nGeorses GUITTET\\n43, Rue de Paradis (Cite Paradis), a PARIS\\nPRINCIPAUX ARTICLES FABRIQUES PAR LA MAISON\\nt-A Q\\\\ 60 CANOTINE 1 PEIKTDRE SOUS-MARIWE\\nComposition anti-corrosive ex garan-\\ntissant les carenes contrc Ics licrbes\\niD rincs et les coquillagos.\\nL OLtOLITHIQUE\\nPeinture a I huile prSte emnlovS\\n(en toutes nuances)\\nGotto peintiire s emploie siir fei% bois.\\nI platre, briiiue, etc. Couvre une surface\\nj plus grande que la peinture a I liuilc ordi-\\nniirc et possede ^ne tres ^raridc durco.\\nI Ellfi peut 6tre recouverte d un vernie ou\\nservir de couche dc foods pour I applica-\\ntion de la peinture-^mail.\\nPEINTURE-EMAIL\\nC\\\\ c^ 80 nuances\\nLa plus briUante,\\nLa plus durable,\\nLa plus facile a employer,\\nLa meiUcur marche.\\nS emploie sur bois, metal, cimcnt,\\nplitre, pierre, etc. Get dmail donne au\\ni.ibjets qui en sont recouverts, une surface\\ni brillante ct dura ressemblant .i la porce-\\nI laiiie. Inattaqu ble i I eau de mer et 4\\nI I eau cliaude.\\nj NoT4. Ddsigner da^s Ics com-\\nj mandes si la peintureiSmail doit dtre\\nemployee a roxtorieur ou a I intorieur.\\nVERNIS D ACIER\\nI.e plus durable des verms jjour les\\nouvragcs Ics plus exposes aux mtempd-\\nries, pour yachts, canots, etc.\\nVERNIS POUR YACHTS\\nVernis special secli^nt dur, tris bril-\\nlant ct re-iistant bien a I eau.\\nVERNIS TECK\\nI Vornis special, tres pale, tres brillani,\\nsechant vite et dur a rint6ri\u00c2\u00abur pour les\\nboiscries. planches et tous les usages\\ni g^nerauji a I intorieur dee navires.\\nOsnianttir Ics Tarifs spiciaui pour les Peinturss et I9S Vtmli peur tous usages\\nji/iii que les Cartes de Nuances des Peintures-tniail on Ptinturt OleolltHique.", "height": "2920", "width": "1426", "jp2-path": "parisexposition101kr_0019.jp2"}, "20": {"fulltext": "LES GRANDES MARQUES\\nARMES DE LUXE\\nI US\\nli PREMIERES RECOMPENSES A TOUTES lES, EXPOSITIONS\\nROBLIK\\nFournisseur Brevctc de S. M. I. R. I Emperenr d Antrirhe\\nBREVETE\\nD ^in r-^o-aveavi S5rstem.e ci\u00c2\u00a9 fixsil sans ciiien\\na. extraotesxir a. utozrj.aticau.e\\n9, RUE DE LJX ViLIiE-L feVEQUE, 9\\nPARIS", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0020.jp2"}, "21": {"fulltext": "les:grandes marques\\nARMES DE SALONS ARMURES ANCIENNES\\nIS^Sr^^ i^ ^^^^m\\n37vNoNS POUR VT^eHT^\\nAPPAREmS POUR LE TIR AUX PIGEONS\\np.A.Iji_ -TR,AF P poui- I exercioe du, Tir a-vi vol\\nA., LAMMERS\\n^^A ffiS i^- 65, -Faubourg Sa.Lrcf--Cen/s\u00c2\u00bb \u00e2\u0082\u00ac5 -pytT^-fS\\nw^is^^r^\\nQ^ancn SFoni/ ;e en fS2/\\nBAGHEREAU\\nMEVBLES OliJSTS D AUT\\n26, ^ue. J^c \u00e2\u0082\u00aceCetlcr\\nPa^ij^", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0021.jp2"}, "22": {"fulltext": "LES GRANDES MARQUES\\nAPPAREILS PHOTOGRAPHIQUES\\nET ENREGISTREURS DE PRECISION\\ni\\nOU JUMELLE STEREOSCOPIQUE\\nBrevetee en tous J?ajs\\nCei appareil, indispensable a lous les Touristps, Peinlres, Dessinalou\\nArchilecies, elc, donne Pillusion absolue en vraie grandeur de larealite,\\navec son relief el sans aucune d6for-\\nination ni exaseraiion de perspectiv f\\nquelle que $oiL I JncliiiaisDn de I appa-\\nreil OU Ifi nianque de cequl.\\nII a la foi nie d unejumplle oe\\nihefaire; SOD chassis .a r^^ipeliiii ii pfr-\\ninel de faire 12 yues st^i-eo.iCupHiin\\nOU 24 vues simplte; il esl ip tri.haii-\\nieable en pleine lurairre. Le corps\\nle I appareil avec ses ubjectijs seri de\\nstereoscope et permct de voir les\\niuiages agrandies a leur vaieur\\nreelle, celies-ci peuvent loujours servir pour les pi-ojeciions; les cliches\\npeuvent aussi 6tre agi-andis avec n imporle qyel appareil et i n lmporLe\\nqu\u00c2\u00ablle grandevir*\\nPoiir les personnes qui tifennenl absolument ii (ain- des epreuves sur\\npapier, uoas veooBs de^j-eer les HOMEOSCOPES, brcveie s g. d c. per-\\nmetlant de. faire_ 24..epr-euves si-mples 6x6 ou 8x9, ou des epreuves\\nstereoscop\u00c2\u00a3ques 6x IS OU 8X-18.\\nINVENTfi ET OONSTRUITPAR Jules RICHA.RI\\nIngcnipiiyCijiisifvclwr,. ClievatieT da la Ugion d hcnmnuv\\nFondateur et sSuCcesseor da la. iWaison RICHARD freres\\n8, Jnipasse Fessanr PARXS-BELLEVILLE\\nTR0I3 GRAhOS PRIX AOX EXPOSITIOitS PAftS. IB89. ANVERS 1894. KOflDEAUX 1895\\n23 MtPLOMES B HONNEUH\\nEn venlp CHEZ L INVljMTEUR, ei dans les principales maisons de pljoiographie\\nlliii:lll\u00e2\u0096\u00a0!!\u00c2\u00ab^lllgl^\u00e2\u0096\u00a0lll\u00c2\u00bb Jl\u00e2\u0096\u00a0a Ej\u00c2\u00bb^||;ilIll^^l|iil|pj^f\\nBAROMETRE ENREGISTREUR\\nRendu fegle-raenlaire a bord de la Mar\\nObservaioiresjIeJockey-CiubvlesYaetiiseleg\\nd eaui-, lafiourjfe du\\nCoaicnei COl, ,efe J)\\niuscri t d urte lacjM^\\nconLinuc .Iss vauifT,\\nlions de la pce ssion.\\nalmosphSrique; par\\nla courbe de montee^\\nou dedesoente, i! ip-\\ndiquela prevision du\\nlemps a I avance et\\nesl toujour? pret ii\\nla campague, il est interessant pour\\nmnvoi franco du Catalo\\nine de I filal, adoplepar tous les\\nants, les srandsCasinos desvilles\\nvousdonner un pro-\\nnost.ip.Tras simple el\\nIres solide, il a a be-\\nsoin d ^ucun embal-\\nlage special et peul\\netre emporte direiile-\\nrnenl dansuae vali=e\\nouuiiemalie. llesim-\\ndispensabtc au -bord\\nde la cper, ainsi que\\ndanslesvillpsd eap.x:\\ntout le moudf.\\n2ue sur demande", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0022.jp2"}, "23": {"fulltext": "LES GRANDES MARQUES\\nPHOTOGRAPHIES\\nM\\ni\\nPARIS 2 Rue de Londres, 9 PARIS\\nUs fius bautcs reconpeiises obtemies jin Esjiositioiis. Diplome {i liniiiiciir, kors coccaars, .\\\\!a ISSl\\nPHOTOGRAPHIE A LA LUMIfiUF, KLECTRIQUE\\nHOTEL PRIVe\\nrnstallation unique pa; son confoilable et ses collections ari ^iqut;.\\niiO,000 Clichis des CeU brites de la haute SocicU parlsicnne.\\nLos cias alios prwios oiileiiidos a las Exposicioiits. Diploma dt Iionor, bofs concours, Nin I i\\nEOTOGRAFIA CON LA LUZ ELECTRICA\\nOTEL PARTICULAR\\nIcstalacion unica por- su comodidad y sus coleccioneb arlisiic.ix\\nt20,900.Planchas de Cdebridadcs dc la alia Sociedadpiuisieiisc.\\nliigliesl c wards obtained al ExhibiOons. Diploma of iomir, bors cflncours. Niit 188\\nPHOTOGRAPHrES TAKEN BY ELECTRIC LIGHT\\nPRIVATE HOTEL\\nCoraforlable iDStallaiion, artistic collections.\\n120,000 Nerjalivcs of the must Celebrated persons of I arif..\\niiocbsle AuszeichnuiigeJ auf all(D AasslelluBgeo. EJirondipiem, bors Mincoiirs, Xizza 1384\\nAUFNAIIMEN 13EI ELEKTUISCIIER BELEUCIITUNG\\nRRIVAT- HOTEL\\nUochsl komfbrtabla Einrichtung KunslVolle Samralumjeii.\\n120,000 Plalleii beTuhmt6T Permnen vou Paris:\\ntpOTorPA*ia Ba4eph\\n94i\u00c2\u00ab, rue de Londres. Palis.\\nCasiuo Buruiiii uacr-aju nojyieiiuLia od Bui-\\nTaonaxTi. GOMerouit inajuui hors concouri\\nUuitqa 1884.\\nl OTorpa*iB Di)H BJeKTpinecKonrv orotuienlB\\nliicTiibiii orejk EjM8CTncuiio\u00c2\u00ab ooutmoBie co\\nCB^jejiy K)u*\u00c2\u00bbjiT)r ctoBMk apTBcrniecnuMi co-\\n0|l3llijIMb.\\n120 000 RiHtua 3!iaaeBHTuii iBui cticiuuro\\nQaiuiMi-Karo ufiiuecTK!.\\nTELEPHONE 150-72", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0023.jp2"}, "24": {"fulltext": ";les grandes marques\\nPHOTOGRAPHIE\\nU1PU MK D HONNE\\\\IR\\n23, ^ue I^oyale, 83\\nK C 0-C 0( 0 00 0-C y.\\nTiufePHOME 242-KT IPAIEU^\\nXK C^CK 0-0 X 0 0 KK O-j-i\\nPAPIERS VAN BOSCH\\nOESNtfeRES N0UVEAUT\u00c2\u00a3S DE L Ah(NSE 13\u00c2\u00a98\\nDeux formals 6 Vi X 9 et 9 x 12\\nSI,MILI-dU^\u00c2\u00a5,ELLE\\nS FEREOSGOPIQUS\\n7X15 3x18\\nFABRIQUE\\nB APPiPE LS PEOTOOPiPBiaUB:;\\nfUi Ljei- iistlciilikiiKislignials\\ne; tra s jptLutuas\\n1 ouvoaux 1 oileles pcrlijc .ioii. 3X12;\\nOPTiCJEN-CONSXRUCTEUa\\nPAlilS -K-w^e tie Ja?uiyj X^ %-Sjf\u00c2\u00bb-\\nOfmAHOEK L\u00c2\u00a3 CATtlCuUS BEHIASCEn lE C,i X acOUE", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0024.jp2"}, "25": {"fulltext": "LES uxxANDESiMARQUES\\nPHOTOGRAPHIE\\nPfiOTOGI^APMie\\nEdouard ROZE\\n29, Boulevard des Italiens. Paris\\nInstar.ation de 1 ordre Salons k Cabinets de toilette reservec\\nCarle de visile soignee, ta douz. 25 tr\\n\u00e2\u0080\u0094In i]2dom. 15 fr.\\n(]ui te visile au plaCine, ta douz. 40 fr.\\n(iie\u00c2\u00ab riche) ln\\\\l2(toiu. 25 fr.\\nAPERQU DU PRIX COURANT\\nCarle album soignee, la douz. 40 .i\\nla 112 douz. 2b h\\nCarle album au platine, la douz. 80 fr\\n(tres riche) /n l/2doia 50 f.\\nGRANDS PORTRArrS (NALT^RABLES\\nGrandeur 0.18 X 0.24 de haul prix 25 francs ^preute\\n0.30 XO.40^ _ 60\\n0.50^ X 0.60 _ 100\\n0.65 X 1\u00e2\u0084\u00a2 200\\nXl.50 300\\nReproduclions d ancieiis portraits, ressejubiantie absolument exacte\\nIPru suivaitl dtffic\u00c2\u00abfU)\\nDifferentes poses sont soumises au client avant la hvraison,\\nsans qnigmenfalion de prix\\nPOftTfl\u00c2\u00abirs POOR CAftlJ D lDENTITE LIVRtS DANS LES 48 HEURC3\\nCADRE3 RtCHES ET FANTAISIES A. DtS PRIX TBtS MODtHtS\\nOn peut poser tous les jours de 7 heures du matin i 7 heures du soir\\npar n imflorte quel temps", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0025.jp2"}, "26": {"fulltext": "LES GRANDES MARQUES\\nTROUSSEAUX POUR HOMMES\\nifhyj\\nSj\\n^^fei^^fe-fe^\\nMAISON ENTIEREMBNT DE CONFIANCE\\nQui a oblenu UNE des plus hautes Recompenses a I Exp. Urtiv de iS89\\nMfiDAILLE d OB, Exposition univeraclie, BRUXELLE.S iS 7\\nDIPLOME d EONNEURTixposUion d ALENCON- 1888\\nCREMATION NOUVEl-l\u00c2\u00abS\\nDe la Chemise avec la poitrine doubles\\nCHEMISES\\nToutes faiies et sur vicsurc\\nDepuis S\\nftuaiile superieure. tO, I, 12, 13\\nCALEQOMS\\nToils, depuis. _. 6\\nCoton croise b BQ\\nDepuis\\nm\\ni.@EmLiH,Clietei8Fi\\n4, EoaW-vard Sebastopcl\\nI res ia rlic de Rivoli j\\nAf rcsse teteffraphiquc\\nC.3.EAUX D AR GENT-PARiS i\\nTelephone 158-47 i\\nTROilSSEAOX POUR muH\\nGANTS en peau, pour T\\nOfficiers, ind^diiraWes. 2 SO i^ Envoi tranco liu Cataiogta IlliisirS\\nTKOUSSE^iUi\\nPO-UR HP M ME 3-\\naUTS, BHETEIiliES\\nGHAUSSETTES\\n^^^^(S^l^^ ^i^g^", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0026.jp2"}, "27": {"fulltext": "XXI\\nLES GRANDES MARQUES T;\\nLADIES TAILORS\\nk\u00c2\u00b1A\u00c2\u00b1\u00c2\u00b1ML\u00c2\u00b1 ^^^^^MA^^^^^J^J^^^^\\nBoulevard de ia Madeleine, n 9. -.E NTRANCE\\nW AVMF -r^^^-li^c RID NG HABITS, SPORTS, FUSS\\nH It I i I C i TAILORS- LATEST STYLE\\nh-\\nH-\\nB-\\nVOL\\nCapital HDIT MILLIONS\\nDiieclioD pour la Fraace\\nPar/s 45^Riw_ Taltbout\\n.Assurance its VILUS, CHAT2A0X, MAI- |i\\nw io^i i.i JSi MAlSONS He COMsfERCE, 11\\nycMSii MAGASm, BMQUES\\nLbUSCS, etc. It\\nLa Coinpagnle reconnalt la Jurldlctlon ij\\ndes Tribunam franpalt", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0027.jp2"}, "28": {"fulltext": "LES GRANDES MARQUES\\nFLEURS NATURELLES\\nSi ^PW- ^PiW^^^^ ^^W^", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0028.jp2"}, "29": {"fulltext": "CLE^ GRANDES MARQUES\\nSALLE DE BAINS TOILETTE\\n[KSTSUiTOlCKCMSETSDETOfiMs SkUB deMB\\nCHPOINCtT\\nssife\\n\u00e2\u0096\u00a0srwtiiS", "height": "2943", "width": "1526", "jp2-path": "parisexposition101kr_0029.jp2"}, "30": {"fulltext": "LES GRANDES MARQUES\\nBROSSERIE, ONGLIER, TABLETTERIE\\nFflBRlQUE DE BHOSSERIE FWE\\na Tracy-le-Moiit (Oise;\\nI 1\\nCHAELIS\\nSucc de COMMELIN Fr6res\\nMaisoQ de Vente 83, Boulevard de .Sebastopoi, PARIS\\nMARQUE ^Sg;- DEPOSEE\\n\u00e2\u0096\u00a00\\nz\\no\\nr\\ns\\nr V.\\nW\\nP\\nto o\\n7i\\nU\\n2\\nm\\nBROSSES h Tete, Habit, Caapeau, Poudre, Dents, Brillan-\\nt.Lne;Barbe,EaaLreau, Fcrtction, Velours, Peignes, Saurcils.\\nGLACES i ce a main, Psyc-he, Poche, Bouche.\\nBOITES a Poudre de-iaz, Poudre pour gants, Savon, Poudre\\nongles, Pomraade, Epingles, Sels, Alcali.\\nPOLISSOIRS pour les ongles.\\nCROCHETS a Gants, Battlnes. aciei- de tout.es longueurs,\\nLimea, Cure et Gratte-ongles. Chausse-pieda, Ouvre-\\ngants. Ciaeaux, Peignes, etc.\\nTOOS LES flBTrCLESCOMPOSANT LES GARNITURES DE TOILETTE\\nMonogramm^e gra^oS, incrustes, Argent et. Or.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0030.jp2"}, "31": {"fulltext": "LES.GRANDES MAEQUES\\nAMEUBLEMtNTS DE FANTAISIE\\nPOP. TAT ION\\nCHn:;: is -iaponais ikdien\\nCJIS OS FER\\ni.:;^i).^\\n:3 Oa ET .;iGENT\\nRUFFIIR DEs AIMIS\\nJ^assage ^liarlcs-^ I\\n53, Rue de Ch.uunm\\nPar\\nIS\\nTiL^PHCMS 20i\\nMAISON FONDEE EN lte76\\nCOFFRES-FORTS INCOMBUSTIBLSS\\nIF SPFCIftLE F^ NG COUPES (PROPRl\u00c2\u00a3Te OEU f^ u.Gfi)\\n\u00e2\u0080\u00a24:;,\\nOiS\\na RE|?^S^ (Kerns)\\nllinj COFFRES-FORTS\\nS -r-^iS^I* ETCOFFRETSIM0OMBDST1BLE3\\nV^ WBERIiilllllS 4 TEOBGS SmiSS\\nT jUT .\\\\ciEn i;t inv,oi.,(.^i,ls\\n/fj) COFFRES FORTS\\nwA f lf EjUijiies cl .UainislralMS [.UBciires\\nti i^ COFFRES -FO RTS\\nv.^\u00e2\u0080\u009eV \u00c2\u00a3iJSL\u00c2\u00a3S DE TOUS STUES\\niJMOKiEES 4 mens DS SiLdllS\\n1 UTANT LES bOIS .LEi PLUS RICHtl\\n-A MAtSO?\u00c2\u00ab POES?: *\u00c2\u00abSALKMhHT LE8 COPFRSS ANGLES ARISONDIS", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0031.jp2"}, "32": {"fulltext": "LES CtRANDES marques\\nDESINPECriON DES APPARTEMEr^TS\\ni\\nSoci^te Fran^aise\\nDE\\n1\\nI\u00c2\u00bbroced.e TK,IXjXjA.T, Brevete S. O. ID.O.\\nDesinfection des Appartements\\nLiterie, Vetements, Fourriires, etc.\\nsans aueune deterioration\\nDESINFECTION PAR LES VAPEURS SECHES\\nD ALDEHYDE FORMIQUE\\nAgence g^nerale i BKnXBLLES, pour toute la B lgiquo\\nAGENTS ET REPBESENTAfiTS DANS TOUTE LA FBANCE\\nAdr.sse Tflegraphiiiuc\\nFORSr,OCHLOr.QL\\nBUREAUX\\n1 4 Rue des 9grmvAdQ,s\\nTi:if;,csE 237-18", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0032.jp2"}, "33": {"fulltext": "I LESj^GRANDES MARQUES\\nECLAIRAGE PAR L ACETYLENE\\nATTESTATIONS\\net EXTRAITS de LETTRES\\nDe H. HUBERTI. In/;inieur\\nLifegc, 3 janvicc 181)8.\\nPlus jc consulte do pcisonncs coiiipotcntcs sur le\\nGaz Acetylene, chimistcs, ingoniciirs, dirccteurs\\nli tislncs a gaz, plus mon indecision augnicnto. II\\niCMiltc pourtant dc tons ccs avis que Ic systcme\\n1 Ui r est consid6r\u00c2\u00a3 coiuinc ctant Ic plus ingonicus\\n01 oTraiit lo plus do security.\\nJDe M. BOUARDIN\\nToulon, 26 septembrc 1897.\\no J ai rait 1 installation dans mon magasin dun de\\nvns appareils A Gaz Ac6tylcnCj Je dois vr.us dire.\\nMens\\neclairage\\nI aclieter.\\nqu il foncuonne trcs bien et mc donne un\\nsuperbe. Je sorais done desircux de\\nOe U. PASCAL, Inginieur\\nLczlmies, 3 fovrier 1898\\nPlusieurs pei-sonnes sont d(!ja venues chez M. Brossatct ont etc fiappccs do la siin|illcit(;\\not par suite de la sdcurlte que prcsente voire systcme. Ti cs bon fonctionneinrnt des\\naFPai cils.\\n0\u00c2\u00bb ROaERT, Pharmacien Maraussau, 22 Janvier 1898.\\nJ ai le plaisir de vous annoncer que noire installation marclie bicn Voire Gazogene\\nraarcUe la perfection, je n ai que des eloges a en laiio.\\nDe H. BARBET, A.-chitecid Mce. 28 octobre ISO\\nJ ai achetiS un de vos appareils par linleriniSdiaire de M. Pagaiiettr. J en suis fort saiisfait.\\nCes quelquea attestations ilogieuses, prises parml d luires, montrent suffisammcnt I accuell\\niavorabla fait aux aopareils TOrr aans Its installations pnvees.\\nLa COMPAGNtE URBAINE D ECLAIRAGE PAR LE GAZ ACETYLENE. Soci^Ki\\nahonyn)o. Capital 2,00!).0(.X) Ir. Siojc xocial 139, rue ae Rome.. PARIS qui r,cst a \u00c2\u00bbi;r(S?\\nI exploitation des bi-evcts U. Turr, entreprejid loutes installations pnbhques et pr.vies d ScUliipo\\ntide chauffage. Pour tous renseiyjioincnis conccrnant la vcnte des appai oils s ldreiio\\nir. rAdminittrateur iili^ui dt It COMPASme fURBAiNE", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0033.jp2"}, "34": {"fulltext": "LES GRANDES MARQUEE\\nPIANOS DE TOUS STYLES\\n^liasiinmniiiMnminiiiiHiiiiiHSiuiiMnntiiwEmuimHmimiiiiiiiHiiiiiiiniitiitiiiisnmtiniiiisiitiitE\\nMANUFACTURE DE PIANOS\\n^AISON BO CI IE, FomtK EN iUS\\nG l 1 f l\u00e2\u0082\u00ac C! o\\nfAUoo^, SOOCESSIOM\\nVENTE LOCATION ACCORDS REPARATIONS\\nCRAfJD GHOiX DE PIANOS D OCGASION\\nMAGASmS, SALLES DE COURS AUDITIOHS j\\n31, Rue do Faubourg-Poissonniei:e, 3!\\nFABRIQUE- 99, Faubourg- du Temple\\ni PIANOS D\u00c2\u00a3 TOUS STYLES SUR COMP^ANDE\\n7iiiii!!imniimi!iiiiiiiiiiiiiiiiiiininiiiiiiiiiiiitiiiiiiiJ!itiiii!;ii!(!nDifnnnfi)iiiimiiii;!!!iiminmm^^^", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0034.jp2"}, "35": {"fulltext": "LES GRANDES MARQUES\\nDECORATION D APPARTEMENTS\\n;llliliiliilifill!llliliiilllllilllilllllll!litiJf;iJiil!ill|lli!il!!lllll{lli!IJIinUl!Ullli:illllllllllll!IIIIIIJIi.;IliH\\n25, me du Landy\\nPLAINE-St-DENIS (Seine)\\nr6l6pnane 2/5.87\\nNOTICE I\\nLe Cuir de Paris (brevete s. g. d. g. en France et a I ^tran- S\\nger) constitue I une des plus merveilleuses sources de decoration de 2\\nce temps. La richesse de ses incrustations, la finesse de son grain S\\net de ses modeles, la remarquable resistance do ses reliefs, sa son-\\nplesse, en meme temps que sa grande- tenacite, la facilite de sa pose S\\n(qui se fait comme les cuirs, les etoffes et les papiers) ei font un pro- S\\nduit de tout premier ordre. s\\n11 possede toutes les qualites des vieux cuirs de G^rdoue et de S\\nVenise, aux coloris si fins et si puissants, sans en avoir les d^fauts. S\\nA I encontre des produits similaires employes aujourd hui., qui\\nsont souvent des receptacles microbiens impossibles a nett oyer, et,\\nparfant la cause inconnue de malaises inexplicables, il est exempi S\\nde plomb, de matieres toxiques et se lave anx solutions boriqn^es. S\\n11 est, par sa composition meme, un puissant autiseptique, repondant S\\nen tous points aux prescriptions du Comite consultetif d hygiene de S\\nFrance qui interdit formellement I emploi du plomb et de ses com- S\\nposes dans les peintures, les tentures, etc., des lieux riabites. S\\nSes multiples applications en font un produit recherche a I egal H\\ndes plus beaux cuir:; et des plus jolies etofies, par les Architectes, 5\\nDecorateurs de Style et d Ameublement, Tapissiers, Maroquiniers,\\nGainiers, Relieurs, etc. S\\nT^PPlalCT^TIONS I\\nLe Cuir de Paris s applique aux tentures raura Ies, mfiubles, 5\\nparavents, sieges de tous styles, aux articles de Paris, de voyage et s\\nde modes, a la reliure, a la decoration des paquebots et des vehicu les s\\nde chemins de fer et autres. 11 est superieur au cuir pour les chaises; H\\nLe Cuir de Paris se pose tendu, comme les cnirs et les\\nitoffes, ou il se colle comme les papiers. II se lave a I acide bori qua\\navcc facilite.\\nMiininiiii|iiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiniiiiiiiiiiiiiiiiHHiiiiii!!!ii[:;;::: :.Hfiiiiiiiiiii!imiii\u00c2\u00bbRiii^", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0035.jp2"}, "36": {"fulltext": "LES GRANDES MARQUES\\nORFEYRERIE, BIJOUTERIE ARTISTIQUS\\nsclcar\\n18 ^VK ^IVIENNE\\nOr/e vreJ^je Arb ent\\nBijoux artistioues snr commanci\u00c2\u00a9^\\n*M\u00c2\u00ab Ci,,\\nSERVICES DE TABLE\\nCOUTELLERIE\\nAu Certehaire\\nMaison Fondeeen 1796\\n\u00e2\u0080\u00a2objew d Art kOpfevpepie\\nOpfevPePie y y/\\n19.Boulevapd de Strasbourg\\nTELEPHONE\\nN9 101.I7\\nT^nts ssk\\\\s jpour Cadearwc", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0036.jp2"}, "37": {"fulltext": "LXVXI\\nLES GRANDES MARQUES\\nBRONZES CISELES\\nedeles pour le |renze\\nf lOORipESSIS\\n50, HUejde T^Urenpe, 50\\nPARIS\\nI Bouf^-dc-Table\\ni Pendule^ Ganddah^^^\\nf Hppliquef Gai^fel^, etc., eic.\\nREPROriUCTION DE PIECES DE MUSEES\\nW REPARATIONS EN TOUS GENRES", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0037.jp2"}, "38": {"fulltext": "Lxxxri\\nLES GRA.NDES MARQUES\\nBRONZES. ORFEVRERIE\\nET DE FERRONNERIE D ART\\nFOllRNISSEURS DU GARDE-MEUBLE\\nPARIS Rue Debelleyme, 12. PARfS\\nCHEMINEES MARBRE ET BROJI-SE\\nGA^NSTURES DE FOYERS\\nCOLLECTION DES MUSE^IS NATlONATJX\\nExecution genn? ancien\\nTELEPHONE 25I-S7\\nT\u00c2\u00ab VlrJu y i r Tj^iyriaiBiaaara\u00c2\u00bbM\u00c2\u00abaB MaiM\u00c2\u00ab W J l tM\u00c2\u00abyiB\u00c2\u00abl *Jlg PinBMHimm\\n\u00e2\u0080\u00a2^2c.^e-,r~Xr,xj\u00c2\u00a3^\\nJl:\\nG- PEAKRON (L^ M^tauia ^m)\\nUSINE A VAPE JR ET MAGASINS\\nPARIS 50, Faubourg du Temple, 50\\nPARIS\\neRPElSBIE GQilVERTS en METAL EXTRA-BLAKC IfiilTES\\nSPECIALITES DE CRISTAUX ET PORCELAINES MONIES\\nFantaisies pour Cadeaux\\nFactory anil Warehouse\\n60, FaiLbourg du Temple, PARIS;\\nGolil and Silver Goods. Covers of extra-\\nj %vhitc sllverplated metal,\\nj Glassv/oik iint I oreclaiii tancy mouD-\\nt^ S)!vonn(T, Gilding.\\nFabrica al vapor y Ahnaccncs\\n50, Fauboiire du Temple, PARIS\\nPlateria y Ciibieitos dc metal \u00c2\u00abxtra-\\nblai\\\\co.\\nEspeajalidad de cnstiilcs y porrc.\\nlanas.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0038.jp2"}, "39": {"fulltext": "txxxin\\nLES: GRANDESJMARQUES\\nAPPAREILS D ECLAIRAGE AU CAZ\\nP\u00c2\u00a3:TR0LE, J LECTRICITE\\nclairage Robert\\nMOKNET\\n\u00e2\u0080\u00a2lO. Ruo Tranchet, lO PARIS\\nAppareils d 6clafrage\\nLampes, Suspensions, Lampadaires, etc., etc.\\nReparations et Transformations de tous Styles\\nSpscialits ti AboNourjn tous genres\\nBOUGIES-VEI(.LEU.SE.S AU GAZOGENE\\ni=\u00c2\u00bb6t;rox\u00c2\u00a9 i_xj]vii3E:aF iE: z*ectifi6\\nUsine et Entrepot 163, Rue des Voies-du-Bois\\na COLOMBES (Seine)\\nr-.\\nCONSTRUCTEUR-^LECTRiCIEN\\nFournisteur .Ic lAiitllene. Je la- M-ume ei Jcs\\n36. RUE de: montuolon\\nLUMIiLrE KLECTHIIIL t:, SOi\\\\f \u00c2\u00a3RIE\\nTliniPHONE\\nI ARATONNEBHi: ET ACOUSTIQUE\\nFabrique dc i\\\\i\\\\% pour Dviiamos\\nINSTALLATIOH COMPLETE\\nD USINES, CHATEAUX, PROPRIETtS\\nPlLS ds ctnt losUlliIiOBS 6:\\\\\\\\ Talus\\nJ^OMBREUSES )^ErERENCB3", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0039.jp2"}, "40": {"fulltext": "LES GRANDES MARQUES\\nCOUTELLERIE, ORFEYRERIE\\nNlaison OSMONT, fondee en 1790\\nr i DUpipEi s,\u00c2\u00ab\\n94, By SebastopoL Paris\\nFABRIQUE a NOG-EN T (H MARNE)\\nSPECIALITE DE COUTELLERIE DE-TABLE\\nen tous genref:\\nBOITES A MAINS\\nARTICLES DE TOILETTE\\nC: slon \u00e2\u0096\u00a0_ ^xoortation", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0040.jp2"}, "41": {"fulltext": "LXXXV\\nLEStGRANDES MARQUES\\nCOUTELLERIE, ORFEYRERIE\\nPLUS DE 200 HIODELES DIFFERENTS\\nU .ches obene. palissandre, come, iTOire. nacre et argent\\nCi.Ji,,af, remeignentH .i el ickanliUoni frtiim tur itmilidi", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0041.jp2"}, "42": {"fulltext": "LXXXVl\\nLES GRANDES MARQUES\\nMEUBLES DE JARDIN- fPAPIERS PEINTS\\ni| MAISON PARTICULIEREMENTRECOMMANDEE\\nI RESTAURANT DU BCEUF A LA MODE\\n*i; Rue de Valois, 8 H\\niltui a deox pas du T/je^fre Frangais at du ThSStre du Palais-Roy a I\\ni\\n5i\\nSALONS CABINETS PARTICULIER 5\\nCUISINE ENTIEREMENT FRANQAISE\\n\\\\1 -Highly recomni^ded situated near\\nthe theatre FraiKjais and theatre Palais-\\nRoyal.\\n,%a Thorough trench cooking-\\nMODERATE Pl CES\\nSehr empfehlens werthcs Hans. Ganz\\nin der Nahe der beiden Theater Fran-\\ncais \u00c2\u00abnd Palais-Royal\\nNiir tranzosischo.Kuche.\\n.MASSIGE PREISE\\nFfTT?TTT?T?T?TFfT^T^TT? iT lT-B5\\n^1\\n^PT\\ni f^\\nnls\\nEfiireprise Gdnirale\\nPEINTURE -0\\nYITRERIE -0\\no- DORURE\\n72, Tue Condorcet\\nPARIS\\nen. Ho tin et J one\\nPAQUIEII\\nAUb\\n8. Rue Saint-Sabin\\nTables- a. Gov rage\\nservantes\\nerceuses \u00e2\u0080\u0094-Sardinieres\\nCHAISES iLo lSauES\\nIbdie^ae Damier;\u00e2\u0080\u0094 Damass6", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0042.jp2"}, "43": {"fulltext": "LXXXVXI\\n[LES GRANDES MARQUES\\nBIJOUX FANTAISIE", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0043.jp2"}, "44": {"fulltext": "LES GRANDES MARQUES\\nBillards, Appareils de photographie, Bains et Douches\\nMfiDAILLES, INSIGNES\\nBU^Brrs Vs: s ct d o-\\nUMalllB fl Or, Exposition Parts 1897\\nerami Pm 1898\\nHors Conccw 1898\\nBILLARDS NEUFS D OCCASION\\nmiS\u00c2\u00abPS-TABiiS[)Eli,\\\\lERSaOD\u00c2\u00a3L{^\\nBandes de S Hards, Billes de\\nBillards, Queues de Billards, Pro-\\nvides, Jeux el Accessolres en tovs\\ngenres, Ornps cf93illards d Elbeuf.\\nmtmmhmmum mm\\nHUKFKT\\nS*LON 3e COIFFURE\\nPEDICURE\\nK S C R T M E\\nGarageli6is ,rBeCaiei,16\\nTelephone\\nMViDROTHl RTKPlE\\nAUTOMATIC-EXPRESS\\natec ohjerlU reciiUnCalre jiiisluta\\nAPPAREIL TRES L^GER\\nds FojKtruction soignee, nuoi ie 2 viiouri\\nSRfeCI Auire\\npiDS ImportuU ^^S^^^~\\nDE RCCOKPENSES pour ftCUNIONS SPOflTIVES\\nI^Gber! EK?aULT\\n^DITEUR\\nPARIS. 18. m Reaumur IB\\nSreloijiies riches\\nEPINOLFS FT CrJOljX\\npROIX\\nMoflngramnies pour\\nChanipionnals, ni Oi. i\\ninei!, Afgflnl. Bro(J2\u00c2\u00ab.\\nOeSSm GBAVUflE. CISELURf\\nEu Ue du Cycliste. EtoUe d*i Cavalie\\nf ourntsKur (jes grandes issocfatiofls Sportivps\\nf JOUKKkUX OE aPORT", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0044.jp2"}, "45": {"fulltext": "LES GRANDES MARQUES\\nPARFUMERIE\\nI I in III!\\nK m HEINE DES RBEIIiliES\\nVI \u00c2\u00a9li\\n29, houle.\\\\/arifl-de.s_ Italiens, 29. PARIS\\nS^XJL. INVEJNTEU.R\\ndU SAVON llOYAl? T^HHIDACE\\net M \u00e2\u0082\u00ac4Y0\u00c2\u00a3JEl.blJTINE\\nDERNJER^S CREATIONS:\\nPASfpMERm WtP^I-OLEJTE ((Viritable parfuai de la flour)\\ni^ivoi, EXTRA- VI0LETTE\\n-\u00c2\u00bbc.- IXTRA-VIOLETTE\\n\u00e2\u0096\u00a0:.n.i,a-tjToil.-ii.- (EXTRa-VIOLETTE\\nnmh-a 6i\\\\\\\\i^y. EXTfift-VIOLETTE\\nIrt Tu EXTRA-VIOLETTE\\n{luLtaatiBf EXTRA-ViOLETTE\\nlijiuio, -f EXIRA-VIOLETTE\\nPiBrUMSBlS ASfSBB S074Ii (nouveau parfum estra-fin)\\n55a^ AMBRE-ROYAL\\nt^ MfC- AmBRE,-JiOYAl,\\nm rlp loltctlo AWBRE-ROYAL\\nt.olionVBg.Hiilo AIKIBRE-ROYAL\\nRoudre do \u00c2\u00a92. AIVIBRE-ROIEAL\\n.AMBRE-ROYAL\\nHijlUuitmo AMBRE-ROYAl,\\ntion AiyiBRE-ROYAl-\\nCysrti Kiae. f AMBRE-ROYAL\\nPASFtmEgrg A U UABECHALE\\nPavonilta. WARECHALE\\nKssenccaifa WARECHALE\\nEaiide luilolteftju JflARECHALE\\nLotion .^Hule 4 fa MARECHALE\\nPoildre .V Ui/; a la fllARECHALE\\nHmeiiJa. WARECHALE\\nBnllaulmo a la MARECHALE\\nbachats-ila WIARECHALE\\nESSENCES eONGENTU^ES\\nBouquet Pompadouri: Parfum lobelia. Parfum fteurs tie lys", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0045.jp2"}, "46": {"fulltext": "LES GRANDES M.v..^uES\\nTRAITEMENT DE L OBESITE\\n-SO;\\n15 VOULEZ-VOUS MAIGRIR\\nS\\\\iivea p\u00c2\u00a9r\u00c2\u00bb.d.a,irt civieiqiies semaiiaes\\nI TRAITEMENT SUEDOIS\\nfe VOCS OBTlENOBEi IIN RESUITAT CERTAIN. ETONVAMT W\\n^i LTne Instruction aecompagne cbaqile Fldcon IS^\\nLe Flacon Savon Suedois 5 (ran^\\nLe Flacon Pilules Fondfintee Suedaises 5\\nPar g.Eiacons, Savon ou Filules 24\\nOn le trouve partout\\nDepot GfiDeral PHARMACIK CENTBALE\\n50 ef 62, Rue dv FaubOLirg-Montmaftts e*47iRm Lafayetts ^1^\\n4{ PT^RIS\\nNE COUPEZr PLUS VOS CORS\\nFaltes-les di Bpai altre avec le\\nCORICIDE RUSSE\\nIfexislo des contrefagons. Pour felre ceNain de reussir, bien e.vigoi-\\nle iiom COt^ICir E I?,TJSBE et I adresse du D.epdt general\\nPharmacie CiiNTR.VLE, 50 ct B2, vue du Fa\u00c2\u00abiflwirg-Montraarlre, -cl\\n47, rue Lafayette, Paris.\\nOn peut leiroaver partout eD exigeant le nom\\nOOKJEOIJDE K.XJSSE", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0046.jp2"}, "47": {"fulltext": "LES ENVIRONS DE PARIS\\nHOTEL-RESTAURANT\\n/^#?^g-ifei^Sfe:fe^l^i^lfe@\\nHotel da GraijdGoiidS\\nMAISUN DE FRI-MIER ORljKE\\n]\u00c2\u00a3eiairag8 filectrique, tl^lSphcne\\nRestaurant d la Carte et^d Prix fixe\\nSituation splendide\\nEn race le Ghamp de Courbes\\n3t proximiLe du Chateau\\nGarage pour Autoraobilss, Bicyclettes, eiz.\\nPosts pour charger iss accunrmlaieurg\\ndes Voitui-es Slectnquep\\nKcunsb et Rsmis\u00c2\u00a9\\nOmnibus de r Hotel t tcu8 les traius\\nm\\nft\\ni\\nUo^\\nI\\nI\\nriiis Hotel recfctJii) construi-tea Has UJ moaern cooilon and sani- j,\\niaty diiungeinenis 111 Jeniiinjr.- Wed exposed BUtrounJcd by splcudjci\\ntores*\\nI ll", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0047.jp2"}, "48": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0048.jp2"}, "49": {"fulltext": "Au Capital de 300,000 fri\\nPierre GF^AT^EI^OLliE, D\\n31, Rue du 4-Septembre, 31 f-\\n^s\\n\u00e2\u0096\u00a0rM-^.^\\nGuide el Livre d Adresses\\nEN CINQ LANGUES\\nFranQais A nglsiis Russe Espagnol Allemand\\nLLUSTR^\\nUn volume de Paris- Uxiiversei-\u00c2\u00ab\u00c2\u00bbl d6pos6 dans dou^e lle cent\\nrinquxnte neaf chambres, des mg^einquante premiers l\\\\i)tels de\\nParis qui reQoiTent chaqxie a4 pw l Deux millions de risiteurs,\\nappartenant a la meilleure Sooietg du Monde entier.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0049.jp2"}, "50": {"fulltext": "DES ANNONCES\\nL ALIMENTATION\\nPages\\n^,s Tourtel k Tantonville 46\\nranoe,Kirsok\\nde Bonnet a Cognac 42\\nA Penner 42\\n_ Fiue-Bretagne 44\\nstives La Rieuline 43\\nE. Poullain 45\\n_ Gheri Ferbos 45\\nae France Aug. Bara 25\\nnampagne Garr6 Perceval 27\\n_ Ghandon (L6on) 2ti\\n.haury flls 17\\nGoltin 28\\nCouvreur 28\\nDesmony 30\\nDeverdun 30\\n_ Dufaut 32\\nDumas (Alexandre^, Bl\\nGardet 32\\nLanson 33\\nLeblanc 34\\nE. Nass6 35\\n_ Meller 35\\nMoreau-Leffevre 35\\nMarchand 39\\nPur Ghampagne Dauniy 29\\nEegnault 36\\nRoiissillou 36\\nVaillant-Jacquot 3it\\nVin Bara 38\\nVin des princes 37\\nVins d Anjou et deTouraine. Tessier 41\\nVins des cotes de la Loire et\\nVouvray Barue 40\\nVermont 40\\nTapioca naturel Mauprivez 47\\nPains depice Petitjean 48\\nLES GRANDES MARQUES\\nArmurerie. Armes de .sa-\\nIons. Armures anciennes Bochereau oo\\nLammers 65\\n_ Roblin 64\\nAutomobilisme. Cycles.\u00e2\u0080\u0094\\nV6locip6die Barthelemy et Cie od\\nB.Imperial o7\\nGoyet et Legras 54\\nPhilippon et Gie 56\\nPuybourdin 57\\n_ Stephen et Marples 56\\nTauzin et Cie 55", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0050.jp2"}, "51": {"fulltext": "Roues oaoutohout6es S. C.5Talb\\nCanotage. Canot a voile et\\na vapeur G. Aubreto\\nYacht a voile et a, vapeur... A. Legal..\\nPeinture sp^cialc pour ba-\\nteaux f Tuittet\\nEquipages de luxe A. Rov\\nM. Achille...\\nHarnarchement. Carrosse- Fischer\\nrie\\nPetitfils et Dai!\\nPhotographie Automasi6\\nE\u00c2\u00abg. Pirou\\nE, Roze r^\\nLa V6roscope\\nWallery\\n.1. Zion\\nAmeubleuient de fautaisie.\u00e2\u0080\u0094\\nCoffre forts. Pianos de\\ntout style. Decoration\\nd appartement DuhoisOudin\\nRuftier des Aimes\\n(juir de Paris\\n_ Bucher 78\\nBronzes, bijoux artistiques.\\nOrf^vrerie M6daillon et\\ninsignes Bouhou frferes 82\\nGeorge 87\\nE. Gourtabessis 81\\nVve Dupipet 84\\nPearron 82\\nPiffaut 80\\nM. Tallois 80\\nEnau 88\\nBillards. Bains et donclies Simon\\nBalneum.\\nEclairage appareils^ au gaz,\\np6trole,61ectrieit6, acetylene ie Urbaine d ciclairage. 77\\nCunin et Tramecourt 83\\nPaul Monnet 83\\nThirel f^ 3\\nFleurs natur piles Pelty 72\\nI .outellerie Dupipet 84\\nHuchery 85\\nEtablissements baln(iaires.\\nMaison de sant6 Esquirol 50\\nBrides-les-Bains 50\\nMenbles de jardin-. -Papier\\nspecial Paquien 86\\nJ Vray 88\\nParfumerie Violet 89\\nRestaurant-Hotel Boeuf a la Mode 86\\nHotel du Gra)id-Cond6. 91\\nHotel du Tibre 60\\nSalles de bains. Toilette.. Poincet 73\\nI abletterie. Bros.serie Michaelis 74\\nTrous.seaux pour homnies... Ghevallier 70\\nLa ies Tailors. Aynie 71\\nDivers Trait^s des maladies d e\\nla peau D Bonnet 49\\nSoius de la bouche Dentely 52\\nAssurance centre le vol Assurance eontre le vol. 71", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0051.jp2"}, "52": {"fulltext": "D6sinfeclioiides a^^anements Sooldt6 franvais* de d6.\\n.p i J 1. sinfectioii B\\nJ raitement de 1 obr^g^^ Proc6d6 russe. 90\\nLA TOILETEE\\nAmazones(tailleiri. pour) etc.. Talon U\\n^sets Charar^l 5\\nEmmaGueile 5\\n(.ostumes taiUeii^rs Jelinek! II\\nAu vacht 1.\\nDentelles\\n[ygiene.\\ncne, etc\\n,T oi Dalsheiraer (i\\nI\u00c2\u00a7^ Atn ^^lanche Lpigh 3\\nEau de Saez 17\\nEau Dermophile 17\\nDelonne ;iO\\nBonnaire ;M\\nBachelard 22\\nHauler conf^^tjoj^s Deuillet 9\\nT ino-oT-j J, Legraiid 9\\na7\u00c2\u00b01 Ganterie Louvet 4\\n.que E. Menesson 54\\n^adulations, postiches Camille\\nPhotographie E Eog6 19\\nRobes. Manteaux. Trous-\\nseaux, etc Biraben 7\\nfjonnardot 8\\nBrenner 7\\nBuzenet lo\\nContzen II\\nGermaine 13\\nL. Kirsch 7\\nLudinart 10\\nRaybois 8\\nA. Rabinnvski 10\\nGh. Vasseur 8\\nWilly 11\\nTailleurs pour hommes, four-\\nrures S. Katz 10\\nKieffer Ki\\nVoyages. Malles, valises,\\netc E. Goyard 23\\nBullv 23\\nGipoulou 23\\nCfiauciiat. J^ant,", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0052.jp2"}, "53": {"fulltext": "Vte de ^KERATRY\\nParis Exposition\\n1900\\nParis- Universel\\nAMERICAN\\nCICERONE\\nlow to see Paris\\nAlone.\\ni~y^\\nNEW YORK\\nWILLIAM R. JENKINS\\nPublisher and LNri-oRiER of Forkkin Books\\n851 and 853 Sixth Avenue\\n1900\\nFirs/ Editio)i.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0053.jp2"}, "54": {"fulltext": "41699\\nLibPMry of Congress\\nwo COPtfS ReCEtVEO\\nAUG 31 1900\\nC*f /ngnt antry\\nSECOND COPY.\\nOeliverad to\\nORDER DIVISION,\\ni OCT 26 mnd\\nCOPYRIGHTED\\nBY VTE. DE K^RATRY\\nI Hog\\nLouis Weiss Co., Printers, Ii6 Fulton Street, New York.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0054.jp2"}, "55": {"fulltext": "WILLIAM MCKINLEY\\nPresident of the United States.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0055.jp2"}, "56": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0056.jp2"}, "57": {"fulltext": "", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0057.jp2"}, "58": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0058.jp2"}, "59": {"fulltext": "TABLE OF CONTENTS.\\nPreface\\nIntroduction\\nCHAPTER I.\\nThe Selection of a Steamer I\\nAgencies of the Compagnie Generale Transatlantique 2\\nPrecautions to be taken before sailing 3\\nPassage Tickets 5\\nThe Departure 7\\nOn Board the Steamer 7\\nLife on Board 9\\nDescription of the Vessel 1 1\\nNearing Land 13\\nLanding at Havre 14\\nOmnibus Rates of the Compagnie de I Ouest 15\\nCarriage Rates of the Compagnie de I Ouest 15\\nThe Steamer s Train 16\\nCHAPTER IL\\nThe Selection of a Hotel 17\\nList of Hotels 17\\nLeading Hotels or Hotels de Grand Luxe 18\\nReaching the Railroad Station in Paris 19\\nThe Choice of a Conveyance 19\\nIn the Baggage Room 20\\nBaggage by Express 20\\nAt the Hotel 21\\nParisian Customs and Habits 21\\nA few Practical Counsels 22\\nFrench Coins and Bank Notes 23\\nExchange and Brokers 23\\nAmerican Embassy and Consulate 24\\nNewspapers and Periodicals 24\\nCHAPTER III.\\nDefinite Selection of Quarters 28\\nAt the Restaurant 28\\nParisian Cafes 30\\nTobacco and Cigar Stores 30\\nBarber Shops and Bathing Establishments 31\\nHow to Ask and Find Your Way 34\\nCommunications by Telegraph, Cable, Telephone, Post. 35", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0059.jp2"}, "60": {"fulltext": "CONTENTS\\nCHAPTER IV.\\nFirst Promenade on Foot 40\\nSight-seeing on the Rue de la Paix 40\\nPlace Vendome 42\\nThe Garden of the Tuileries 42\\nCarriage Ride n\\nCHAPTER V.\\nA few Words of Explanation ct\\nFirst Carriage Promenade c^\\nOn the Boulevards 1-4\\nThe Opera 5j\\nThe Madeleine Church 5^\\nRue Royale 5,\\nPlace de la Concorde 5c\\nAvenue des Champ-Elysees 61;\\nPlace de I Etoile and Arc de Triomphe 67\\nFriedland Avenue 58\\nBoulevard Haussmann 53\\nSecond Carriage Promenade yi\\nThird Carriage Promenade ge\\nCHAPTER VI.\\nThe Tuileries Garden gg\\nThe Luxembourg Garden go\\nThe Monceau Park oq\\nThe Squares qj\\nThe Garden of Plants (Jardin des Plantes) 93.\\nThe Park of the Buttes Chaumont 93\\nPark of Montsouris q.\\nThe Churches\\nAmerican Churches qr\\nEnglish Churches q-\\nProtestant Churches qr\\nJewish Synagogues q^\\nThe Cemeteries\\nJ04\\nThe Museums jqc\\nPublic Buildings j j\\nCHAPTER VII.\\nTheatres\\n124\\nThe Comedie Frangaise j2^\\nThe Od6on j\\nThe Opera\\nThe Opera Comique _ j..\\nThe Gymnase\\nThe Vaudeville j\\nThe Varidtes j\\nThe Porte Saint-Martin j.q-\\nTheAmbigu", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0060.jp2"}, "61": {"fulltext": "CONTENTS\\nTheatre Ly rique lei\\nThe Theatre de la Renaissance 1 5 1\\nThe Nouveautes 151\\nThe Bouffes Parisiens 153\\nFolies Dramatiques 153\\nTheatre Sarah Bernhardt 153\\nChatelet 155\\nGaiete\\nConcerts\\nThe Cafe Riche\\n155\\nThe Palais Royal 155\\nCluny 157\\nAth^n^e Comique 11^7\\nTheatre Antoine 157\\n157\\nThe Concerts of the Conservatory 158\\nConcerts Colonne 158\\nConcerts Lamoureux 158\\nThe Auditions Musicales 158\\nThe Circuses i^g\\nThe Cirque d Hiver 159\\nThe Cirque Palace 155\\nNouvcau Cirque icg\\nThe Cirque Medrano 160\\nMusic Malls 160\\nThe Folies-Bergere 160\\nCasino de Paris 161\\nThe Jardin de Paris 161\\nThe Palais de Glace 161\\nLe Moulin Rouge 161\\nCafes Concerts 162\\nParisiana i52\\nLes Ambassadeurs 162\\nAlcazar d fite 162\\nDivan Japonais 163\\nThe Scala 16^\\nMontniartre 161\\nThe Treteau de Tabarin j 63\\nGrand Guignol 15.\\nThe Circles or Clubs 164\\nPeriodical Entertainments 165\\nThe Races 171\\nCHAPTER VIII.\\nThe Hotel Mirabeau 178\\n179\\nProminent Cafes and Restaurants 180\\nDentists 182\\nMilliners and Dressmakers 183\\nPhotographers 1 84\\nDoctors 184\\nChampagne 185", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0061.jp2"}, "62": {"fulltext": "CONTENTS\\nCHAPTER IX.\\nStages (Omnibuses) 187\\nStreet Cars (Tramways) 190\\nThe Passenger Boats 190\\nParis- Auteuil Railway 190\\nThe Metropolitan 191\\nOutings and Excursions 192\\nSt. Cloud 192\\nSevres 193\\nVersailles 194\\nThe Park and Gardens of Versailles 197\\nSt. Germain 199\\nMarly-le-Roi 201\\nFontainebleau 201\\nBicycle and Automobile Excursions 202\\nCHAPTER X.\\nThe St. Lazare Station 206\\nFrom Paris to Trouville 207\\nTrouville-Deauville 208\\nDieppe 210\\nLe Tr^port 211\\nFecamp 212\\nExcursions to the Coasts of Normandy, Brittany, and the\\nIsland of Jersey 213\\nWatering Places 219\\nCHAPTER XI.\\nCannes, Nice, Menton, Monaco 222\\nArrival at Marseilles 227\\nAmusements at Marseilles 227\\nDescription of the Voyage from Marseilles to Algiers. 233\\nExcursion outside of Algiers 235\\nPART II.\\nExposition.\\nThe table of contents for this part will be found at the end of\\nthe book.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0062.jp2"}, "63": {"fulltext": "PREFACE\\nMonsieur: You have undertaken one of the\\nmost useful of tasks. I know nothing more pleas-\\nurable than a good guide; in the street, in a new city,\\nwherever it is, he who takes you by the hand is\\nwelcome.\\nYou seek to present Paris, that great Paris, our\\nbeloved Paris, to the Foreigner, and you escort our\\nfuture guests from the steamship on which they em-\\nbark to the hotel where they alight. With rare skill\\nand excellent practical judgment you have made\\nyourself their cicerone for the real Vie Parisienne,\\nwith this difference, that you have given them, on\\nthe subject of our monuments and our habits, mat-\\nters of our daily life and of art, details and infor-\\nmation drawn from the worthiest sources and cal-\\nculated to give to your book real and lasting value.\\nI have not controlled and I do not countersign all\\nyour personal estimates of the Parisians of 1900.\\nI do congratulate you, and very sincerely, on hav-\\ning drawn a vivid, realistic picture of the new Paris,\\nof the Paris of this closing and opening of a century.\\nYour excellent guide, your Cicerone International,\\nwhich is a sort of pocket edition of Paris, will be\\nconsulted as much in the future as to-day.\\nAnd I like it because it makes one like Paris, the\\ncity the most worshipped and the most abused of all\\nthe world, that city where one is ever welcome, the\\ncity not to live in which would make me desolate had\\nmy lot condemned me to live elsewhere. City of\\nmud and smoke, said Jean Jacques, who, for that\\nmatter, might have said as much of any other city", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0063.jp2"}, "64": {"fulltext": "PREFACE\\nwhere, surrounded by brick and mortar, he could\\nonly long for daisies.\\nCity of bustle and of thought, of pleasure also, but\\na delicate pleasure, whose very peculiarities carry\\nwith them I hardly know what artistic charm. Ah\\nthat Paris, you have found it out, Monsieur, from\\nits Academies down to its very cabarets chatnoir-\\nesques, and it is just that which gives the charm and\\nvalue to your book.\\nJe serai votre guide\\nDans la ville splendide\\nruns the opera of Meilhac and Halevy.\\nYou could well say this yourself, and with more\\ntruth; I repeat it, and I foresee that the greater\\npart of the visitors to this Exposition grand dream\\nof Art and of Industry will have your bright and\\nagreeable book in their baggage, just as we have our\\nJoanne and the Germans their Baedeker.\\nYou are a pleasurable guide, of great charm of\\nmanner and of matter whom your future readers\\nwill take as much pleasure in following as I myself\\nhave just enjoyed. And in this connection, Mon-\\nsieur, I wish you, with all my heart, the success\\nwhich your valuable work deserves and will attain\\nto. Devotedly yours, Jules Claretje.\\nParis, Nov. 9, 1899.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0064.jp2"}, "65": {"fulltext": "NTRODUCTION\\nI foresee that the greater part of the visitors to\\nthis Exposition will have your bright and agreeable\\nbook in their baggage, just as we have our Joanne\\nand the Germans their Baedeker.\\nSuch are the words which the eminent Aca-\\ndemician in his all too flattering letter has addressed\\nto me. In the midst of overwhelming occupations\\nhe has had the goodness to find a moment to devote\\nto this work, which I dedicate, Reader, to you, about\\nto be dazzled, for the first time, by the City of Light.\\nGuide Joanne and Guide Baedeker These are\\nwords of learned men of world-wide fame. In the\\nwake of such masters, what can he do who makes\\nno pretension to new learning? The author has\\nno pretension of that sort.\\nHe has sought not to deal with erudition, but with\\npractical information. His ambition is to be prac-\\ntical, the most practical of all the guides. To this\\nend he has thought it well to take the traveler at his\\nstarting point, in order to have time to bring to his\\nnotice the precautions necessary to rid the voyage of\\nannoyance.\\nTo spare the reader worriment and disagreeable\\nsurprises has been the continual purpose and sole\\nobject of these lines.\\nI have thought that after pointing out the sights\\nof the capital it would not be wise to discourse on\\nwherein their beauty lies, or in the museums to call\\nattention to such or such a picture as a masterpiece.\\nSuch a course would be unjust to the reader, who, by\\nimplication, would be made to appear incapable of", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0065.jp2"}, "66": {"fulltext": "INTRODUCTION\\ndiscerning for himself the beauties before him. It has\\nbeen, on the other hand, a point to put forward such\\ninformation as the Foreigner could not work out for\\nhimself practical details means of transportation\\ncustoms of the city everything contained in it which\\nis worth seeing; in short, to add to comfort, to\\neconomize time and money and to help in avoiding\\nimposition. Have I succeeded? The future will\\nanswer. In any case, I ask indulgence, and if im-\\nportant information be found lacking, that it be\\nmade known to me, not in a spirit of bitterness, but\\nrather with thoughts dwelling on days when I may\\nhave rendered effective service.\\nViCOMTE H. DE KeRATRY.\\nDecember, 1899.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0066.jp2"}, "67": {"fulltext": "PART I.\\nPARIS", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0067.jp2"}, "68": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0068.jp2"}, "69": {"fulltext": "CHAPTER I\\nFROM NEW YORK TO HAVRE\\nThe Selection of a Steamer\\nOnce decided upon the date of departure, the first thing to\\ndo is to select the steamer which will take you to France.\\nThere are several companies engaged in the passenger traffic\\nbetween the United States and Europe. Each has its good\\npoints, and oftentimes, when one sees in the newspapers\\nthat a steamer has made the voyage in six days, you may\\nhear him exclaim This is the steamer for me\\nI would probably be of the same opinion if I undertook to\\nmake a purely business trip, notwithstanding that the most\\nrapid racer of yesterday is not always victorious in the race of\\nto-morrow. For it has quite often happened that a steamship\\nline with a great reputation for speed has been beaten by\\nthe new steamer of a company considered slow until then.\\nBe that as it may, we have to deal in this instance with a\\npurely pleasure trip, and the question of comfort is therefore\\nof paramount importance. You cannot and should not\\nsacrifice your comfort for the sake of shortening your sea\\ntrip by a few hours. I am one of those whose experience\\nmake them prefer being even eight days on board a steamer\\nin a comfortable cabin, surrounded by experienced and\\npolite attendants, sitting at a table luxuriously served and\\npartaking of a most refined cuisine whose dishes are specially\\nconcocted to triumph over the most rebellious appetite, to\\nbeing transported in fifteen hours less time in a steamer\\nwhere everything is sacrificed to speed, and where you\\nreceive hardly any more consideration than a piece of lug-\\ngage luggage, to be sure, which is relegated into a cabin for\\nwhich you pay a very high price and in which you are very\\nuncomfortable.\\nIf we are of the same opinion on that point, let us seek\\ntogether those steamers offering the greatest amount of com-\\nfort. The task will be easily accomplished by referring to\\nthe Table of Contents of this very book. The sole and only\\nsteamship line that serves an absolutely perfect table, in all\\nits appointments, is the French Transatlantic Company.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0069.jp2"}, "70": {"fulltext": "2 HOW TO SEE PARIS ALONE\\nThis point is universally recognized by the transatlantic\\ntravelling public. On board the steamers of that Company\\nthe perfection is not solely limited to the question of food,\\nthe cabins are real rooms and the punctilious attendance\\nsurrounding the passenger is nowhere else to be found at an\\nequal degree.\\nThat may be all true, some will answer, but the\\nsteamers of that line make port after the steamers of some\\nof the other lines. Well, in my estimation, to arrive in Paris\\nat five o clock on Friday afternoon by a direct line, instead\\nof arriving at noon by an indirect route, after numberless\\ntranshipments of many annoying kinds, does not weigh in\\nthe balance the few hours gained assuredly do not com-\\npensate for the fatigue endured nor for the variety of discom-\\nfort experienced. Moreover, one should not lose sight of\\nthe tediousness of the passage on board of a steamer with a\\ncabin where you are ill at ease with an uninviting table for\\nconsolation. In this case, your sole enjoyment lies in the\\nanticipation of being relieved of your misery on reaching\\nport. On the contrary with the French line, as I have heard\\nit expressed a hundred times, you find yourself regretting\\nthat the passage has not been of a longer duration.\\nBut I will take the liberty here to remark that if all the\\nsteamers of the French Transatlantic Steamship Company\\nare not classed in the category of greyhounds, the Company\\nwill supplement its fleet during the Exposition with two\\nsuperb new steamers. La Lorraine and La Savoie. They are\\nan improvement upon the famous La Touravte, which has\\nlowered many records, and it is said of the new additions\\nto the fleet, that their equal in beauty and speed will not be\\nfound afloat for a long time to come. In thus advising you,\\nI assure you pleasure, speed and comfort enough to satisfy\\nthe most exacting.\\nThe French Transatlantic Company has agencies in all\\nthe large cities, where tickets can be purchased. The follow-\\ning table will furnish you the necessary information upon\\nthat point\\nAgencies of the Compagnie Generale Trail satlantique\\nCompany s Head Office, 6 Rue Auber, Paris\\nBranch Offices in Paris\\nCabin Passengers, 12 Boulevard des Capucines (Grand Hotel).\\nGeneral Ticket Office (under Terminus Hotel).\\nSteerage Passengers, 6 Rue Auber.\\nFreight, 5 Rue des Mathurins.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0070.jp2"}, "71": {"fulltext": "HOW TO SEE PARIS ALONE 3\\nPrincipal Agencies\\nL. Boyer, Principal Agent, 43 Quai d Orleans, Havre.\\nA. A. Salmon, Gen l Agent, 36 Leadenhall St., London.\\nRobert Emmet, Asst. Agent, 28 Chapel St., Liverpool.\\nPrincipal America7i Agencies\\nNew York City Eug. de Bocande, 32 Broadway.\\nBoston, Mass.: Duncan Bailly-Blanchard, 103 State Street.\\nBaltimore, Md.: Arthur W. Kobson, 133 E. Baltimore Street.\\nChicago, 111.: M, W. Kozminski, 71 Dearborn Street.\\nNew Orleans, La.: M. Orfila, 213 Carondelet Street.\\nPhiladelphia, Pa.: Jos E. Miller, 131 So. Fifth Street.\\nSan Francisco, Cal.: J. F. Fuga/i Co., 5 .Montgomery Ave.\\nWashington, D. C: G. W. Moss. 921 Pennsylvania Ave.\\nMontreal, Canada: J. de Sieyes, 1672 Notre-Dame Street.\\nWhen everything is taken into consideration, the price for\\nthe first cabins on the steamers of this line are undoubtedly\\nmoderate, but in regard to the rates asked for the second\\ncabin, one is at a loss to understand how the Company can,\\nfor so modest a sum, give its passengers so comfortable\\nquarters and serve a table almost equal for the variety and\\ndaintiness of comestibles and assuredly as abundant as\\nthat served in the first cabin. All of this leads the travelling\\npublic to make comparisons between the Compagnie Gene-\\nrale Transatlantique and its competitors for public patronage,\\nwith the invariable verdict favoring the French line in about\\nthe following ratio while its first-class cabins are beyond\\nall comparisons, its second-class cabins are on a par with the\\nfirst-class cabins of any other line the same comparative\\ngradation running throughout the scale. This is a matter\\nwell worthy the serious consideration of the travelling public.\\nPrecautions to be Taken Before Sailing\\nOne of the most essential conditions for traveUing with\\nease is the sufficiency of ready funds. However, it is im-\\nprudent to carry about you a large sum of money which\\nmay keep you in a state of uneasiness. You can easily\\nobviate this inconvenience by taking with you merely the\\nsum necessary for current expenses and depositing the bulk\\nof your money with a banking-house, taking in exchange a\\nletter of credit. This will relieve you of all cares on that\\nscore. On the other hand, you should ascertain before\\nparting with your money, that you are dealing not alone\\nwith a responsible house, but you must have also the abso-\\nlute assurance of its uncontrovertible expeditiousness, in\\norder that once in Paris, or in any other European city, you\\nare not made to wait indefinitely for funds because the\\nNew York house has failed to notify in time its European", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0071.jp2"}, "72": {"fulltext": "4 HOW TO SEE PARIS ALONE\\ncorrespondent. You will not experience any such drawbacl\\nby dealing with John Munroe Co 32 Nassau Street, New\\nYork, who issue letters of credit for the use of travellers, ii\\npounds sterling and francs. }n Paris, travellers holding thest\\ncredits will find the offices of Messrs. Munroe Co., No. 7\\nRue Scribe, most conveniently situated, near the Opera\\nHouse and the hotels so much frequented by Americans\\nMessrs. Munroe Co. open deposit accounts for travellen\\nsubject to chsque, purchase and sell drafts on the United\\nStates, etc.\\nIf you are not a resident of New York, and without\\nplace in the city where letters or telegrams can reach you,\\ngive instructions to have them addressed directly on board\\nship, mentioning the name of the steamer upon which yoi\\nhave secured passage.\\nAll letters and telegrams received on board are placed\\nupon the middle table in the parlor and remain on board\\nuntil the last minute before leaving. The head-waiter, who\\nspeaks English, and who is at his post at the head of the\\nmain gangway, welcoming passengers on board, will give\\nyou all necessary information on the matter.\\nLetters and telegrams can also be received on arrival at\\nHavre. The tugboat whicli meets the steamer an hour\\nbefore docking, brings the mail and dispatches, which are\\nimmediately distributed among the passengers. Advise all\\nyour would-be correspondents when addressing their missives\\nto carefully inscribe: i. (Your name). 2. [Steatner s\\nname), 3. {Code word Transat.). 4. Havre.\\nIf you can receive telegrams, you also can send them until\\nthe very last moment before sailing, while on the arrival of\\nthe steamer on the other side the head-waiter will see that\\nany message, by cable or land, is immediately dispatched.\\nBut here, allow me to give you a bit of information equally\\nuseful, for that matter, to those who may have to cable you\\nduring your stay in Europe i. e., all such dispatches from\\nNew York should bear the extra direction via P. Q.\\n(no charge for these two words), because the French Cable\\nCompany having the only direct cable between the United\\nStates and France, its service is naturally the most rapid.\\nThere is another very essential precaution to be taken\\nbefore sailing. It is not alone the choice of a hotel, but that\\nof securing a room in the hotel you have selected. In\\nChapter II, you will find the necessary information upon\\nthat subject. By neglecting to take this precaution you will\\nexpose yourself, especially in Exposition times, to canvass", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0072.jp2"}, "73": {"fulltext": "HOW TO SEE PARIS ALONE 5\\nlotel after hotel without finding a suitable room, and be\\norced at last to lodge in miserable quarters. Such a begin-\\niing is of a nature to spoil your trip on the other hand,\\nvith an ordinary amount of foresight, you will avoid all\\nnnoyances susceptible to mar your sojourn in Paris. There-\\nore, some time before taking the steamer, you will have\\nwritten to Paris for a room in the hotel of your choice,\\ntating exactly, in accordance with the informations given\\nm this subject in Chapter II of this Guide, the price you are\\nv illing to pay, the accommodation you require, and the date\\nou expect to take possession. If before stepping on board\\nou have neglected taking this precaution, you should give\\nhe head-waiter a cablegram formulated as follows (pads of\\nilank messages are to be found on the dining-room table)\\nVia P. Q. (via Frenc/i)\\nHotel\\nMo Street Paris\\nArriT iiig [here give day and name of steamer] retain\\nroom francs.\\n[Signature.]\\nIn Chapter III, we give the cable rates which are the\\name with all companies advising to specify vza FrencJi.\\nIt is proper that I should add a last advice to all those I\\nave already given and which may probably be considered\\nuerile by those who are accustomed to cross the Atlan-\\nic, but it may be very useful to those who cross for the first\\nime and for whom this work is specially written. There-\\n:)re, if, for any reason whatever, you entertain any doubt\\nbout either your right of taking presents into France, or are\\n1 need of information about French law, I advise you to call\\nt the French Consulate, 35 South William Street, New\\nork City. Mr. Bruwaert, the Consul General of France in\\nJew York, with his native amiability, will give you any\\niformation desired on those points.\\nPassage Tickets\\nWe shall now speak about the manner of securing your\\nlassage and berth. Those who reside in any other city than\\n\u00e2\u0096\u00a0lew York, will find at page 3 the address of the branch\\ngencies of the Conipagnie Generale Transatlantique, where\\nhey can provide themselves with passage tickets. If you\\neside in New York, or reach the city without having pre-\\niously secured your passage, you should call at the prin-\\nipal office of the Company, No. 32 Broadway. At the head-\\nuarters, as at the agencies, you will be shown the diagram\\nidicating the interior appointments of the steamer whose", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0073.jp2"}, "74": {"fulltext": "6 HOW TO SEE PARIS ALONE\\ndeparture coincide with the date you have fixed for sailing to\\nEurope. The clerk will point out on the diagram the berths\\nyet unsold and corresponding with the amount you intend\\npaying. It seems superfluous for me to state that at the\\nNew York headquarters and on hoard the steamers of the\\nCompany the Engh sh language is as fluently spoken as the\\nFrench Spanish is also generally spoken on board.\\nBut, in regard to your cabin, I feel here hke intruding with\\nan advice which is especially intended for the tourist with fair\\nmeans. If your trip is one of pleasure, an expense of twenty\\ndollars more or less is not, after all, to be considered. There-\\nfore, advise you to take an upper-deck cabin, but you will\\nhave to speak a long time ahead, for they are much sought\\nafter. During the last Paris Exposition the line had to refuse,\\non an average, over two hundred passengers every trip of its\\nsteamers. This is explained, not alone by the fact that the\\nAmerican public knows how to appreciate the comfortable\\nexistence one has on board the French steamers, but also\\nbecause the French line is the Company which lands its\\npassengers but four hours distant from Paris.\\nI am so much in favor of securing on board the greatest\\ncomfort attainable, that I should strain a point, even to\\nthe extent of suggesting to spend one dollar per day less\\nwhile in Paris, and engage, if at all possible, one of those\\ncabtnes de luxe, in which you have all the luxury of a room\\nat a first-class hotel, with private baths and toilet, especially\\nif you can secure it on board La Touraine, IS Aguitaine,\\nor on one of the two new steamers. La Lorraine or La\\nSavoie.\\nWith your cabin and railroad tickets for at Havre a\\nspecial train carries the passengers to Paris on the arrival of\\nthe steamer you will receive two blanks to be filled by you,\\nthey are as follows\\nCABIN BAGGAGE\\nBerth No\\nA/ame\\nS. S.\\nSailing igoo\\nCabin Bagp;age intended for Paris must be\\nregistered on hoard before arrival at Havre.\\nHOLD BAGGAGE\\nMust be registered on the dock before sailing.\\nPassengers can have it checked on Wednes-\\nday afternoon previous to departure.\\nName\\nS. S\\nSailing igoo", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0074.jp2"}, "75": {"fulltext": "HOW TO SEE PARIS ALONE 7\\nWith your passage ticket secured and your luggage\\nchecked, you have but to wait for the hour of sailing.\\nIn the event of your having been unable, owing to unfore-\\nseen circumstances or negligence, to secure your passage in\\nadvance, you can do so on the steamer s wharf up to the\\nlast hour of sailing, provided there are any berths left, but\\ndo not count upon such good luck in the summer time, much\\nless in Exposition times.\\nBefore advising you on matters specially affecting your\\ncomfort on board, I will give you an additional item of\\ninformation of which many Parisians are not cognizant. If\\nyou have a friend in Paris who proposes to meet you at\\nthe railroad station, in order that he should not miss the\\narrival of the special train, write him to call at the head-\\nquarters of the Compagnie Gen^rale Transatlantique, No. 6\\nRue Auber, requesting for a telegram to be sent informing\\nhim of the hour passengers by your steamer will reach the\\nSaint-Lazare station. He will thus receive the news six hours\\nbefore your arrival in Paris, and lo cents will cover the cost\\nof the service.\\nThe Departure\\nOn reaching the wharf, with your baggage carefully checked\\nand counted, you should point out to the porters on the dock\\nthe pieces intended for the hold, and have them carried\\nto the scales to be weighed by the Company s employes,\\nto whom you show your ticket, and who will give you a\\nsmall check for the number of pieces to be placed in the\\nhold. You present this small check at the office in front\\nof the first gangway, where, upon exhibiting your cabin\\nticket, the clerk will retain it in exchange for a bill of\\nlading, which you must keep in a secure place, because, on\\nlanding in Havre you will need it to claim your baggage if\\nlost, you would be subjected to great inconvenience before\\nrecovering your belongings. Return then to your hand par-\\ncels, attendants are there awaiting your orders to carry them\\nin your cabin. You are aware that Saratoga trunks are not\\ntolerated in the cabins a small flat trunk, known as s. cabin\\ntrunk, is all that is allowed.\\nYou should reach the steamer s dock at least one or two\\nhours before sailing time, in order to avoid haste and con-\\nfusion.\\nOn Board the Steamer\\nStepping on Board.\u00e2\u0080\u0094 Free of cares, walk up to the\\ngangway. On reaching the deck you will meet the head-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0075.jp2"}, "76": {"fulltext": "8 HOW TO SEE PARIS ALONE\\nwaiter at the landing of the staircase which leads to the\\ncabins. Show him your ticket and ask the way to your\\ncabin, to which you will proceed immediately and ascertain\\nwhether all your parcels are there. If anything is missing,\\npress the electric button at the side of the berth and the\\nwaiter who has charge of your quarters will come imme-\\ndiately and straighten matters.\\nHaving ascertained that all your parcels are on board,\\nyou are free to quietly return to the deck, and enjoy\\nat ease the animated scene presented on board a large\\nsteamer on the eve of sailing. But if you have a dispatch to\\nsend or a letter to write, ask the head-waiier or a. \u00c2\u00a3-ar(on\\n(waiter) all speak English to show you the parlor, where\\nyou will find the necessary writing material and blanks.\\nIntrust letters and dispatches to the care of the head-waiter,\\nand you may rest assured that neither will go astray through\\nhis neglect.\\nIf friends and relatives have come on board to bid you\\ndon voyage, do not feel anxious about the danger of their\\nremaining too long and being carried off. An employe goes\\naround ringing a first bell, which is the signal for the final\\nadieus while the second bell, which is rung a little later,\\nwarns you that in a few minutes the gangways will be re-\\nmoved the time has come for your friends and relatives to\\nleave.\\nLeaving the Dock. The gangways have been heaved\\ndown, the regulation ear-splitting blasts have been sounded\\nby the steamer s whistle, the huge floating mass slowly glides\\noff the dock, myriads of handkerchiefs flutter, the loving\\nhand shoots the parting kiss, the vessel has cleared its watery\\ncradle, the friendly faces grow less distinct, you are off for\\nthe shores of France\\nSpeeding slowly over the last stretch of the Hudson River,\\nwith the metropolis and its giraffe-like sky-scrapers on the\\nleft, while on the right the State of New Jersey unfolds a\\npanorama of intercepted heights and swamps (dignifiedly\\ncalled meadows), you suddenly enter the inner bay, leaving\\non your right the Statue of Liberty, fruitlessly Enlightening\\nthe World a few turns of the screw and you have reached\\nthe straight dividing Long Island from Staten Island, and\\nwhich leads into the incomparable bay of New York proper,\\nthence through the Narrows\u00e2\u0080\u0094 passing the Quarantine, with\\nConey Island, Rockaway and Long Beach successively on\\nyour left, and the imposing Highlands of Navesink on your\\nforward right, you finally pass through the Sandy Hook", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0076.jp2"}, "77": {"fulltext": "HOW TO SEE PARIS ALONE 9\\nchannel, the gateway to the ocean, where the steamer is\\ngiven rein after dismissing the pilot.\\nHaving reached the high sea, the spectacle assumes the\\nmonotony of blue skies and dark green waters, the moment\\nis well chosen to seek your cabin in order to gather your\\nvaluables into a box or parcel along with the bulk of your\\nmoney, keeping only enough pocket money for the trip.\\nYou intrust it to the steward if the total value is over $i,ooo,\\nhe will give you a receipt, and tax you at the rate of one per\\ncent.; if you desire, he will also receipt for a lesser amount\\nthis will relieve you of all anxiety during the trip. Notwith-\\nstanding that nothing should be feared on the part of the\\nemployes of the Company, this precaution should not be\\nneglected. Little is known about the character of many of\\nthe passengers, and it may happen, as in the case of many\\nhotels, that an unscrupulous gentleman might proceed with\\na domiciliary visit to your cabin while you are dreamily\\nreposing on deck.\\nMoreover, the steward, as its name implies, is not merely\\na commissary general, but he is at the same time the cashier\\nof the board. He is the dispenser of favors as well as the\\nrighter of wrongs therefore, if you have any particular claims\\nto make or favors to ask, you should have recourse to him.\\nFor instance, if you are in the second cabins, and desires,\\nfor one reason or another, to change to first cabins or again,\\nif you want to change your cabin for a better and a higher\\npriced one, it is with the steward that those matters should\\nbe settled. He will operate the change for you, and charge\\npro rata for the remaining days of the trip.\\nYou should also, at the veiy beginning of the voyage\\nunless you have brought yoiir own, or have secured one in\\ntaking your ticket, or that you have decided to cloister your-\\nself in your cabin secure a reclining chair, for which a\\ncharge of one dollar is made.\\nLife ou Board\\nOn the first day, especially with the noon breakfast\\nwhich on that day is not served at the regular hour places\\nat the table being yet unassigned, everybody sits where he\\npleases. However, do not infer from this experience that\\nlife on board is not regulated. Already, at the dinner in the\\nevening, the head-waiter will assign you at the table a place\\nwhich you will occupy during the whole voyage.\\nSince we are speaking about meals one of the principal\\ndistractions on board I will here give you the hours at", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0077.jp2"}, "78": {"fulltext": "lO HOW TO SEE PARIS ALONE\\nwhich they are served. As early as 7 in the morning, you\\nwill hear the sound of a bell through the passageways. It\\nannounces the first or small breakfast, which is served until\\n9 o clock. If, through habit or indolence, you do not care\\nrising before 9, the waiter (for men) or the chambermaid\\n(for women) will bring you the coffee in your cabin. You\\nhave the privilege although it is not customary with the\\nFrench to order a regular breakfast, such as you may be\\naccustomed to partake of while at hoine, but as the regular\\nbreakfast will be served at 11 o clock, it is considered unad-\\nvisable to load one s stomach at so early an hour.\\nThe regular breakfast lasts from 1 1 until i o clock. This\\nimplies that every one drops along at his or her own sweet\\nUM\\nH^^IFWBBI\\n^H\\n1\\nP^^^y^fHIl^^\\n1\\nf ^:m^ i\\nB\\n1\\n.\u00e2\u0080\u009e^pH\\n1\\n^M\\n^\u00e2\u0096\u00a0^ip\\nj\\njH\\nI\\nBf^v^\\nI\\nH\\n1\\nBto 1 1 M\\niff\\nmi", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0078.jp2"}, "79": {"fulltext": "HOW TO SEE PARIS ALONE II\\nwill. It is not expected that you should appear in an\\nelaborate toilet at this meal however, a too accentuated\\nneglige would assuredly be improper.\\nThe dinner is more dressy, and you are expected to make\\nyour appearance in correct form. It is served punctually at\\n6.30, and ordinarily lasts about two hours.\\nIf, between meal times or at any time, for that matter\\nyou should feel hungry, the waiters on deck will bring you\\nchicken, roastbeef or ham sandwiches.\\nThe hours of meals regular breakfast and dinner are\\nrung on deck and in the passageways. The first belPis rung\\nhalf an hour before meals, to give you time to prepare, and\\nthe second bell at the precise time set for the meal.\\nA comfortable bathing-room is near your cabin, with an\\nattendant who will have everything in readiness if you fix in\\nadvance the hour at which you desire taking your daily bath.\\nWhen you retire at night leave your shoes at the door to be\\npolished. There is also a barber shop on board, in charge\\nof a competent barber.\\nOne of the most agreeable pastimes on board is to remain\\non deck, contemplating the immensity of the ocean, and in\\nturn pursue the reading of an interesting book. You can buy\\nat the ship s well-stocked library English and French works.\\nAt twelve o clock noon, the steamer s whistle lets out a shrill\\nblast which announces the exact time of the day. Regulate\\nyour watch which will be about forty minutes slow other-\\nwise, on landing in France it would be five hours and a half\\nbehind time. Twelve o clock is the time for the navigator\\nto ascertain the position of the ship and to compute the run\\nmade in the previous twenty-four hours. On the marine\\nchart, hung in the stairs leading to the parlor, a small flag\\nindicates the position of the ship, and below the number of\\nmiles covered.\\nDescription of the Vessel\\nThe steamers of the Compagnie Generale Transatlantique\\nbeing built upon two distinct models, it becomes necessary,\\nin order to give an adequate idea of the distribution specially\\naffecting the appointments reserved to the passengers, to\\ndescribe in turn one type each of the two models.\\nOn board La Gascogne, La Breiagne and La Cham-\\npagne, the gangway which leads to that portion of the main\\ndeck reserved to third-class cabins faces the door opening\\non the main stairway at the left of the parlor; immediately\\nunderneath, and thiough the railed aperture in the centre of", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0079.jp2"}, "80": {"fulltext": "12 HOW TO SEE PARIS ALONE\\nthe parlor, is seen the great dining-saloon, with passageways\\nat its four corners, along which cabins are distributed on\\nboth sides. After going through the dining-saloon and the\\npassageway on the right, a staircase leads to the smoking-\\nroom, with port-holes and doors opening on the main deck.\\nThe spar-deck above\u00e2\u0080\u0094 which is the promenade deck\u00e2\u0080\u0094 runs\\nthe full length of the ship. It is shaded by awnings, and the\\nship s boats are fastened along the railing.\\nIn the new vessels, La Tottraine, L Aquitamc, La Savoie\\nand La Lorraitie, these various accommodations are raised\\none story. The large dining-saloon is replaced by a small\\ndining-room for children, and above, on the main deck, is\\nfound the large dining-room, while one story still higher, at\\nthe centre of the spar or promenade deck, is the parlor, with", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0080.jp2"}, "81": {"fulltext": "HOW TO SEE PARIS ALONE 13\\nthe smoking-room forward, and aft about ten large cabins,\\nwith baths and toilets. A promenade over three yards wide,\\non each side, affords plenty of room for exercise.\\nAttached to the bath-rooms, on board of all steamers of\\nthe Company, is a boudoir for ladies wishing to rest.\\nThe dining-room has a capacity of two hundred and fifty\\ncovers, spread upon three long tables and two rows of small\\ntables, with revolving seats screwed to the floor, thus pre-\\nventing crowding. When the number of guests exceeds the\\nseating capacity, two dinners are successively served.\\nIn the interval between meals, this luxurious dining-room\\nis transformed into a parlor, and the tables, cleared and\\ndecorated, are covered with rich red cloth. Here you can\\nwrite or read, and until 1 1 P. M. the waiters in attendance\\nwill serve anything you may desire.\\nThe parlor is provided, on its four sides, with upholstered\\ndivans and has a rich library where you can purchase the\\nlatest works. When fatigued by promenading in the open\\nair, you can retire in this parlor and read the three or four\\nfirst chapters of this book, in order to be familiarized with\\nits contents before reaching Paris.\\nThe smoking-room which is open until 11 P. M. is re-\\nserved, as its name implies, to men for smoking, card-playing\\nand talking. A waiter is always in attendance he will serve\\nyou sandwiches and drinks. Naturally, you will find here\\nsmoking tobacco, cigars and cigarettes of the Company s\\nselection all excellent, but moderate in price.\\nNeariu^ Land\\nAfter six days ordinary sailing the time is approaching\\nwhen land will loom up on the horizon. In the vague dis-\\ntance you begin to perceive a greyish speck, which increases\\nin size and density until you are told that it is Point Bishop,\\na promontory on the Scilly Islands. But it is only six hours\\nlater, at the Lizard, that in the day-time the steamer unfurls\\nat the bow a set of blue, white and red flags, or shows lights\\nof the same colors at night, and is signalled to Paris and\\nHavre, where the transatlantic train is ordered to be made up.\\nThe first light made out on the coasts of France, about\\none hundred miles from Havre, is that of the Casquets, on\\nthe reefs of Aurigny thence fifty miles further on appears\\nthe ten-second double flash light of Barfleur, and, finally,\\nthe five-second flash light of Cape H^ve, which marks the\\nentrance to the port of Havre.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0081.jp2"}, "82": {"fulltext": "14 HOW TO SEE PARIS ALONE\\nIn the day-time, four hours from Havre, you will succes-\\nsively notice on the starljoard first Cotentin, then the Cape\\nof the Hague, Cherbourg, Barfieur and last the Heve, behind\\nwhich are masked St. Adresse and Havre. But before\\nmaking Cape Heve the steamer slows down for the pilot to\\ncome aboard.\\nAbout one hour from Havre you will make out a tugboat,\\na small model of La Touraine, speeding towards the\\nsteamer. It is the Titan, the powerful tug of the Company.\\nIt has on board the mail and dispatches for the passengers,\\nand files of the New York Herald. The tug follows and\\nwill help the steamer in its evolutions. The time has now\\ncome to make ready for landing.\\nLanding at Havre\\nOn the eve of your arrival at Havre, the head-waiter goes\\naround the cabins with an aid, and pastes a numbered label\\nupon your steamer trunk and those parcels you do not care\\nto take on the train. He will give you a counterpart of that\\nnumbered label, which you should keep with the baggage-\\ncheck received in New York. This again will relieve you of\\nall baggage cares until Paris is reached.\\nAccording to circumstances, there are two modes of land-\\ning if the steamer has to wait for the tide to make her\\ndock, the tugboat comes alongside and lands those of the\\npassengers who prefer to await in Havre, at the Hotel\\nFrascati, for the fast train, or chance it upon an ordinary\\ntrain, for which your railroad ticket is good however, no\\nbaggage, except your small parcels, is allowed ashore all\\nbaggage has to go by the steamer s fast train.\\nWhen the steamer makes fast to the dock either directly\\nor after having laid at anchor for the tide the time is well\\nchosen to hand the head-waiter your dispatches, giving him\\nat the same time a fee in proportion to the services rendered.\\nThe table waiter and cabin boy, or chambermaid, are ordi-\\nnarily tipped after the last meal taken on board.\\nIf you have more than one trunk, I would advise you to\\nwire the Compagnie de I Ouest for a conveyance, stating\\nthe number of persons in your party. This will save you\\nmuch annoyance. Your telegram should be addressed to\\nthe station master as follows Chef-Gare, Saint-Lazare,\\nParis, stating the number of persons, train, name of hotel,\\nand signature.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0082.jp2"}, "83": {"fulltext": "HOW TO SEE PARIS ALONE I5\\nOmnibus Rates of the Compagrnie (le I Ouest\\nOMNIBUS ET VOITURES DE\\nLA CQMPAGNIE\\nOmnibus de famille\\nOMNIBUS AND COACH\\nRATES\\nFamily Omnibus\\nBagage (30 Kilos par\\nvoyageur) compris\\n436\\nplaces\\n18 a 22\\nplaces\\nPrivilege of 67 lbs.\\nbaggage fur each.\\nSeating\\n4 to 6\\nSeating\\n18 to 22\\nDe 6 h, du ma-\\ntin a minuit.\\nDe minuit a 6 h.\\ndii matin\\nSiirtaxe pour arret\\nen route\\nSur I itineraire.\\nEntrainant un\\ndetour\\nCourses extra-mu-\\nros, de gre a gre.\\nfr. 5.00\\n6.00\\n1. 00\\n2.50\\nfr. 12\\n15\\n3\\n3\\nFrom 6 A. M. un-\\ntil midnight..\\nFrom midnigiit\\nuntil 6 A. M\\nExtra for stopping\\nOn the direct\\nitinerary\\nOutside do. do.\\nFix prices in ad-\\nvance outside Paris.\\n5 frs.\\n6\\nI\\n2h\\n12 frs.\\n15\\n3\\n3\\nCarriage Rates of the Compagnie de I Ouest\\nVoitures de remise a 4 places et a\\ngaleries pour bagages\\nInterieur de Paris, surtaxe pour\\nbagages: i colis, 25 c; 2 colis, 50 c; 3\\ncoils, et plus, 75 c.\\nDe 6 h. mat. en ete\\net de 7 h. mat. en\\nhiver a minuit 30:\\nLa course.\\nL heure..\\nDe minuit 30 a 6 h\\ndu mat. en ete et\\na 7 h. du matin en\\nhiver\\nLa course.\\nL heure\\nNon rc-\\ntenue a\\nI avance\\nfr. 2.00\\n2.50\\n2.50\\n2.75\\nRete-\\nnue i\\nI avance\\nfr.3-50\\n3-50\\n4- 50\\n4.50\\nCoach seating 4 with railed tops\\nfor baggage\\nInside Paris. Extra for baggage:\\nI piece, }i fr. 2 pieces, fr.; 3 pieces\\nor more, fr.\\nFrom 6 a. m. sum-\\nmer y A. M. vifin-\\nter till 12.30 A. M\\nThe ride\\nThe hour\\nFrom 12.30 A. M.\\nuntil 6 A. M. sum-\\nmer, and 7 A. M.\\nwinter.\\nThe ride\\nThe hour\\nIf not If hired\\nhired in in\\nadvance advance\\n2 frs.\\n2i\\n2i\\n2f\\nsi frs.\\n3i\\n4i\\n4i\\nIf you have not retained a room at the hotel, it is yet\\ntime to do so by sending a telegram worded as at page 5,\\nadding the time of your arrival and in case you have cabled\\nfor a room, it is prudent to wire the hour of your arrival.\\nMeantime, the gangways have been made fast to the ship,\\nand the passengers are descending upon the wharf. They\\nfile in front of the custom officers, who examine the small\\nparcels, which are afterwards carried by the waiters on\\nboard the train. The heavy baggage is examined in Paris,\\nso you have now but to wait for the departure of the train,\\nwhich takes place about one hour after landing.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0083.jp2"}, "84": {"fulltext": "I6 HOW TO SEE PARIS ALONE\\nThe Steamer s Train\\nIt is an American vestibule train, modeled after the\\nPullman s (belonging to \\\\S\\\\ Conipagnie Internationale des\\nWagons-Lits), and composed of five passenger cars and a\\nrestaurant car, in which eatables and drinkables are served\\nin first-class style. Besides the regular train crew, and\\nthe staff of the restaurant car who both speak French and\\nEnglish, there is on the train a representative of the Com-\\npagnie Transatlantique and an interpreter, to whom you\\nmay have recourse in case you need their services on your\\narrival in Paris, as explained in the following chapter.\\nYou now travel on a branch of the trunk line known as the\\nCompagnie de I Ouest, which is one of the best equipped\\nroads amoiig the great continental lines. The distance\\nbetween Havre and Paris is made in about four hours,\\ntraversing a country under the highest state of cultivation,\\nwhere every inch of soil is tilled and made to produce.\\nQuiet hamlets and villages, busy towns and beautiful cities\\nin turn appear and vanish until the iron-horse, feverishly\\nburning the space, draws the train at the Saint-Lazare sta-\\ntion in Paris.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0084.jp2"}, "85": {"fulltext": "CHAPTER II\\nA FIRST INSIGHT OF PARIS\\nThe Selection of a Hotel\\nAs stated in the preceding chapter, during the Exposi-\\ntion the three or four large hotels with which foreigners are\\n1 uuiliar will be so crowded that it will be difficult to secure\\n(|uarters in any of them. But there are other hotels, superior\\nill every respect you should not forget that size does not\\nsignify quality where you can secure very comfortable quar-\\nters, provided you take the precaution of writing in time for\\nit. An ordinary room will cost from five to six francs, but\\nthere are rooms quoted as high as 40 francs per day how-\\never, real and complete comfort, without luxury, can be\\nsecured in these hotels for twelve francs for one person or\\nfifteen francs for two.\\nUnless you are deterred from doing so by family reasons\\nor for acquaintance s sake, it is preferable to live on the\\nright bank of the Seine. You should be particular about\\nthe neighborhood, not merely on account of its distance\\nfrom the centre of the city five minutes walk more or less\\nis no matter but you should be in the proximity of all the\\nadvantages Paris offers its inhabitants, instead of being\\nrelegated to a solitary street in a dormant quarter, for it\\nis very disagreeable for a stranger to walk home at night\\nthrough deserted streets. Moreover, the facilities and throb-\\nbing life afforded by the great boulevards, should favor the\\nselection of a hotel in their vicinity. We do not piopose\\nrecommending one hotel in preference to another, all are\\nequally deserving. We give the rates of each, leaving the\\ntraveller to make a choice in due time and thus avoid all\\npossible disappointment.\\nList of Hotels\\nHotel Meurice, No. 228 Rue de Rivoli, facing on the\\nTuileries rooms from 6 frs., dinner 6 frs., wine extra. Hotel\\nBrighton, at No. 218, same street and same prices. Hotel\\nSt. James and Albany, at No. 202, rooms from 4 to 15 frs.,", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0085.jp2"}, "86": {"fulltext": "15 HOW TO SEE PARIS ALONE\\nmeals from 4 to 6 frs. and 6 to 8 frs., wine extra. On the\\nPlace Vendome, the hotels Bristol, du Rhin and Vendome,\\nall three under the same management. On the Rue de\\nCastiglione, No. 6, the Hotel Metropole, rooms from 6 frs.,\\ndinner 6 frs., wine extra at No. 12, the Hotel Castiglione\\nat No. 4, Hotel Balmoral, rooms from 7 frs., meals 4 to\\n6 frs. On the Rue de la Paix, at No. 8, Hotel Mirabeau,\\nrooms 6 to 8 frs.; at No. 11, Hotel de Westminster at No\u00e2\u0080\u009e\\n18, Hotel de Hollande at No. 22, Hotel des lies Britan-\\nniques. On the Avenue de I Opera, at No. 30, Hotel Belle-\\nvue, rooms from 4 to 15 frs., meals from 5 to 7 frs.; at No. 22,\\nthe Hotel des Deux-Mondes. On the Rue Royale, Hotel\\nMaxii7i. On the Boulevard des Capucines, No. 37, there is\\nthe hotel named after the boulevard, with rooms at 5 to 15\\nfrs., and meals 4 to 6 frs. On the Boulevard des Italiens, at\\nNo. 32, the Hotel de Bade, and at No. 3 the Hotel de Russie.\\nThe Hotel Beau-Scjour is at No. 30 Boulevard Poissonniere.\\nNot quite so centrally situated, we find, at No. 16 Rue de la\\nxd2a 3iTLC^\\\\h^ Hotel Alexandra, day-boarding, 9 to 12 frs.\\nNo. 14 Rue Caumartin, //c^/^/^^ Grande-Bretagne. On\\nthe Place Louvois the Hotel Louvois. Hotel Britannia,\\nNo. 24 Rue d Amsterdam. Central Hotel, No. 40 Rue du\\nLouvre. Hotel Cusset, Rue Richelieu. Hotel Foyot, Rue\\nde Tournon. Hotel Lavenue, at the railway station Mont-\\nparnasse. Finally, on the Champs-Elysees, the Hotel\\nMeyerbeer, at the cycle {rond-point). The Hotel d Albe,\\nNo. loi Avenue des Champs-Elysees, with rooms at 5 to\\n12 frs., and meals 5 to 7 frs. There are also several new\\nhotels recently constructed on the Trocadero and at Passy,\\nwith Principal offices at No. 5 Boulevard des Capucines.\\nLeading Hotels or Hotels de (irand Luxe\\nThe Palace Hotel, No. 103 Avenue des Champs-Elysees,\\nis located in a sumptuous and newly erected edifice, with all\\nthe modern appliances for comfort, rooms from 7 to 50 frs.,\\nmeals 6 to 8 frs. //(j/^/i?//^ on the Place Vendome; the\\nGrattd Hotel, 12 Boulevard des Capucines Hotel Continen-\\ntal, 3 Rue de Castiglione; Grand Hotel du Louvre, 172\\nRue de Rivoli Hotel Terminus, at the Saint-Lazare rail-\\nroad station. All of these hotels charge about the same prices\\nfrom 4 to 40 frs. for rooms and 5 to 8 frs. for meals. The\\nHotel Moderne, on the Place de la Republique, belongs to\\nthe same category, although its charges are more moderate,\\nwith rooms at 3 to 15 frs. and meals 4 to 5 frs.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0086.jp2"}, "87": {"fulltext": "HOW TO SEE PARIS ALONE 19\\nReaching the Railroad Station in Paris\\nUpon the arrival of the train at the station, porters come\\naboard to take charge of your small packag-es, which you\\nshould first gather in your place, ascertaining their number.\\nIf you have but one grip-sack and three or four small\\nparcels, you will need but one porter. Tell him or have\\nthe interpreter which is on tht; train tell him for you to\\ncarry the parcels to your carriage.\\nThe Choice of a Conyeyance\\nIf it has not been ot dered in advance. Here you are\\nagain facing the carriage problem, which has been partially\\nexplained in the preceding chapter, when we inferred that\\nyou had quite a number of parcels, or were one of a party\\ntravelling together, advising you in both cases to telegraph\\nto the Compagnie de I Ouest to secure you a carriage or an\\nomnibus. In the present emergency the porter should carry\\nyour baggage to an ordinary cab {fiacre with railed-top if\\nyou have many heavy pieces of baggage, and without it if\\nyou have merely but one trunk.\\nTo leave the Railroad Station While the porter is carry-\\ning your small parcels, a custom-house officer will ask you\\nwhether you have anything dutiable, and he may sometimes\\ninsist on examining one or more of your parcels. After satis-\\nfying this exigency, you will ascertain from the porter the\\nnumber of your cab have him place your parcels inside,\\nbeing careful to ascertain that none of your belongings are\\nmissing. Then the porter will extend his hand, place in it\\neight or ten cents. In case you have several trunks, and\\nhave had several men engaged to carry them, or that one\\nperformed the work alone, the tip ought to be increased\\nproportionately.\\nOnce your carriage and its number secured, you re-enter\\nthe station by the way you came out, and ask one of the\\nattendants: Bagages He will point out a door, which is.\\nordinarily closed, and, in the company of other travellers, you\\nv/ill wait patiently for its opening.\\nIf you have retained a carriage. ^Take your card, or\\nelse write your name upon a piece of paper, and ask the\\ninterpreter to tell the guard (or tell the guard directly, if\\nyou speak French) that you have secured a carriage by tele-\\ngraph. Then you merely follow the porter, he will do the\\nrest and lead you to your carriage. As in the preceding case,\\nsee that your hand baggage is complete, and after having", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0087.jp2"}, "88": {"fulltext": "20 HOW TO SEE PARIS ALONE\\ncarefully taken the number of your carriage and tipped the\\nporter, retrace your steps to the station and in front of the\\nbaggage-room door.\\nIn the Bagg ag^e-Room\\nWhen the door opens, go forward, holding in your hand\\nyour baggage check or checks, which you show to any of\\nthe attendants, who will indicate the compartment where\\nyour baggage should be. Then look in that compartment\\nfor a porter dressed in blue overalls same costume as\\nthe one who took charge of your hand baggage give him\\nthe baggage checks, he will do the rest. But remember his\\nlooks, and in the meantime keep your place, for he may,\\nafter gathering your baggage, seek you to open your trunks\\n\u00e2\u0096\u00a0for the custom-house officer who may want to examine them.\\nAfter the porter has conducted you to the spot where he\\nhas gathered your baggage, you must first ascertain whether\\nit is complete and in order. Once this done, wait for the\\ncustom-house officer whom the porter is seeking.\\nExamination of Baggage. The officer will ask you if\\nyou have anything dutiable (alcohol, tobacco, cigars, laces,\\netc.), and will indicate the trunks he wants you to unlock.\\nAfter examining the contents, he will chalk on your trunks\\na special sign, and then you may close them. Give the\\nporter the number of your hack so as to enable him to\\ncarry your trunks, and when he takes the last one follow\\nhim. Again ascertain that all your baggage is loaded, and\\ngive the porter a tip of lo cents if you have but one trunk,\\nof 15 cents if you have two, etc. Step inside the carriage\\nand give the driver the address of your hotel. If you do\\nnot speak French, you should give the driver the name and\\naddress of the hotel in writing.\\nBagg age by Express\\nWhile the above is the usual way of proceeding, it is not\\nthe most expeditious, since it oftentimes forces the traveller\\nto the inconvenience of waiting a long time for the unloading\\nof baggage. The better way, in my estimation, is to give,\\non the arrival of the train, your baggage checks to an express,\\nas in New York.\\nThis can be done at the railroad stations Saint-Lazare,\\nLyon or Orleans only, where the Agency of the Voyages\\nDiicheiiiin are located. The cost of transportation from the\\nstation to your hotel is 6 cents per 25 lbs., the minimum\\ncharge is i franc.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0088.jp2"}, "89": {"fulltext": "HOW TO SEE PARIS ALONE 21\\nThis will enable you to take along your small parcels and\\ndrive directly to the hotel.\\nThe same agency, with main offices at No. 20 Rue de\\nGrammont, will take charge, at your departure, if notified\\ntwenty-four hours in advance, of your baggage for delivery\\nand checking at all the stations, for the same price, but at\\na minimum of lYz francs.\\nAt the Hotel\\nOn entering the hotel, the janitor {concierge) will relieve\\nyou of your small parcels, while the porters will unload your\\nbaggage. Go to the office, and ascertain whether the room\\nassigned to you is suitable in every respects. Have the\\nhotel pay the hackman, this will obviate the necessity of any\\nexplanation with the latter. We have already given the\\nrates of carriage fares for conveyances secured by telegraph\\nfrom the Railroad Company, page 15. For the cabs {fiacres)\\nihe fares are as follows\\nr- u -^u f t fi additional be-\\nCabs without top-railmg, xy^ frs. 1 u* 1\\ntween midnight and\\nwith 2\\n7 A. M.\\nIn addition to these fixed rates add X P^r trunk and\\nY fr. for the driver.\\nParisian Customs and Habits\\nNow that you are installed into your room, it becomes neces-\\nsary that you should get in contact with Parisian customs\\nand habits, which differ notably from those prevailing in the\\nUnited States or England. In the first place, in Paris, the\\ncustom of taking hot coffee or chocolate with a bread-roll in\\ntne morning is almost general. And here, it is quite impor-\\nant to bear in mind that in Parisian hotels of whatever\\n^rade, an extra charge is made for the service of meals in the\\nrooms, be they small meals or full repasts. Moreover, the\\nreal or principal breakfast is served from ir A.M. until\\nI P. M.; the dinner, from 6.30 until 8 P. M.\\nConsequently, if you propose to take your meals regularly\\nat the hotel, you should make an arrangement fixing the\\nprice per day or by the week for your room, the meals (com-\\nprising the small and regular breakfast and the dinner), as\\nwell as the attendance (serru ce) and lighting the two last\\nitems are seldom included in the price of the room, and\\naverage an extra charge of 2 to 3 francs. Therefore, when\\ndebating the price of your room, it is advisable to have\\nattendance and lightiftg included in the agreement. When\\nyour stay in the hotel is for more than one week, it is cus-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0089.jp2"}, "90": {"fulltext": "22 HOW TO SEE PARIS ALONE\\ntomary for the proprietor to present his bill on Saturday,\\nand you are expected to pay it in the twenty-four hours fol-\\nlowing. Should you have made no previous arrangements\\nfor your meals, you may have to pay cash for them, as\\nmost hotels do not charge restaurant checks.\\nA Few Practical Counsels\\nHere I will take the liberty of giving some advice to\\ntourists, which may entail light pecuniary disadvantages,\\nbut, on the other hand, it will largely compensate them\\nby securing greater freedom of action and economy of time.\\nWith this object in view, I would advise the tourist not\\nto enter into any arrangement as to meals at the hotel.\\nParis is quite a large city, with broadly disseminated points\\nof interest, entailing long journeys, and consequently you\\nmay oftentimes find yourself at meal times in a quarter\\naway from your hotel and desirous to refresh yourself in the\\nneighborhood. The alternative is either a sacrifice of time\\nor of money.\\nSince I am upon the counselling chapter, I may be allowed\\nto continue, and summarize here all what is suggested by\\nexperience.\\nFirst, banish from your mind the idea that you will accom-\\nplish wonders by rising early. The Parisian may sometimes\\nreach his couch as late as seven in the morning, but he\\nseldom leaves his home before nine. Therefore, if the fancy\\nof taking a walk before nine entices you in the streets, do\\nnot anticipate to see the brilliant Paris of your imagination,\\nyou will simply see Paris at its ablutions and engaged at its\\ntoilet. The city, until about 8 o clock, is in the hands of the\\nstreet cleaners, and the shops and public establishments and\\ncafes are not yet opened.\\nForego also prom.enading with a satchel hanging to a\\nshoulder strap and containing your money and jewelry.\\nThere are no more crooks in Paris than anywhere else, but\\nrest assured that it has its quota, and of the smartest kind.\\nYou should not court the risk of being relieved of your valu-\\nables in order to ascertain the dexterity of the Parisian crook.\\nMy advice is to take with you merely the sum necessary to\\ndefray the day s expenses, depositing the bulk in the hotel\\nsafe, and taking a receipt for the same.\\nWhile I am writing about the dangers one may encounter\\nvisiting Paris these remarks are specially devoted to men\\nI will specially caution them against the night oivls that are\\nlurking under the arcades of the Rue de Rivoli, promenading", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0090.jp2"}, "91": {"fulltext": "HOW TO SEE PARIS ALONE 23\\non the Boulevards and found also in those places of amuse-\\nment ^hunned by all respectable women. When out slum-\\n))ii)ig, only take with you the sum of money you have decided\\nnot to bring back.\\nFrench Coins and Bank-notes\\nIn order that you should not be imposed upon about the\\nvalue of the French subsidiary and gold coins, and the\\npaper-money, the following dlustrated table is given, with its\\nequivalent in American money\\nFrench denominations. American\\ndenominations.\\nJ S 5 centimes (i sou) i cent\\ngj\u00c2\u00b0 10 centimes (2 sous) 2 cents\\nf 50 centimes (10 sous) 10 cents\\no g I franc (20 sous) 20 cents\\n\u00e2\u0080\u00a2^g I 2 francs (40 sous) 40 cents\\ni 5 francs (100 sous) i dollar\\nr 5 francs i dollar\\n2 S J 10 francs 2 dollars\\n03 I -o francs (un louis) 4 dollars\\nI GO francs (seldom used). 20 dollars\\nf 50 francs 10 dollars\\n\u00e2\u0096\u00a0^i 100 francs 20 dollars\\n^g I 500 francs 100 dollars\\n1000 francs 20c dollars\\nIt must be understood that the equivalency figured in the\\nabove table is not absolutely e.xact, as the dollar is really\\nworth 5 francs and 17 centimes, but its approximation is\\nsufficiently near to give the traveller a practical idea of the\\ncorresponding value in American money of what he disburses\\nwhen called to pay in French money.\\nExchange and Brokers\\nThe money broker will retain a commission upon the real\\nvalue, this commission varies according to the broker.\\nAmong the reputable brokerage houses are\\nLe Comptoir National d Escompfe, main office Rue Ber-\\ngere, branch at the corner of the Avenue de TOpera and Rue\\ndu 4-Septembre.\\nLa Banqiie Internatiotialc, 3 Rue Saint-Georges; La\\nBatique Parzsieufie, Rue Chauchat, and the banking-house\\nof Rothschild, 21 Rue Laffite.\\nFurthermore, you have the privilege of several safe-\\ndeposits, for short or extended use, at the Comptoir d Es-\\ncoinpte, etc., etc.\\nHotels generally will change your money, but they charge\\nmore than the brokers.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0091.jp2"}, "92": {"fulltext": "24 HOW TO SEE PARIS ALONE\\nI have advised you precedingly to deposit your money in\\nthe hotel safe, but in the case of important sums, it is pre-\\nferable, as I have remarked at the beginning of this work,\\npage 4, to secure in New York a letter of credit upon a\\nParis bank, who will furnish you with French money as you\\nneed it.\\nAmerican Embassy and Consulate\\nBefore closing this chapter, it is proper to state that the\\nUnited States are represented in Paris by an Ambassador to\\nwhom you may have recourse in case of any untoward acci-\\ndent and by a Consul-General, at whose office you should\\nregister, because when travelling in a foreign country, with\\nthe likelihood of a constant changing of address, letters\\nfrom home can always be directed to the Consulate, with\\nthe request to forward to your latest address.\\nThe American Embassy is at No. 24 Avenue Kleber.\\nThe Consulate at No. 36 Avenue de I Opera.\\nBritish Embassy, No. 39 Rue Saint-Honore.\\nThe office hours are from 11 A. M. until 3 P. M. at both\\nembassies and consulates.\\nNewspapers and Periodicals\\nIn order to complete the list of useful informations a\\nnomenclature of the Paris press is indispensable, and I will\\nbegin with the morning papers\\nThe New York Herald (Paris edition), published every\\nday in the year. Office, No. 49 Avenue de I Opera. Price\\nParis, 3 cents, and 5 cents elsewhere.\\nTerms to subscribers, free of postage. Daily (including\\nSunday)\\nParis. France. Abroad.\\nOne month 4.50 frs. 5 frs. 6 frs.\\nThree months i3-5o 15 18\\nSix months. 27.00 30 36\\nOne year 50.00 58 70\\n\u00e2\u0096\u00a0Sunday edition only\\nParis. France and Abroad\\nThree months 4 frs. 5 frs.\\nSix months 8 10\\nOne year 15 20\\nLondon For advertisements, subscriptions and sale of\\npapers, Trafalgar Buildings, i Northumberland Avenue.\\nSubscriptions and advertisements for both the New York\\nand Paris editions of the Herald will be received at regular\\nrates at any of these offices.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0092.jp2"}, "93": {"fulltext": "HOW TO SEE PARIS ALONE 25\\nLe Journal, daily, I cent, No. 100 Rue Richelieu.\\nLe Ganlois, daily, 3 cents.\\nI.e Steele, daily, 2 cents.\\nThe Petit Bleu, daily, l cent.\\nL Echo de Paris, daily, i cent.\\nLe Voltaire, daily, 2 cents. No. 24 Rue Chauchat.\\nLe Figaro, daily, 3 cents. Rue Drouhot.\\nL Autoritc, daily, i cent. No. 4 bis Rue du Bouloi.\\nLe Petit Parisien, daily, i cent. No. 20 Boulevard Mont-\\nmartre.\\nLe Gil Bias, daily, 3 cents, No. 33 Rue de Provence.\\nLe Petit Journal, daily, i cent, Rue La Fayette.\\nLe Paris, daily, i cent.\\nLa Patrie, daily, i cent. Rue du Croissant.\\nLe Temps, daily, 3 cents, No. 7 Boulevard des Italiens.\\nJournal des Dcbats, daily, 2 cents.\\nLa Presse, daily. No. 12 Rue du Croissant.\\nLe Soir daWy, 3 cents, No. 24 Rue Chauchat.\\nLe Correspondant is the oldest French review, being in\\nits seventy-first year. Its programme embraces Religion,\\nPolitics, Philosophy, History, Sciences, Social Economy,\\nTravels, Literature, Fine Arts, etc., etc., in a word, everything\\nconcerning contemporaneous questions.\\nIts editorial staff, recruited in the ranks of the best con-\\nservative and moderate writers, enables it to follow closely\\nquestions of actuality in France and foreign countries and to\\nfurnish readily competent appreciations from varied points of\\nview upon all matters. It devotes a large space to Corres-\\npondences and unpublished Memoirs. Among others. Sou-\\nvenirs de Tocqueville Memoires de Mr. Gontaut-Biron,\\nAmbassador to Berlin Memoir es de Trochu Souvenirs\\nde M. Octave Feuillet Mcmoires de Chenelong, in which\\nare recounted the negociations with the Count de Cham-\\nbord, etc., etc.\\nAmong the contributors are the Duke of Broglie, the\\nMarquis Costa de Beauregard and the Viscount de Bornier,\\nMr. Thureau-Dangin, Mr. Frangois Coppee, the Count de\\nMun, of the French Academy Mr. Arthur Desjardins, Mr.\\nde Lapparent, the Marquis de Vogue, of the Institute Messrs.\\nEtienne Lamy, Rene Bazin, Edouard Rod, Count Grabinski,\\nHenri Chantavoine, de Parville, Maurice Talmeyr, de Na-\\ndaillac, Ed. Bire, Pierre de la Force, Keller, de Lanzac, de\\nLabori, Nourrisson, Baron Denys-Cochin, A. Delaire; Mmes.\\nCaro, Dieulafoy, Dronsart, Bentson, de Baulny nee Ronter,\\n^ra Melegari, etc., etc.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0093.jp2"}, "94": {"fulltext": "26 HOW TO SEE PARIS ALONE\\nIts offices in Paris are at No. 14 Rue de I Abbaye. Count\\nde Lavedan, editor. The subscription per year, 35 frs.; six\\nmonths, 18 frs.; single copy, 2 francs. Same prices for\\nforeign countries.\\nLa Revue des Deux-Mondes, founded by F. Buloz, has\\nentered in its sixty-sixth year. It is undeniably the foremost\\namong French reviews. It prints 20,000 copies, and its sub-\\nscribers are principally among the educated and rich classes\\nof the whole world. It is under the editorship of the eminent\\nacademician, Mr. F. Brunetiere. It is published on the ist\\nand 15th of each month. It contains a novel, a political\\nleader, musical, literary and scientific reviews articles upon\\nFrench and foreign literature, on historical and philosophical\\nquestions, travals, and economic movements, etc.\\nOffices, No. 15 Rue de I Universite. Subscription rates\\nParis, one year, 50 frs.; Departments, one year, 56 frs.; six\\nmonths. 26 and 29 frs. respectively.\\nLa Nouvelle Revue has reached its twenty-first year. It\\nwas founded by Mme Juliette Adam, who remained at its\\nhead until the beginning of the year Mr. Ghensi has now\\nassumed the editorial management of this political, literary\\nand artistic publication, which appears on the ist and 15th\\nof the month.\\nOffices No. 26 Rue Racine. Subscription rates France,\\none year, 45 frs.; six months, 24 frs.; three months, 12 frs.\\nForeign countries, 55, 30 and 16 frs. respectively.\\nLa Revue de Paris is published on the 1st and 1 5th of the\\nmonth; it is in its seventh year; single copies, ly^ frs.\\nOffices, No. 85 bis Faubourg Saint-Honore. Subscription:\\nParis, one year, 48 frs.; six months, 24 frs.; three months,\\n12 frs. France, one year, 54 frs.; six months, 27 frs.; three\\nmonths, 13 frs. Foreign, one year, 60 frs.; six months. 30\\nfrs.; three months, 15 frs.\\nLa Grande Revue \\\\s a monthly published on the ist of the\\nmonth It is in its fourth year, with Mr. Fernand Labori as\\neditor. The offices are at No. 11 Rue de Crenelle. Subscrip-\\ntion Paris, one year, 30 frs.; six month s, 16 frs.; three\\nmonths, 8 frs. France, one year, 33 frs.; six months, 17 frs.;\\nthree months, 9 frs. Foreign, one year, 36 frs.; six months,\\n19 frs.; three months, 10 frs.\\nLa Revue Bleue was founded in 1863 by Eugene Yung.\\nIt is a weekly published on Saturday. Its present editor is\\nMr. Henry Ferrari, This review will keep you abreast of\\nthe literary and theatrical movement, while it gives a well", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0094.jp2"}, "95": {"fulltext": "HOW TO SEE PARIS ALONE VJ\\ndigested outlook upon current topics. Offices: No. 19 Rue\\ndes Saints-Peres.\\nA scientific supplement, under the title of the Revue Rose,\\ns a valuable addition. It is published on the same day and\\nsells at the same price.\\nLes Atinales politiques et litter aires are under the edi-\\ntorial management of Mr. J. Brisson. It is an illustrated\\nweekly periodical known all over the world. It publishes\\nnovels, specially written for it by such celebrated writers as\\nPaul Bourget, Andre Theuriet, Jules Claretie, Pierre Loti,\\nP. et V. Marguerite, and many others a weekly synopsis of\\nthe intellectual movement is also given, as well as musical\\npieces and engravings. It is the most popular and less\\ncostly of all the periodicals of the same size and same cate-\\ngory. Its subscription list reaches 80,000, it is read by\\nat least 500,000. Offices No. 1 5 Rue Saint-Georges. Sub-\\nscription France, one year, 10 frs.; six months, 5K frs.\\nForeign, one year, 12 frs.; six months, 6^ frs.\\nMany other periodicals are published in the interest of the\\nseveral political parties and literary groups, the nomenclature\\nof which would be too extensive however, I think it useful\\nto mention here\\nLa Mode lUiistri e, which is published on Sunday, under the\\nmanagement of Mme E. Raymond. It consists of 16 pages\\nin-4to with a colored plate, a literary supplement, with a\\nvariety of patterns and models. This publication was founded\\nin i860. Offices: No. 56 Rue Jacob. Subscription; Paris,\\nthree months, 3 frs.; six months, 6 frs.; one year, 12 frs.\\nDepartments, three months, 3/^ frs.; six months, 7 frs.; one\\nyear, 14 frs.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0095.jp2"}, "96": {"fulltext": "CHAPTER III\\nOF THINGS ESSENTIAL TO KNOW\\nDefinite Selection of Quarters\\nIf your stay in Paris is limited to two or three weeks, the\\nhotel, undoubtedly, is the preferable abode but in the event\\nthat you have projected a longer sojourn, you may find it\\nadvisable to deprive yourself of the more comfortable\\nappointments of an hotel which are more or less expensive\\nand stop at a boarding-house, or live in furnished rooms,\\nsome of which are very comfortable and easily procured. In\\nregard to boarding-houses, the Villa Marguerite, at Neuilly,\\nand the Joli Sejour, Avenue de la Grande Armee, can be\\nrecommended to families; moreover, their prices are rea-\\nsonable.\\nAt the Restaurant\\nI have already remarked that it was more practical and\\nagreeable to take breakfast and dinner at the restaurant, in\\na Hve quarter of the city, than to retrace one s steps to\\nthe hotel for meals. Here is a list and addresses of a few\\nrestaurants, the best in their respective neighborhood, where\\nyou can be well served. In the emergency that you should\\nbe in doubt of your whereabouts, show the driver the address\\nof these restaurants and tell him to drive you to the nearest.\\nIn this list the restaurants are classed in two different cate-\\ngories, those at a fixed price for each meal, and those where\\nyou are served h la carte.\\nRestaurants which serve meals at fixed\\nPRICES. Some hotels, as the Continental and the Grand\\nHotel, post at their door the breakfast and dinner bills of\\nfare served at fixed prices. They are the two dearest places.\\nThe breakfast varies from 5 to 7 frs., and the dinner from 7\\nto 8 frs. Other establishments quote lower prices, varying\\nbetween 4 and 2 frs. Among them, the l)hier de Paris\\n(one of the oldest), at No. 12 Boulevard Montmartre.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0096.jp2"}, "97": {"fulltext": "HOW TO SEE PARIS ALONE 29\\nDiner frangai s, 27 Boulevard des Italiens. Tavcrne dii\\nNegrc, 15 Boulevard Saint-Denis. Bonvalet, 29 Boulevard\\ndu Temple. Taverne G ruber, i Boulevard Beaumarchais\\n(at the Bastille). At the Railroad Station Saint-Lazare, the\\nRestaurant moderne, kept by Scossa. At the Palais Royal,\\nVefour, kept by Vidrequin. On the south shore of the\\nSeine, at the Place de I Odeon, the Cafe-restaurard Voltaire;\\nand the Versailles, facing the Railroad Station Montpar-\\nnasse.\\nA LA Carte Restaurants. These are much dearer,\\nbut as the portions are copiously served, you can control\\nyour expense by ordering properly. This category of eating\\nplaces is very numerous, and I will give a list of the most\\nimportant only. On the Avenue de I Opera, the Cafe de\\nParis. Place de la Madeleine, the restaurants Durand,\\nLarue, and Lucas. Boulevard des Capucines, the Cafe de\\nla Paix, Cafe Atnericatn, and facing the latter, the Cafe\\nJiilien. Boulevard des Italiens, the Cafe Anglais, Maison\\nDoree, 3ind Paillard. In the Passage des Princes, Noel-\\nPeters. Back of the Opera, Sylvain. On the Boulevard\\nBonne-Nouvelle, Margiiery and An Gymiiase. Place de la\\nBourse, Cliatnpeaiix Boulevard Saint-Denis, Maire.\\nBoulevard du Temple, Bonvalet. Rue Saint-Honorc, Voi-\\nsin. At the Palais R lyal, Le Grand V if our. At the\\nChamps-Elysees, Ledoyen the restaurant of the Ambas-\\nsadeurs and that of the Rond-Point. In the Bois de\\nBoulogne, Gillet, the Pavilion d Arjnenonville, the Cascade,\\nMadrid. On the south shore of the Seine, the best restau-\\nrant, by all odds, is that of Foyot, in the Rue de Tournon,\\nfacing the Luxembourg.\\nIn the large breweries very good meals are served to order\\nat very moderate prices. At Pousset, on the Boulevard des\\nItaliens. At Zimuier and at Ducastaing, on the Boulevard\\nMontmartre. -On the Avenue de I Opera, at the Brewery\\nnamed after that thoroughfare. At Mollard, at the Rail-\\nroad Station Saint-Lazare.\\nIn all of them you are given a bill of fare, from which to\\nselect. But in the case of restaurants at fixed prices you\\nshould order only the number of dishes to which you are en-\\ntitled. In ordering a la carte, you should notice the price\\nof the dishes. At both there is a special Wine List.\\nOnce seated, the waiter will hand you the bill of fare,\\nwhich you will decipher, approximately at least. If you can-\\nnot speak PYench, point to him on the bill of fare the dishes\\nyou have selected. If you need the services of the waiter", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0097.jp2"}, "98": {"fulltext": "3\u00c2\u00b0 HOW TO SEE PARIS ALONE\\nduring the meal, with your knife strike lightly upon the glass.\\nOnce through with your meal, signal the waiter and tell\\nhim: Addition He will hand you a detailed check;\\nverify its correctness at a glance, and pay the amount, adding\\na tip of ten to twenty cents.\\nParisian Caf^s\\nOftentimes the restaurant has tables outside, this is de-\\nnominated in Parisian parlance terrasse. When the weather\\njs fine, it is more agreeable to sip your coffee on the terrace;\\nbut if the restaurant is not provided with outdoor tables,\\nyou may adjourn to one of the well-known reputable cafes.\\nThe boulevards being the centre of the city, it is natural\\nthat the cafes bordering on them are those where the greatest\\nanimation is to be found. The Grand Cafe, the Cafede la\\nPaix, American, Julien, and the Napolitain, opposite the\\n/audeville Theatre, are some of the most perfect types of\\nsuch establishments. Further on, are ihe cafes attached to\\nbreweries which have acquired quite a prominence lately,\\nsuch as Pousset, Zimmer, Bucastaing, and Muller. Beyond\\nthe boulevards they are to be found almost everywhere. On\\nthe Rue Royale, Taverne Royale at the Railroad Station\\nSaint-Lazare, the cafes Jacqueminot, Mollard,^ Termi7ius\\ncafe Dreher on the Boulevard Bonne-Nouvelle on the Bou-\\nlevard de Strasbourg, the cafes Frangais and Eldorado\\nat the Palais-Royal, Cafi Orleans and Taverne la Rotonde\\nthe cafe of La Regence, facing the Avenue de I Opera and the\\nTheatre-Frangais. On the south shore of the river Seine,\\nthe boulevard abounds with them Vachette and Soufflet at\\nthe corner of the Rue des Ecoles the tavern of the Pan-\\ntheon, at the corner of the Rue Soufflot Lavejitie, at the\\nrailroad station Montparnasse, and Barbotte at the station of\\nthe Northern Railway, etc.\\nOnce seated at a table, a waiter will ask you what\\nyou desire. Tell him, and he will understand you, even if\\nyou answer in English. When ready to leave, strike the\\nplatter with a silver coin, which you give him from the\\nreturned change, hand him four cents, more if you are several\\nin your party.\\nTobacco and Cig-ar Stores\\nIn order to complete the list of useful informations, we\\nwill state that in Paris the tobacco and cigar stores (^bureaux", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0098.jp2"}, "99": {"fulltext": "HOW TO SEE PARIS ALONE 3I\\ndetabac) are easily recognized, all of them having the sign\\nTAB AC. At night a red light serves to distinguish them.\\nThere are three or four of those stores who enjoy the reputa-\\ntion of selling the best cigars and of keeping the most varied\\nstock.\\nThey are the Bureau de la Civcttc, located on the square\\nof the Theatre-Frangais, facing the artists entrance another\\none is at the Grand-Hotel on the right of the main entrance,\\non the Boulevard des Capucines, and still another one in\\nfront of the church Madeleine.\\nBarber Shops ainl Bathing Establishments\\nThe traveller, upon arriving in a city, is generally in need\\nof a barber. It is quite disagreeable to step into a slovenly-\\nkept establishment or fall to the mercies of a carving artist.\\nThe same remarks apply to bathing establishments. Al-\\nthough many hotels are provided with both facilities. 1 deem\\nit advisable to furnish the address of a few places where\\nyou will find comfort and proper attendance.\\nBarbers.\u00e2\u0080\u0094 Wherever you come in sight of a sign reading\\nLavatory, you may rest assured that you will find clean-\\nliness and proper attendance. Establishments under that\\nname are disseminated throughout Paris.\\nHairdressers for Ladies.\u00e2\u0080\u0094 at No. 7 Rue de\\nla Paix Gabriel, No. 229 Rue Saint-Honore Lenthcric,\\nRue des Petits-Champs; Normaiuliu, etc., etc.\\nBaths. The sole establishment which recalls to a certain\\nextent the ablutionary luxuriousness of antiquity, is that of\\nHaiiunatn, No. 18 Rue des Mathurins, the entrance reserved\\nfor ladies is on the Boulevard Haussmann. There are also\\nthe Piscine Rochechouart at No. 67 of Rue Rochechouart;\\nthe baths of Saint-Denis on the river Seine, the Samari-\\ntaine, which has outlived the disappearance of the antiquated\\nfrigate. On the south shore of the Seine you will find the\\nHammam and Monge in the Rue du Cardinal-Lemome.\\nCold bathing establishments can be found at every bridges\\non the Seine, at the Pont-Royal, Pont des Saints-Peres, and\\nPont-Neuf.\\nHow to ask aiHl find yonr Way\\nThis chapter being written with the object of giving the\\ntraveller all the practical and necessary counsels to enable", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0099.jp2"}, "100": {"fulltext": "32 HOW TO SEE PARIS ALONE\\nhim to move in Paris with ease, and save all unneces-\\nsary steps, it becomes my duty to warn him about certain\\nprecautions he should take in order not to lose his way\u00e2\u0080\u0094 and\\nhow to ask for it in case he has lost it.\\nIn the first place, invariably carry two cards in your\\npocket-book one with your name and Paris address, the\\nother with your address only.\\nIn case of an accident befalling you, it is in your pocket-\\nbook the police will look for information. If ycu lose\\nyour way, show your address card to any wayfarer or police-\\nman {sergent de vill e)\u00e2\u0080\u0094\\\\xx Paris, everybody will give you\\nthe desired information byword, or by gesture if you do not\\nunderstand French. Proceed in the same manner if you\\ntake a carriage by the way.\\nHowever, albeit the rationality of all these premonitions,\\none must acknowledge that it would be a pitiable manner of\\nvisiting Paris if forced to ask every passer-by his way. This\\nwould entail, considering the distance which separates the\\npoints of interest, a great loss of time. Therefore, it is pre-\\nferable to take a cab, especially in a city like Paris, where the\\ncab rates are quite reasonable compared with those pre-\\nvailing in the United States. The Parisians employ them\\nconstantly, but the well-to-do find it more agreeable to have\\na well appointed turn-out at their disposal when needed.\\nThe wealthy class generally favors the livery stables of\\nBrion, No. i6 Boulevard des Capucines, with a branch in\\nthe aristocratic quarter of the Champs-Eiysees, at No. 83\\nBoetie Street. You can safely deal with this firm, as it enjoys\\na deserved high reputation for the great variety and perfect\\ncorrectness of its equipages.\\nIf your means do not permit of hiring a first-class equipage,\\nyou may secure a comfortable carriage at a moderate cost\\nfrom the Compagnie Generale des Petites Voitures, or from\\nthe Compagnie Urbaine, who will furnish you with a com-\\nfortable carriage at the rate of 25 to 30 frs. per day.\\nHowever, to the traveller who do not care to bind himself\\nhiring a carriage by the month or day, Paris offers a marvel-\\nlously organized system of public hacks, cabs or coupes\u00e2\u0080\u0094 all\\nthree more or less accurately covered by ihe French generic\\nname of fiacre. The best equipped carriages of this cate-\\ngory are those of the Compagnie des Petites Voitures and\\nof the Compagnie Urbaine.\\nThe rates for these cabs are uniform throughout the city,\\nwhichever the company the rates are printed on a slip,\\nbearing the carriage number, which should be handed to you", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0100.jp2"}, "101": {"fulltext": "HOW TO SEE PARIS ALONE\\n33\\nI)y the driver. We give below a copy of the French original\\nwith a translation in English\\nCie Parisienne de Voilures\\nrUrbaine\\nSociete anonyme au capital de\\n10,806,000 francs\\nRue Taitbout, 59 Paris\\n2253\\nConserver ce numero en cas\\nde reclamations, qui, s il y a\\nlieu, devront etre adressces a\\nM. le Prefet de Police.\\nV oiture de Place a. 2 places\\nTarif maximum dans Pinterieur\\nde Paris\\nDe 6 heures du\\nmatin en ete\\nDe 7 heures du\\nmatin a mlnuit\\n30m. en hiver\\nLa course, f.1.50\\nL heure, fr.2.00\\nDe minuit 30m.\\nA 6 h. du matin\\nen ete\\nA 7 h. du matin\\nen tiiver\\nLa course, f.2.25\\nL heure, f.2.50\\nTarif maximum au-dela des\\nFortifications\\n(Bois de Boulogne, liois de\\nVincennes, Arcueil, Aubervil-\\nliers, Bagneux, Bagnolet, Bou-\\nlogne, Charenlon, Clichy, Gen-\\ntilly, Issy, Ivry, Les Lilas, Les\\npres St. Gervais, Levallois-\\nPerret, Malakoff, Montreuil,\\nMontiouge, Neuilly, Pantin,\\nRomainville, St. I)enis, St.\\nMande, St. Maurice, St. Ouen,\\nVarennes,Villeju if, Vincennes.)\\n(Trailer de gre a gre pour les au-\\ntres destinations.)\\nDe 6 h. du matin a minuit en\\nete (i^ avril au 30 sept.)\\nDe 6 h. du matin a lO h. du soir\\nen hiver (i*^ oct. au 31 mars).\\nLorsque le voya-\\ngeur laifsera la\\nvoiture en de-\\nhors des Forti-\\nfications\\nIndemnite de\\nretour, f. i.\\nLorsque le voya-\\ngeur rentrera\\ndans Paris\\navec la voi-\\nture\\nL heure, f, 2.50\\nVoiture prise hors des Fortifications\\npour Paris, l heure, 2 frs,\\nBagages i colis, 25 c. 2 colis,\\n50 c. 3 colis et plus, 75 c.\\nParisian Cab Company\\nL Urbaine\\nIncorporated with a Capital of\\n10,806,000 francs\\nNo. 59 Rue Taitbout, Paris\\n2253\\nKeep this number in case of\\ncomplaints, which should be\\nmade to the Superintendent of\\nPolice {M. le Fr^fet de Police).\\nConveyance for 2 persons\\nMaximum Rates in the Interior\\nof Paris\\nFrom 6 A. M. in\\nsummer.\\nFrom 7 A. M. in\\nwinter,\\nUntil 12.30 A. M.\\nFrom 12.30 A. M.\\nUntil 6 A. M. in\\nsummer.\\nUntil 7 A. M. in\\nwinter,\\nOne ride, 1I4 frs.\\nThe hour, 2\\nOne ride, 25i frs.\\nThe hour,2j2\\nMaximum Ri. es Beyond the\\nFortifications\\n(Bois de Boi. logne, Bois de\\nVincennes, Arcueil, Aubervil-\\nliers, Bagneux, Bagnolet, Bou-\\nlogne, Charenton, Clichy, Gen-\\ntilly, Issy, Ivry, Les Lilas, Les\\npres St. Gervais, Levallois-\\nPerret, Malakoff, Montreuil,\\nMontrouge, Neuilly, Pantin,\\nRomainville, St. Denis, St.\\nMande, St. Maurice, St. Ouen,\\narennes,Villejuif, Vincennes.)\\n(Fix the rates in advance for all\\nother points.)\\nFrom 6 A.M. until midnight in\\nSummer(April i to Sept. 30).\\nFrom 6 A. M. to 10 p. M. in\\nWinter (Oct. i to March 31).\\nIf the traveller\\nreturns to\\nParis with the\\ncarriage,\\nPer hour, 2^ frs.\\nIf the cab is dis-\\nmissed outside\\nthe Fortifica-\\ntions,\\nReturn fare, i fr.\\nCarriages hired outside the Fortifi-\\ncations for Paris, per hour, 2 frs.\\nI 3ggfge I -pce., X f i 2 pees.,\\nYz fr. 3 pees, or more, fr.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0101.jp2"}, "102": {"fulltext": "34\\nHOW TO SEE PARIS ALONE\\nExtraits des RSglements\\n1 Les cochers devront remettre sponta-\\nnement un bulletin indicatif du numero\\net du tarif de leur voiture a. la personne\\nqui vlent d y monter. lis devront com-\\nmuniquer au voyageur, sur sa deniande,\\nlehvret de la voiture. (Art. 47 de I Or-\\ndonnance de Police du 31 aout 1807.)\\n2. Le voyageur qui, en montant en voi-\\nture, n aura pas fait connaitre au cocher\\nson intention d etre conduit a I heure, sera\\npresume avoir pris la voiture a la course.\\nArt. 47.)\\n3. Les cochers peuvent demander des\\njrrhes lorsqu ils attendent i I entree des\\netablissements oil il est notoire qu ilexiste\\nplusieurs issues. (Art. 58.)\\n4. Les cochers devront marcher auxprix\\net conditions du tarif i. aux stations 2.\\nsur la voie publique, lorsqu ils auront re-\\npondu al appel du voyageur. (Art. 39.)\\n5. Les cochers ne sont pas tenus d ad-\\nmettre plus de voyageurs qu il n y a de\\nplaces dans I interieur de la voiture. Dans\\nles voitures a strapontin, celui-ci compte\\npouruneou deux places, suivant ses di-\\nmensions. Les cochers ne sont pas obliges\\nd accepter dans leur voiture des voyageurs\\nen etat d ivresse, ceux dont la tenue ou\\nles bagages seralent susceptibles de salir\\nou de deteriorer la voiture. lis peuvent\\ns opposer a ce que les animaux montent\\navec les voyageurs dans la vniture mais,\\ns ils les ont acceptes, ils devront mar-\\ncher. (Art. 60.)\\n6. Toute i^ipolitesse, tout acte de gros-\\nsierete ou de brutalite de la part des co-\\nchers seront severement reprimes. (Art.\\n4S-)\\n7. Les cochers de voitures depourvues\\nde galerie ne sont pas tenus de prendre\\ndes bagages charges avec leur consente-\\nment, ils n auront plus le droit de se re-\\nfuser 4 les transporter. (Art. 61.)\\nNoTA. Ne sont pas regardes comme\\ncolis les valises et objets pouvant etre\\nportes facilement k. la main ou places dans\\nla voiture sans la deteriorer.\\n8. Lorsque le temps employe pour le\\ndeplacement du cocher et I attente du\\nvoyageur au lieu du chargement excede\\n15 minutes, le tarif a I heure est applique\\na partir du moment oi la voiture a ete\\nlouee.\\n9. Le cocher qui se rend au lieu de\\nchargement et n est pas occupe a droit k\\nla moitie d une course si le temps employe\\npour le deplacement et I attente ne de-\\npasse pas un quart d heure le prix en-\\ntier d une course, si le temps excede 15\\nminutes.\\n10. Lorsqu un cocher est requis de s ar-\\nreter en route ou de changer I itineraire\\nle plus direct, I heure est due. Toutefois,\\nle cocher, quoique pris a la course, est\\ntenu de laisser monter ou descendre un\\nvoyageur en route.\\n11. Apres 10 heures du solr en hiver et\\nminuit en ete, les cochers ne sont pas\\ntenus de franchir les fortifications.\\nReclamer, s il y a lieu, le livret de\\nla voiture contenant les reglements\\net les tarifs en vigueur. (Art. 28,)\\nExtracts from the Eules\\n1. The drivers must give spontaneously\\nto the person entering their carriage a\\nslip indicating the number of their con-\\nveyance and the schedule of prices. They\\nmust, if requested by their fare, show the\\ncertificate cf their conveyance. (Art. 47 of\\nPolice Ordinance, 31st August, 1897.)\\n2. The traveller who, entering a public\\nconveyance, has not informed the driver\\nof his intention of being driven by the\\nhour, is supposed to have hired it for a\\nride. (Art. 47.)\\n3. The drivers have the privilege to\\nexact pay in advance when left awaiting\\nin front of establishments known to have\\nseveral exits. (Art. 58.)\\n4. Drivers are obligated to move in ac-\\ncordance with the price and conditions of\\nthe tariff 1st, to the stations 2d, on the\\npublic highway, after having answered\\nthe call of the passenger. (Art. 39.)\\n5. Drivers are not obliged to accom-\\nmodate more passengers than there are\\nplaces in their conveyance. In carriages\\nwith a folding seat (strapontiii), the lat-\\nter is reckoned as one or two seats, ac-\\ncording to its size. Drivers are not obliged\\nto admit in their vehicle intoxicated peo-\\nple, nor those in a condition, or whose\\nbaggage would be likely, to soil or dete-\\nriorate their conveyance. They can ob-\\nject to animals entering their carriage\\nwith their fare; but if at first they have\\nagreed to it they must go on. (Art. 60\\n6. Impoliteness, coarseness or brutality\\non the part of the drivers will be severely\\nrepressed. (Art. 45.)\\n7. Drivers of conveyances without rail-\\ning are not obliged to take baggage but\\nhaving once accepted the baggage they\\nhave lost the right to refuse its transpor-\\ntation. (Art. 61.)\\nNoTA. Valises or articles which can\\nbe easily carried by hand or placed in the\\ncarriage without damaging it, are not con-\\nsidered as baggage.\\n8. If the lapse of time consumed be-\\ntween the ordering of the carriage and\\nthe beginning of the drive proper exceeds\\n15 minutes, the hour rates are applicable\\nand reckoned from the time the carriage\\nhas been hired.\\ng. The driver who answers a call and\\nis not hired has the right to claim the\\nprice of half a ride if the time thus con-\\nsumed does not exceed 15 minutes, if it\\nexceeds that lapse of time he is entitled\\nto the price of a full ride.\\n10. If the driver is requested to make a\\nstoppage, or to follow an itinerary which is\\nnot the most direct, he is entitled to a full\\nhour. Notwithstanding of his being hired\\nfor a ride, the driver is bound to allow his\\nfare to get in or off his carriage while en\\nroute.\\n11. After 10 P. M. in winter, and 12 at\\nnight in summer, drivers are not obliged\\nto drive beyond the fortifications.\\nAsk, if necessary, for the certificate\\nof the ccnveyance containing rules\\nand schedule of fares in force. (Art.\\n28.)", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0102.jp2"}, "103": {"fulltext": "HOW TO SEE PARIS ALONE 35\\nCommunications by Telegraph, Cable, Telephone,\\nPost, etc.\\nIt is already a great advantage to be able to find your way\\nin Piuis, but one should also be able to profit of the pneu-\\nmatic, telegraphic, telephonic and postal means of commu-\\nnications which exist between Paris and its immediate neigh-\\nborhood, as well as with other cities in France, in order\\nthat if the necessity of sending a message or a letter should\\narise, he can do so with practical celerity.\\nPneumatic Messages. Communications within Paris\\nproper can also be had through pneumatic messages, sent\\non blanks sold at the Post-Ot^ce stations, either sealed or\\nunsealed, at 50 and 30 centimes (10 and 6 cents) respectively.\\nOn an average it takes three hours for such a message to\\nreach its destination.\\nYou write in the blank all you want, and by paying 60 cen-\\ntimes additionally for the first and i franc for the second\\ncategory you secure the privilege of a prepaid answer.\\nThere are also what is called pneumatic envelopes sold\\nfor 50 centimes, in which you can enclose sheets of paper up\\nto the weight of 7 grammes (nearly 15^^ grains). If you\\nshould go beyond that weight and not over 15 grammes it\\nwill require a prepayment of 50 centimes in postage stamps,\\nand of I franc between 15 and 30 grammes. Those en-\\nvelopes must retain their flexibility, and consequently should\\nnot contain any hard bodied matter nor valuables. You can\\nalso send through the same mode sealed card-letters of 15\\ncentimes by adding postage stamps to the amount of 35\\ncentimes, or open card-letters with the folding part detached\\nby adding 15 centimes in postage stamps. Moreover, all\\nthese pneumatic communications can be Answer Prepaid\\n\u00e2\u0080\u0094provided the answer is in the form of a receipt for a bill,\\nor a deposit, or an ordinary acknowledgment by adding 10\\ncentimes in postage stamps.\\nBicycle Messengers.\u00e2\u0080\u0094 In the emergency of an imme-\\ndiate answer being required to your communication, employ\\na Bicycle Messenger Veloce-Chassetir). There is now in\\nParis a perfect organization of bicyclists for that purpose.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0103.jp2"}, "104": {"fulltext": "36 HOW TO SEE PARIS ALONE\\nThey are stationed at almost every cafe, and for 10 to 20\\ncents, according to the length of the journey, they will deliver\\na message and bring back the answer.\\nTelegrams. If it is a telegram you wish to send, you\\ncan always dispatch it from an hotel, a cafe or a restaurant\\nby one of the boys in the place, to whom you give a few\\ncents for his trouble. If, for special reasons, you prefer\\ndoing it yourself, enquire for the nearest telegraph office\\ntheir number is so great in Paris, you will not have far to\\nwalk. You should also bear in mind that in France, Post\\nand Telegraph offices, are one and the same, they both\\nbelong to, and are controlled by, the Government.\\nRates to and from France and Foreig7i Cofttmental\\nCountries. Between the offices in France, Algeria and\\nTunis, the rates are i cent per word with a minimum of\\n10 cents. 10 cents additional will pay for the answer.\\nDispatches for Belgium and Switzerland cost I2j^ cen-\\ntimes (2i cents) per word 1 5 centimes (3 cents) to Ger-\\nmany 16 centimes to Netherlands 20 centimes to Austria-\\nHungary, Spain, Great-Britain, Italy and Portugal; 2414\\ncentimes to Danemark 28 centimes to Sweden; 28 j^ cen-\\ntimes to Bosnia, Roumania and Serbia; 3i centimes to\\nBulgaria 36 centimes to Norway 40 centimes to European\\nRussia 53 centimes to European Turkey 531-^ centimes to\\ncontinental Greece.\\nRates to Transoceanic Countries. The word-rate for\\nNew York is i franc 25 centimes (25 cents) it varies from\\n3 francs 35 centimes (67 cents) per word for the Antilles;\\nfrom 4 francs 70 centimes to about 6 francs for Brazil. It\\nis 7 francs 70 centimes ($1.54) for Chili, Peru and Japon.\\nCablegrams. Should you desire to cable to the United\\nStates, it is done by the intermediary of the Post-Office De-\\npartment.\\nCablegrams from France to the United States, Canada\\nand Mexico should not bear the indication of any\\nroute.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0104.jp2"}, "105": {"fulltext": "HOW TO SEE PARIS ALONE\\n37\\nRates to and from France, tJie United States, Mexico,\\nCanada, etc.\\nDestination I Price per word Destination\\nUNITED STATES\\nFrench I U. S.\\nmoney (money\\nUNITED STATES\\nAlabama\\nArizona\\nArkansas\\nCalifornia\\nCarolina (South)..\\nCarolina (North).\\nColorado\\nConnecticut.\\nDakota (N. S.)\\nDelaware\\nDistrict of Co-\\nlumbia\\nFlorida\\nKey West\\nPensacola.\\nOther stations.\\nGeorgia\\nIdaho\\nIllinois\\nIndiana\\nIndian Territory.\\nIowa\\nKansas\\nKentucky\\nLouisiana\\nNew Orleans.\\nOther stations..\\nMaine\\nMaryland\\nMassachusetts\\nMichigan\\nMinnesota Du-\\nluth, Minneap-\\nolis, St. Paul,\\nWinona\\nOther stations.\\nMississippi\\nMissouri\\nSt. Louis\\nOther stations.\\nMontana\\nNebraska\\nNevada\\nNew Hampshire.\\nNew Jersey\\nHoboken, Jer-\\nsey City\\nOther stations.\\nNew Mexico\\nfrs.\\n55\\n90\\n80\\n90\\n55\\n55\\nSo\\n25\\n80\\n45\\n1.80\\n1-55\\n1-55\\n1.80\\n1.80\\n1.80\\n1.90\\n1.25\\n1-25\\n1-45\\nI. So\\n31\\n38\\n36\\n38\\n31\\n31\\n36\\n25\\n36\\n29\\n45 29\\n42\\n31\\n36\\n31\\n38\\n31\\n31\\n36\\n36\\n36\\n31\\n31\\n36\\n25\\n29\\n25\\n31\\n31\\n36\\n31\\n31\\n36\\n36\\n36\\n38\\n2^\\n25\\n29\\n38\\nPrice per word\\nFrendTTursT\\nmoney I money\\nfrs.\\ncents\\nNew York\\nNew York City\\nand Brooklyn 1.25\\nOther stations. 1.45\\nOhio 155\\nOklahoma, Ter. i.So\\nOregon 1.90\\nPennsylvania 1. 45\\nRhode Island.. 1.25\\nTennessee 1.55\\nTexas 1.80\\nUtah. 1.90\\nVermont 1. 25\\nVirginia 1. 55\\nWashington 1.90\\nWest Virginia 1. 55\\nWisconsin 1.55\\nWyoming 1.80\\nMEXICO\\nMexico City,\\nTampico, Vera-\\ncruz City 3.15\\nAltar Banamichi,\\nChihuahua City,\\nCuaymas, Her-\\nmosillo, Mata-\\nmoros, Tamau-\\nlipas, Monterey,\\nSabinas, Salti-\\nllo, Sauz 1.90 38\\nOther stations... 3.25 65\\nDOMINION OF CANADA\\nManitoba 1.90\\nNew Brunswick.. 1.25\\nNorthwest Terri-\\ntory of Canada. 1.90\\nNova Scotia 1.25\\nOntario 1. 25\\nPrince Edward\\nIsland\\nQuebec (Prov. of)\\nVancouver Island,\\nBr. Columbia.\\n63\\n125\\n1.25\\n38\\n25\\n38\\n25\\n25\\n25\\n25\\n1.90 38\\nCape Breton, N.S. I.25\\nNewfoundland... 1.25\\nSt. Pierre Mique-\\nlon 1.25\\n25\\n25\\n25", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0105.jp2"}, "106": {"fulltext": "38 HOW TO SEE PARIS ALONE\\nTelephones. A distinction should be made, under this\\nheading, as to telephoning within Paris proper or outside of\\nParis.\\nIn Paris, you can telephone from any cafe or any Post-\\nOffice station. Moreover, same as New York, all large firms\\nhave the telephone. Telephoning from a cafe does not cost\\nyou anything. At the Post-Oflfice station, for 25 centimes\\n(5 cents) you receive, at the window bearing the word\\nTelcgraphe, a ticke. which you present to the attendant\\nstanding at the telephone-box inside the station, giving at the\\nsame time, in writing, the name and address of the party to\\nwhom you wish to telephone. If the party addressed has no\\ntelephone, you can, upon the additional payment of 50 cen-\\ntimes (10 cents) procure a supplementary ticket, which\\nentitles you to dictate by telephone your communication,\\nwhich is immediately delivered from the nearest station.\\nOictside of Paris. Long distance telephoning can be\\ndone only at the Post-Oftice sub-stations or at the special\\nstations.\\nFirst, purchase a ticket at the window Teligraphe, for\\nthe locality you wish to reach, the price for which is indicated\\nin the table below. The time begins to count only from the\\nmoment you enter in communication. If, for any cause, you\\ncannot reach the party called, you are at liberty to either\\nkeep your ticket for another time, or be reimbursed.\\nRates a}id Length of Co7nmu7iications. Between points\\nin France the rates are 25 centimes for 3 minutes up to 25\\nkilometres; 50 centimes for 5 minutes up to 100 kilometres\\nor fraction thereof.\\nBetween Paris and London, night or day, 10 francs for\\n3 minutes. Between Paris and Brussels or Antwerp, 3 frs.\\nin day-time for 5 minutes, and but 3 minutes allowed during\\nthe sittrng of the stock-exchange. Monthly rates, for daily\\ncommunications of 10 minutes, 90 francs. After 9 P. M.,\\nI franc 80 centimes.\\nBetween France and Switzerland, the unity of time is\\n3 minutes. The rates are made up from those charged in\\nthe two countries and divided in half. In France 50 centimes\\nper 100 kilometres, in Switzerland 25 centimes per 10 kilo-\\nmetres and 50 centimes for a greater distance up to 100 kilo-\\nmetres, and 75 centimes for a distance beyond 100 kilometres.\\nThe Poste-Office and the Departure of Mails.\\nPostage stamps can be bought at the stations or from\\nthe tobacco dealers. The regulation weight of a letter is\\nfixed at 15 grammes, requiring for Paris, France and", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0106.jp2"}, "107": {"fulltext": "HOW TO SEE PARIS ALONE 39\\nAlgeria, a stamp of 15 centimes (3 cents); for each addi-\\ntional 15 grammes, or fraction thereof, 15 centimes (3 cents).\\nFor foreign countries, the postage is 25 centimes (5 cents)\\nper 1 5 grammes or fraction thereof.\\nThe Post-Ofifice Department issue lo-centime postal cards\\ngood for all the countries belonging to the Postal Union\\ncard-letters of 15 centimes for France, and of 25 centimes\\nfor foreign countries. Also, stamped envelopes, of the de-\\nnominations of 15 and 5 centimes, and wrappers of i and 2\\ncentimes.\\nReceiving-letter boxes are to be found in all Post-Office\\nstations, and you should carefully study their respective\\ncaptions\\nPARIS DEPARTMENTS ETRANGER\\n(Paris) (Domestic) (Foreign)\\nIn addition, almost every tobacco dealer has a receiving-\\nletter box at the door of his store.\\nIn order to leave on the day of posting, letters should\\nbe dro])ped at the main station no later than 5 P. ]\\\\i. The\\nlast round {levee) for letters addressed to the United States\\nby the French steamer is made at 5 P. M. on Friday by way\\nof England, at 5 P. ]M. on Tuesday.\\nAt the General Post-Office, in the Rue du Louvre, the\\nmail closes at 6 P. M. However, several cafes make it their\\nbusiness to mail American letters as late at 6.45 p. M.\\nLetters To Be Called For. In the event that you have\\nletters addressed to you in Paris under the caption To be\\ncalled for {Poste restanfe), you must enquire for them at\\nthe General Post-Ofifice, Rue du Louvre, and be personally\\nidentifit^d, cr else produce at least two envelopes bearing\\nyour subscription.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0107.jp2"}, "108": {"fulltext": "CHAPTER IV\\nINITIAL PROMENADES IN PARIS\\nFirst Promenade on Foot\\nPresuming that you have reached Paris during the evening\\nor late in the night, it is naturally out of the question to\\nthink of harnessing yourself to begin visiting Paris and\\nthe Exposition methodically. The fatigue inherent to travel-\\nling will likely keep you late in bed, and on rising you will\\nhave to devote some little time undoing your baggage and\\nmaking a bit of toilet all of which will leave you hardly\\nover one or two hours before the regular breakfast bell\\nwhich is rung at about ii A. M. Nevertheless, you should\\nhave a first glimpse of Paris and of the marvels in store and\\nmade to dazzle the foreign visitor.\\nConsidering that the majority of the hotels are located in\\nthe neighborhood of the theatre of the Grand Opera, the hotel\\ninterpreter will readily indicate to you the way to the Rue de\\nla Paix. If, on account of the labyrinthine aspect of the\\nstreets and the lack of orientation usual with a visitor newly\\nlanded in a strange city, you experience some difficulty in\\nfinding your way, you should not, on the first day, be too\\nparsimonious. Therefore, take a cab, and ask the interpreter\\nto order the Jehu to drive you to the Rue de la Paix, at the\\ncorner of the Avenue de I Opera, where you will give him\\n1^ francs and dismiss him.\\nSiarlit-seeing on the Rue de la Paix\\nNow, allow me to take you along this marvellous Rue de\\nla Paix, throughout which, in order to dazzle and tempt the\\nshopper and the visitor alike, the windows of the jewellers\\nrival in richness and artistic grace here you are made to\\ncontemplate the chastened creations elaborated by the\\ngenius of the French artisan. There, also, you will find\\nshow-windows exhibiting the latest dress conceptions of the\\nworld-famed coiituriere (dressmaker), and further on, those\\nastounding combinations which enter into the voluminous\\nfashionable hat, as well as the stylish and dainty bonnet con-", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0108.jp2"}, "109": {"fulltext": "HOW TO SEE PARIS ALONE\\n41\\ncocted by the niodiste. so light of texture and so diminutive\\nin size, they could hardly hold one s breath.\\nThere is no risk losing one s way in this first promenade\\non foot in Paris. You may go straight ahead, and although\\nlimited to four hundred yards, the panorama embraces the\\nvision of some of the most beautiful dressed windows in Paris.\\nFurther on an historical monument, with a green folliaged\\nbackground, challenges your admiration, which is heightened\\non reaching a balconied street which leads you insensibly to\\na garden of such sudden marvellousness that you are made\\nto feel as if transported to an enchanted oasis afar from the\\nbrutal activity of a great city.\\nBut while strolling in the Rue de la Paix, you should not\\nfail to look critically at the shop windows, all of which are\\nworthy of notice, especially those situated on the left side of\\nthe street, and whose names are world-famed. Here are an\\noptician and a fashionable cutler; then the firm Coulon,\\nwith a tempting show of jewelry others with cut diamonds\\nwhose brilliancy is magnetic; a sumptuous antiquary shop;\\nand lastly, at the angle of the Place Vendome, the artistic\\nshow windows of Boncheron, remarkable for the gems of\\nthe jeweler s art they contain.\\nOn the right: This is apparently the feminine side of the\\nstreet, inasmuch as dressmakers are to be found almost at\\nevery door. Moreover, the mysterious and innumerable ar-\\nticles coming under the name of lingerie are here sump-\\nVENDOME COLUMN, RUE DE CASTIGLIONE", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0109.jp2"}, "110": {"fulltext": "42 HOW TO SEE PARIS ALONE\\ntuously exhibited at Doitcet, at Chapron, and others. The\\nmodistes and artificial flower dealers, with marvellous inimi-\\ntable imitations, are side by side with perfumery shops, such\\nas Guerlain, the king of the poudre de riz parfumee.\\nPlace Vendome\\nThe Column Vendome was erected upon the square of\\nthe same name, by Napoleon I, in commemoration of the\\nGrand Army (1805). It is- built after the style of the Trajane\\ncolumn in Rome. The bronze ornaments decorating- it were\\ncast from the canons taken from the Austrians and Russians,\\nand the plaques ornamenting its pedestal represent the most\\nsalient deeds of the campaign of 1805, while its summit is\\ncrowned by a statue of Napoleon I.\\nAround the column and bordering on the square, you will\\nfirst notice, at the right, the edifice of the Ministry of Jus-\\ntice and the Chancery of France; a little further, that\\nof the Military Governor of Paris, from which point you\\ndistinguish the gilded railing of the Garden of the Tuileries\\n{Jai^din des Tuileries), which is reached after passing under\\nthe beautiful arcades of the Rue de Castiglione, where you\\nshould halt for a few moments before the show-windows of\\nBarberis on the left peeping at a fan dealer, a jeweler, and\\nan heraldry engraver on the right thence, on the left again,\\nat the stores oi Jane and Forest-Bruxer, in order to admire\\ntheir creations in dresses and the elegance of their lingerie.\\nThe Garden of the Tuileries\\nHaving crossed the street which traverses perpendicularly\\nthe extremity of the Rue de Castiglione and the Rue de Rivoli,\\nand having passed through the gates of the Tuileries Garden,\\nyou find yourself upon the terrace called Terr asse des Feuil-\\nlants. Here, you will notice two groups in bronze\u00e2\u0080\u0094 one at\\nthe right, the other at the left\u00e2\u0080\u0094 representing animals, the\\nwork of the sculptor Cain. One of the great attractions of\\nthis garden, outside of the enticing beauty of its shade trees\\nand well kept lawns and artistic flower beds, is the number\\nof beautiful statues one meets at every step, all works of art\\nfrom the most famous masters. The everchanging pano-\\nrama of this enchanted historical garden has made it one of\\nthe most frequented spots of the great city.\\nFrom the Terrace des Feuillants, on the left, and outside\\nof the garden, you see the ruins of the former Tuileries", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0110.jp2"}, "111": {"fulltext": "HOW TO SEE PARIS ALONE 43\\nPalace, and the recently erected Pavilion de Flore. On the\\nright, the eye discovers the angle of the Place de la Concorde\\nat its junction with the Rue Royale, and its animated\\nthrong of people. Facing is the Solferino Bridge, with the\\nBoulevard St. Germain as a background, topped at the right\\nby the gilded clock of the Ministry of War.\\nDescending the steps which lead from the terrace into the\\ngarden proper, we will take to the right and admire the\\npretty children who have already invaded this beautiful resort\\nin the company of their nurse, and make it resound with\\ntheir joyous voices and frolicsome gambols\u00e2\u0080\u0094 for the Tuileries\\nGarden, as it were, is held in fee simple by the children of\\nParis. From our position in the Macademized Alley {Alice\\nmacadamzsee), which is traversed by the Central Alley, the\\nview encompasses at the right a marvellous panorama. Out-\\nside the gilded railing which encloses the Garden the eye\\nfirst rests upon the Place de la Concorde, with its playing\\nfountains from which descend silvery showers further on,\\nappear the Avenue des Champs-Elysees and the Cycle\\n{rond-poini), enlivened by rich equipages bound for the\\nraces and -mounted cavaliers returning from their prome-\\nnade in the Bois; and, still further, in the dim distance, your\\nadmiration knows no bounds at the revelation of the monu-\\nmental grandeur of the Arc-de-Triomphe, through whose\\nportals genius alone has the right of way after death only.\\nBut it is now time to proceed and seek together the sights\\nwhich may interest you^ within the precincts of the Garden\\nproper. In art matters it is about the same as in love\\naffairs the personal bias is omnipotent. Therefore, I will\\nadhere strictly to my chosen role of cicerone, and will merely\\nindicate what is to be seen. The enclosed plan will be a\\nguide to you, by following the itinerary marked by the\\nguiding arrows on the traced path, you will see everything\\nworth seeing and form a judgment in accordance with your\\npersonal likes or dislikes.\\nFrom the point where we stopped in order to admire the\\nview depicted above, let us proceed to the right by the prin-\\ncipal alley, it will lead you to the octogonal basin, where\\nchildren amuse themselves at miniature yacht sailing. Keep\\non to the right, and you will come to the last vestige of\\nthe once royal and then imperial palace of the Tuileries,\\ndestroyed by fire in 1871. Ascends the steps of the ter-\\nrace in front of you. and promenade at your ease upon\\nthe ball grounds (Jeu de Patnne), but stop in front of\\nthe antique statues which ornament the terrace on the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0111.jp2"}, "112": {"fulltext": "ARC DE TRIOMPHE\\nCHAMPS ELYSEES\\nPLACE DE LA CONCORDE\\n-II I U I ij\\ny\\nrue: dels tui leries\\nPAVILION\\not\\nPAVILLON\\nI K\\nMARSAN", "height": "3040", "width": "1537", "jp2-path": "parisexposition101kr_0112.jp2"}, "113": {"fulltext": "Lisa?\\nOF THE\\nGROUPS, STATUES AND POINTS OF INTEREST\\nIN THE\\nWith the Captions or Legends corresponding to th\\nfigures on the Plan\\nA. The Ruins of the Tuileries.\\nB. Ball ground.\\nC. Orangery.\\nD. Octagonal Basin.\\nE. Basin.\\n3 a\\n5-\\n6.\\n8.\\n9-\\n10.\\nII.\\n12.\\n13\\n14.\\n16.\\n17-\\niS.\\n19.\\n20.\\n21.\\n22.\\n23-\\n24.\\n25-\\n26\\n27-\\nHercules throwing the 28.\\nHydra. 29.\\nThe four seasons. 30.\\nnd4. Statues (antique style). 31.\\nThe Tiber. 32.\\nThe rivers Rhone and 33.\\nSaone. 34-\\nThe rivers Rhine and\\nMoselle. 35-\\nThe Nile, 36.\\nStatues (antique style). 37-\\nLion and Serpent. 3^-\\nBoar. 39-\\nAristate 4 J-\\nHippomenes.\\nAtalanta. 41-\\nDiana. 42-\\nNymph and Dog. 43-\\nThe Comedy. 44-\\nThe Grinder. 45-\\nPhydias. 4^-\\nAlexander. 47\\nCincinnatus. 48-\\nDraped Woman. 49-\\nDeath of Laius. 5\u00c2\u00b0-\\nThe Lion, and Peacock. 5i-\\nAbduction of Dejanira. 52.\\nPericles. 53-\\nAbduction of Cybelus 54-\\nFlora.\\nZephyris.\\nAt the Oui, year nin\\nLucretia and Collatin.\\nA Corybant.\\nA Priestess of Bacchus.\\nEnnius carrying away An-\\nchise.\\nOmphalion.\\nHunter Carrying a Hind.\\nNymph writh Quiver.\\nVenus with the Dove.\\nThe abduction of Orythi\\nCassandra imploring\\nnervus.\\nAlexander-the-Great.\\nLion and Crocodile.\\nThe Comedy.\\nAurora.\\nUgolin.\\nSilence.\\nPrometheus.\\nThe Soldier.\\nSpartacus.\\nDiana.\\nAgrippina.\\nApollo.\\nDaphnas.\\nCeres.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0113.jp2"}, "114": {"fulltext": "4^ HOW TO SEE PARIS ALONE\\nleft. Then retrace your steps to the ruins of the Tuile-\\nries, go down the staircase, and at your left you will per-\\nceive Bosco s bronze group of Hercules downing the Hydra;\\nthen, go around the basin, and pass in turn the symbolic\\nrepresentations in statuary of some of the notable rivers of\\nthe world, such as Le Tibrc, by Van Cleve Le RhSne and\\nLa Sdone, by Coustou on the opposite side of the basin\\nyou will admire Le Rhin and La Moselle, by Van Cleve,\\nand Le Nil, by Bourdic.\\nNow ascend to the terrace Du Bord de la Seine (Ter-\\nrace on the border of the Seine), here you will see the\\nconservatory called l 0ra7igerie, where are kept during\\nthe winter the orange-trees which ornament in summe\\nthe alley bordering the Terrasse des Feuillants, and also four\\nantique statues. Then retrace your steps and proceed\\nstraight ahead upon the terrace, passing Le Lio7i au Ser-\\npeJit, by Barye, this will bring you back to the basin.\\nContinue, leaving on your left Les Termes, a statue sym-\\nbolizing the four seasons, next a Sanglier (Boar), then\\ncross the alley by which you first came in and keep o\\nTHE GARDEN OF THE TUILERIES\\nthrough the Garden until you come to a square where are\\ngrouped the statues of Hippo7nhie and Atalante, by Cous-\\ntou. Here, after glancing at the group of Herctde et le\\nBi^n (Hercules and the Buffalo), come to a stand-stiU in", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0114.jp2"}, "115": {"fulltext": "", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0115.jp2"}, "116": {"fulltext": "48 HOW TO SEE PARIS ALONE\\nTHK lUILKRlES\\norder to enable you to cast your eyes around the basin and\\nadmire the beautiful group of statues indicated on the plan.\\nIt is at this point, on Tuesday and Thursday afternoons,\\nbetween four and six, that a military band discourses music.\\nDo not cross the Rue des Tuileries, but return, following\\nthe path traced upon the plan until you have reached the\\nother square in which is the group of Apollon and Daphne,\\nby Theodon pass in front of Ceres and take the middle alley\\nuntil you have reached the transversal alley at the point you\\nleft it, then keep on the latter, to your left, until you come\\no the gate facing the Solferino Bridge. Ascend the terrace\\nv\\\\ hich borders upon the quays, and from this point of van-\\ntage the view embraces both banks of the Seine for a\\nlong distance. When facing the quays, you will see, on the\\nright and across the river, the House of Deputies, and\\narther on, at the opposite end of the last bridge, appears\\nlie dome of the Hotel des Invalides, while in the dim dis-\\ntance the eye catches the silhouette of the Eiffel Tower.\\nResume the promenade at the extremity of the terrace,\\nwhich runs along the Rue de Rivoli, stands the Pavilion de\\nFlore, the present quarters of the Ministry of the Colonies.\\nOn your left, between that structure and the Pavilion de\\nMarsan, its mate, there are more flower beds with twelve\\nmore statues well v;orth seeing. On the side opposite the\\nRue de Rivoli, which you have just crossed, this extension\\nof the garden is intercepted by the Place of the Carrousel,", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0116.jp2"}, "117": {"fulltext": "HOW TO SEE PARIS ALONE 49\\nupon which is erected on a reduced scale an Arc of Triomphe\\nwhich challenges your admiration.\\nBut it must be near breakfast time, and if you feel like\\neturning to your hotel and are not sure of finding your way\\nalone, signal a passing cab, and give the driver, verbally\\nor in writing, the name and address of your hotel. If you\\nprefer to breakfast at a restaurant, you can do so in the\\nneighborhood.\\nCarriage Ride\\nAfter breakfast, in order to widen your first general\\nacquaintance with the physiognomy of Paris having already\\nacquired a partial knowledge of the stores, works of art, of\\nthe architecture of some of its public edifices and monu-\\nments you should be initiated to the life of the Paris Ele-\\ngant, a world of itself, which is on the eve of giving signs of\\nlife in brilliant equipages at the afternoon promenade be-\\ntween 3.30 and 6 o clock.\\nHand your coachman the counterpart of the following\\nitinerary, printed in French on a perforated leaf at the front\\nof this book.\\nAvenue Henri Martin. Porte de la Muette.\\nAvenue de St. Cloud until you reach the Belt\\nRoad. Around the lower lake, on the left.\\nPre Catalan. (Stoppage.) Road of the Great\\nCascade. Avenue de la Reine Marguerite, to\\nthe right. Stoppage at the Pavilion d Arnie-\\nnonville. On the right, by the road facing the\\nPavilion. The Fortifications road. Porte\\nDauphine. Avenue du Bois.\\nThis itinerary begins with the Avenue Henri Martin, on\\nboth sides of which are medium-sized residences with flower\\nbeds fronting. A bridle-path runs through the centre of the\\navenue. When you have reached as high as No. 130, you\\nwill notice on your right a new building of great depth its\\nprincipal entrance is on the Rue de la Pompe, which inter-\\nsects the avenue a little further on, the edifice in question is\\nthe Janson de Sailly Lyceum {Lycie Janson de Sailly), one\\nof the most beautiful and luxurious edifices of its kind in\\nFrance. Beyond the Rue de la Pompe, but on your left, you\\nwill come upon another large edifice which may evoke your\\ncuriosity. It is the Mayoralty of the XVI^ Arrondissement\\n(i6th Precinct).\\nA few minutes later, the eye begins to distinguish an\\nextensive mall with rows of trees extendmg beyond the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0117.jp2"}, "118": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0118.jp2"}, "119": {"fulltext": "HOW TO SEE PARIS ALONE 51\\nvision you have reached the famous Bois de Boulogne.\\nHere you follow a superb roadway with plenty of shading, it\\nis the Avenue de St. Cloud, which leads to two lakes, the\\nlarge and small lakes, between which you pursue your\\ndrive. This is one of the most marvellous points of the\\nBois. Lakes and islands, the latter, shaded abodes of rest\\nfor boating parties, are alike entirely and solely due to the\\ncreative genius of Mr. Aphand, whose admirable skill as a\\nlandscape gardener has evoked from almost nothingness the\\nbeautiful panaroma which surrounds you.\\nThe drive around the lake will lead you to the Allee de la\\nGrande Cascade, which you will soon leave to turn into the\\nAvenue de la Reine Marguerite. Here I advise you to step\\naground for a few moments in order to contemplate the\\ngrandeur of this avenue. Resuming your drive on the right,\\nyou will reach the Allee de Longchamps a portion of which\\nis also known as the Allee des Acacias you then have\\nreached the ultra-select spot where alike the feminine high-\\nworld and semi-world fashionable and professional beau-\\nties, actresses of genius and wonderful talents and those\\nmerely gifted with histrionic physical charms, vie one with\\nthe other in the display of the most exquisite Parisian ele-\\ngance on the one side, and crushing extravagance on the\\nother. The parody, To see and to be seen, paraphrases the\\nsituation justly. Pursuing to the Pavilion d Armenonville,\\nwhere you make another stoppage, you are brought to the\\nterm of your journey.\\nReturning, you drive through the lane which borders\\non the Fortifications, to the Porte Dauphine, and, following\\nthe line of thousands of carriages which precede yours, you\\ndrive through the Avenue du Bois one of the most elegant\\nand animated parts of Paris until you reach the cycle at\\nthe Arc-de-Triomphe.\\nThe chapter treating of Amusements and Pleasures\\nwill tell you how to spend the evening. However, I may be\\npermitted the advice which will relieve you of the trouble\\nof dressing afresh of dining at the Cafe de Paris, in the\\nAvenue de I Opera, and from there to spend your evening at\\nthe Theatre-Frangais.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0119.jp2"}, "120": {"fulltext": "THE COLUMN OF JULY ON THE PLACE DE LA BASTILLE.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0120.jp2"}, "121": {"fulltext": "CHAPTER V\\nVIEW OF PARIS IN THREE PROMENADES\\nA few words of Explanatiom\\nI do not propose, in this chapter, to show the tourist Paris\\nin its entirety, nor to have him visit all the public monu-\\nments. My aim is to furnish the visitor a resumen in three\\ndistinct promenades of the different aspects of the several\\nquarters or boroughs into which Paris is divided. He will\\nbe given a glimpse of the major part of the monuments\\nworth seeing, without, however, visiting them. A special\\nchapter (Chapter VI) is devoted to the description of each\\nand every monument, with a view of enabling the tourist to\\nvisit at leisure those which may interest him more particu-\\nlarly. Having come to Paris more especially to see the\\nExposition, the object of this chapter is to give to the tourist\\na general idea of Paris on broad lines, without intruding too\\nmuch on his time, which, in virtue of a probably fore-\\nordained plan, he desires to consecrate principally to the\\nExposition.\\nWith this object in view, I have laid the itinerary of these\\npromenades, each of about three or four hours duration.\\nDetach from the perforated leaf tipped in the front of this\\nbook the French version of the following itinerary, and hand\\nthe same to the coachman when ready to leave.\\nFIRST CARRIAGE PROMENADE\\nFrom the Bastille to the Church of the Made-\\nleine, through the boulevards. Rue Royale\\nand Place de la Concorde. Avenue des Champs-\\nElysees. Avenue du Bois. Returning by\\nFriedland Avenue. Rue Auber. Place de\\nrOpera.\\nBefore undertaking this promenade, I would advise you to\\nbreakfast, at about 1 1 a.m. on the Place de la Bastille, at\\nthe restaurant Gruber.\\nHaving finished your breakfast, you begin your drive from\\nthe Bastille, as indicated. But here, permit me to rememorate", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0121.jp2"}, "122": {"fulltext": "54 HOW TO SEE PARIS ALONE\\nthe historical events relating to the square surrounding you.\\nBefore the French Revolution, on the Place de la Bastille\\nstood the famous prison which gave the name to the square,\\nand which was levelled on the 14th of July, 1789. It was\\nhere where prisoners of State and men famous in history\\nwere confined, some of them for periods of more than twenty\\nyears. To-day, nothing is left of the dungeon but the few\\nmementoes distributed among the museums. In the centre\\nof the square rises a column of 47 metres (about 1 57 feet)\\nknown as La Colonne de Juillet. It was erected in 1840,\\nin commemoration of the victims of the Revolution of July,\\n1830, whose names are inscribed upon the shaft itself, which\\nis crowned by a statue symbolizing The Genius of Liberty.\\nAn inner staircase leads to the top of the column.\\nThe railroad station you see on the northern corner of the\\nsquare is that of Vincennes this railroad goes to the race-\\ncourse and the locality of that name. Still on the north side\\nof the square, but towards the centre, you will see a busy\\nthoroughfare full of animation, it is the Rue of the Faubourg\\nSaint-Antoine (St. Antoine Suburb Street). This quarter is\\nexclusively devoted to business, and the furniture manufac-\\nturers of Paris monopolize almost the entire street. Among\\nthe most important are\\nThe successor of Krieger, who, in 1889, received the\\nGrand Prix de Paris for household furniture, and the estab-\\nlishment of Damon at No. 74. A stroll through the shops\\nand salesrooms cannot be but useful and interesting. All\\nthe streets in the neighborhood of St. Antoine Suburb Rue\\nCastex and Rue Charenton\u00e2\u0080\u0094 are tenanted by dealers and\\nmanufacturers of household furniture of every description,\\nfrom the most sumptuous to the very ordinary. In the Rue\\ndu Faubourg Saint-Antoine, there are also Delaunay and\\nMaillefer Derouge, in Rue Charenton, and Flandrin, in\\nRue Castex.\\nOn the BouleTards\\nYour carriage now takes its place in the long procession\\nof vehicles of all descriptions which paces along the boule-\\nvards for a distance of over four kilometres, and which is\\nkept moving in perfect order and precision by the police\\nstationed at every street corner. You will successively defile\\nby the Boulevard des Filles du Calvaire, where, on the right\\nof the square of the same name, you will see the Cirque\\nd Hiver, and, finally, the Boulevard du Temple, which crosses", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0122.jp2"}, "123": {"fulltext": "HOW TO SEE PARIS ALONE\\n55\\nthe street of that name and where is situated the Market of\\nthe Temple, which is the abode of dealers in second-hand\\nclothes. The whole of this quarter of Paris has a raggy\\naspect and moldy smell. Life, which is exuberant one hun-\\ndred metres away, is seemingly paralyzed here, but you\\nexperience a great transition on reaching the Place de la\\nRepublique.\\nTHE STATUE OF THE REPUBLIC\\n(Square of the Republic)\\nOn this public square is erected the statue of the Republic,\\nwhich rises above the group formed by the three statues\\nsymbolizing Liberty, Equality and Fraternity surrounding its\\nbase. The twelve bas-reliefs represent the most memorable\\nepochs in the history of the French Republic.\\nWe have now reached the Boulevard St. Martin, not to\\nthat part of it which derives characteristic animation from\\nthe beautiful and artistically dressed windows but to the\\nportion along which the theatres are located almost side by", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0123.jp2"}, "124": {"fulltext": "56 HOW TO SEE PARIS ALONE\\nside. Firstly, on the right, are the Folies-Dramatiques, then\\nthe Ambigu, further on is the Theatre of the Porte Saint-\\nMartin, where Coquelin recently created the role of Cyrano\\nde Bergerac, and almost contiguous to the latter is the\\nthe Renaissance Theatre, which until last year was the\\nproperty of Sarah Bernhardt. We still pursue on the right\\nside of the Boulevard until we reach the Porte Saint-Martin,\\nwhich has given its name to the celebrated theatre illustrated\\nby the famous Frederick Lemaitre. The Porte Saint-Martin\\nwas erected in honor of Louis XIV, the bas-reliefs orna-\\nmenting the structure represents scenes in the reign of that\\nillustrious sovereign.\\nBy this time we have reached the Boulevard Saint-Denis,\\nwhich is intersected by a great artery bearing on the left the\\nname of Boulevard Sebastopol and that of Boulevard de\\nStrasbourg on the right. Leaving behind the Boulevard de\\nStrasbourg we come on the same side of the square to the\\nPorte Saint-Denis the counterpart of the Porte Saint-Martin\\nwhich was also erected in commemoration of the glorious\\nreign of Louis XIV. And still on the same side, is the Rue\\ndu Faubourg Saint-Denis, with its extension on the left under\\nthe name of Rue Saint-Denis, both of which are great\\nbusiness streets, with elegant stores from the start, among\\nwhich that of Grosse, fan dealer, and the great stores of\\nthe Porte Saint-Denis. On the Rue Saint-Denis, several\\njewelers, among which, Alexandre, and the stationer\\nCo Hot.\\nThe Boulevard Bonne-Nouvelle follows the Boulevard\\nSaint-Denis. Here the stores are still more numerous, and\\namong the best are\\nGarnihre, dealer in incandescent lamps a jewelry store\\nwith the specialty of corals an electrician jewelers Mar-\\ngueritate, manufacturer of musical instruments, and a lace\\nstore.\\nFurther on, the white edifice which the eye meets on\\nthe right is the Gymnase Theatre, situated at the corner of\\nthe Rue d Hauteville, and in the distance in that street is\\nseen St. Vincent-de-Paul, an edifice of very imposing ap-\\npearance. On the corner of the Rue d Hauteville, as a kind\\nof annex to the Gymnase Theatre, is situated the restaurant\\nMarguery.\\nFrom this point we directly enter into the Boulevard Pois-\\nsonniere, which also counts several beautiful stores\\nThe shoemaking establishment of La Fashion the jew-\\nelry store of Le Comptoir d Horlogerie, at No. 9; the", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0124.jp2"}, "125": {"fulltext": "HOW TO SEE PARIS ALONE\\n57\\nfamous Aubusson carpets, at No. 23, and Boutron, dealer in\\nchocolate, teas, etc.\\nTHE COMPTOIR NATIONAL D ESCOMPTE.\\nOn the right, at about half way on the Boulevard, at the\\nextremity of a short street, you will notice a reddish con-\\nstruction with a dome, it is the seat of the Comptoir Na-\\ntional d Esco77ipte (National Discount Bank), where you can\\nobtain commercial letters of credit which are payable at any\\nof its numerous following agencies\\nOffices in Paris\\nBoulevard St-Germain, 176.\\nBoulevard St-Germain 3.\\nQuai de la Rapee, 2.\\nRue Rambuteau, II.\\nRue Turbigo, 16.\\nPlace de la Republique, 21.\\nRue de Flandre, 24.\\nRue du 4-Septembre, 2.\\nBoulevard Magenta, 84.\\nBouled Richard-Lenoir, 92.\\nL Avenue de Clichy, 36.\\nM Avenue Kleber (Passy), 87.\\nN Avenue Mac-Mahon, 35.\\nBoulevd Montparnasse, 71.\\nP Faubourg St-Antoine, 27.\\nR Boulevard St-Michel, 53.\\nS Rue Pascal, 2.\\nij, j Boulevd de Courcelles, 2.\\nAvenue de Villiers, i.\\nV Avenue d Orleans, 85.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0125.jp2"}, "126": {"fulltext": "HOW TO SEE PARIS ALONE\\nOffices in the Suburbs\\nLevallois-Perret, Place de la Republique, 3.\\nEnghien-les-Bains, Grande-Rue, 47.\\nAsnieres, Rue de Paris, 8.\\nCharenton, 50, Rue de Paris.\\nAgencies in France\\nAbbeville\\nAgen\\nAix-en-Provence\\nAlais\\nAmiens\\nAngouleme\\nAries\\nAvignon\\n*Bagnieres-de-Luchon\\nfBagnols-sur-Ceze\\nBeaucaire\\nBeaune\\nBergerac\\nBezier\\nBordeaux\\n*Bourboule (La)\\nCaen\\nCalais\\nCannes\\nCarcassonne\\nCastres\\nCavaillon\\nCette\\nChaghy\\nChalon-sur-Saone\\nfChateaurenard\\nClermond-Ferrand\\nCognac\\nfConde-sur-Noireau\\nDax\\nDeauville-Trouville\\nDieppe\\nDijon\\nDunkerque\\nElboeuf\\nEpinal\\n\u00e2\u0080\u00a2j-Ferte-Mace (La)\\nFirminy\\nFlers\\nGray\\nHavre (Le)\\nHazebrouck\\nIssoire\\nJarnac\\nLezignan\\nLibourne\\nLille\\nLimoges\\nLuxeuil\\nLyon\\nManosque\\nMans (Le)\\nMarseille\\nMazamet\\nMont-de-Marsan\\n*Mont-Dore (Le)\\nMontpellier\\nNancy\\nNantes\\nNarbonne\\nNice\\nNimes\\nOrange\\nPerigueux\\nPerpignan\\nReims\\nRemiremont\\nRivesaltes\\nRoande\\nRoubaix\\nRouen\\n*Royat\\nSaint-Chamond\\nSaint-Die\\nSaint-Etienne\\nSaJon\\nToulouse\\nTourcoing\\nTrouville-Deauville\\nVichy\\nVillefranche-sur Saone\\nVilleneuve-sur-Lot\\nfVire\\nLondon\\nLiverpool\\nManchester\\nTunis\\nSfax\\nForeign Agencies\\nSousse San Francisco Majunga\\nGabes New Orleans Tamatave\\nBombay Melbourne Tananarive\\nCalcutta Sydney Tangier\\nThe Comptoir National d Escompte de Paris is moreover th\\ndepository of the banks of the French colonies, in Algeria, Indo\\n*Open during the season. tOpen weekly for business on market days.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0126.jp2"}, "127": {"fulltext": "HOW TO SEE PARIS ALONE 59\\nChina, Guadaloupe, Guyana, Martinique, Reunion and Senegal,\\nand its capital is Frs. 110,000,000.\\nOperations of the Comptoir\\nCommercial paper and warrants discounted. Collections in\\nFrance and abroad.\u00e2\u0080\u0094 Deposits on sight.\u00e2\u0080\u0094 Check accounts with\\ninterests. Loans on collaterals and merchandise,\u00e2\u0080\u0094 Drafts issued\\nand fund s forwarded.\u00e2\u0080\u0094 Stock Exchange orders.\u00e2\u0080\u0094 Investments.\u00e2\u0080\u0094\\nCircular letters of credit payable throughout the entire world.\u00e2\u0080\u0094\\nMaritime mortgage loans. Current account and collateral credits\\nopened. Safe-keeping of titles at Paris, in France and abroad.\\nCoupons of all kinds paid.\u00e2\u0080\u0094 Guarantee collections at par.\u00e2\u0080\u0094 Sub-\\nscriptions to all public loans. Purchase and sale of foreign\\ncoins.\\nLocation of Safe-Deposits\\nat the Principal Office, No. 14 rue Bergere at the Branch\\nOffice, No. 2 Place de I Opera and in the Principal Agencies, in\\nFrance and abroad (for the safe-keeping of titles, valuables,\\njewelry, etc., from 5 francs per month up).\\nFurther on, at No. 30, you will find the superb bronze\\nworks of Barbedienne, which are universally celebrated.\\nWe then cross on the right the Rue du Faubourg Mont-\\nmartre, and on the left is the Rue Montmartre, excessively\\ncrowded and full of activity. Newspapers are located in this\\nstreet, and it is in full activity until 4 o clock in the morning.\\nThe Rue du Faubourg Montmartre deserves to be seen\\nin its entirety to Rue de Chateaudun. In the latter, at\\nNo. 10 bis, the eyes are immediately attracted to the Maison\\nKrgzna, in front of which you will find the elegant turn-outs\\nof the wordly and fastuous feminity who have called to make\\ntheir selections ahead of the foreign element. Retracing our\\nsteps, we come back to the Boulevard Montmartre, and im-\\nmediately on your right you cannot help but admire the\\nshow-windows of the store Gladiator; on the left, an\\nEnglish shoe store; the art bronzes of Colin, the clock-\\nmaker Auer Light Company a very old bakery then, on\\nthe left, you pass the Theatre des Varietes, situated almost\\nat the corner of the Rue Vivienne, which leads you to the\\nBourse (Stock Exchange).\\nAfter crossing the public place\u00e2\u0080\u0094 which is always crowded\\n\u00e2\u0080\u0094at the intersection made by the boulevards and the Rue\\nDrouot on the right (where are located beautiful stores) and\\nthe Rue Richelieu, with the statue of Moliere, on the left,\\nbegins the Boulevard des Italiens. This boulevard is con-\\nsidered the finest of all in every respect. The character of\\nthe stores and the distinguished appearance of the stream of\\npromenaders has made it the acknowledged ultra elegant\\nspot of Paris. On the right, halt in front of the gunsmith s\\nshop, the book-store Flammarion, the new and sumptuous", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0127.jp2"}, "128": {"fulltext": "6o\\nHOW TO SEE PARIS ALONE\\nquarters of the Cafe-Riche, the renowned confectioner next\\ndoor, tie Bohemian glassware, the art bronzes of all kinds\\nwhich are always interesting to examine, then come English\\nand American railroad ofifices and a store of fine Dutch\\ncordials. On the left, give a glance to the entrance of the\\nPassage des Princes, and the Express Bar.\\nThe Theatre of the Opera Comique is one door from the\\nboulevard on a side street. The theatre was inaugurated\\nonly a year ago its main entrance is on Boieldieu square.\\nTHE FOUNTAIN MOLIERE\\nwhich is reached through Rue Favart. Further on, we find\\non the right of the boulevard the fashionable restaurants.\\nOn the left is a large white edifice wliose doors are\\nalways crowded with busy people going in and out, it is\\ntenanted by the Credit Lyonais. The Theatre des Nouveau-\\ntds is right opposite. You will also notice a few stores\\nfacing on the Boulevard, at the corner of Helder Street, and\\nthence following a gentle declivity you will reach the corner\\nof Rue Louis-le-Grand, where is situated the ancient Pavilion\\nde Hanovre.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0128.jp2"}, "129": {"fulltext": "HOW TO SEE PARIS ALONE\\n6i\\nWe have now reached the Chaussee d Antin. marking\\nthe end of the Boulevard des Italiens, and at the corner of\\nwhich is situated the restaurant Patllard, facing the Theatre\\ndu Vaudeville, which is the first house on the right side of the\\nBoulevard des Capucines. Passing the Vaudeville Theatre,\\nTHE OPERA COMIQUE\\nwe come in front, same side, of a great linen house, and\\nfurther on are the Remington Typewriters and Lhre-\\nCathelin.\\nOn the left, there is a series of fine stores, where almost\\neverything can be found\u00e2\u0080\u0094 objects of art, tapestry, costly\\nbooks, Japanese curiosities and extra fine confectionery.\\nThe Opera\\nThe boulevard then cuts across the magnificent square\\nof the Opera, the right side of which is entirely occupied by\\nthe monumental edifice of the Grand Opera, of which we\\nnow perceive but the frontage, with its ground story orna-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0129.jp2"}, "130": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0130.jp2"}, "131": {"fulltext": "HOW TO SEE PARIS ALONE 63\\nmerited by eight symbolic statues in relief La Pocsie Ly-\\nrique, by Jouffroy La Musique, by Guillaume L Idylle,\\nby Aizelin La Dcclaination, by Ghapu Le Chant, by Du-\\nbois de Vatrinelle; Le Drame, by Falguiere La Danse\\nand Le Draine Lyriqiic, by Carpeaux.\\nThe Grand Cafe de la Paix is at the angle made by the\\nsquare and the boulevard, and next to it is the main en-\\ntrance of the Grand Hotel.\\nA step further you find the sign, in bold lettering, of the\\nCompagnie Gcticrale Transatlantiqiie it is the passenger\\nofhce where tickets for New York are sold, and where\\nreturn tickets are checked in the emergency you are provided\\nwith excursion fare.\\nWe have now come to the Boulevard de la Madeleine,\\nwhere is located, on the left side, the celebrated house of\\nLegoupy, with an exposition of valuable engravings equally\\nattractive to the connoisseur and the curious the stores of\\nthe Car7iival de Venise a carpet and furniture establish-\\nment of the first-class a shop of artistically curved tortoise\\nshell articles jewelry stores, modistes, and, finally, the store\\nTrots- Quar tiers.\\nThe Madeleine Church\\nAll the boulevards, along with the Boulevard de la Ma-\\ndeleine, end conterminously in front of the church of the\\nMadeleine, which assuredly is well worthy of a visit. The\\nexterior of the church, with its frontispiece of tall columns,\\nwill impress you, and its architectural style, borrowed from\\nthe Roman temples, has an undefinable attraction.\\nRue Royale\\nWe will now turn to the left and enter into the Rue\\nRoyale, one of the broadest artery of the great capital. On\\nthe right you will come across well-known jewelry houses,\\nsuch as Fontana and Mermillod there is also a veiy interest-\\ning display of photographic views a few steps further. On\\nthe opposite side of the street the stores are of the same\\ncategory: jewelry, artistic furniture, and photographic views\\nvie one with the other to attract the attention of the prome-\\nnader, and probably the one who carries the palm of attrac-\\ntiveness is the display of the great florist on that block.\\nThis street is rather short. On the left it ends at the\\nMinistry of Marine, where it empties on the Place de la Con-\\ncorde, famous among all in history.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0131.jp2"}, "132": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0132.jp2"}, "133": {"fulltext": "HOW TO SEE PARIS ALONE 6C\\nPlace de la Concorde\\nIt is pn this square that over three thousand persons,\\nLouis XVI with the rest, were guillotined during the first\\nRevolution.\\nHere leave your carriage for a few moments. The first\\nthing that will call your attention is a great pyramid in\\nstone-ware, seventy-five feet in height, and covered with\\nEgyptian inscriptions. It is made of a single block and was\\npresented to Louis-Philippe by Mehemet Ali, pasha of Egypt,\\nwhere it comes from. The rigging and tools which served\\nto its transport and its erection in France, figure upon the\\npedestal. On the right of the obelisk is the gate to the\\nGarden of the Tuileries, through which you perambulated\\nthe day after your arrival in Paris.\\nFrom where you stand, you see the Chamber of Deputies\\non the other side of the Seine. At both extremities of\\nthe inner square where stands the column, there are two\\nfountains surmounted by statues throwing streams of water\\nwhich falls in spray in the reservoir below. There are eight\\nstatues forming the delimitation of the square, each repre-\\nsenting a great city of France. The most popular of those\\nstatues is that of Strasboiirg by Pradier, which a delegation\\nof patriotic Alsatians decorate with wreaths on the national\\nfeast day this statue is the one nearest to the Ministry of\\nMarine. The others represent Lille, by Pradier; Bordeaux\\nand Nantes, by Calhouet Rouen and Brest, by Cortot;\\nMarseille and Lyon, by Petitot.\\nHaving enjoyed the magnificent spectacle presented by\\nthis incomparable public square, reenter your carriage, and\\nthe coachman will drive along the\\nAyenue des Champs-Elys^es\\nthrough its entrance at the Place de la Concorde, which\\nis indicated by two statues representing horse tamers and\\ncalled Les Chevaux de Marly. They are a symmetrical\\ncounterpart of the winged horses which ornament the out-\\ngate of the Tuileries and facing them.\\nThere is always a large and animated concourse of people\\non this Avenue, and naturally to a greater degree during the\\nExposition. From this spot you can admire at ease the main\\nentrance of the Exposition, which is erected on the Champs-\\nElysees. The two first edifices on your left built on the\\nvery spot of the former Palace of Industry are the Petit\\nPalais and the Grand Palais. In order to reach it, you will", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0133.jp2"}, "134": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0134.jp2"}, "135": {"fulltext": "HOW TO SEE PARIS ALONE 67\\npass in front, and on the left, of the Jardin de Paris. Facing,\\non the other side of the Avenue, is the Concert des Am-\\nbassadeurs, and in the back, the Restaurant des Ambassa-\\ndeurs, and next to it, the Concert de I Alcazar.\\nThe Avenue in front of the Grand Palace of the Exposi-\\ntion is named the Avenue Marigny it is partially occupied\\non the right by the Palais de I Elysee, which is the official\\nresidence of the President of the Republic. Opposite the\\nAvenue Marigny, at the corner of the Avenue des Champs-\\nElysees, is the Marigny Theatre, a circular byilding.\\nA little further, in the Champs-Elys^es, and on the same\\nside, is the Cirque d Ete, which is built on the cycle of the\\nChamps Elysees, whilst on the other side of the Avenue, the\\nIce Palace is the structural pendant to the Cirque.\\nFrom this point the Avenue des Champs-Elysees conti-\\nnues uninterrupted until it reaches the Arc-de-Triomphe;\\nhowever, in this portion it is devoid of the profuse shading\\nafforded by the trees of the Garden. But it is bordered on\\nboth side by somptuous residences business establishments\\nhere are scarce.\\nPlace de I Etoile and Arc-de-Trioiuplie\\nThe Avenue des Champs-Elysees ends at the Place de\\nI Etoile, where twelve large avenues have their terminus. In\\nthe centre of the cycle is erected the Arc-de-Triomphe,\\nwhich, begun in 1806 in commemoration of the battle of\\nAusterlitz, was completed but thirty years later. On the\\npilasters which support the arc, there are sculptural subjects\\ndeserving attention. Facing you, on the right, Le Depart\\nde lygs by Rude, is reputed to be the most artistic group of\\nthe four above is the Funeral of Marceau. Turning to the\\nright you see on the left La Resistance d I envahtssement,\\nand above it the Passage of the Bridge of Areola then\\nLes Bienfaits de. la Paix, singularly emphasized by the\\ngroup immediately above representing La Prise d Alexan-\\ndrie. Finally Le Triomphe (1810), representing Murat\\ncapturing Mustapha. From the summit of the monument,\\nwhich is reached by a staircase, the view is one of the most\\n])icturesque in Paris.\\nThe carriage will take you from here to the Avenue du\\nBois, with which you are already acquainted, and thence you\\nwill recross the Place of the Arc-de-Triomphe to drive\\nthrough the Avenue Friedland.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0135.jp2"}, "136": {"fulltext": "68 HOW TO SEE PARIS ALONE\\nFriedland Ayenue\\nHere the scene changes completely, it is devoid of the\\nbustle and animation we have just passed through. Fried-\\nland is a residential avenue, monopolized by the famihes of\\nfinanciers and merchant princes and, comparatively, it is\\nquite shprt, ending at the intersection formed by the Rue du\\nFaubourg Saint-Honor^, in which is seen, looking to the left,\\nthe Beaujon Hospital, on the right side of the street.\\nBouleyard Haussmann\\nWe are now entering the Boulevard Haussmann, which\\nretains some of the characteristics of Friedland Avenue,\\nof which it is a kind of an extension. The Boulevard is at\\nfirst intersected on the left by Messine Avenue, the junction\\nforms a semblance of a square upon which is erected the\\nStatue of Shakespeare. Pursuing down the Boulevard\\nHaussmann, you reach its intersection with the Boulevard\\nMalesherbes which takes place on large square upon which\\nis erected the beautiful and rich church of Saint-Augustin,\\nwhich you should visit if you can spare the time. While\\nfacing the church you will see on your right, at the corner of\\nRue de la Pepini^re, the infantry barracks of that name, and\\na few steps further, the small Delaborde Square.\\nPursuing your drive on the Boulevard Haussmann, you\\nwill see on the right the large stores of the celebrated Potin;\\ncontinuing to the right you will come to a cluster of trees\\nsurrounding a monument, it is the Expiatory Chapel erected\\nin memory of Louis XVI. A little further on, you come up to\\na square upon which is erected quite a large building bearing\\nthe name of Le Printemps (The Spring) and which has\\nthe outward appearence of a department store. However, it\\ndoes not come up in size or variety to its elders in that\\nbranch of commercial activity, much less to the most won-\\nderful of all, Le Bon Marche, which is not alone the\\nlargest of all, but at the same time the most magnificent for\\nthe richness of its goods and the surprising completeness of\\nits assortment, which covers everything the imagination of\\nman can conceive.\\nOn your left, at the bottom of the street which crosses the\\nBoulevard, you can see one of the wings of the railroad Sta-\\ntion Saint-Lazare, the converging point of all the trains run-\\nning through the western part of France.\\nWe now leave the Boulevard Haussmann and enter in the\\nRue Auber, and again find ourselves in the midst o{ a luxu-", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0136.jp2"}, "137": {"fulltext": "", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0137.jp2"}, "138": {"fulltext": "/O HOW TO SEE PARIS ALONE\\nrious business quarter. On your right and left, shop win-\\ndows are so elaborately and artistically dressed that your\\ncuriosity will be assuredly tempted. Many English houses\\nare here represented, the Cooks, Mainbys, etc., etc.; jew-\\neleis, diamond dealers, with here and there a fashionable\\nshoemaker, a dealer in fine Chinaware and cut glassware,\\nor a merchant of exquisite cordials, etc. Before reaching\\nthe Opera, of which the right view stands in front of you,\\nare the offices of the Compagnie et de la Banque Generale\\nTransatlantique, located undoubtedly in the most mag-\\nnificent edifice owned by any maritime company. Here,\\nyou may be sure that all desired information about steam-\\ners or travelers you are interested in will be given you\\nin your own language, with the greatest pleasure.\\nThe first promenade is now over, and you have been\\nthrough a pretty good portion of Paris. If you are\\ndressed for the theatre you had better dine in the imme-\\ndiate neighborhood, at the Cafe de Paris, kept by Mourier.\\nIt is one of the restaurants in vogue in Paris, on account\\nof its table recherchee and its exquisite wines.\\n\u00c2\u00ab\u00c2\u00abCP j^f ^.53^\u00e2\u0080\u0094\\n^4", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0138.jp2"}, "139": {"fulltext": "now TO SEE PARIS ALONE yi\\nSECOND CARRIAGE PROMENADE.\\nStarting Place de I Opera^ Avenue de\\nI Opera Place du Theatre Frangais, stopping at\\nthe Palais Royal Place du Carrousel Quay\\nof the Louvre Quay of the iVI^gisserie Quay\\nof Gesvres, stopping at the City Hall Areola\\nBridge Rue d Arcole, stopping at the Church\\nof Notre-Bame Quay of the Marche-Neuf\u00e2\u0080\u0094\\nBoulevard du Palais, stopping at the Court\\nHouse Quay of I Horloge, Rue de I Horloge\\nRue de Harlay Quay des Orfevres St.\\nMichel Bridge Place St. Michel Boulevard St.\\nMichel Rue de Medicis Rue de Vaugirard\\nRue d Assas, to the right Rue du Cherche-\\nMidi, to the right Rue de Sevres Rue du\\nBac Boulevard St. Germain Place de la Con-\\ncorde Rue de Rivoli.\\nBefore commencing this promenade, you should take\\nbreakfast at one of the- numerous restaurants which are in\\nthe vicinity.\\nHaving finished your breakfast, the starting point will\\nbegin at the spot where ended your first promenade of the\\nday previous, on the Place de I Opera. I will omit speak-\\ning again of this monument, of which you have already\\nadmired the frontispiece; but I will invite you to cast a\\nglance about the square, not so much on account of the\\narchitectural beauty of the houses erected around it, as\\nfor the commercial importance of the firms located here.\\nOn the right, the sleeping-car; Cook s agency in front; a\\ncelebrated confectioner again on the right, and on the left\\nthe stot es of well-known houses, such as those of Dr.\\nPiene, for instance, or those of Moet Chandon, the tele-\\ngraph agency of the Journal des Debats and a theatrical\\nagency.\\nAt the corner of the Avenue de I Opera, which opens be-\\nfore you, begins the Rue de la Paix, where you made your\\nfirst promenade on foot. The Avenue de I Opera is un-\\ndoubtedly the finest avenue in Paris, owing principally to\\nthe elegance and richness of its stores, the special care be-\\nstowed by the municipality upon its broad driveway and\\nsidewalks, and also on account of its beautiful and costly\\napartments, commanding the highest rental in Paris, and\\nf;;om whose balconies the view embraces the splendor of\\nthis incomparable thoroughfare in its fuHncss.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0139.jp2"}, "140": {"fulltext": "72\\nHOW TO SEE PARIS ALONE\\nAmong the most brilliant shop windows that of Braun,\\nthe official photographer of the Louvre and the National\\nmuseums, the celebrated Liberty in front, Cunard on one\\nside, Flammarion, a dealer in paintings and Venetian vases\\nof rare beauty, on the left; a jeweler who is a specialist in\\nfine pearls; some artistic sculptors on the left; a v/ell-\\nknown dealer in coffee not far from a merchant of canes\\nwell known to the old Parisians; C. Gagne Peht on the\\nright, then a number of stores containing all specialties in-\\ncidental for traveling.\\nThe avenue has its outlet in the Theatre Francais Square,\\nnamed after the theatre, which stands at your left on the", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0140.jp2"}, "141": {"fulltext": "HOW TO SEE PARIS ALONE\\n73\\nsquare. The exterior of the theatre, which is considered as\\nthe sanctuary of the legitimate drama in France, is not in\\nkeeping with its interior, in which are crowded artistic\\nmarvels and upon whose stage are daily represented mas-\\nicr^icces of French art. Your carriage, in rounding\\nthe square, will come to a stop at the left of the theatre,\\non the riace du Palais Royal. Step down from your car-\\nriage to examine the famous show-windows which monop-\\nolize the whole space between the balconies and the pavc-\\nPf^PRSPSB^P^i^\\nms^m^mm\\nTHE MINISTRY OF FINANCE.\\nment. First, the balcony bordering on the gardens. Ii\\nlakes the name of the gallery of Montpensier on the left\\nand the gallery of Valois on the right. The transverse gal-\\nlery, which you see on your right on entering, is the gallery\\nof Orleans. These galleries deserve a visit, especially on a\\nbad day, when you do not know where to direct your steps.\\nIt was formerly the centre of Paris, much frequented by\\nthe snobs. It is now decadent, especially since the open-\\ning of the Avenue de I Opera; also, the galleries of the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0141.jp2"}, "142": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0142.jp2"}, "143": {"fulltext": "HOW TO SEE PARIS ALONE\\n75\\nPalais Royal have been abandoned one after the other by\\nthe large jewelry houses formerly congregated there, which\\nhave now moved, with their shop-windows, to the most\\nconspicuous places surrounding the Madeleine and the\\nOpera. It is, however, worthy of a visit on account of its\\nold-fashioned jewelry stores, containing antique engrav-\\ni igs and heraldic devices, ([uaintly carved. As for the gal-\\nlery of Orleans, it ofTers a strange view in being the centre\\nof a commerce quite Parisian in its nature, and pretty\\nflourishing, in selling clothes and wraps for little dogs.\\nYou can see there all kinds of furnishers, shoemakers and\\ntailors for these interesting animals.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0143.jp2"}, "144": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0144.jp2"}, "145": {"fulltext": "HOW TO SEE PARIS ALONE 7/\\nOn leaving the Palais Royal, the carriage crosses the\\nRue de Rivoli, and then passes under the Ministry of i i-\\nnance (located in the new Louvre) by the double-vaulted\\ngate which opens upon the Place du Carrousel. The first\\nthing to attract your attention, on the left, will be a large\\nmonument, almost new in appearance. The monumuiu\\nwas erected in honor of Ganibetta, the organizer of liic\\nNational Defense. The famous tribune is represented in\\na speaking attitude, while on the apex of the pyramid is\\nthe figure oi Democracy, symbolized by a young female\\nurging on a winged lion- On the other side of the square,\\nbut more to the right, is the Arc du Triomphe du Car-\\nrousel, of which you had a glance from the Tuileries Gar-\\nden. All around, except on the right side, which is taken\\nup by the Tuileries, the square is wedged in by the struc-\\nture of the Louvre Palace. After passing under the im-\\nmense archways which lead to the Seine, you will drive to\\nthe left up to the quays. On your left the Louvre Palace\\nentends its architectural grandeur until it reaches the\\nsquare to which it gives its name. Opposite the main en-\\ntrance of the palace is the church of St. Germain I Auxer-\\nrois, a church famous in the annals of pitiless religious in-\\ntolerance, for it was from its towers that was tolled the\\nmassacre of St. Bartholomew. The church is worth visit-\\ning from a purely artistic point of view; however, of this\\nmore anent in the following chapter. Continuing upon\\nthe quays, we soon arrive at a bridge for the exclusive\\nuse of pedestrians, and called the Pont des Arts (Arts\\nBridge), which spans the Seine, anchoring on the other\\nside in front of the Institut, which is the abode of the five\\nacademies, of which the one known as the French Academy\\nis the principal. Further on is the Pont Neuf (New\\nBridge), after which we come to the Pont du Chatelet. As\\nwe shall, later on, retrace our steps by this way, I will for\\nthe present refrain from calling your attention to the edi-\\nfices and monuments on your right. I will merely inform\\nyou that the agglomeration of stones having the idealistic\\nform of antique feudal castles is known by the euphemistic\\nappellation of La Conciergerie a more or less polished\\nname for a common prison. But on looking to your left\\nin the Place du Chatelet you will see two theatres facing\\neach other; the one on the side of the Louvre is the Chate-\\nlet Theatre, and the other is the Sarah Bernhardt Theatre,\\nnamed after and managed by the great artist vyho has been\\napplauded in all the capitals of the world.\\nThe next bridge has its terminus on the City Island (lie", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0145.jp2"}, "146": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0146.jp2"}, "147": {"fulltext": "HOW TO SEE PARIS ALONE 79\\nde la Cite), where we shall proceed after admiring ilie\\nbeautiful City Hall, which is on our left.\\nDuring the raging times of the Commune, in 1871, the\\nCity Hall (H6tel-de-VilIe) was destroyed by the incendiary\\ntorch. It has been reconstructed since. In its precincts\\nare held the sessions of the Municipal Council, but its right\\nwing, abutting on the quay, is the olficial residence of the\\nPrefect of the Seine. The statues between the windows\\nare those of celebrated men. The clock is one of the most\\nremarkable and artistic parts of the whole frontispiece of\\nthe edifice. It is framed on each side by pilasters orna\\nminted with statues representing respectively Labor and\\nStudy; the coat-of-arms of the City of Paris is supported by\\nfemales, while two statues crown the central campanile. The\\ngroup formed by the clock and the seven statues surround-\\ning it deserves assuredly a few moments of attentive criti-\\ncism.\\nStepping again into your carriage, and continuing your\\npromenade on the quays bordering the City Hall, you will\\nperceive on the same side the equestrian statue of Etienne\\nMarcel, a rather martial arrangement for a provost of the\\nParis merchants in the XlVth century.\\nThe bridge upon which we now enter is called the Pont\\nd Arcole (Areola Bridge). It leads to the parvis of the\\nChurch of Notre-Dame, which was so often the theatre\\nof the tumulLuous meetings of the Fronde under the minor-\\nity of Louis XIV., and where the people also massed them-\\nselves to hear the Te Deum sung in thankful acknowledg-\\nment of the victory won by the great Conde at Sens.\\nWe now stand on the City Island (ile de la Cite); that is,\\nupon the spot which was the cradle of the City of Paris.\\nThe River Seine here branches of\u00c2\u00a5 in two streams to be re-\\nunited lower down, at the Pont-des-Arts.\\nThe Church of Notre-Dame is the Cathedral See of\\nParis; it is also one of the oldest churches in France, its\\nfoundation dating back to 1163. You naturally should visit\\nits interior, but. until you have time to do so critically, cast\\nI ;j;lancc on the frontispiece, which consists of a triple por-\\ntal. That of the centre is the Portal of the Last Judg-\\nment; Christ, by Geoffrey Dcchaume, ornamcnTs the el-\\nliptic; on the pilasters, on either side of the main door, are\\ngrouped the Wise and Foolish Virgins. The left door,\\nknown as the Portal of the Virgin, is more elaborate than\\nits counterpart on the right; the Virgin is represented\\ntrampling under foot the serpent, while Adam and Eve ap-\\npear in relief on the pedestal, with statues of saints harmo-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0147.jp2"}, "148": {"fulltext": "80 HOW TO SEE PARIS ALONE\\nniously distributed on both sides of the door. The third,\\nor the portal at the right, is dedicated to St. Ann.\\nAs you leave the parvis of Notre-Dame you will per-\\nceive on the right side of the square a large edifice; it is\\nthe Hotel Dieu, one of the most important and justly cele-\\nbrated hospitals in Paris. We now take the Quai du\\nMarche Neuf (^New Market Quay). On the right and par-\\nallel to the Quai we come to a large building, stern in\\naspect. It is the Prefecture de Police (Police headquar-\\nters), where are concentrated the various oiifices of the\\nParis Police and Public Security. The Prefet (chief) has\\nhis residential quarters in the building. A few steps fur-\\nther we turn to the right and enter the Boulevard du\\nPalais, and we will stop in front of the Courthouse (Palais\\nde Justice) and facing the Tribunal du Commerce. Of the\\nCourthouse you now see but the gilded railing and the\\nmonumental stairs, which lead to the Hall of the Pas Per-\\ndus (Lost Steps). However, in the next chapter, we shall\\nvisit the interior of the Palais (page 102); but if you have\\nthe time now, you should visit the steeple, which behind\\nyou, on the left, towers above the structural agglomeration\\nof the Temple of Themis, and belongs to the Holy Chapel\\n(Samte Chapelle). (Page 102.)\\nContinuing our promenade around the Courthouse, we\\ncome in front of the Conciergerie (an historical prison,\\ncontiguous to the Palais, and which is on the visiting pro-\\ngramme in Chapter VI.) (Page 76). The Conciergerie\\nfaces the Place du Chatelet. The great tower, with its clock,\\nat the corner of the Boulevard du Palais and the Quai dc\\nI Horloge, are worth visiting for their curiosity and age.\\nWe keep along the Palais on Harlay street, following for a\\nfew moments the Quai des Orfevres, and cross the Bridge\\nSt. Michel, which abuts on the square of the same name.\\nOn the right, in the background of the square, is the St.\\nMichel fountain, where a group of bronze represents St.\\nMichel felling the dragon. On either side of the foun-\\ntain are columns in reddish marble, with four statues. La\\nVerite (Truth;, La Prudence (Prudence), La Justice (Jus-\\ntice), La Force (Strength).\\nWe shall now go up the Boulevard St. Michel, which is\\nthe soul-life of the famous Latin quarter. Few that have\\nnot heard of the spirited Latin quarter, where the students\\nof all the great schools and colleges congregate and enliven\\nits learned precincts with their antics. Although frolicsome\\nto the extreme, the Parisian student is neither rough nor\\nwicked: he is simply fond of laughter. It is a spectacle\\nworth the while to watch them coming down their Boule-", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0148.jp2"}, "149": {"fulltext": "now TO SEK PARIS ALONE\\n8l\\nvard St. Michel at about four in the afternoon, singing the\\njoyous refrains of their college songs. But the student is\\nat his best in the evening, and is an interesting study when\\nseen seated in one of those cafes which spread their tables\\non the sidewalk of the Boulevard St. Michel, especially at\\nVachette.\\nIf tempted by curiosity, proceed to the place unincum-\\nbered. Vou will find the hilarious youth of the quarter\\ndraining, in the most conformistic style, countless beer\\nmugs and applauding scraps of oratorical volcancity until\\nTOWER OF ST. JACQUES.\\nthe small hours of the morning. These diuturnal libations\\nso great is the constitutional elasticity of the Parisian stu-\\ndent do not seem to affect him in* the least, for he is\\nfound, punctually on time, at the opening of the various\\ncourses at eight o clock in the morning.\\nWe leave the Boulevard St. Alichel opposite the larger\\ngarden of the IvUxembourg one of the most beautiful gar-\\ndens in Paris. If you have the time, you should take a\\nwalk through it, as it contains, besides a very replete mu-\\nseum, many artistic and beautiful things, which are all de-\\nscribed in the following chapter.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0149.jp2"}, "150": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0150.jp2"}, "151": {"fulltext": "HOW TO SEE PARIS ALONE 03\\nYour carriage will proceed by the Rue Vaugirard. From\\nthe beginning we find, on the left, surrounded by the green\\nlawns of the Luxembourg, the Senate Chamber. Once out-\\nside of the Luxembourg, we have left the Latin quarter,\\nand we are fully on the left side of the River Seine, in a\\nso-called aristocratic quarter, the gloomiest of all Paris.\\nTHE BON MARCHE.\\nHere shops are rare, pedestrians scarce and con-\\nstructions worth mentioning do not exist, but, after pass-\\ning through two small streets of a cemetery-like stillness,\\nwe finally reach the Rue dc Sevres, where life and bustle\\nare predominant.\\nWe are in tlie quarter of the greatest retail shops in the\\nworld, among which the Bon Marche, where reigns from", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0151.jp2"}, "152": {"fulltext": "84\\nHOW TO SEE PARIS ALONE\\nten in the morning until eight o clock of the evening the\\nmost astonishing animation.\\nSpeaking of the Bon Marche, the extraordinary suc-\\ncess of that undertaking- the pioneer of its kind in the\\nworld is a well-deserved one, and, moreover, Madame\\nBoussicaut, the founder, has devoted the immense fortune\\nrealized from this daring enterprise to an infinity of benev-\\nolent deeds and large humanitarian works.\\nProceeding around the huge edifice of the Bon Marche,\\nwe reach the Rue du Bac, which leads us to the Boulevard\\nSTATUE OF JOAN OF ARC.\\nSt. Germain, a quarter somewhat permeated with gloomi-\\nness and in preference inhabited by the wealthy nobility.\\nWe finally reach the Pont de la Concorde, leaving on\\nour left the Chamber of Deputies or the Bourbon Palace,\\nwhose frontispiece is almost an exact counterpart of that of\\nthe Madeleine on the opposite side of the Place de la\\nConcorde. The steps to the Chamber are ornamented by\\nstatues of Themis and Minerve, of Aguesseau, Cal-\\nbert, I Hospital and Sully. Twelve columns support the en-", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0152.jp2"}, "153": {"fulltext": "now TO SEE PARIS ALONE 8$\\nlablaturc, the frieze of which represents France holding the\\nconstitution, surrounded by the symbolical figures of Lib-\\ntriy, Agriculture, Peace and Order.\\nThe carriage having crossed the Place de la Concorde\\nwill take the Rue de Rivoli, which borders on the Tui-\\nleries, the left side of which is entirely constructed in ar-\\ncades. Here you give the coachman the order to return, or\\nto drive to one of the restaurants in the neighborhood.\\nYou pass before the statue of Joan of Arc. In the vi-\\ncinity you can dine at the Restaurant Foyot, facing the\\nSenate.\\nTHIRD CARRIAOE PROMENADE.\\nPorte Maillot Road from Porte Maillot to\\nPorte des Sablons Road from Madrid to Porte\\nMaillot Jardin d Acclimation, stop from Jar-\\ndin d acclimation to the Chateau de Madrid by\\nthe road from Porte Maillot to Madrid Return-\\ning by Madrid Road to the Lakes Suresnes\\nRoad Dauphine Gate Avenue du Bois.\\nThis promenade should be made in fair weather. Leave\\nabout half-past nine in the morning, in order to breakfast\\nsurrounded by the green foliage in the midst of a luxuriant\\nvegetation perfuming the air. According to the itinerary\\ngiven the coachman, he will first drive through Paris to the\\nPorte Maillot, an entrance to the Bois de Boulogne, which\\nyou have not yet seen. He will drive you by the route of\\nthe Pone Maillot to the Porte des Sablons, where you will\\nmeet thousands of bicyclists riding up the Boulevard Mail-\\nlot, which is on your right. The carriage will pass behind\\nthe Pavilion d Armenonville a restaurant where you\\nstopped a few days ago and will take you by the grand\\nAvenue de Madrid, which passes in front of the Acclima-\\ntation Garden, where we shall stop.\\nThe Garden of Acclimatation is undoubtedly the most\\nbeautiful of its kind. Here are gathered and nursed animal\\nand vegetal species from the whole world. The harmo-\\nnious display of accumulated natural riches reposes the\\neye and is at the same time a relaxation to the mind. The\\nprice of admission on week days the place should be vis-\\nited on week days, for the crowd on Sundays makes it un-\\ncomfortable is 2 francs in the morning, i franc in the af-\\nternoon and on Sunday it is lo cents.\\nYou enter the Garden through a turnstile, at the side\\nof the iron carriage gate, which lands you on the right side", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0153.jp2"}, "154": {"fulltext": "86 HOW TO SEE PARIS ALONE\\nof the Main Alley (Allee principale). Cross the alley ob-\\nliquely, in order to reach the Conservatory, which is the\\nfirst edifice at the left of the Main Alley. After having\\nvisited the Conservatory in every way, leave the place by\\nthe door facing the one through which you came in; it will\\nlead you to the Palmarium, a new structure where fine con-\\ncerts are given and where a very select restaurant is estab-\\nlished. The place and the hour are both propitious for\\nbreakfasting.\\nThe breakfast over, you quietly resume your promenade,\\nfollowing the itinerary, specially devised to enable you to\\nsee every curiosity in this living museum. I recommend\\nyou to witness, at the Otaria Basin, the meal of the seals,\\na performance which takes place at three o clock and which\\nis very interesting.\\nIn the centre of the garden, at the music stand, very\\ngood music is played every afternoon. There is also the\\nPanorama of the Antediluvian World, which is worth\\nvisiting, for lo cents.\\nIf children accompany you, do not fail to stop at the\\npoint marked Embarcadere. For a trilie, 5 or 10 cents\\neach promenade, you may give them unmeasured happiness\\nwithout risk or danger riding the elephant, the ponies,\\nthe camels, driving in a carriage drawn by an ostrich, etc.\\nIn the meantime, you may visit the riding academy.\\nIt remains for me to indicate two points which yoa\\nshould visit before leaving the garden, the monkey ca -ce\\nand the creamery. In leaving the Palmarium you di\\nrect yourself to the monkey cage. In Paris, as\\nwherever zoological gardens exist, the habitat of the mon-\\nkey draws the greatest crowd. Is this universal attraction\\nattributal)le to a mere sentiment of curiosity, or is it due to\\nan unconscious affinity as predicated by the theory that\\nman descends from the monkey? Be that as it may, it is\\nwith the monkey as with many among us, he is fond of\\nnuts, provided they are not too hard to crack. Theories\\nare procurable from philosophers, but nuts can be had\\nfor a few cents from the keepers. However, be very care-\\nful in handing ihem to our supposititious racial ancestors,\\nfor they might push their scientific inquisitiveness to the\\nextent of attempting to find whether there is any truth in\\nthe saying that blood is thicker than water.\\nThe Creamery is the other point of interest. Step in\\nand take a cup of milk, of genuine warm milk, fresh from\\nthe cow, which is a rare treat outside the farmhouse.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0154.jp2"}, "155": {"fulltext": "now TO SEE PARIS ALONE 8/\\nLeaving the Garden of Acclimatation, your carriage will\\ncontinue on the Avenue de Madrid until it reaches the\\ncastle oi the same name.\\nYou are now driving on the road to the lakes, but\\non a route running through a portion of the Bois to-\\ntall}- dilTerent from the one visited in your preceding\\ni)romenade. Having gone around the lake and opposite\\nyou take the route de Suresnes which will bring you\\nback to the Avenue du Bois, with which you are now\\nfamiliar.\\nYour carriage will now take its place in the brilliant daily\\npageant from the Bois.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0155.jp2"}, "156": {"fulltext": "CHAPTER VI.\\nPUBLIC GARDENS\\nIt is hardly possible to take a jaunt of any extent through\\nParis without meeting green foliage, grassy plots or flow-\\ner beds. The municipal authorities have shown in the mat-\\nter of disseminating here and there open breathing spots\\nthat they had at heart not alone the embellishment of Paris,\\nbut also the public health as well as intelligent concern\\nfor the proper physical development of the youth. There\\nis not a quarter of Paris without its garden or square. But,\\nin addition to these small squares, there are others, more\\npretentious in size and oftentimes very beautiful, both on\\naccount of this harmonious ensemble and the artistic ob-\\njects they contain. For mstance, the Tuileries Gardens,\\nwhich we visited in ail its details the first day of our ar-\\nrival. (See page 42.)\\nThe Tuileries Garden.\\nThe Tuileries are adjacent to the Champs Elysees.\\nStrictly speaking it is more of an extensive and shaded\\npromenade than a garden. The main alley, which di-\\nverges to the right and left, enables the visitor to embrace\\nthe full scope of the landscape at his first promenade. Not-\\nwithstanding that the surroundings naturally remain the\\nsame, the spectacle in this garden changes surprisingly\\nwith the time of day. In the morning it is a solitude for the\\ndreamer. At about one o clock in the afternoon it is in-\\nvaded by the children, who make its precincts resound with\\npeals of laughter in front of the catch-penny shows, which\\nnever fail to draw also a fa-ir contingent of their equally\\nnaive elders. Then, before the sun disappears in the west-\\nern horizon, it is the turn of the brilliant mundane proces-\\nsion returning from the Bois, and which you joined on\\nyour first carriage promenade (Chapter V., p. 53), which\\nfurnishes its dazzling quota of animation to this magnificent\\navenue, which will relax into dark stillness a few minutes\\nlater.\\nBut while the right bank of the river Seine prides itself\\non the Tuileries, the left bank claims the Luxembourg", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0156.jp2"}, "157": {"fulltext": "HOW TO SEE PARIS ALONE 89\\nGarden, whose main entrance is on the Avenue de I Obser-\\nvatoire.\\nTlu Luxembourg- Gardeu.\\nBetter stop at the corner of the street Auguste-Comte\\nand the avenue of the Observatoire. If one has a carriage,\\ntell the coachman to wait at the gate rue Vaugirard.\\nLet us first glance up the avenue of the Observatoire.\\nwhich is the continuation of the garden. At the extreme\\nend of the avenue one sees the observatory, of which we\\nwill speak on another page. This avenue is partly cut by a\\nnumber of gardens, called Jardins Anglais, lighted by\\ntwo rows of gaslight. On the right of the avenue there\\nare several important buildings, the nearest to the Luxem-\\nbourg, I Ecole Coloniale touches the Lycee Montaigne,\\nand nearby, on the same avenue, is seen I Ecole de Phar-\\nmacie. The avenue ends at the place of I Observatoire, and\\nat the extreme end of it there is a fountain called Foun-\\ntaine de I Observatoire, where one can see the works of\\nCarpeaux and Fremiet. Carpeaux s four statues of bronze,\\nrepresenting four women, emblems of Europe, Asia, Africa\\nand America, supporting a large globe. Over this globe\\nfalls a shower of water emitted from the mouth of marine\\nhorses, the work of Fremiet. Let us now cross the rue\\nAugustc-Conite and enter into the Luxembourg.\\nThis large park has two principal walks, perpendicular\\nto each other, and at their intersection there is formed a\\nhemisphere, where a number of steps lead one to a large\\nfountain or basin.\\nEntering by the gate at the avenue of I Observatoire, to\\none s right is seen the greenhouses. Continuing to the\\nfountain, one passes at his left the beautiful monument of\\nEugene Delacroix, by Dalow. It represents Time bring-\\ning glory to the artist and applauded by the Genius of\\nArts. Around the octagonal basin of the fountain one can\\nsee, placed at regular intervals, twenty statues of women,\\ncelebrated in French history, the names of which are\\ngiven on the itinerary a little further on; also those of\\nthe statues around the Musee of the Luxembourg and the\\nPalace of the Senate, both of which are to the left. The\\nwalk on the right perpendicular to the one which has just\\nbeen taken leads one to a gate on the Boulevard Saint-\\nMichel, near I Ecole des IMines. Before reaching the\\nboulevard, one will see a music stand where three times\\na week\u00e2\u0080\u0094 Sundays, Tuesdays and Fridays, at 5 p. m.\u00e2\u0080\u0094 can\\nbe heard concerts by a military band. Almost at the gate", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0157.jp2"}, "158": {"fulltext": "90\\nHOW TO SEE PARIS ALONE\\nto the right is a very pretty statue, the Mouth of Truth.\\nTo the left, below, is a very remarkable fountain. The\\nFontaine of Medicis, built by Debrosse, and facing the\\nMusee, described further on, there is an entrance to the\\nMusee rue Vaugirard.\\nThe Luxembourg has many large and beautiful, as well\\nas artistic, statues, and is well worth visiting, notwith-\\nstanding that many Parisians fail to render it justice on\\naccount of the many students who use it as a thorough-\\nfare, and whose merriment oftentimes becomes boisterous.\\n(Carriages are allowed within the Luxembourg.)\\nTRINITY CHURCH.\\nThe Monceau Park.\\nThe Monceau Park is an altogether different place from\\nthe two resorts precedingly described. It is a really po\\netical retreat in the very heart of Paris, and where Guy\\nde Maupassant, the celebrated novelist, sought for his in\\nspirations. The park is crossed by two broad avenues\\nrunning at right angles one with the other, one of whic!)\\nis the means of communication between the Avenue dc", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0158.jp2"}, "159": {"fulltext": "HOW TO SEE PARIS ALONE Ql\\n]\\\\[essinc and the Boulevard Courcelles, whilst the other\\nunues tlie Avenue Hoche and the Boulevard Alalesherbes.\\nThe carriage road, which is in great use, begins at the\\ngate on the Avenue de Messine and ends at the Boulevard\\nCourcelles, opposite a rotunda known as the Chartres Pa-\\nvilion, where the park keepers are lodged. About one\\nhundred paces from this rotunda, through the alley on\\nthe left, yoif will find the monument of Guy de Maupas-\\nsant, by Verlet. The bust of the novelist is raised on the\\nsummit of a pyramid at whose base is represented a\\nwoman seated on a bench, dreaming before a book spread\\nopen on her knees. This allegorical figure is borrowed\\nfrom a portrayal in one of Maupassant s novels, who had\\na strong predilection for this pose, which he oftentimes\\nselected as the theatre of the most stirring scenes elab-\\norated by his fertile brain.\\nOn your right you will see the ruins of a colonnade once\\nerected on the border of the Naumachie, the name of an\\noval pond, frequented by some twenty ducks, with two\\nor three swans proudly circumnavigating a limited area.\\nBeyond this small pond you reach the avenue which is\\nthe communicating link between the Avenue Hoche and\\nthe Boulevard Maiesherbes. Near the Boulevard, at No.\\n7 Velasquez Avenue which is the name of the avenue\\nrunning from gate to gate in the interior of the Park-\\nis located the Cernuschi Museum, containing Chinese and\\nJapanese collections.\\nTlie Squares.\\nAs already stated, small squares abound in Paris. It\\nis in those squares boarding-schools and mothers of fam-\\nilies send their children to play from twelve to four\\no clock; unnecessary to say that youthful exuberance pre-\\nt^ails among the short-skirted and newly-breeched gentry.\\nOne of the largest of those squares is that of the Arts et\\nMetiers (Arts and Trades), situated on the Boulevard\\nSebastopol opposite the Conservatoire des Arts et Me-\\ntiers; it is worthy of a visit. Details will be found elsewher?\\nBut the most lively of all of them probably on account\\nof the great numbers of boarding schools located in its\\nvicinity and of the large number of well-to-do people domi-\\nciled in that quarter of the city is Trinity Square, named\\nafter the Church of the Trinity, which is a few steps from\\nit, and deserves a visit, as it is one of the richest parochial\\nchurches of Paris.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0159.jp2"}, "160": {"fulltext": "NOTRE DAME", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0160.jp2"}, "161": {"fulltext": "HOW TO SEE PARIS ALONE 93\\nThe (iJarden of Plants.\\n(Jardiii des Plaiites.)\\nThe Jardin dcs Plantcs, situated Place Valhubert, oppo-\\nsite the railway station ut Orleans, is certainly a magnifi-\\ncent public garden, and it would be entitled to important\\nmention if I intended to treat of it in this paragraph. But\\nthe name Jardin des Plantes is an abbreviation of its full\\nname, which is Museum of Natural History of the Jardin\\ndes Plantes, and for this reason we have placed this mu-\\nseum of animate objects under the head of IMuseums in this\\nwork, and wc shall, therefore, ask the reader to consult\\npage 173 for particulars concerning it.\\nThe Park of the Buttes Chaiiiuoiit.\\nThis park (Rue Bolivar), although in Paris, is but little\\nknown to the Parisian of the boulevards. It is located on\\nthe hill of Belleville, a part of the city given up to the\\nworkman; it is very hilly and is worth seeing.\\nThere is a grotto in which is a waterfall of 100 feet in\\nheight, and one of its chief curiosities.\\nThis cascade is formed by one of the artificial brooks\\nwhich flow into the lake. This lake, which is covered with\\npleasure boats (they rent at 2 francs an hour),_is of about\\nfour acres in extent. In the midst of it a mass of rock\\nrises in a peak to an elevation of about 150 feet, the sum-\\nmit of which can be reached by a stairway of about 200\\nsteps, called le Chemin des Aiguilles, the Path of the\\nNeedles. Access to this is usually forbidden to the public.\\nPark of Montsouris.\\nThis park lies completely without the limits of the City\\nof Paris, and the most practicable route for reaching it is\\nby the railway for Sceaux. station of the Luxembourg,\\nwhich railway cuts it into two unequal parts. In the park\\nitself is situated the meteorological observatory of Mont-\\nsouris. It is in the Moorish style of architecture, which\\nfigured in the Exposition of 187S, and is a reproduction of\\nthe Bardo, the palace of the Bey of Tunis. There is a\\nwide view from it.\\nTlie Churches.\\nI do not propose here to point out the particular beauty\\nof the several Parisian rhurches, nor to give a nomencla-\\nture of them, masmuch as there are three or four churches", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0161.jp2"}, "162": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0162.jp2"}, "163": {"fulltext": "HOW TO SEE PARIS ALONE 95\\nin every quarter of Paris. The short-stayed visitor, how-\\never piously inclined, could not find the time to visit them\\nall, for the actual total number reaches over seventy, and\\nmore are erected every day, without taking into account\\nthe numerous chapels also assiduously frequented by the\\nfaithful. Aly simple duty is to mention those that are re-\\nnowned for their architectural beauty or for the part they\\noccupy either in the past or present history of France, such,\\nfor instance, as St. Germain TAuxerrois and the Russian\\nChurch.\\nAmericau Churches.\\nIt is only natural that I should mention in the tirst place\\nthe American Church at No. 21 Rue de Berri, offices at 11\\nA. M. and 3 P. M., and the American Episcopal Church,\\nNo. Kj bis Avenue de I Alma, offices at 8.30, n A. M.\\nand 4 P. AI.\\nEnglish Churches.\\nAs to the churches in which the English language is\\nused exclusively there are two, one No. 35 Rue d Agues-\\nseau, the other Rue des Bassins No. 7.\\nThe following is a list of the Protestant churches to be\\nfound in Paris:\\nProtestaut Clmrclies.\\nConfession d Augsbourg.\\nTentple de la Redemption (Rue Chauchat, 16).\\nTemple des Billettes (Rue des Arch).\\nOratoire de Saint-Marcel (Rue Tourneloit, 19).\\nOratoire de la Trinite (Boulevard de la Gare. 72).\\nOratoire de la Resurrection (Rue Quinnault).\\nOratoire du Bon-Secours (Rue Titon, 20).\\nOratoire des Batignolles (Rue Dulong, 47).\\nOratoire du Gros-Caillou (Rue Amelie. 19)-\\nOratoire de Montmartre (Rue des Poissonniers, 43).\\nEglise de la Villette (Rue de Crimee. 93).\\nEglise suedoise (Boulevard Ornano, ig).\\nEglises reformees.\\nTemple de I Oratoire (Rue Saint-Honore, 145).\\nOratoire Saint-Esprit (Rue Roquepine. 3).\\nChapelle Milton (Rue Milton, 5).\\nChapelle Pentemmont (Rue de Grenelle, 106).\\nChapelle Sainte-Marie (Rue Saint-Antoine, 216).\\nChapelle de Bercy (Rue Proudhon, 6).", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0163.jp2"}, "164": {"fulltext": "ST. AUGUSTIN CHURCH", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0164.jp2"}, "165": {"fulltext": "HOW TO SEE PARIS ALONE 97\\nChapelle des Batignolles (Boulevard des Batignolles, 46).\\nChapelle de I Etoile (Avenue de la Grande-Armee, 54).\\nChapelle de Clichy (Rue Gobert.5).\\nChapelle des Gobelins (Rue Lebrun, 35).\\nChapelle de Passy (Rue Cortambert, 19).\\nChapelle de Belleville (Rue Julien-Lacroix, 97).\\nChapelle de la Villette (Passage Thionville, 14).\\nChapelle de Charonne (Rue de la Reunion, 121).\\nEglises independantes.\\nTemple Taitbout (Rue de Provence, 42).\\nTemple du Luxembourg (Rue Madame, 58).\\nTemple du Nord (Rue des Petits-Hotels, 8).\\nTemple Saint-Antome (Avenue Ledru-RoUin, 153).\\nMission populaire evangelique (Rue Royale, 23).\\nEglises methodistes et evangeliques de France.\\nTemple Malesherbes (Rue Roquepine, 4), Culte Wesleyen.\\nTemple des Ternes (Rue Demours, i6j.\\nTemple des Batignolles (Rue Clarault, 20).\\nMaison des Diaconesses (Rue de Reuilly, 95).\\nJewish Sj nagog-ues.\\nIn regard to Jewish Synagogues Paris counts very few,\\nonly four principal ones:\\n15 Rue Notre-Dame dc Nazareth.\\n21 Rue des Tournelles.\\n44 Rue de la Victoire.\\n28 Rue Bussault.\\nNOTRE-DAJiJE.\u00e2\u0080\u0094 The foremost Parisian Church is\\nthat of Notre-Dame, of which we have had occasion to\\nadmire the exterior in preceding promenades. The stained\\npanes of the rose windows in the main and lateral portals\\ndate from the thirteenth century. That of the main portal\\nrepresents m the centre the Virgin, Twelve Prophets, the\\nZodiacal Signs, and the labors of each month. The rose\\nwindow of the lateral portal on the right represents angels.\\nmartyrs and apostles, with the armories of Cardinal de\\nNoailles in the centre, who has had them restored; two\\nlarge dark plates on the side of this portal are inscribed\\nwith the names of the hostages of the Commune, slaugh-\\ntered at the prison of La Roquette or shot at the cemetery\\nof Pere Lachaise on the 26th and 27th of May, 1871. The\\nportal on the left represents the Virgin surrounded by the\\nKings and the prophets.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0165.jp2"}, "166": {"fulltext": "4?VJ", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0166.jp2"}, "167": {"fulltext": "HOW TO SEE PARIS ALONE 99\\nEntering the church by the middle nave you will pass\\nin I runt ui the pulpit which is the work ut xvuigen, dat-\\ning nu later than iSbS and leach the beautiiui raiung\\nwhich divides the choir from the nave. The wainscoting\\nof the clioir-stails will challenge your admiration, their\\nbas-reliefs in wood represent scenes in the lives of Christ\\nand the Virgin. In the background of the main altar\\na group by Coustou, and known as the votive offering oi\\nLouis XIII., represents the Virgin, Christ and two angels.\\nOn each side of this group there are two statues, that of\\nLouis XIII. on the rigbt and Louis XIV. on the left.\\nIn the back of the choir, to the right, you will notice twen-\\nty-three bas-reliefs dating from 1351; they illustrate the life\\nof Christ from his birth to the Passion the Visitation, the\\nWashing of the Feet, the Flight to Egypt; whilst on the\\nleft side the Resurrection of Christ completes the Christian\\nlegend. The lateral chapels, which are numerous and very\\ninteresting, are mostly all memorials erected to archbish-\\nops or distinguished people inhumed therein.\\nV/h le visiting N^otre-Dame you should not neglect to\\nsee the Treasury, unique of its kind. Address yourself to\\nthe sacristan of the church, who is to be found on the right\\nside of the choir, and who will, on the payment of ten\\ncents and a trifle tip, accompany and give you all the\\nnecessary explanations. It is visible every day except be-\\ntween the hours of 10 and 5 on Sunday. The Treasury con-\\ntains the Sacred Relics, among which Christ s Crown of\\nThorns, one of the nails used in his crucifixion, a frag-\\nment of the real cross, the penitential robes of St. Louis;\\nit contains, moreover, very numerous and very rich articles\\nused in the religious service.\\n-Mthough the interior of the church of Notre-Dame is of\\nincomparable interest, the visitor is oftener attracted by the\\ntowers of that ancient basilic. Their reputation of being\\nthe highest point of vantage in Paris dates from time im-\\nmemorial; ihe Eiffel tower has not yet succeeded in ban-\\nishing tiiis long-rooted idea, and foreign tourists are there-\\nfore aKvavs desirous of ascending the towers of No .rc-\\nDame. They arc visitable between 9 and 5 o clock. The\\nadmission is at the north tower, on your right coming out\\nof the church, and the fee is four cents for the towers, or\\neight cents to visit the towers and chimes. The south\\ntower contains the large bell, which has the intrinsic nu-rit\\nof weighing about 28,000 pounds.\\nLA MADELEINE. If Notre-Dame, on account of be-\\ning the archbishopric of Paris, deserved to occupy the first\\nplace in these nr. \u00c2\u00b0K about the principal religious edifices", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0167.jp2"}, "168": {"fulltext": "lOO HOW TO SEE PARIS ALONE\\nof Paris, La Madeleine naturally takes rank as the most\\nmundane or aristocratic parish church in Paris. If the\\nvisitor will station, himself, at the issue of the one o clock\\nmass on Sunday, on the lower steps of the monumental\\nperistyle of the Madeleine, he will feast his eyes upon a\\nstrange admixture of mundivagant piety and tailor-made\\ndevoutness. The all-Paris elegant feminity holy-\\nwater lotioned and Caudray aromatized\u00e2\u0080\u0094 is on show de-\\nscending the peristyle to the brilliant equipages lining the\\nwalk in front of the house of worship. However, the\\nMadeleine, outside of the mundanity of its worshippers and\\nthe pagan style of its exterior architecture, is a monument\\nworthy of admiration. As already stated, it is modeled\\nafter the Roman temples, encircled with a series of ma-\\njestuous colonnades with recesses for thirty-four niches,\\noccupied by statues of saints of both sexes.\\nThe twenty-eight steps lead to the main door in\\nbronze, Vv ith the bas-reliefs by Triquete, representing the\\nDecalogue, all of which is crowned with a sculptured\\nfronton by Lemaire representing the Last Judgment.\\nThe Madeleine is open to visitors only from one until\\nsix, excluding Sundays on account of the numerous ser-\\nvices that are held on the Sabbath. On week days you\\nwill generally find the front door closed; admittance is\\ngained by one of the side doors, under the lateral colon-\\nnade. Tiie visitor is at first astonished by the absence of\\naisles in the interior of the Madeleine. The series of col-\\numns seen on the outside is repeated in the interior, each\\ncolumn supporting a tribune, and the lateral chapels are in\\nthe nave proper. Magnificent paintings, surrounded by\\nbeautiful statues, ornament the upper part of the chapels,\\nbut unfortunately the dim light which ordinarily prevails\\nin the church prevents giving them the full share of ad-\\nmiration they certainly merit. However, you cannot help\\nadmiring, above the main altar, the graceful group, by\\nMarochetti, of St. Magdalene carried to Heaven.\\nST. AUGUSTIN.\u00e2\u0080\u0094 Next to the Madeleine in mundanity\\nas well as location is the Church of St. Augustin, on the\\nBoulevard Malesherbes. It is devoid of any artistic merit;\\nits main altar is remarkable for the loudness of its decora-\\ntions. The services are invariably pompous and the cere-\\nmonial faultless.\\nST. GERMAIN L AUXERROIS.\u00e2\u0080\u0094 This is the church\\nto which we called your attention in the second prome-\\nnade as the one from whose towers the signal was sounded\\non the 24th of August, 1572, for the massacre of St. Bar-", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0168.jp2"}, "169": {"fulltext": "HOW TO SEE PARIS ALONE lOI\\ntholomew. You are at first impressed by the originality\\nof the frontispiece and the steeple, which date back io the\\ntwelfth and thirteenth centuries, as well as by the portico,\\n\\\\*ith its balcony overhead, and extending around the whole\\n.\u00e2\u0080\u00a2dit^f^e. The pilasters which support the arcades are orna-\\nmented with statues: those on the right side represent St.\\nCcran, Landry and A gilbert, St. Ysabel of France, and St.\\nMathilde, St. Jane of Valois and St. Francis of Assisi; on\\nthe left side are the statues of St. Cloud and St. Clotilda,\\nSt. Redegonde, St. Alary the Egyptian, St. Denis, St.\\nAloval, St. Germain of Paris; the statue adorning the\\nsummit of the gable is that of St. Alichael. Over the\\nmain door is a statue of the Virgin, with St. Germain of\\nAuxerre, St. Genevieve and an angel.\\nThe interior of this church abounds with objects of art\\nand antiquities of the greatest interest. The stained-glass\\nwindows are especially remarkable, and some of them are\\nvery old. The church warden s pew is a marvel of cabinet\\nwork. The railing of the choir is of forged iron and will\\nrepay close examination, as w^ell as the several pieces of\\nsculpture disseminated throughout the interior.\\nST. SULPICE. One of the largest churches on the\\nleft bank of the Seine, and deriving great importance from\\nthe fact that the Great Seminary is its dependency.\\nOn the St. Sulpice Square a fountain is erected and dec-\\norated with the statues of Bossuet, Fenelon, Massillon and\\nFlechier, celebrated by their learning, eloquent and as\\nthe most talented among the French preachers.\\nThe frontispiece is flanked with two towers, one of\\nwhich is still unfinished. The interior is worthy of a visit.\\nThe frescoing in the chapels is remarkable, especially that\\nof the Virgin, which is a masterpiece of the painter s art.\\nThe pulpit and the organ are also very much admired.\\nNOTRE-DAAIE DES VICTOIRES.\u00e2\u0080\u0094 This church\\nis located on the square to which it gives its name, and\\nquite near the equestrian statue of Louis XIV. If it was\\nnot for the fact that among a large number of the faithful\\nit is a worshipping place of predilection. I would not\\nhave made mention of it, because, outside of the cabinet\\nWork of the choir, it is artistically and architecturally de-\\nvoid of special interest.\\nSACRED HEART OF AIONTMARTRE.\\nThe Church of the Sacred Heart, still in course of con-\\nstruction, is situated at the top of Alontmartre. One can\\nscarcely reach it except by special cab. Though incom-\\nplete and surrounded by scaffolds, the divine service takes\\nplace.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0169.jp2"}, "170": {"fulltext": "I02\\nHOW TO SEE PARIS ALONE\\nOne must apply to No. 31 Fontenelle Street, where ad-\\nmission card is given for o fr. 25. The provisory entrance\\nis on La Barre Street. Those who wish to visit the scaf-\\nfolds have to pay a fee of o fr. 50 (lOc).\\nFor the same amount one cin see the bell given by\\nSavoie, called La Savoyarde, weighing 27,065 kilograms.\\nIt is the largest bell in France.\\nThe church, when completed, will undoubtedly be a beau-\\ntiful monument; but the details are, on account of the\\nscaffolding, but little seen.\\nTHE HOLY CHAPEL\\nWhen the visit of the church is over, do not fail to come\\nto the flight of steps to contemplate a beautiful panorama.\\nThis is indeed a place from which, during clear weather,\\nParis is seen better.\\nOn the left of the church the immense construction you\\nwill perceive is a large reservoir, the capacity of which is\\nabout 11,000 cubic meters. In order to visit it, apply to\\nthe guardian, who will gladly receive a few cents as a tip.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0170.jp2"}, "171": {"fulltext": "now TO SEE PARIS ALONE IO3\\nTHE HOLY CHAPEL (La Sainte-Chapdle).\u00e2\u0080\u0094 We\\nplace here the name of the Holy Chapel because it is gen-\\nerally considered as a church. However, as the chapel is\\nlocated in the Court House, its description will be found\\nwhere we speak of that editice.\\nTHE SORBONNE CHURCH (I Eghse de la Sor-\\nbonnej. Properly speakhig, it is not a church, but more\\nof an historical chapel, inasmuch as all of the edifices\\nwhich were clustered under the name of Sorbonne, this\\nchapel is the only one that has not been reconstructed.\\nIts erection dates from 16S5.\\nThe main entrance is on the Place de la Sorbonne. As\\nthe church is ordinarily deserted, you can visit its interior\\nat leisure. A painting at the left of the main entrance\\nwill assuredly fix your attention. It is that of Robert\\nde Sorbonne Presenting His Young Pupils to St. Louis.\\nOn the right is the sepulchre of the Duke of Richelieu, who\\nwas a Alinister of State under Louis XVIII. But the\\nchurch derives its greatest historical character from the\\nfact that it contains the tomb of the great Richelieu, or the\\nRed Duke, according to Alexandre Dumas. The sculp-\\ntural work of the Cardinal s tomb is by Girardon. His\\nEminence is represented as leaning for assistance upon\\nReligion and Science, while both of those symbolical fig-\\nures are shedding tears for the loss of this illustrious man,\\nwhose heart and cranium, which are now relics in the Sor-\\nbonne Church, were for a long time a revered memento\\nniori in the family 01 the author of the French version of\\nthis book.\\nTHE RUSSIAN CHURCH.\u00e2\u0080\u0094 This church has ac-\\nquired lately an historical celebrity from the fact that it\\nwas under its roof that the Franco-Russian alliance was\\nsealed, when His Majesty the Czar of all the Russias\\nplaced his hand in the hand of the President of the French\\nRepublic amidst the acclamation of the delirious Parisian\\npopulation.\\nIn the exterior of the church, with its gilded dome, lies\\nits chief attraction. But if on a Sunday or Thursday, the\\nonly days visitors are admitted between three and five\\no clock you should find time to enter it, outside of the\\ngeneral disposition customary in all Greek churches, i. e.,\\nvestibule, nave and sanctuary always closed, with paint-\\nings representing Jesus. Mary and some Russian saints,\\nyou will not find much to impress you.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0171.jp2"}, "172": {"fulltext": "104 HOW TO SEE FARIS ALONE\\nThe Cemeteries.\\nUnless taken there for one s own good and last ac-\\ncount, or through a feeling of sentimental duty for the\\nmemory of beloved ones, a visit to a cemetery cannot be\\nconsidered in the light of a cheerful recreation. Conse-\\nquently, if one of the Paris cemeteries owing to its riches\\nand the variety of its monuments and the immense de-\\nvelopment it daily acquires was not a spot to tickle the\\ncuriosity of the tourist, I would dismiss the subject by sim-\\nply stating that the French Capital is provided with eight\\nimmense cemeteries, giving their names, as follows: Est,\\nPassy, Picpus, Montmartre, Nord, Sud, Montparnasse, and\\nlastly that of Pere Lachaise, which deserves a few de-\\nscriptive details for the reasons stated above.\\nTHE PERE LACHAISE.\\nLe Pere Lachaise is ordinarily the last abode of dis-\\ntinguished people and of the have beens of fashionable\\nsociety. In fact, it is tres comme il faut\u00e2\u0080\u0094 after death, of\\ncourse to crown one s fashionable life by being buried\\nin Pere Lachaise, because, epidemy or no epidemy, it is\\nall the fashion. It can be visited in all its magnificence\\nonly on foot, which would consume a great deal of time.\\nHowever, a very fair general idea can be had of this vast\\nnecropolis from a carriage promenade through its drive-\\nways, which have names the same as the avenues of the\\nBois de Boulogne. If you are desirous of seeing all the\\nmonuments you had better secure the services of an at-\\ntendant at the pavilion on the right of the main entrance.\\nThis will cost you at least three francs (sixty cents).\\nAmong the most -emarkable monuments, either on ac-\\ncount of their architectural beauty or the celebrity they\\ncommemorate, are, on the left of the principal avenue,\\nthose of Alfred de Musset (poet), Lenoir, Varin, Paul\\nBaudry, and at the bottom of the avenue the monument\\nto the dead. On the right, Ledru-Rollin, Cousin, Auber,\\nArago, Mouton.\\nThe Hebrew Cemetery is on the right of this avenue,\\nand therein stands the famous monument of Abeilard and\\nHeloise. At the grand cycle, that of Casimir Perier, father\\nof the famous President of the French Republic who re-\\nsigned the position five years ago. Further on Talma\\n(actor), Delille (poet), Boieldieu and Gretry (composer),\\netc.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0172.jp2"}, "173": {"fulltext": "now TO SEE PARIS ALONE lOg\\nThe Crematory, on the right of the Transversal Avenue\\n^fo. 2, is undoubledly one of the most distinguished morbid\\n.ttractian in the Pere Lachaise Cemetery. However, admis-\\nsion to tlie crematory must first be obtained from the\\nnanager of municipal affairs through an application in\\nvriiing.\\nOne of the cuiiosities of Pere-Lachaise is the oven for\\nrremation. Il is situated at the right of the transverse ave-\\nlue No. 2, and visitors can be admitted to it only by per-\\niiission of the Director of Municipal Affairs, which must\\nje sought by a letter worded and addressed as below, and\\nnclosing a postage stamp for 15 centimes for a reply:\\nMonsieur le Directeur.\\nJ ai I honneur de soUiciter una autorisation pour visiter\\ne crematoire du Pere-Lachaise.\\nAgree/.. Alonsieur le Directeur, avec mes remerciements.\\nassurance de ma Iris haute et tres distinguee considera-\\ntion. (Sign.)\\n(Put address.)\\n)n the envelope:\\nMonsieur le Directeur\\ndes Affaires Municipales,\\nAnnexe est de I Hptel de Ville,\\nRue Lobau 2, Paris.\\nThe Museums.\\nThere are almost as many museums in Paris as there\\nare churches.\\nOur plan will, therefore, be the same as at the begin-\\nning of this chapter.\\nWe shall point out the principal museums, those con-\\ntaining works which are considered masteroieces. and\\nthe galleries which one ought to see.\\nWe shall not attempt to enumerate them painting by\\npainting, because if you wish to visit a museum in all its\\ndetails and stop before every picture, the catalogue for sale\\non the spot -would be a much more valuable guide than\\nspace would permit us to make of this one. Still, it is\\nnecessary to know how to use the local catalogue after you\\nget It, and we shall point out the most practical manner\\nto do this as we come to each museum.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0173.jp2"}, "174": {"fulltext": "I06 HOW TO SEE PARIS ALONE\\nMUSEUM OF THE LOUVRE.\\nAs was said at the beginning of this chapter, it is not\\nintended to rival either Boedelcer or Joanne, and hence the\\nreader will not be taken, room by room, through the won-\\nders of sculpture and painting and before the masterpieces\\nwhich have accumulated in the Louvre.\\nWe shall confine ourselves -to pointing out a practical\\nplan of visiting this museum. The principal entrance of\\nthe Louvre, ro which a cabby will readily take you, is with-\\nin the court of the Louvre, Place du Carrousel. The palace\\nof the Louvre is divided inio two principal parts, the old\\nand the new. If you speak French the best plan is to take\\na local guide, who in three or four hours will take you\\nabout among- the principal sculptures and paintings; but\\nif you wish to make a thorough and detailed visit the best\\nplan would be to devote several days to it, and rely on the\\ncatalogue, which can be had at the door for a franc.\\nNevertheless, for those who wish to devote only three or\\nlour hours to the visit we will point out some canvases\\nand some halls which one ought to see. The museum is\\nopen every day of the seven, excepting Monday and days\\nof important festivals, from lo to 4. At the door wraps\\nmay be left or not, as preferred; it is perhaps better not to\\nleave them, as one seldom goes out b} the same door\\nby which one went in.\\nIt is a good plan to wander at will through those vast\\ncollections, but it is a help to know that the ground floor is\\ngiven up to sculpture. One flight up are found paintings,\\ndrawings ind sketches; two flights up a collection of\\nmarine objects, very interesting, but not so good as the one\\nat the Invalides.\\nMy fellow authors discourage the employment of a local\\nguide on the general ground that they, like the custodians,\\n..are badly informed.\\nIt is doubtless true that they know but little about Ru-\\nbens or Raphael, but they know the way through the nu-\\nmerous galleries, and can guide you to different points, a\\nmatter of no small importance, for the distances are long\\nin those immense halls; a walk through them is fatiguing\\nand one easily loses oneself. There are two or three rooms\\nin the Louvre worth} of especial notice in sculpture,\\namong others the Venus of Milo, the most celebrated\\nstatue in the world. It was found in 1820. It is thought\\nto be the work of a contemporary of Praxiteles and\\nScopas. There is also the hall or room of Melpomene and\\nthat of Psyche. As to the Asiatic and also the Egyptian", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0174.jp2"}, "175": {"fulltext": "HOW TO SEE PARIS ALONE ID/\\nintiquities I am of opinion that it is necessary to have\\nnade a considerable study of those subjects in order to de-\\n\u00e2\u0096\u00a0ive any particular satisfaction from a visit to those rooms.\\nYou might ask for the hall of modern sculpture; one of the\\nlandsomest of these rooms is that given to the works of\\nCouston. The paintings, as has been said, are up one\\nHight, but a part of this t]oor is also occupied by the hall\\njf the jewels; among others the famous Regent diamond\\nnay be seen here.\\nThe gallery of paintings proper is five-eighths of a mile\\nong; evidently it cannot be seen in five minutes, but a\\nvisitor, catalogue in hand, can go through it, and, as each\\npicture is indicated by a number at the bottom of the frame\\nand as a corresponding number is to be found in the pages\\nof the catalogue opposite a description of the subject of the\\npainting and the name of the artist, together with the\\ndate of the production of the painting, an intelligent glance\\nat the whole can soon be had. The best known hall is the\\nsquare one whose ceiling is so much admired by visitors.\\nThere are to be found works of Raphael, Rembrandt,\\nPoussin, Titian, Van Dyck, Leonardo di Vinci a great\\ncollection of notable painters.\\nAfter that comes the large gallery, which will readily\\nbe pointed out to you, where the Italian, Spanish and\\nDutch schools have been collected, the paintings having\\nbeen grouped together school by school. There is in par-\\nticular a Christ on the Cross, a Virgin with the Child, the\\nHoly Family, the Virgin with the Scales, a St. John in the\\nDesert, a Christ Crowned with Thorns, and, finally, in\\nthe center, a David Killing Goliath, a composition which\\nhas been much discussed. The Flemish and Dutch paint-\\nings predominate; to mention the most important would\\ntake too much space. The English and German schools\\nare of relatively slight importance. The French gallery,\\non the contrary, is well filled. Rooms 14, 15, 16, and 18 are\\nwholly taken up with French pictures. The jgallery of\\nApollo, rebuilt under Louis XIV., is unquestionably the\\nfinest hall in the Louvre. It takes its name from a picture\\nby Lacroix, Apollo Conquering the Python. The hall\\nHenry IV., although badly lighted, contains also some\\nvery fine paintings. The Louvre contains, moreover, col-\\nlections of drawings, works of art, ceramics and a quan-\\ntity of antiquities which might invite the curiosity of the\\nvisitor, but for all that a guide is useless, since each one\\ncan easily select for himself whatever pleases him without\\nhaving the beauties of any particular work pointed out to\\nhim.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0175.jp2"}, "176": {"fulltext": "io8\\nHOW TO SEE PARIS ALONE\\nMUSEUM OF THE LUXEMBOURG.\\nThis museum is open throughout the year, excepting\\non Mondays, from lo to 4, and is assuredly, next to the\\nLouvre, the most complete that we have. The entrance is\\nby the Rue of Vaugirard, at the corner of the gate to the\\nGarden of the Luxembourg, where was formerly the\\nOrangery. An attempt has been made there to represent\\nTHE CLUNY MUSEUM.\\nthe school of living artists; the works of painters and\\nsculptors still living are to be found in large numbers;\\neach artist, however, can have no more than three of his\\nworks in the gallery. It would be advisable here also to\\npurchase an official catalogue, which will enable you, both\\nfor sculpture and paintings, to identify the work of the\\nartist and also the subject of his composition. The Museum", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0176.jp2"}, "177": {"fulltext": "now TO SEE I AKIS ALONE IO9\\nut the Luxembourg can be seen in two or three hours;\\ntherefore, we do not give many details of the works to be\\nseen; the e.vc will easily direct you to the beauties of our\\nyoung school; you will find in the sculptures a Falguiere\\nwhich is certainly worth st)me moments of attention.\\nAmong the paintings Jean Paul Laurens, Jules Lefebvre,\\nAlachard, Meissonier, Cabancl and many others are names\\nwhich will sufticc to attract your attention.\\nMUSEUM OF CLUNY.\\nThis museum, established in the old Hotel of Cluny,\\nwhich yoti can see fiom the Boulevard Saint-Germain at\\nthe corner of the Boulevard Saint-Michel, is erected, it\\nis said, on the site of an old Roman palace, of which a\\nvestige, or rather some ruins, remain. It was called the\\nTermes. The museum is open every day, except Monday,\\nfrom II to 4. It contains ancient, artistic and industrial\\nproducts of all sorts. Those fond of numismatics and lov-\\ners of antiquities will take great pleasure in long visits to\\nthis museum, but I think that the ordinary tourist, after\\nhaving passed two or three hours in the hotel, will find\\nhis curiosity satisfied. The catalogue (4 francs) is in-\\ndispensable here and leaving your wraps is obligatory, but\\nthere is no charge. One entering you find sculpture and\\nworks in wood; for that matter, the first two or three\\nrooms arc devoted to objects of this sort. In the fourth\\nyou will find furniture, pieces of money and a mantel-\\npiece of the sixteenth century, which is recognized of great\\nvalue. In the fifth room, you will find some works of Ital-\\nian art, among them the Massacre of the Innocents, The\\nLast Supper and the Worship of the Magi. The sixth\\nroom looks out on the Termes and the remains of the\\nsupposed Roman hotel. Up one flight you come to the\\ntapestries, and, finally, in the ninth room, you find\\nsledges, harnesses, etc. On this floor are also works in\\npottery and ivory, as well as things in iron, rare locks\\nand jewelry.\\nMUSEUM CARNAYALET.\\nThis is the historic museum of the city. The complete\\nhistory of Paris through the Revolution is here shown.\\nIt is open every day from 11 to 4. The deposit of your\\nwraps is compulsory, but free of charge. It is useless to\\ngive details upon the contents of this museum for placards\\neverywhere point to you the source from which the ob-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0177.jp2"}, "178": {"fulltext": "PLAN DU JARDIN DES PLANTES\\nA 3.^.i.. a.J..\\nPLAN OF THE GARDEN OF PLANTS\\n1 Brongniart Square, small pond in\\nthe middle.\\n2 Oxen from Indo-China.\\n3 Antelopes.\\n4 Wild Beasts, Lions, Panthers.\\n5 Physiology Laboratoiy.\\n6 StHgs, Does.\\n7 8 Diverse Animals.\\n9 Winter Houses of the Menagerie.\\n9 8 Diverse Buildings.\\n10 Birds of Prey, Vultures, Eagles.\\n11 Pheasantry.\\nII A Reptiles, Serpents, Alligators.\\n12 Aviary.\\n13 Diverse Goats.\\n14 Diverse Antelopes.\\n15 Parrots and Diverse Aras.\\n16 Pond of Otanes.\\n17 Cedar of Lebanon.\\n18 Large Labyrinth\\n19 Small Labyrinth, Plants, Reservoir\\n20 Orange Walk.\\n20A Seed Beds.\\n21 Antelopes, Stags, Chamois.\\n22 Large Aviary, with pond.\\n23 Camels.\\n24 Herons.\\n25 Cranes.\\n26 27 28 Poultry, Fowls.\\n29 Zebras.\\n30 Diverse Goats.\\n31 Stags,\\n32 Large Stags.\\n33 Monkeys.\\n34 Peacocks.\\n35 Large Rotunda, Elephants, Cam-\\nels and young Hippopotamus.\\n36 Chamois.\\n37 Hares of Patagonia.\\n38 bears.\\n39 Buffaloes.\\n40 Goats.\\n4 t Peacocks.\\n41 42 43 Ducks.\\n44 Diverse Animals.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0178.jp2"}, "179": {"fulltext": "HOW TO SEE PARIS ALONE I I I\\njects come. The sculptures on the front are worthy of\\nnotice; they represent the seasons and are attributed to\\nJean Goujon.\\nlAIUSEUM OF ARTILLERY.\\nIn this museum are to be found, metliodically arranged\\nall the changes which have occurred in weapons from the\\nearliest times down to our day. It is situated in the Hotel\\nof the Invalides. concerning which we give particulars on\\nanother page. There will be found a description of the mu-\\nseum and the whole hotel.\\nMUSEUM OF NATURAL HISTORY OF THE\\nGARDEN OF PLANTS.\\nThe Museum of Natural History belongs to the Jardin\\ndes PJantes; this gives rise at Paris to the habit of making\\nno distinction between the two and of speaking of them\\nindifferently under one or the other name. The Jardin des\\nPluntes has its prmcipal entrance Place Valhubert, almost\\nopposite the old railway station of Orleans, a distant part\\nof the city for. the foreign visitor. But if time does not fail\\nyou, this garden is certainly one of the sites of Paris most\\nworthy to be seen. The best plan, if you intend to visit it.\\nis to write, inclosing a postage stamp for 15 centimes for\\na reply, a letter worded as follows:\\nA Monsieur le Directeur du Jardin des Plantes,\\nRue Geoffroy Saint-Hilaire, Paris.\\nMonsieur le Directeur:\\nJ ai I honneur de soUiciter de votre amabilite une carte\\nd entree pour les differentes galeries, serres, menageries\\ndu Jardin des Plantes.\\nVeuillez agreer, Monsieur le Directeur, avec tons mes\\nremerciements. I assurance de mes sentiments les plus dis-\\ntingues. (Signature.)\\n(.Address.)\\nThese tickets, which will be sent you by post without de-\\nlay, will give you the right of entry to the garden on the\\ndays named on the cards; you might perhaps get along\\nwithout these cards, but you run a risk, if you visit the\\ngarden without express permission, of finding yourself\\nthere on days when some parts are not open to the public\\nuidess provided with cards. The garden itself apart from", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0179.jp2"}, "180": {"fulltext": "112 HOW TO SEE PARIS ALONE\\nthe galleries is very interesting. The whole length of the\\npromenades you will see, behind the cages which protect\\nthem and also you, animals of all countries. The notices\\nplaced aDO\\\\ e the cages will tell you the names and source\\nof origin of those animals. One can easily pass two or\\nthree hours there on a fine day. If you wish to follow the\\nroute laid down on the plan given in this book you will\\nbe able to take in the difierent curiosities assembled in this\\nfine museum. To begin, entering by the Place Valhubert,\\nyon pars by a sheet of water situated in the center of the\\nsquare Brongniart; then, continuing, you see on your\\nright cattle from India, antelopes, and on your left divers\\nanimals. Further along, on your right, you find the great\\nanimals of the cat family by the side of the laboratory of\\nphysiology, which itself adjoins the park for the deer and\\nthe goats; here we turn to the left to see successively the\\nzebras, the fowls, the cage of the birds of prey, and after that\\nthe pheasants. Then we come along between the antelopes\\nand the parrots, to stop for a moment before the basin con-\\ntaining the seals. If you like we can go as far as the small\\nlabyrinth, thence to the large labyrinth, and so through the\\nmagnificent flora as far as the orangery; then, retracing\\nour steps after having passed the swans, we can resume our\\nroute before the park of antelopes; then, making the round\\namong the chamois, we come to the place where are found\\nthe elephant, camel, white elephant, hippopotamus and\\ndromedaries. After that the peacocks, and then we come\\nopposite the monkey-house. Then we go back as far as\\nthe fowls to pass by the zebras and various other ani-\\nmals, and thence go out, or direct our steps at pleasure\\ntoward the different museums which lie along the entrance.\\nSmce we have come out of a museum where the animal\\nreigns as the master, man being the most intelligent of\\nanimals, let us go into two museums where he is the.\\nsubject.\\nMUSEUM DUPUYTREN.\\nThis museum, it may be said at the outset, can only in\\ntcrest men, and then only such as are fond o* science. It\\ndeals in human infirmities; here all diseases have their\\nhistory and the dissections which are shown here bring to\\nyour eye all forms of human misery. It is situated opposite\\nthe School of Medicine, and is open from lo to 4; to visit\\nit nothing is needed excepting permission, which can be\\nhad at the ofifice of the Secretary of the School of Medicine\\nopposite.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0180.jp2"}, "181": {"fulltext": "HOW TO SEE PARIS ALONE Il3\\nMUSEUM GREVIN.\\nThis second museum is gaj er. Here arc to be found the\\ncelebrities in vogue. Ir is situated at No. lo Boulevard\\nMontmartre, and is open from i o clock in the afternoon\\nto II. Tile price of admission is two francs during the\\nweek and on.e franc on Sunday. Every day from 3 to 6\\nand from 8 to 10 an excellent concert may be heard. Once\\nwithin the museum you see a large hall, in which it is hard\\nto distinguish the works of the artists who prepare these\\ntigures from living people in llesh and bone. In the cor-\\nner, on the right, you will sec a representation of the\\nopera, a general rehearsal at the French comedy, Coquelin,\\nthe elder, in the role of Cyrano de Bergerac; at the end\\nan audience at the Vatican, a camp bed of Napoleon, with-\\nout enumerating all the novelties which from day to day\\nare introduced by the fertile mind of the manager. Down\\nstairs there are other galleries; on one side that of the\\nRevolution, and on the other that of crimes which end\\nen the scaffold. There, above all, a catalogue to give you\\n:he names of all these personages is indispensable. Be-\\n;ides tiie curiosities which I have mentioned the manage-\\nment of the museum has made a cabinet for X-rays, as\\nwell as a nice little theatre, accompanied by music, which\\nplays every day from 3 to 6 and from 8 to 11. An excellent\\nbar afTords refreshments as you look out on the winter\\ngarden.\\nPublic Buildings.\\nHere more even than among the museums the author\\nis obliged to restrain himself. There are at Paris so many\\nbeauties, from an architectural point of view, so many\\nbuildings lo which are attached souvenirs of glory or of\\nbloodshed, so many edifices erected to genius, so many\\nbuildings under construction for the shelter of National en-\\nterprises, that it is impossible here to give a description\\nof them all. We shall confine ourselves to the most im-\\nportant, stating the time at which they can be seen and\\nthe most practical way of employing that time advanta-\\ngeously. First, we will speak of that last resting place of\\nthe glories of the nation where lie Victor Hugo, Carnot\\nand many others who have a place in history that is the\\nPantheon.\\nTHE PANTHEON\\nThis monument, erected on the place bearing that name\\nat the end of the Rue Soufflot, which was the name of the\\nengineer who furnished the plans for the construction of", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0181.jp2"}, "182": {"fulltext": "THE I ANTHKUN", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0182.jp2"}, "183": {"fulltext": "HOW TO SEE I ARIS ALONE I I 5\\nthe edifice, is visible every day, except Monday, from lo to\\n4. Tv.o sections of it can be seen only upon presentation\\nof cards of entry, which must be asked for beforehand bv\\nkUcr, inclosing a postage stamp of 15 centimes for a re-\\ni)lv. This letter should be addressed to\\n^lonsieur I Administratcur dcs Beaux-Arts,\\nRue de Valois. Paris.\\nAlonsiciir I Administrateur\\nJ ai I honneur de solliciter de votre amabilite une carte\\npour nioi et personncs. nccessaire pour la visile du dome\\net des caveaux du Pantheon.\\nAgreez, Monsieur I Administrateur, avcc mes remcrcie-\\nmcnts, Tassurance de ma tres distinguee consideration.\\n(Address.) (Signature.)\\nOnce in possession of the card of admission, the visit\\ncan be made. From the foot of the staircase leading up\\nto the 2Z columns which form the front we see, above those\\ncolumns, a bas-relief made by David d Angers, la Patrie,\\nbetween la Liberte and I liistoire crowning the geniuses,\\nher chddren: Maleshcrbcs, Mirabeau, Monge, Fenelon,\\nManuel, Carnot, La Place, David, Cuvier, La Fayette, the\\nhero of America; Voltaire, Rousseau, Bichat, then Bona-\\nparte, at the head of his celebrated warriors; Hoche, Mar-\\nceau, Massena, Kleber, Davoust, etc., and then quite to the\\nright the students and pupils of the Polytechnic School.\\nOver head is the dome with its cross placed above th^\\nlantern and which has never been taken down. The cro^\\nis due to the fact that this nionumcnt, which dates from\\n1-64, was before the Revolution consecrated to religion,\\nand it was only in 1791 that this inscription was put up,\\nAu\\\\ Grands Hommes la Patrie Reconnaissante. Since\\nthai time this monument has been twice devoted to re-\\nligion, and it was only in 1885, when the remains of Victor\\nHugo we-e interred there, that the monument became the\\ntemple which it is, a Pantheon, given up wholly to the\\nmortal icmains of the geniuses of France.\\nLES INVALIDES.\\nThe Hotel of the Invalides is open to the public every\\nday from noon to 4 o clock; but its museums are only\\nonly open Tuesday, Thursday and Sunday from noon to\\n4, and the tomb of Napoleon Tuesday, Thursday, Friday\\nand Sunday. The best plan then is to select Tuesday o^", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0183.jp2"}, "184": {"fulltext": "ii6\\nHOW TO SEE PARIS ALONE\\nThursday for a visit. This hotel, which can be seen from\\nthe Champ-Elysees across the extension of the bridge\\nAlexander III., was built by Napoleon, or at least it was\\nNapoleon who gave it its particular designation, which\\nit still keeps, as an edifice serving as a home for old sol-\\ndiers. Plere also lie the remains of the great Emperor.\\nThe entrance is ornamented by a row of cannon, which\\nare only fired on very important occasions; these are the\\nvery ones which thundered out in honor of the King oi\\nRome. There are three distinct things to be seen iT\\\\ the\\nTHE INVALIDES\\nhotel the museums, properly speaking two in number;\\nthe church, and the tomb of the Emperor. One of these is\\nthe Museum of Artillery. You will find it opposite on th\\nright as you enter the principal door. You will see in the\\ngallery of the Collection of Suits of Armor some belong-\\ning to royal personages, such as Henry II., Charles IX.,\\nHenry IV., Louis XIV. and the Duke of Bourgogne.\\nThese suits of armor are arranged in chronological order,\\nwhile opposite them are the helmets, the shields and the\\ntrappings of the horses. Then in the gallery on the right", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0184.jp2"}, "185": {"fulltext": "HOW 10 SEE PARIS ALONE II7\\nwill be found pieces of artillery dating from the origin\\nof that weapon, and below each a card showing the soun;c\\nof the piece. On the ground floor there is an Oriental hall,\\ncontaming a collection of firearms, dating from the in-\\nvention of gunpowder. In the Cour de la Victoire is to he\\nseen as you go out a Russian cannon taken at Sebastopol;\\nthe old pieces there come from some galleons which were\\nsunk in 1701. The Museum of the Army is opposite the\\nMuseum of Artillery, and is of recent creation. There .s\\nhardly anything in it except some souvenirs of Turenne\\nand of the first Republic. When you are in the large,\\nsquare court, notice the military paintings which cover its\\nwalls. The tomb of the Emperor is closed at 4 o clock\\nexactly; in order to visit it go out of the large court by\\nwhich you entered, turn to the left and behind the batteries\\nof cannon which line the ditch you will find a veteran who\\nwill show you the way. The tomb comprises a circular\\nplatform, from which yon can look down on the sar-\\ncophagus. The pavement is in mosaic and above are writ-\\nten the names of battlefields: Rivoli, Marengo, lena, Wa-\\ngram, Austerlitz. All around the tomb you see the twelve\\nfigures symbolical of the twelve victories of the Emperor;\\nthere also are arranged trophies made of flags taken from\\nthe enemy. In coming out from the tomb you can take\\na look at the Church of the Invalides and go up into the\\ndome.\\nIxNSTITUT.\\nThe Institute, or Place of Reunion of the Immortals, is\\nfound at the end of the Bridge of the Arts, which unites\\nit to the old Louvre. The most interesting thing is to hv\\npresent at a session. This monument contains several\\nmuseums, very interesting, particularly to those fond of\\nnumismatics.\\nHOTEL DE VILLE.\\nIn order to visit I Hotel de Ville it is necessary to be\\nprovided with a special card, which is furnished by the\\nsecretary of I Hotel de Ville itself. This must be asked\\nfor the (lay before. Provided with this card you can pre\\nsent yourself about 2 in the afternoon, the hour noted o:i\\nthe card, under the gate on the left, where a keeper will\\naccompany you (gratuity). He will take you first into a\\nlarge gallery, where are found two groups of marble that\\nare very attractive; then he will take you up into the Hall\\ndes Fetes. Here was given the famous ball offered by the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0185.jp2"}, "186": {"fulltext": "Il8 HOW TO SEE PARIS ALONE\\nCity of Paris to the Russian oi-ficers on the occasion of\\ntheir visit to the cit3^ The ceilings here were decorated\\nby artists of the greatest talent, and the hall is a marvel of\\nrichness and luxury. It is 150 feet long by 40 feet wide;\\nthe ceiling represents Music and Dancing as seen down\\nthrough the ages; Paris inviting the universe to its fes-\\ntivities; flowers, perfumes, and in the vaulted sides of the\\nceiling you will see represented the old provinces of France,\\nwith their names written under them. Thence you will\\ngo into the large dining hall and into the Salon Lobau,\\non the side toward the quay. You will finish your visit by\\nthe South Salon, after having taken a look at the grand\\nstaircase of honor, which generally cannot be visited.\\nCHAMBER OF DEPUTIES.\\nIn this hall, as in the Senate, the most interesting thing\\nis to be present at a session; there is a public gallery, but\\nit is necessary to get in so very early and there is so little\\nroom that it is better to invoke the services of your Consul\\nor your Ambassador to get a card of entry. Besides the\\nlarge hall where the deputies meet, you can, by applying\\nto the keeper, visit the inner halls, of which the most re-\\nmarkable is the Salon de la Paix.\\nSENATE CHAMBER.\\nThe same observations apply to the Senate. If that body\\nis not in session you will easily obtain permission to visit\\nthe large Salon. The Hall of the Pas-Perdus is the best\\nknown; you will be permitted to take a look at the library\\nand your visit will end in the room on the ground floor\\nwhich was occupied by Marie de Medicis.\\nTHE PALACE OF JUSTICE.\\nIn visiting the Palais de Justice one would do well to\\ntake in at the same time the Conciergerie and the Sainte-\\nChapelle. The Palais de Justice is open every day, and one\\ncan go into the room when the court is in session. The\\nmost interesting room is that of the Pas-Perdus. The\\ncriminal branch of the Court of Cassation, where, all the\\ncourts being united, the Dreyfus case was revised, is the\\nhandsomest one in the palace. On the side opposite the\\nCourt of Cassation are the Civil Court Rooms, which ex-\\ntend up to the third story; if you happen to know some\\nlawyer, that is the best way to visit the palace. In the in-\\nterior of the palace the Sainte-Chapelle is located. It can", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0186.jp2"}, "187": {"fulltext": "HOW TO SEE PARIS ALUNE I IQ\\nbe seen eveij day, except Monday and festival days, from\\nII tt) 4. Il is here that the Messe Rouge is celebrated\\nevery year. The Sainte-Chapelle is really composed of two\\nchapels, built one upon the other; the upper communicates\\ndirectly with the court. The interior arrangement of this\\npalace is very complicated. I would suggest to a-sk a\\nkeeper to point out the Sainte-Chapelle, and in front of the\\ndoor of it you will find a man whose duty it is to show it.\\nHe will expect a gratuity. It remains to speak of the\\nConciergerie; this can only be visited by a card of entry,\\nwhich is to be had at the Prefecture of Police; the best\\nway is to write a letter, inclosing a postage stamp for\\nreply, and asking the Director of Prisons for permission\\nto enter, as follows.\\nMonsieur Ic Directeur:\\nJe vous serais tres oblige de vouloir bien me faire par-\\nvenir une carte me pcrmettant de visiter avec X.... (per-\\nsonnes;, la partie historique de la Conciergerie.\\nThe Conciergerie is made up of two parts absolutely\\ndistinct. The historical part is wholly different from that\\none to which visitors are not admitted, and where pris-\\noners of distinction are confined. Provided with your\\ncard of entry, you have only to present yourself before\\nthe massive gate on the quay almost on the corner of the\\nBoulevard du Palais. A keeper will open for you; he will\\nhave you cross the small court, and you will find yourself\\nin the large waiting room; there you will be shown the cell\\nwhich was recently occupied by Deroulede and Marcel\\ntiabert; it is below the level of the ground, feebly lighted\\nduring the day time and at night provided with a small\\njet of gas. which hardly permits the prisoners to read\\nand which allows their keepers to watch them closely\\nthrough the small opening in the door. You will be shown\\nthe cell where were confined Pierre Bonaparte at the time\\nof the death of Victor Noir and the young prince. Duke of\\nOrleans, at the time of the famous Gamelle. The cells\\nformerly occupied by Danton, Camille Desmoulins, Saint-\\nJust, Hebert and General Hoche have been torn down, but\\nthe cell where the unfortunate Marie Antoinette was con-\\nfined is still to be seen. It communicates to-day with the\\ncell of Robespierre, which itself gives access to the Hall\\nof the Girondins. This hall, as well as the cell of the mar-\\ntyr Queen has been turned into the chapel. It was the\\nDuke Decazes who, as Minister of Louis XVIII., ordered\\nthe conversion of this cell of Marie Antionette.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0187.jp2"}, "188": {"fulltext": "", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0188.jp2"}, "189": {"fulltext": "HOW TO SEE PARIS ALONE 121\\nSTOCK EXCHANGE.\\nThe Stock Echange (La Bourse), a structure of hand-\\nsome external appearance, does not keep good its promise\\nas far as concerns its interior. The only time when it is\\nworth seeing is from noon to 3 o clock, when the sales\\nare in progress. In the center you see a part which is\\nreserved for the use of the brokers and which the public\\ncannot enter. Elsewhere in the building admission is free.\\nELYSEE.\\nThere is one more large monument which has not been\\nmentioned, the Palace of the Elysee, the abode of the\\nPresident of the Republic. But in order to visit this a spe-\\ncial authority, very difticult to procure, is needed, and\\nit is only during the season of the balls that those luxuri-\\nous salons can be visited; this can be done if one is invited,\\nan invitation being very easily procured\u00e2\u0080\u0094 simply by ask-\\ning for it.\\nLIBRARIES.\\nParis contains a great number of libraries of various\\nsorts, contributing in one way or anolhcr to education;\\nthere is, however, one library, the Bibliotheque Nationale,\\nwhich is deserving of especial mention. It is situated in\\nthe Rue Richelieu, opposite the square Louvois; in order\\nto go in it is necessary to be provided with a card of\\nentry, either temporary or permanent, which is furnished\\nupon a written demand addressed to the Secretary of the\\nBibliotheque Nationale. This card, however, only gives\\naccess to the working room and to the department of\\nprinted volumes; in order to have access to the manu-\\nscripts especial permission is required. The Bibliotheque\\nNationale contains everything which has been printed\\nin France and even in foreign countries. Besides this\\nlibrary you have the Bibliotheque Mazarine in the Institute\\nand the Bibliotheque Sainte-Genevieve, Place du Pan-\\ntheon. It only remains to mention two special libraries,\\none of the Theatre Francais and the other of the Opera,\\nboth very rich in volumes and manuscripts pertaining to\\nthe stage. Besides the monuments of Paris properly con-\\nsidered, there are a certain number of curiosities which,\\nwithout being public edifices, are yet very interesting; as,\\nfor instance, the Observatory, the Gobelins, the Morgue,\\nthe Catacombs, the Sewers, les HaU.es and the Asylums\\nfor the Insane.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0189.jp2"}, "190": {"fulltext": "122 HOW TO SEE PARIS ALONE\\nOBSERVATORY.\\nL Observatoire can be seen the first Saturday of each\\nmonth; it is necessary to have permission, which can be\\nobtained by a written request, inclosing a postage stamp,\\naddressed to the Director of the Observatory. It is neces-\\nsary to be at the main door at 2 o clock precisely; you will\\nbe permitted to visit the astronomical museum, and you\\ncan look through the large telescopes at the celestial\\nphenomena.\\nGOBELINS.\\nThe factory of the Gobelins contains among other things\\na museum of tapestr} which can be seen on Wednesdays\\nand Saturdays from i to 3. The Gobelins is a National\\nfactory where carpels of great value are made. They are\\ngenerally reproductions of pictures. In the process of\\nmanufacture they will show you different looms, and you\\ncan see them at work, while in the museum you can admire\\na collection of such products as you have just seen in\\nprocess of manufacture, and which go back for hundreds\\nof years.\\nTHE MORGUE.\\nThe Morgue is a place where there are always a great\\nmany inquisitive people. Is it the attraction of death? In\\nany case this establishment was not built to satisfy idle\\ncuriosity, but to serve a public want. Here are kept the\\nbodies of persons found in the public streets or elsewhere\\nwhose domicile is not known or whose identity cannot\\nbe established. Kept in a refrigerating apparatus which\\narrests decomposition and which preserves the integrity\\nof the features, the bodies remain sometimes for weeks in\\nexpectation that some relative or friend or some other\\nperson may recognize or claim them. The Morgue is\\nopen for the public all day long.\\nCATACOMBS.\\nThe Catacombs are a vast field where you can see noth-\\ning but skulls and skeletons; in order to visit them it is\\nnecessary to write, inclosing a postage stamp, to the Di-\\nrector des Travaux, at the Hotel de Ville. Visits are per-\\nmitted the first and third Saturday of each month; one\\nshould apply at 2 o clock Place Denfert Rochereau, and\\nprovide oneself at the door with a candle, which costs 10\\ncents, for this place is underground. Formerly there were\\nquarries here.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0190.jp2"}, "191": {"fulltext": "HOW TO SEE PARIS ALONE 123\\nSEWERS.\\nTo visit the sewers (les Egouts) it is necessary to send\\na written request, with a postage stamp, to the Prefect of\\nthe Seine, mentioning the number of persons; the place\\nand the hour of the visit will be specified on the card\\nThanks to a small railway you can pass through some o\\nthe large sewers which exist underneath Paris. In case of\\nbad weather, the trip does not come of?.\\nHALLES.\\nThe market (Kalles), if one does not object to early ris-\\ning is a very interesthig place in Paris. The arrival of the\\nsupplies for the city at the market (Halles centra es) be-\\ngins about 3 o clock in the morning and ends only when\\nthe fish are sold of? by auction, about 6 o clock.\\nA great many people, after passing an evenmg, go to\\nsome small restaurant in vogue near the market and take\\na small repast while waiting the arrival of that enormous\\ntraffic which makes the circulation of carriages miposs.ble\\nbefore 7 o clock in the morning. There is also a small\\nmarket in each quarter of the city, but these are not to be\\ncompared to the grand market.\\nASYLUMS FOR THE INSANE.\\nFor people of lively emotions a visit to Charenton or la\\nSalpetriere mav be extremely curious. It is necessary for\\nthat purpose to write to one of the directors of the hospital\\nwhich you desire to visit, and provided with that authority\\nto present yourself to the janitor, who will accompany you.\\nr^^^^=r^", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0191.jp2"}, "192": {"fulltext": "CHAPTER VII.\\nAMUSEMENTS AND ENJOYMENTS.\\nI hold that Paris, of all cities, offers most distraction to\\nthe mind and the eye, but the very plethora of pleasure of-\\nfered makes selection difficult, especially for the stranger,\\nwho must be warned not to be taken in by a highfalutin\\nname or a striking poster, nor should he mistake the Am-\\nbigu for the Palais Royal if inclined to see a show that is\\nto laugh, this is to save annoyance to some paterfamilias\\nwho, with his daughter along, happens to be beguiled\\ninto a place devoted to the light-skirted muse, when a\\nmoral spectacle was his goal. To save the traveler from\\nsuch mistakes, which mar his pleasure, I shall proceed as\\nbefore and call his attention in a methodical way to all\\nthe places of anmsement of Paris. I shall describe the\\nfeatures of each and accompany my description with such\\nadvice as may help the traveler to enhance the enjoyment\\nof his visit, and to drink the cup of pleasure without\\nbitter after-taste.\\nTheatres.\\nParis has about twenty-five establishments which are\\ntheatres; that is, places where only plays are performed,\\nbut out of this array there are scarcely more than seven-\\nteen or eighteen which are really considered, as peo-\\nple of standing do not frequent the theatres of the fau-\\nbourgs.\\nAmong the theatres which are worthy of the name, four\\ntake the lead, viz.: The National theatres. Two of these\\nare devoted solely to musical art, while the two others\\nplay only comedies, dramas or tragedies. These two\\nhouses are the temples of the masterpieces of French\\nliterature.\\nTHE COMEDIE-FRANCAISE\\n(Place du Theatre-Frangais.)\\nThe institution of the Comedie-Frangaise dates back to\\n1680. Under Eouis XIV. the two companies of Mo iere", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0192.jp2"}, "193": {"fulltext": "HOW TO SEE PARIS ALONE 12$\\nand of the Hotel de Bourgogne were consolidated. Hence\\nthe name the House of Moliere, though the house is\\nof a more recent origin than the institution, as it dates\\nonly from 1790.\\nThe Comedie-Franqaise comprises within its repertory\\nplay s of the most divergent character. The classical works\\not Moliere. Racine and CorneiUe imerchange with the\\ncomedies of modern Ule depicted by Sardou^ Em.le\\nAugier Alexandre Dumas, Pailleron, Lavedan, Hervieu.\\nThis is the most Hterary theatre of Europe, and its head,\\nMr Jules Claretie, who presides at the deliberatn.ig meet-\\nings of this college of masters in the question of gwing\\naccess to its boards to dramatic works, has been admitted\\nto be one of the Forty Immortals of the French Academy,\\nthe guardian of the beautiful French language, whose\\nsole domain it is to judge of literary merit as sovereign\\n^\u00c2\u00b0But the Comedie-Frangaise is not only the temple of\\nFrench literature and art; it is also a drawing-room or\\nmeeting place of the select, using the epithet in the bes\\nmeaning of the word The elite of French society hll.\\nnightly the boxes before which Talma, Mile. Mars, Sarah\\nBernhardt, played, and while their places on the classic\\nboards are taken now by others, their successors have\\nnothing to envy them. _\\nBefore taking you into the house of Moliere. allow\\nme to give you a few practical hints.\\nThis theatre is always crowded. There is rarely a seat\\nunoccupied when the curtain rises, and it is. therefore,\\nalways well to secure tickets the day before or the day\\nat the booking ofhce of the theatre, in the rue Richelieu,\\nwhere you can always reserve a seat or a box upon pay-\\nment of 2 francs additional to the price. The good seats\\ncost from 8 to 12 francs. Ladies are admitted to all seats,\\nbut they must wear no hats in the orchestra stalls.\\nIf you have not booked your seats beforehand and you\\narrive only at the beginning of the play, you may secvvre\\nseats, if there are any left, at the ofEce at the en ry to the\\ntheatre rue Richelieu, but you should particularly beware\\nof sidewalk ticket sellers, who ofTer here, as well as at all\\ntheatres, their tickets at great premiums over the box\\noffice pHces. and. moreover, these tickets are frequently\\nof some other date, or they may even be counterfeits.\\nIn the orchestra seats and in the boxes French people\\nappear in evening dress. The men wear dress suits, or\\nPr nee Albert at least, and invariably a high hat or opera\\nhat (of course, in the hand); the ladies wear reception", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0193.jp2"}, "194": {"fulltext": "0 V;l;\\nI\\nM. SILVAIN\\nSoci^taire de la Com^die Fran9aise.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0194.jp2"}, "195": {"fulltext": "HOW TO SEE PARIS ALONE 127\\ndress, with or without hats, but the -decolletee gown is\\nnot the style at the Comedie-Frangaise.\\nIf you have followed my advice to secure your seat in\\nadvance, you go m by one of the entries at the Place du\\nTheatre-Frangais, and you present your ticket at the check-\\ning oflicc. where the coupon is taken and you are ushered\\nio vour place.\\nOpposite this checking ollice, on cither side of the lobby\\nthrough which you pass, are the seated marble statues ol\\ntwo French classics who have left their masterpieces to\\nthe world. To the lelt is Corneille, Moliere to the right\\nThe manuscript of the Precieuses Ridicules reposes at\\nMoliere s feet. If you follow the lobby, which runs into\\nthe brilliantly lighted half circle, you f^nd the bust of Pon-\\nsard and further on that of Casimir Delavigne, which\\nstand opposite the busts of A. de Vigny and M. J. Chenier.\\nBefore ascending the double staircase, before which the\\nperistyle opens, a few steps forward, just behind the main\\nticket checking office, you meet three works of the sculp-\\ntor s art which are considered as masterpieces; to the right.\\nMile. Mars, in her role in -The Misanthropist; left. Ra-\\nchel as Phed.e, and at the middle. Talma.\\nNow you pass the main checking office and you are\\nshown to your seat. The few moments before the curtam\\nri.es arc very profitably employed in a survey of the audi-\\ntorium, which is so gracefully arranged. The roomy\\nproscenium boxes to the- left belong to the manager, while\\nthose on the right are reserved for the various Ministries.\\nAfter devoting your attention for a few seconds to the\\ngracefully light chandelier, which illuminates the whole\\ntheatre by itself, you will be attracted by tlie work of\\nMazerolle-s brush on the ceiling, representing France pre-\\nsenting laurel wreaths to Moliere, Corneille and Racme.\\nThree strokes resound and the curtain rises, displaying\\n^uch stage setting of striking reality and exquisite taste\\nas is almost a monopoly of the Comedie-Frangaise. Let\\nnie now make you acquainted with some of the artists\\nwhom vou are about to applaud. While their names are\\nuniversally known, you may, accidentally, not have the\\nadvantage of knowing one or the other, and in that case\\nallow me to advise you to make haste in securing a seat\\nwhen their names appear on the bill, as the advance sales\\nwill be large at the box office and you will regret to have\\nmissed the privilege of admiring those who have right-\\nfully acquired the title of masters of the art theatrical.\\nYou all are familiar with one name. Coquclin Cad.t\\n(Coquelin, Jr.), or familiarly known as Cadet for", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0195.jp2"}, "196": {"fulltext": "M. COQUKLIN CADET\\nSocietaire de la Comedie Fran9aisc", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0196.jp2"}, "197": {"fulltext": "HOW TO SEE PARIS ALONE 120\\nshort. No comedy without him, no laughing success\\nwhere he does not show his jovial, fine-cut features. He\\nhas been called the pet of the Parisians, and they cer-\\ntainly could not bestow their favor to better advantage.\\nWithout him a Moliere. comedy would be hazy and dim.\\n1 1 is talents have brought him as a reward the cross of\\nthe Legion of Honor.\\nPassing from comedy to tragedy, Mr. Mounet-Sully in-\\ncarnates marvellously the roles of Othello, Ruy Bias\\nand the heavy dramatic parts of passion, wrath and fury,\\nwhich need the master s touch and power. In character\\nparts Sylvain claims your applause, an artist of rare talent.\\nWhile his play is not as high-strung as Mounet s, he im-\\nparts rare distinction to his characters, and if you have\\nthe opportunity to see him in Loui XL, you can appre-\\nciate him in a part in which he is perfection personified.\\nWhile speaking of character pieces, we owe mention to\\ncue who has always succeeded in doing marvels with the\\nmost ungrateful parts, Mr. Paul Mounet, brother of Mr.\\nViounet-Sully. Just a word about jovial Feraudy, who\\ns incomparable in playing jolly old gentlemen, and about\\nhe distinguished Lcloir, as the Marquis in the EfYrontes,\\nor in Mile, dc la Seigliere, or in Moliere s L Avare,\\nwhich parts have been triumphs for the artist. We regret\\nthat but too rarely we have the opportunity to applaud Mr.\\nWorms in his representation of heavy fathers, and Mr. Le\\nBragy, who is the very incarnation of the gentleman of\\nfashion.\\nNow let me introduce you to the ladies. First, Mile.\\nBartet, who has acquired the epithet, the Divine, owing\\nto her distinction, her bewitching voice and the perfection\\nwhich she inculcates into all her roles. Mme. Worms-\\nBarretta. the incarnate vision of the sweet, blond young\\ngirl, a poet s dream; then mirth, youth, laughter, a Dres-\\nden Nippes figure. Mile. Muller, the ideal ingenue; fur-\\nther, a model of elegance. Mile. Brandes, who triumphs\\nin roles of passion, vividly impersonating the jealous or\\npassionate woman, always in dreams of the dressmaker s\\nand milliner s art. Of course, we would not omit to in-\\ntroduce you to that charming artist who plays so success-\\nfully the highly dramatic parts of the woman with a\\npost, Mile. M. Louise Marsy. Her success in L Avan-\\nturiere was well merited, and this lady s luck on the\\nturf may add zest to the acquaintance.\\nAfter the curtain is down on the first act you have about\\nten minutes intermission, in which you may pay a visit\\nto the lobby of the public, while you will employ the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0197.jp2"}, "198": {"fulltext": "MLLE. BARTET\\nSocietaire de la Comedie P ran^aise.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0198.jp2"}, "199": {"fulltext": "now TO SEE PARIS ALONE I3I\\nintermission after the next act profitably witli a call at\\nthe artists lobby, or greenroom.\\nTHE LOBBY OF THE PUBLIC*(i)\\nFrom the auditorium you go to the tirst floor (balcony\\nstalls and boxes), where a wide entrance, hung with red\\nand gold draperies, leads to the landing of the grand\\nmarble staircase. You see two doors with mirrors on\\neach side. One. the artists door, is closed and guarded\\nby a doorman; the other, opposite, is open and gives ac-\\ncess to the public lobby. At the side of each door is a statue;\\nthe statue of Comedy stands at the artists door and Trag-\\nedy at the door of the public lobby. At tlve foot of the\\nstaircase is the little ladies sitting room, in front of which,\\nin the middle, stand the busts of Emile Augier and\\nAlexandre Dumas, fils. This is only a landing, as the\\nstaircase divides and lands into the peristyle, from where\\nyou arrived. At the top of the two stairs and alongside\\nof the busts in the middle are arranged the bust of Musset,\\nto the right, opposite Balzac s bust; to the left and at\\nthe foot of the stairs are the busts of Dumas pere, Diderot\\nand Ducis, to the left, and Dumas fils and Alme. de Girar-\\ndin to the left.\\nWe return to the lobby by the door opposite the artists\\ngreenroom door. The first feature striking you on enter-\\ning into the grand salon is an enormous marble sculpture\\nby Houdon. The master s chisel has attained perfection,\\nand in this mask, full of fine satire and satirical finesse,\\neverybody will recognize the overpoweringly lifelike fea-\\ntures of Voltaire. This statue is flanked by two busts.\\nOne of them represents Voltaire at a younger epoch, the\\nother Racine. At the rear of the lobby a vast white marble\\n*(i) Just while this volume was under press the Come-\\ndie-Frangaise has become the prey of the devouring ele-\\nment of fire. The house of IMoliere, the ever welcome\\nhoine of everything literary, is no more! The world at\\nlarge and the author in particular, who is indebted to\\nthe Manager for so many prdofs of good-will have heard\\nwith awe of the terrible catastrophe which has demanded\\nas a victim one of the youngest and prettiest women of\\nthe illustrious troupe. At the present we may hope,\\nthough, that within a short time the Comedie will have\\nrisen from the ashes, in a manner, as it lives in the\\nmemories of our youth, and we have, therefore, preferred\\nto maintain this chapter, which, at least, depicts the Come-\\ndie as it was before the catastrophe and as it will be re-\\nbuilt.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0199.jp2"}, "200": {"fulltext": "MLLE. BRANDES\\nSocietaire de la Com^die Fran9aise.\\n/U^^/J^^^^-^-^^^^^", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0200.jp2"}, "201": {"fulltext": "HOW TO SEE TARIS ALONE 133\\nchimney occupies ilie greater part of the wainscot.\\nOver the chimney is carved a woman wearing the\\nPhrygian cap; the middle bears a large bas-relief rep-\\nresenting the crowning of Aloliere by the artists of the\\nComedie-Francaise, as it takes place every year on\\nMoliere s birthday after the performance of the Malade\\nImaginaire, every party wearing the costume of the play.\\nThe ceiling is also worthy of more than a cursory glance;\\nit represents a woman (Comedy) illuminating the world.\\nAll around the hall are the busts of authors. These\\nare arranged facing each other, two by two, right and\\nleft, in the following manner: Rotrou, Regnard, Thomas\\nCorneille, Destouches, Crebillon, Piron, Nivelle de la\\nChaussee, Riviere, du Freny. On the side opposite the\\ndoor, through which you entered, a long lobby stretches.\\nAt the end we see a large work in marble by J. Clesinger,\\nrepresenting Georges Sand, and this corridor contains,\\nfurthermore, the busts of Carton d Ancourt, Le Sage, J.\\nB. Rousseau, Marivaux, Sedaine, du Belloy, Beaumar-\\nchais. Scribe, Sandeau.\\nThe artists lobby, the greenroom, is not public, and\\nthe doorman will only open it for the bearers of a pass\\nfrom the Manager, or for such persons as one of the artists\\npresent has invited to call.\\nIn winter this greenroom is a veritable salon. On Tues-\\ndays and Thursdays in particular, these being subscription\\ndays, this greenroom is the rendezvous of all notabilities\\nof Paris.\\nYou pass at first into a long gallery lined all along\\nwith busts and paintings; many pictures represent some\\nscene from the repertory of the Comedie. Two doors\\nface each other at the middle of the gallery; the door to\\nthe right leads to the stairs for the dressing-rooms of the\\nartists, the other to the stage. At the end the gallery\\nbreaks to the right and leads to the greenroom proper,\\nwhile passing through the little parody lobby, a curiosity\\nitself. Near the door to the grand lobby another outlet\\nleads on the right to the Administration landing, where\\nwe find a superb portrait of Rachel by Gerome, flanked by\\nbusts of Quinault and La Fontaine.\\nThe walls of the grand lobby are entirely covered with\\nlarge paintings, portraits of members (societaires) since a\\nlong series of years. In the right corner is a very curious\\npicture, in which all artists are depicted in theatrical cos-\\ntume. In the centre thrones Mile. Mars, and the narrie\\nof every artist in the canvas is inscribed on the frame. At\\nthe side of this canvas, between the busts of Samson and", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0201.jp2"}, "202": {"fulltext": "MLLE. YAHNE\\nOJeon.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0202.jp2"}, "203": {"fulltext": "HOW TO SEE PARIS ALONE 135\\nProvost, is the statue of Didier Scveste, of the Comedie-\\nFranqaise, who was mortally wounded at Buzenval on\\nJanuary 19th, 1871\\nOpposite the entrance door is a table with a show-case\\ncontaining the Comedie s relics, as well as two books (form-\\nerly the property of Miss Mars and Miss Rachel), some\\ncrowns, medallions and medals, the whole of a great value.\\nTHE ODEON (PLACE DE L ODEON).\\nIn this instance I shall not reiterate the practical hints\\ngiven on the head of the Comedie-Frangaise. It is al-\\nways well to secure theatre seats in advance. In the\\nNational theatres (those supported by the Government)\\ndress-suits or Prince Alberts are required, and ladies are\\nnot allowed to wear hats in the orchestra seats.\\nThe Odeon is the second Theatre-Frangais. Its reper-\\ntory is almost the same as at the Comedie-Frangaise, with\\nsome preponderance of the classics. For the artists the\\nOdeon is generally the antechamber and stepping-stone\\nto the Comedie-Frangaise, but at times this theatre en-\\ngages at princely yearly salaries artists of great renown.\\nThus Mile. Yahne has given this year performances which\\nattracted tout Paris. Its boards were formerly the\\nscene of triumph of that incomparable artist, Rejanc, who\\nhas gained the admiration of the world at large. t(i)\\nThe Lyrical National Tlieatres.\\nTHE OPERA (PLACE DE L OPERA).\\nAs the Theatre-Frangais is the first dramatic theatre\\nof the world, the Opera bears rightfully the rank of the\\nfirst musical stage. Its public consists in the main of\\nsubscribers, and they affect a style of arriving by the\\nmiddle of the performance and quitting before the fall of\\nthe curtain. The stranger will certainly not follow their\\nexample, because even if he should not be musical, he\\nwould never be sorry for an evening passed among the\\ngorgeous setting, the finest singers of the universe and\\nthe elegant crowd of the audience.\\nAlthough there may be a chance to find seats when the\\ncurtain rises, you should take no chances and engage\\nseats two or three days in advance at the box office, Place\\nde rOpera, corner of Rue Auber.\\nfUJ Provisionally the Comedie-Frangaise has been\\ntransferred to the Odeon.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0203.jp2"}, "204": {"fulltext": "y\\nMLLE. ACKTE\\nOpera", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0204.jp2"}, "205": {"fulltext": "HOW TO SEE PARIS ALONE\\n137\\nPrices of seats (in francs):\\nAdvance. Box\\nPit (parterre) 7\\nOrchestra scats 16 14\\nAmphitheatre seats 16 15\\nProscenium boxes, seats 17 15\\nSide boxes, seats 16 14\\nFirst balcony, side boxes, seats.. 19 17\\nFirst balcony, front boxes, seats. 19 17\\nFirst balcony, side boxes, seats.. 17 15\\nSecond balcony, proscenium 16 14\\nSecond balcony, front boxes, seats 16 14\\nSecond balcony, side boxes, seats 12 lO\\nThird balcony, proscenium 7 5\\nThird balcony, front boxes, seats 10 S\\nThird balcony, side boxes, seats. 7 5\\nFourth balcony, proscenium.... 3 2\\nFourth balc ny, amphitheatre seats 3 2\\nfourth balcony, front boxes, seats 5 3\\nOffice.\\n7\\nLOBBY OF THE OPERA\\nThe most desirable places for a visit to the Opera in\\ncompany of a lady are the amphitheatre seats. Gentle-\\nmen by themselves prefer the orchestra and they like to\\navoid the neighborhood of the brass instruments and\\ntheir din and noise. There are also stage-boxes, from\\nwhich you can see the whole stage business of scenery\\nsetting and shifting after the fall of the curtain.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0205.jp2"}, "206": {"fulltext": "MLLE. CLEO DE MERODE\\nde rOp^ra.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0206.jp2"}, "207": {"fulltext": "now TO SEE TARIS ALONE I 39\\nAssuming that you have secured your seats in advance,\\nwe shall now enter this palace of marvels known as the\\nOpera. Oi course you wear your dress suit, and ladies\\nare in evening dress (no hat).\\nThe Opera was built by Architect Gamier; it was fin-\\nished ill 1S74.\\nSupposing that you arrive in a cab, your conveyance\\nwill stop on the Place de I Opera at the foot of the steps\\nleading to the peristyle.\\nIf you arrived in a private turnout you stop at the\\nrear entrance on Rue Meyerbeer. Be very precise in your\\norders to the coachman, when and where to be at hand\\nfor the return trip, or else you would risk to have a long\\nwait in the crowd of private carriages.\\nAfter passing through one of the double glass doors\\nleading into the theatre we are in front of the monu-\\nmental staircase, at each side of which is a control. This\\ngrand staircase, which is considered a marvel, leads us\\ndirectly to the orchestra, and amphitheatre stalls form a\\nvast circular gallery which runs all around the orchestra,\\namphitheatre and pit.\\nBefore entering the gallery leading to your seat,\\nturn around for a moment and gaze at these thirty marble\\ncolumns which reach from the first floor to the third and\\nsupport the ceiling with its fresco decorations by Pils.\\nThe decorations represent the Gods of Olympus, Apollo\\non his chariot, the Edification of the Opera and the\\nTriumph of Harmony.\\nOn the upper floor, where the two marble staircases\\nmeet after dividing from the orchestra on the grand stair-\\ncase, we find the first balcony boxes, which are on a level\\nwith the grand lobby and which you can see just in front\\nat the top of the staircase.\\nAnd now you hand your coupon to one of the numerous\\ndoor openers (women) in the circular lobby, and she will\\nshow you to the vestiary, where you leave your cloak and\\nreceive a small numbered card to serve as your check\\nwhen leaving (tip 15 to 20 sous). After being seated you\\ncan admire at ease the grandeur and beauty of the audi-\\ntorium. The ceiling, by Lenepven, representing the hours\\nof the day and night, always hnds the strongest admira-\\ntion, which is shared by the grand chandelier which illu-\\nminates this vast space.\\nIf you f^nd yourself in company of a subscriber (who\\nalone is entitled to access to the stage), you may accom-\\npanv him to the dancers lobby or greenroom, which is\\njust behind the stage off the auditorium. There, be-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0207.jp2"}, "208": {"fulltext": "M.LLE. CHARLOTTE WYNS\\nOpera Comique.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0208.jp2"}, "209": {"fulltext": "HOW TO SEE PARIS ALONE I4I\\nsides the bevy of all-enchanting dancers, among whom\\nMiles. Zambelli and Cleo de Merode may be mentioned as\\nfeatures, you will have occasion to admire the enormous\\nmirror at the rear; it is ten metres high. Furthermore,\\nthe four panels by Boulanger, representing the celebrities\\nof the dance, claim your attention. As we are on the\\nstage, let me name you the principal artists: Messrs.\\nAffre. Auguez, Alvarez, Renaud, and the ladies Breval,\\nAckte, Lucas.\\nWhen you leave the opera take the grand staircase to\\nthe control, instead of going out by the Place de I Opera,\\ndescend the few steps opposite the exit to the place, and\\nyou will be under the staircase, in the subscribers pavi-\\nlion, in front of a basin where rises Marcello s bronze\\nPythoness. A little further on you find Delaplanche s\\nmarble sculpture, the Incarnation of Music.\\nMaking your exit on the Rue Meyerbeer, you find the\\ncarnages waiting.\\nTHE OPERA-COMIQUE.\\nThis beautiful theatre of the Place Boi eldieu, which was\\nfinished during the year 1898, and inaugurated on the 7th\\nof December of that year, occupies exactly the place of\\nthe old building, which was destroyed by the terrible\\ncatastrophe, the memory of which is ineffaceable. But the\\nhouse is much changed now. Gold and marble adorn\\nthe vast lobbies, and the numerous staircases and wide\\nperistyles offer safety against the repetition of the mis-\\nfortune which befell the old house.\\nBefore entering, let me repeat my recommendation to\\nsecure your seats in advance, here as everywhere, princi-\\npally during exhibition times. At the box office in the\\nRue Mari\\\\aux ou will find the advance sale office. Thurs-\\ndays and Saturdays dress suits for men and evening dress\\nlor ladies (not decolletee) are prescribed. Our seats are\\nengaged and we enter from the Place Boieldieu. Just\\nbefore you, under a vast peristyle, opens the grand stair-\\ncase which ascends behind the two checking offices. To\\nihe right and left are two large stairs leading to the first\\nbalcony boxes. The few steps descending at each side of\\nthe central staircase lead to a vv ide open space, which lets\\nout on the one side into the Rue Marivaux and on the\\nother side into the Rue Favart. We ascend the centra!\\nstaircase and observe the six beautiful columns which\\ncarry the building. This staircase takes us to the orches-\\ntra. If we take the stairs to the right or left, we find", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0209.jp2"}, "210": {"fulltext": "M. LUCIEN FUGERE\\nOp6ra Comique.\\n(^^^fi^^\\n4;^\u00c2\u00ab^^", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0210.jp2"}, "211": {"fulltext": "HOW TO SEE PARIS ALONE 143\\nat the foot ol the fornici a statue representing the tragic\\ngenius which at times pervades the Opera-Comique, and\\nat the foot of the other stairs we see a Uiughing and\\nHght-skirted woman leadmg a wolf, a symbol of the gaiety\\nwith which Gallic art is imbued.\\nThe beautiful work in wrought iron and gold of the\\nbalusters and the pillars in rose, white and gray marble\\ndeserves our attention. The great entrance to the orches-\\ntra, opposite the grand staircase, is flanked by two of\\nthese columns; right and left are two well managed ves-\\ntiaries.\\nWe descend one of the two small stairs provided to the\\nright and left, and we reach the peristyle of the first\\nfloor. We arrive at the hall, which precedes the lobby,\\ninto which the two stairs from the ground floor land. The\\nstairs to the right lead to a vestibule decorated with works\\nof Flameng s brush. On one side we see Athens and its\\nAcropolis as a background for the antique chorus, the\\nsacred origin of our songs, which, from sacred chants, be-\\ncame worldly. The other side is devoted to modern\\nchoreography. On a background of mountains, on the\\nshore of an Alpine lake, we see the light platform where\\nour ballet dances. The left hand staircase landing is\\ndecorated with paintings by Merson. He depicts in a\\npurely rural scene the harmonies of nature gently touch-\\ning with light breath a nymph asleep, whom the ever-\\nwatchful Faun guards with eager eye. In another more\\nreal landscape the artist shows us a pretty mediaeval scene,\\na chorus of that period singing some ancient lay while\\ndancing around a fountain.\\nTlie gallery, which serves as vestibule for the lobby, is\\ndecorated by the allegorical representations of Comedy,\\nSong. Dance and Music. We glance admiringly at the\\ntwo gilt balconies which issue on this vestibule; we look\\nfor a moment at the mosaics and the marble portico, and\\nwe enter the lobby.\\nTwo doors admit you, and opposite we see at once the\\nthree window-doors opening on an immense stone bal-\\ncony, which we saw at the facade of the house. Place Boiel-\\ndieu. Standing at one of these window-doors, we look up\\nto the ceiling adorned with painted allegories of all em-\\nblems and symbols of the niany arts concurring in bring-\\ning out to bloom the fair flower of Comic Opera. Oppo-\\nsite from us, over the three doors, a great composition by\\nMaignan attracts us. Music and Poesy, in a vast horizon\\nshowing to the left a village scene from one of our best\\nknown comic operas, and on the right another scene from", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0211.jp2"}, "212": {"fulltext": "MME. JANE HADING\\nGymnase.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0212.jp2"}, "213": {"fulltext": "HOW TO SEE PARIS ALONE I45\\na comic opera, but by contrast the performers are all clad\\nin the silken costumes of the city. This great canvas is\\nsurrounded by a series of medallions representing in pro-\\nrile the masters whose works have shed glory on the house:\\nScribe, Sedaine, Favart, David, Masse, Delibcs, Mr. Car-\\nvalho and others. Now turn to the right and you will\\ncertainly be charmed with the delightful decoration of the\\nbeautiful marble and gold carved portico leading to the\\nbufYet. This panel is by Gervex. It represents a street\\nin some old town, where the classic scenes of pantomime,\\nwith Pantalon and Manon to the left and Columbine,\\nPierrot and Harlequin to the right, perform their grace-\\nful art with consummate skill.\\nStarting into the buffet, or refreshment room, as we\\nmay call it, we may glance at the paintings of Toudouze.\\nscenes of the Middle Ages, enlivened with decorative\\nmotives.\\nWe pass again through the full length of the lobby and\\nwe arrive at a charming little salon finished entirely in\\nwhite enamel. This delightful little place is adorned by\\ncountry scenes, into which Collin has instilled that float-\\ning vagueness of harmonies in nature which inspire the\\npoet s and the artist s soul. Here, as at the buffet, do not\\nfail to look into the mirror to obtain a full view of the\\nprincipal composition. You will find in the mirror the\\nperspective, which the spectator cannot obtain directly on\\naccount of the smallness of the place.\\nIt would be carrying coals to Newcastle to dwell upon\\nthe importance of the Opera-Comique for Paris. Every-\\nbody knows that comic opera enjoys in Paris a position\\nwhich no other capital yields to it in such a measure. In\\nreturn Paris demands the acme of perfection and gets it.\\nStrangers are always desirous to enjoy these perform-\\nances, which have become almost classical by tradition,\\nthe care devoted to their preparation, and the excellence\\nof the artists, such as Mr. Lucien Fugere, Mme. Char-\\nlotte Wyns, whose portrait we present to our readers.\\nThese artists are but specimens of a company in which\\nexcellence, mastery, zeal and artistic superiority are ac-\\ncepted conditions.\\nNext in line after the National Theatres come the so-\\ncalled Boulevard Theatres. We mention at the top of the\\nlist the two theatres which are pre-eminently frequented\\nby the beau monde, the Vaudeville and the Gymnase.\\nThese theatres were combined up to June, 1899. under the\\nmanagement of Messrs. Chautard and Porel, but they\\nare run independently now.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0213.jp2"}, "214": {"fulltext": "-sTsm^l\\nMME. REJANE (VAUDEVILLE)", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0214.jp2"}, "215": {"fulltext": "HOW TO SEE PARIS ALONE 147\\nTHE GYxMNASE (BOULEVARD BONNE-NOU-\\nVELLE.\\nThis was called formerly the Theatre de Madame, and\\nsomehow it has kept the aristocratic mien of the olden\\ndays. It is par excellence the theatre of the chic\\nworld. You see the people as if they had stepped out of a\\nbandbox, and the same styles prevail as at the Comedie-\\nFrangaise.\\nThe Gymnase has been the birthplace of many re-\\nsounding reputations. It was the cradle of the popularity\\nof a Scribe, a Dumas fils, a Sardou, a Meilhac, of Claretie,\\nof Daudet. I cannot say much of the company at this\\nmoment, as I do not know how it will be composed, but\\nI have been assured that Huguenet, who has achieved such\\nbrilliant triumph in Marraine, will remain the main-\\nstay of the new company, and that j\\\\Ille. Yahne would\\ncome, too, from the Odeon.\\nIt is certain, therefore, that the ensemble will not be in-\\nferior to that which has achieved runs of plays by the\\nhundred nights on the boards of the Gymnase. *(i)\\nTHE VAUDEVILLE (BOULEVARD DES CAPU-\\nCINES.\\nAt the head of the Vaudeville two names attract us at\\nonce as a guaranty of success: First, the director s, Mr.\\nPorel, with twenty years theatrical experience and al-\\nways growing success in the alternate management of the\\nOdeon, the Gymnase, and the Vaudeville for the last three\\nyears; and, by the side of him, that powerful artist known\\nand admired in both worlds, the heroine of Madame San^-\\nGene, Amoureuse, Lysistrata, Mme. Rejane, whose\\nname and fame echo in every country. In her company\\nwe find such names as: Mmes. Cecile Caron, Avril, etc.,\\nand Messrs. Lerand. Numes, Gauthier.\\nTHE VARIETES (BOULEVARD MONTMARTRE).\\nHere we leave behind us absolutely the serious character\\npiece or drama. We enter upon the field of the worldly,\\nthe gay world of the gayest city of the world. If you\\nleave prudish ideas at the door and wish to enjoy a hearty\\nlaugh at plays and situations that are to laugh, even if\\n*(i)The Odeon is provisionally transferred to the Gym-\\nnase, as the Coniedie-Franqaise was transferred provi.s-\\nionally to the Odeon.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0215.jp2"}, "216": {"fulltext": "MLLE. LENDER\\nVari^t6s", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0216.jp2"}, "217": {"fulltext": "HOW TO SEE PARIS ALONE 1 49\\nthey are slightly yellow, you will be indebted to the\\nVarietes for a pleasant evening. At this theatre the jol-\\nliest, liveliest and most rollicking creations interchange\\nwith the sprucest, nimblest and cleverest reviews and ex-\\ntravaganzas, wherein the eye celebrates a carnival of kaleid-\\noscopic enjoyment, feasting on pretty faces and revealing\\ncostumes, as this theatre glories in the most delightful\\ncomediennes and the prettiest girls of Paris. Just a few\\nnames at haphazard: Jeanne Granier, Lucy Gerard, Mar-\\ncelle Lender, Lavalliere, Gallois, Emilienne d Alen^on,\\nSuzanne Derval. etc.. etc.. supported by such comics of\\nold established fame as Baron, Brasseur, Lassouche, Guy,\\nPrince. Emile Petit, etc., etc.\\nTHE PORTE SAINT-MARTIN (BOULEVARD\\nSAINT-MARTIN).\\nEverybody has heard the name of this theatre in the last\\ntwo years, where Coquelin rules m both capacities of di-\\nrector and actor, and where he gave to the world his im-\\nmorlal creation of Cyrano de Bergerac.\\nThis theatre has played La Tosca with Sarah Bern-\\nhardt, then spectacular plays of Jules Verne, like Around\\nthe World in Eighty Days, etc., and it devotes itself now,\\nwith Coquelin, Sr., at its head, almost exclusively to the\\ndrama, often to historical pieces, but always offering\\nthrilling interest in plays of passion and loiuance, which,\\nit is needless to say, are performed in a manner that is\\nthe pinnacle of perfection. Coquelin s son, Jean Coquelin,\\nsupports his father, and it happens that the son takes the\\nfather s part in a play quite suddenly when occasion of-\\nfers, and he always proves a true chip of the old block,\\nthough it is no easy matter to compete successfully with\\nthe creator of a part on his own ground, but the case of\\nCoquelin vs, Coquelin is fought on strictly meritorious\\ngrounds.\\nTHE AMBIGU.\\nWhile on the subject of the drama, we will speak right\\nnow of this theatre, which, makes a specialty of it, or,\\nrather, melodrama. If yoti like a good cry you will get it\\nto your heart s content at this place. The Ambigu has\\ncultivated the specialty of the popular drama, and it prides\\nitself on the magnificence of the costumes and settings.\\nEven if you only wish to enjoy a feast of color and mag\\nnificence, a visit will amply pay you.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0217.jp2"}, "218": {"fulltext": "M. COQUELIN\\nC- Co\\n1", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0218.jp2"}, "219": {"fulltext": "HOW TO SEE PARIS ALONE I 5\\nTHE THEATRE DE LA REPUBLIQUE.\\nTHEATRE LYRIQUE.\\n(Place de la Republique.)\\nThe management and the company of the lyric theatre\\nof the Renaissance have transplanted themselves to this\\nhouse, where they continue their artistic performances of\\nold style comic operas with such singers as Mr. Soulacroix\\nand Mile. Parentani. The excellent orchestra is under the\\nbaton of Mr. Jules Dambe.\\nAnd now let us pass to the gay theatres, the true Paris-\\nian and Boulevard houses, where we can go without the\\nrigors of evening dress, just as we come from a well en-\\njoyed dinner ready for a good laugh for the two hours of\\nthe play, where the jolly mummers make you forget the\\noutside world and make you a better man. as a laughmg\\nman knows no harm.\\nTHE THEATRE DE LA RENAISSANCE.\\n(Boulevard Saint-Martin.)\\nThis theatre is a neighbor of the Porte Saint-Martin.\\nAfter many changes it became, up to two years ago. the\\nTheatre Sarah Bernhardt; then it was called the Theatre\\nLyrique and now it is the home of operetta, under the\\ndirection of Lagoanere and Biana Duhamel, where such\\nartists as Messrs. Smaon Max, Piccaluga. WolfY and Mmes.\\nBiana Duhamel. de Ternoy. M. Dufay, etc., offer always\\na guaranty of a strong, artistic, enjoyable and even mem-\\norable performance. Mme. Biana Duhamel merits your\\nspecial admiration. While her personal charms will cap-\\ntivate the public easily, this artist needs certainly not to\\ndepend upon the charm of personal appearance only. Art.\\ntemperament and a beautiful, thoroughly well trained voice\\nmake a combination which is rarely equaled, but never ex-\\ncelled If you add to this already unconquerable array of\\nstrong points, brilliant costumes and that gift of the gods,\\nuue Parisian chic and vivacity, it becomes almost an\\nembarras de richesse.\\nTHE NOUVEAUTES.\\nThis theatre is just amid the boulevard, and you will\\nhave to secure your seats always in advance. Mr Michaud\\nhas been very lucky for a few years in striking only\\nroaring successes. His plays enjoy runs of_ 200 to 300\\nperformances, as -The Girl from Maxim s. which has\\nbeen played for more than six months at the time of this\\nwriting.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0219.jp2"}, "220": {"fulltext": "MME. CASSIVE\\nNouveaut^s", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0220.jp2"}, "221": {"fulltext": "HOW TO SEE PARIS ALONE 153\\nThe company consists of Messrs. Germain. Colombey,\\nTorin, Landrin. Coquet, etc., and Mnies. Cassive, Burty,\\nCavell, iMaurel, etc.. etc. This troup gives every night\\nby nine o clock a jolly, rollicking and rather catchy per-\\nformance, the plays being light, of thoroughly Parisian\\nhue, and if ou do not know what to do with yourself for\\nthe evening, when you are on the boulevard, follow the\\nParisians and buy two hours worth of laughter and jollity\\nat the box ofifice of the Nouveautes.\\nTHE BOUFFES PARISIENS.\\nThis is a family theatre near the boulevard, from where\\nit can be seen. Its domain is comic operas, operas boufifes\\nand operettas. Here such celebrated successes as Mas-\\ncotte and Miss Helyett were performed, and in former\\ndays it was the home of Offenbach s hilarious hits. The\\ncompany consists this year of Messrs. Jean Perier, Reg-\\nnard, Brunais, Maurice Lamy, etc., and Mmes. Mariette\\nSully, Tarial-Bauge, Alice Bonheur, Leonie Laporte, Vig-\\nouroux, elc.\\nFOLIES DRAMATIQUES.\\n(Rue de Bondy, Place de la Republique.)\\nAfter referring to this theatre, where the most success-\\nful operettas had their run, such as La Fille de Madame\\nAngot, Les Cloches de Corneville (the Chimes of\\nNormandy Les 28 Jours de Clariette, and which,\\nsince a few months, has started upon a new life as a\\npopular lyric theatre at popular prices under the manage-\\nment of Mr. Campo-Cassae, we have finished with the\\nboulevard theatres proper. But there still remain four big\\ntheatres to be mentioned which, while not on the boule-\\nvards, yet belong in the category of the great Paris\\ntheatres. Honor to whom honor is due. Let us mention\\na name to conjure with, a name which no stranger ig-\\nnores, that of the great artist who personally manages the\\nTHEATRE SARAH-BERNHARDT.\\n(Place du Chatelet.)\\nAfter several years performances at the Renaissance,\\nwhich she had chosen, Sarah Bernhardt has planted her\\nvictorious standard since last year at this house, where all\\nstrangers within the gates of the City of Splendor, who have\\nseen Sarah Bernhardt at their home, will want to see her\\nat her home. Besides the new pieces which she brings out\\nwith a company chosen by her with the eye of an artist", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0221.jp2"}, "222": {"fulltext": "MLLE. BIANA DUHAMEL\\nDirectress of the Th^tre de la Renaissance.", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0222.jp2"}, "223": {"fulltext": "HOW TO SEE PARIS ALONE 155\\nand directress, Sarah Bernhardt will play regularly her\\nrepertory, and when she appears, as she did about three\\nmonths ago, in La Dame aux Camelias Camille\\nshe revives the triumphs of old and proves, as ever, her\\ntrue title to the laurels of the tragedienne. This year\\nshe plays L Aiglon, by the celebrated author of Cyrano\\nde Bergerac Rostand. One of the curiosities of the\\ntheatre is the decoration of the auditorium in ivory and\\ngold, the work of the great artist herself.\\nCHATELET.\\nThis theatre, located opposite the former, plays a quite\\ndifterent line. It has been the cradle of spectacular plays,\\nas Michel StrogotT, Around the World, Poudre de\\nPerlinpinpin, Robinson Crusoe. You must not look\\nthere for great emotions. If you want to feast your eyes,\\nor if you want to see the wonders of stage mechanism\\nhich make the most incredible marvels an almost tangi-\\njle reality, you will be amply rewarded by a visit. It is a\\nparadise for the children and a joy to their elders. The\\nspectacular holds sway in this vast theatre, where you may\\ntake children and young girls without hesitation. The\\ngigantic masses, the sumptuous stage decorations, the\\npomp of costumes and the glitter and glamour of the\\nmarvelous bewitch and bewilder. Mme. Marguerite\\nUgalde is the charming particular star of the Chatelet.\\nGAIETE.\\nThis theatre is run on somewhat similar lines as the\\nformer, only here the spectacular is combined with oper-\\netta, and the chansonette and the topical song play a much\\nmore prominent part. The orchestra is first class.\\nWe cannot close our list of the principal theatres without\\nreferring to the one which, while ofif the beaten path, is one\\nof the most enjoyable.\\nTHE PALAIS ROYAL (RUE MONTPENSIER).\\nThere the celebrated Dejazet played, and it is certainly\\nthe gayest theatre of Paris. Here we have a quickfire of\\njollity, and though the frolic may be a little ofT color\\nat times, it will never be rude nor lack spirit. While\\nMrs. Grundy gets more than a dig in the ribs, everything\\nis done with so much drollery by artists like Messrs.\\nRaimond, Boisselot, Lanny and Mmes. Theirel, Legrand,\\nthat you cannot reproach yourself. You will laugh and for-\\ngive, as a laughing man can t be angry.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0223.jp2"}, "224": {"fulltext": "MME. MARGUERITE UGALDE", "height": "2938", "width": "1537", "jp2-path": "parisexposition101kr_0224.jp2"}, "225": {"fulltext": "now TO SEE PARIS ALONE 157\\nBesides the principal theatres there are the so-called\\nlittle theatres which are nearly always crowded. There\\n30U may also enjoy a good laugh, but the plays are often\\nmure than off color. For instance, the Dejazet, Boule-\\nvaid du Temple, plays the gross farces, comedies of error,\\netc., while\\nCLUNY (SQUARE DE CLUNY).\\nwhich played the famous piece, which has been around\\nthe world, Trois Femmes Pour un Alari, is the pet\\niheatre of the students, who are not readily shocked.\\nMoreover, Paris has any quantity of small halls and thea-\\ntres in the various quarters, and space does not allow me\\nto mention them here. I shall only mention two little\\nhalls, because they are particularly freciuented by the select\\npublic.\\nATHExNEE-COMIQUE.\\nThis is a very neat theatre, in the Rue Boudreau, where\\nthe director brings out comedies and vaudevilles written\\nmostly by young authors, whom he pilots to success. This\\nlittle house is but a hundred yards from the Opera.\\nTHEATRE-ANTOINE.\\nThis IS strictly devoted to young authors and to the\\nmaterialistic school. The director, Antoine, who is him-\\nself an actor, has earned an enviable reptitation by the\\nsuccess of his special method and his acting.\\nIn conclusion I must not omit to mention the Theatre\\nd Application (18 Rue Saint-Lazare). where classical per-\\nformances are given by the pupils of the Conservatory.\\nBesides lectures are delivered by foremost men of letters\\non dramatic issues, and these lectures are illustrated by\\ngreat Paris artists, who recite or play fragments of the\\nplays lectured upon. Moreover, this theatre arranges fre-\\nquent exhibits in the galleries.\\nConcerts.\\nWhat has been said of theatres is valid of concerts as\\nwell. Paris has concerts in plenty, but there are three reg-\\nular concerts which count as regular occurrences with the\\n\u00e2\u0080\u00a2reat musical public of Paris.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0225.jp2"}, "226": {"fulltext": "158 HOW TO SEE PARIS ALONE\\nTHE CONCERTS OF THE CONSERVATORY\\nTake place every Sunday from November to April in the\\nauditorium of the Conservatory. Under the direction oi\\nthe orchestra leader, Taffanel, classical music is executed\\nin a perfect manner, Beethoven s symphonic immortal\\ncreations taking a favorite rank with both artists and pub-\\nlic. On the evening of Good Friday a sacred concert is\\ngiven, which is strongly frequented. The public at these\\nconcerts consist almost exclusively of subscribers, but seats\\ncan be had before the concert (at 1.30 p. m.) at the janitor s\\nof the Conservatory, 2 Rue du Conservatoire.\\nCONCERTS COLONNE.\\nThey bear this name after the orchestra leader and\\ndirector.\\nThese concerts take place from October to April\\ninclusive:\\n1. At the Theatre du Chatelet, on Sundays from 2 to 5\\np. m. Symphony music, soloist and chorus. Ordinary\\nprices of seats vary from 10 francs to i franc.\\n2. At the Nouveau-Theatre, 15 Rue Blanche, on Thurs-\\ndays, from 3 to 5 p. m. Music of smaller scope than per-\\nformed at the Chatelet. The programme is divided into\\ntwo parts, old and new music. Price of seats from 6 francs\\nto I franc.\\nThe Colonne concerts ofifer a truly royal artistic treat to\\nmusic lovers on account of their perfection of execution\\nand their variety of programme.\\nCONCERTS LAMOUREUX.\\nThe Societe des Concerts Lamoureux gives every Sun-\\nday at 2.30 p. m. and often Thursdays at 4 p. m., from Oc-\\ntober to May, a concert, in wkich the classics are rendered\\nin a thoroughly perfect manner. These concerts take place\\nat the Theatre de la Republique. Since the death of Mr.\\nLamoureux his son-in-law, Mr. Chevillard, has assurned\\nthe baton of this world-renowned orchestra. The price of\\ntickets ranges from 8 francs to 2 francs.\\nTHE AUDITIONS MUSICALES.\\nDuring the Exposition the Societe des Concerts will be\\nthe official orchestra, under the leadership of Mr. Tafifanel\\nand a series of musical programmes will be performed,\\nin which the most striking epochs of French music will be\\nexecuted. The programme will also contain works which", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0226.jp2"}, "227": {"fulltext": "HOW TO SEE PARIS ALONE I 59\\nare hitherto unpublished, and it is intended to give an idea\\noi the general history of French national music from its\\norigin to date. \u00e2\u0096\u00a0,,11\\nThe French and foreign musical societies will also he\\nheard.\\nFinally national and international prize competitions will\\nbe arranged between singing societies and string and brass\\nThe Circuses.\\nThese are less in number than theatres; there are four\\nonly one is not even quite ready. The one being bu.lt will\\nbe rather on the plan of a theatre auditorium than a\\ncircus.\\nTHE CIRQUE D HIVER (Winter Circus).\\nPlace des Filles du Calvaire.\\nThis is the oldest circus of Paris, and it has maintained\\nthe old traditions of the sawdust ring, clowns who make\\nyou laugh, horses trained in liberty, the short-skirted bare-\\nback rider, the hoops, the spangles, the trapeze performers,\\ntumblers and all the paraphernalia to which we were ac-\\ncustomed in our youth, only the peanuts and red lemonade\\nare lacking The performances close with an equestrian\\npantomime, battle-scenes, etc. Lion-tamers, athletes,\\nmale and female, display themselves at intervals. The cir-\\ncus is ordinarily open from November to May.\\nTHE CIRQUE PALACE.\\nAt the meet or round point of the Champs-Elysees, on\\nthe site of the old Cirque d Ete. This circus opens June 1st\\nand will remain open during the whole of the year. Its\\npredecessor used to be closed during the Winter months.\\nIt will make a specialty of a mixed spectacle, half circus.\\nhalf theatre. Clowns, jugglers, acrobats, male and female\\nriders will represent the circus part, and highly spectacular\\nballets will cater to the lovers of the terpsichorean art. A\\ntank of 100 square metres is provided for swimming and\\ndiving performances.\\nNOUVEAU-CIRQUE.\\nThis is the acme of elegance, the meeting place of the\\nworld of fashion. For these ultra-fashionable people who\\nmeet at the races, on f\\\\rst nights at the theatres, and wher-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0227.jp2"}, "228": {"fulltext": "l60 HOW TO SEE PARIS ALONE\\never fashion congregates, there is one day of meeting one\\nanother which they would not miss for anything, the Sat-\\nurday at the Nouveau-Cirque.\\nThis circus gives most performances. During the Expo-\\nsition two performances take place daily, a matinee at 2.30\\np. m., and an evening show at 8.30 p. m.\\nOf course, the world of Parisian high rollers visit in the\\nevening. They have made the light promenade-walk\\ntheir stamping ground, while the seats at the base of the\\nring are reserved for the people who come to be distracted\\nby the show proper. Besides the equestrian and other at-\\ntractions which make up the first part of the programme,\\nwhich changes constantly, the second part consists of a\\npantomime in two or three tableaux, and it is certainly a\\nmost curious spectacle to see this ring, where a few mo-\\nments ago horses cavorted and galloped, converted into\\nan enormous tank, in which skifYs and male and female\\nswimmers cut the water in motley array and crowd.\\nTHE CIRQUE MEDRANO.\\nOn the outer boulevards we have a circus which ir\\nscarcely a year old in Paris, but which has a good promise:\\nof success. Mr. Medrano, who directs this circus, was the\\npublic s favorite at the Nouveau-Cirque some years ago\\nand he has remained a favorite in his new undertaking.\\nMusic Halls.\\nParis has many places which are frequented both by\\neverybody out for a lark or entertainment. The demi-\\nmonde is represented in strong array, and so these places\\nare certainly no family resorts; but the stranger generally\\njnakes their acquaintance soon and likes to improve the\\nacquaintance.\\nTHE FOLIES-BERGERE {32 Rue Richer).\\nThe Folies-Bergere is the establishment best known by\\nthe stranger. To him it is the incarnation of Paris gay\\nlife, and he does not tarry long before he studies its phases.\\nThe public is very mixed, though elegant. Tlie prome-\\nnade is frequented just as much as the auditorium, and it\\noffers as much attraction to the many as the fine ballets\\non the stage. After dinner, it is quite the custom to smoke\\nyour cigar in the promenade of the Folies-Bergere. The\\nuniform price of admission of 2 francs is certainly extreme-\\nIv moderate.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0228.jp2"}, "229": {"fulltext": "HOW TO SEE PARIS ALONE l6l\\nOLYMPIA (24 Boulevard des Capucines).\\nUnder the management of the Isola Brothers, who have\\nrcuiodelled this elegant music hall entirely. Here the pub-\\nlic is more unalloyed. The frail sisterhood comes here\\nony three times a week. The programme is brilliant; be-\\nsides the features of a high-grade variety performance there\\nare always grand ballets. Engagements for 1900: Little\\nTich, the Craigs, Scb.aeter, Emilienne d AIengon, Suzanne\\nDerval, etc.. etc.\\nCASINO DE PARIS.\\nThe Casino de Pans has made an enormous success with-\\nin the last years with the male public. This is due to the\\nI)retty faces which smile everywhere in the immense hall.\\nIt you go there by about 10 p. m.. you will find the 500\\ntables occupied by a crowd of people taking refreshments\\nand taking in the attractions of the stage and feasting their\\neyes on the most talked of beauties of Paris in the audience.\\nThe entrances to the Casino de Paris are at the corner of\\nRue Blanche and Rue Clichy.\\nTHE JARDIN DE PARIS (Champs-Elysees, left side).\\nThe Jardin de Paris is a marvel of gaiety, freshness and\\ntaste, exquisitely set of\u00c2\u00a5 by the large rich-foliaged trees.\\nIt is admirably located just alongside the monumental door\\nof the Exposition at the entrance of the Champs-Elysees\\nThis is the favorite place of the Parisian world of high rol\\nlers, where you may see every night the most noted au J\\nnotorious recruits in the army of Cythera. Tlie concerts\\nand the various attractions spread over the garden and\\nthe vast crypt are the delight of the Tout-Paris, which likes\\nto enjoy itself, and of the strangers who visit the City of\\nPleasure when on pleasure bent.\\nTHE PALAIS DE GLACE (Ice Palace).\\nChamps-Elysees, left side.\\nBeautiful rink for skating on real ice. Closed during the\\nSummer. Will reopen on September ist next.\\nExhibitions are given here by professional male and fe-\\nmale skaters, all of first rank.\\nTHE MOULIN ROUGE.\\nThis is the olace to dance or gaze at the whirl of the\\nquadrilles which are danced in a manner that defies de-\\nscription. The old adage, Mnst be seen to he appreci-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0229.jp2"}, "230": {"fulltext": "l62 HOW TO SEE PARIS ALONE\\nated, holds good here more than ever. Of course, you\\nwho enter here leave all your prudish scruples behind, as\\nthese night festivals are rather festive; they are things of\\nbeauty, but not a joy forever very gay, but terribly mixed.\\nCafes- Concerts.\\nThese are establishments where you take refreshments,\\nand where you can smoke in the auditorium.\\nPARISIANA {2 Boulevard Poissonniere.)\\nRisky songs, little scenes, vaudevilles, reviews hold the\\nboards, a little of everything. The names of the authors of\\nthese extravaganzas are always sure of the success of gaiety\\nand laughter which the Parisian loves. At present Courte-\\nline, Tristan Bernard, P.-L. Flers hold the boards with\\ntheir extravaganza, Qut Complote? which is a worthy suc-\\ncessor as a mirthmaker of their former successes in Ohe\\nVenus! A nous les femnies! The gaiety of these plays\\nfinds a fine foil in the delightful hall, where we can admire\\nnight by night such charmers as Mme. Mealy, Anna Tlii-\\nbault, Therese d Orgena. Marville, Paquerette, etc., and\\nmany others too numerous to mention.\\nIn Summer the following play with equal measure of\\nsuccess:\\nLES AMBASSADEURS (Champs-Elysees, right side).\\nThis is a restaurant where first-class service and cuisine\\nprevail. There is an open-air concert in Summer, open in\\nMay and closing in September. Matinees on Thursdays\\nand Sundays. At night the concert is crowded and the\\nattractions are great: Yvette Guilbert, Gabrielle Sylvane,\\nLaurence Deschamps, Raiter, Lejal, the Fleury Reyband,\\nTrio La Serenada, Brothers Artois, etc.\\nJust alongside is the\\nALCAZAR D ETE (Champs-Elysees, right side).\\nIs a Summer garden and popular restaurant, where at the\\nevening performances and Sunday matinees Polin, Maurel,\\nla belle Otero, Varly, the Raphael Colombel, the Toulouse\\nTroubadours, etc., delight their audiences.\\nNext we mention the", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0230.jp2"}, "231": {"fulltext": "HOW TO SEE I ARIS ALONE 163\\nDIVAN JAPONAIS (75 Rue des Martyrs).\\n(Telephone 5^3-/4), where the poet Gaston Haberkorn re-\\ncites personally his chansons sensuelles. Here Yvette\\nGuilbert, Therese d Orgeval and other artists, who are cel-\\nebrated to-day, made their first appearances. The Divan\\njaponais opens every evening, with a matinee on every\\nSunday, at 2 p. m.\\nTflE SCALA (13 Boulevard de Strasbourg).\\nHere the programme changes constantly, one novelty\\nrushes the other, and the reviews and extravaganzas\\nplayed are always amusing and a feast to the eye.\\nMontmartre.\\nIt has been the fashion of Paris by night and the people\\nwho like a gay life to meander from the beaten path of\\nthe boulevards after the theatre to Montmartre, where\\noften night is turned into day until the wee sma hours of\\nthe morning This part of Paris, which lives at night, is\\ncalled for short the Butte (the hillj. Here we find almost\\nnothing but miniature theatres, tiny stages, where young\\nauthors have their plays performed or recite their own\\nverse. These youngsters have but slight fear of censure.\\nand this ought to give you a hint that the emanations of\\ntheir unbridled brain are rather loose, and that you should\\nleave your scruples at home, if you want to enjoy this at-\\nmosphere without blush or shock. The theatres are in-\\nterspersed with small restaurants, where suppers are served\\nup to the hours when sedate people rise.\\nAt the head of these little bonbon-boes, with the sweet-\\nness left out, we will mention\\nTHE TRETEAU DE TABARIN (58 Rue Pigalle).\\nEvery night at 9.30. The most select and amusing board\\nof Montmartre. Here Fursy and the best mirthmakers of\\nthe Butte sing their creations.\\nThen we have the CARILLON, which possesses an ex-\\ncellent olio of comics, headed by the director, Millanvoye.\\nWe may still mention the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0231.jp2"}, "232": {"fulltext": "164 HOW TO SEE PARIS ALONE\\nGRAND GUIGNOL (Rue Ballu),\\nwhere only ultra-realistic pieces are played; further the\\nCONSERVATOIRE DE MONTMARTRE and its Shad-\\now Theatre, the CABARET DU NEANT, a sinister dis-\\ntraction, which might give the creeps to sensitive natures,\\netc. There are many other so-called music-boxes, but\\nwe are loath to delve further into these establishments,\\nwhere the spirit of levity runs -very near to or even over-\\nsteps the border-line of license.\\nWe shall confine ourselves to mention the few restaur-\\nants where one sups as a rule when the humor has taken\\none to make a trip to the Hill; L Abbaye de Theleme,\\nLe Rat Mort, Le Pere Lathuile.\\nThe Circles or Clubs.\\nWith regard to these we must make a division into two\\ndistinct categories, viz.: the cercles or clubs, as we will call\\nthem henceforth, which are absolutely closed; that is,\\nwhere admission is very difficult to obtain, and those where\\nyou may be received as a member on simple application\\nafter a couple of days. The club in France offers a double\\nadvantage; aside of the attraction of the gaming-table\\n(baccarat, ecarte, etc.) you find there carriage accommo-\\ndation, passes to theatres, and\u00e2\u0080\u0094 a boon in itself\u00e2\u0080\u0094 very good\\nmeals at very reasonable prices. Among the clubs, which\\nwe designated as closed, we mention at the head of the\\nlist\\nTHE JOCKEY (i Rue Scribe).\\nThis is the meet of all turfmen and sportsmen of distinc-\\ntion; it is a characteristic club of rich men only. Stran-\\ngers can be admitted as temporary members for a term of\\nfour months upon payment of 200 francs. They are subject\\n10 the same rules as the permanent club-members, and are\\nelected by ballot, which takes place every Saturday within\\nthe period of January ist to June 30th.\\nCERCLE DE LA RUE ROYALE (i Rue Royale).\\nThis is also one of the most exclusively closed clubs, even\\nto strangers, who must be presented by two permanent\\nmembers, one of them to belong to the candidate s nation-\\nality; and they cannot be admitted for less than three\\nmonths.** The admission is subject to ballot, and the ad-\\nmission fee amounts to 216 francs.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0232.jp2"}, "233": {"fulltext": "HOW TO SRE PARIS ALONE 1 65\\nCERCLE DES CHEMINS DE FER.\\n{22 Rue de la Michodiere.)\\nIn accordance with Article 7 of the By-Laws candidates\\nfor temporary membership must be presented by two per-\\nmanent members of the club, and their names, together\\nwith the names of their sponsors, remain posted during five\\ndays before the ballot. Only committee members can vote.\\nSix members must partake in the vote. One black ball\\nofifsets three white ones. Strangers can be admitted as\\ntemporary members for a term not to exceed three months.\\nIn the cercles or clubs which we will call the open ones\\nadmission is much easier.\\nWe mention the following:\\nCERCLE DES CAPUCINES. 6 Boulevard des\\nCapucines.\\nCERCLE ANGLAIS, 3 Rue de la Chaussee d Antin.\\nCERCLE DE L ESCRIAIE. 9 Rue Taitbout.\\nCERCLE CENTRAL DES LETTRES ET DES\\nARTS, 36 Rue Vivienne.\\nCERCLE DE NEUILLY.\\nPeriodical Eiitertaiiiineiits.\\nIn Paris, as in all large cities, certain entertainments and\\ncelebrations occur at stated intervals, and all these will be\\nmore brilliant than ever at the present Exposition time.\\nWe will only mention the principal events:\\nTHE CONCOURS HIPPIQUE (Horse-Show).\\nThe Concours Hippique de Paris, which is organized\\nevery year by the Societe Hippique Frangaise, will come\\nofif with special pomp in the inner court of the Ecole de\\nGuerre (War Academy). It will only last fifteen days, from\\nthe i2th to the 28th of May, and this will be succeeded by\\nan international horse-show from May 28th to June 2d. A\\npersonal card of admission must be taken for the whole\\nduration of the horse-show, and this card entitles you to\\na seat on the reserved stands, otherwise you will have to\\npay five francs at the entrance turnstiles.\\nTHE SALONS.\\nThis is the name by which the exhibitions of paintings\\nand sculpture are known, which are organized every year\\nby the Societe des Artistes Frangais and the Society of the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0233.jp2"}, "234": {"fulltext": "l66 HOW TO SEE PARIS ALONE\\nChamp-de-Mars, the latter being a offshoot of the Societe\\ndes Artistes Frangais, from which it separated a few years\\nago. The two exhibitions take place in the same place,\\nand both comprise everything that the artistic year has\\nyielded of real merit, both in canvas or sculpture. The\\nday of days for visiting the Salon, when the ladies arrive\\nin their brightest apparel in the most stylish turnouts, and\\nwhere all Parisian notabilitieii meet, is undoubtedly the\\nopening day of the Salon, the vernissage. Admission\\ncan be had by invitation of the artists or by paying lo\\nfrancs. The Salon remains open for thirty days, and the\\nprice of admission is I franc, except on Fridays, when it is\\n5 francs. Even if you should wish to examine only per-\\nfunctorily the majority of the canvasses, you need three or\\nfour hours. As a rule, people visit the Salon several times.\\nThis year it is at the Avenue de Breteuil.\\nTHE BENCH SHOW (EXPOSITION CANINE).\\nThe International Bench Show is organized by the\\nCentral Society for the Improvement of French Breeds of\\nDogs, and takes place every year from May 20th to 28th on\\nthe terrace of the Orangery of the Tuileries. It is the\\nmost important exhibition of the kind on the continent of\\nEurope. From 1,400 to 1,800 dogs are shown. During\\nthese eight days the show is the select rendezvous par\\nexcellence. The high-life of Paris and France come here.\\nAdmission, 2 francs; season ticket for the whole duration\\nof the bench show, 20 francs. Its president is the Prince de\\nWagram; secretary, Mr J. Boutrou.\\nHORTICULTURAL EXHIBITION.\\nEach year, in Spring and Fall, the National Society of\\nHorticulture organizes in the Tuileries various exhibitions\\non the Terrace des Feuillants. During the World s Fair\\nspecial horticultural exhibitions will be held about twice\\nevery month, either in the Palace of Horticulture, erected\\non the Cours-la-Reine, or in the immense Salle des Fetes\\n(Festival Hall), which has been built amidst the old ma-\\nchine gallery. At the same time there is a permanent hor-\\nticultural exhibition in the gardens around the Palace of\\nthe Champs-Elysees, along the Seine and at various point:;\\nin the Trocadero, on the Esplanade des Invalides and at\\nVincennes.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0234.jp2"}, "235": {"fulltext": "HOW TO SEE PARIS ALONE 1 6/\\nTHE BATTLE OF FLOWERS.\\nEvery year at the beginning of June the Societe des Vic-\\ntimes du Devoir, a society following the noble aim to\\nsoothe and heal the wounds which arrant fate has struck\\nto orphans and widows of those who fell in the perform-\\nance of duty, reserves part of the Bois de Boulogne at the\\nNeuilly entrance and gives a Flower Festival on the plan\\nof the celebrated Nice event. Carriages pay for admission\\nto the inclosure according to the number of horses (people\\nafoot pay l franc). Tlie proceeds go to the victims of\\nduty. This festival is well worth seeing. Towards 6 p.\\nm. you will see a long file of carriages, trapped with\\nwreaths and garlands, gaily beribboned and bedecked with\\nflowers of every hue and variety. It is a battle of elegance\\nand taste, as the best decorated carriages receive very fine\\nprizes, and let me assure you that the battle is animated,\\ngay and full of zest, though the missiles be flowers.\\nTHE REVIEW ON JULY 14TH.\\nThis is the grand military event of France, where the\\nwhole garrison of Paris passes in review at Longchamps\\nbefore the President of the Republic and the Minister of\\nWar. The finishing climax of the wonderful military spec-\\ntacle is a superb cavalry charge. You cannot pay your way\\nto this review; you must obtain admission cards either\\nthrough some officer or through diplomatic channels, and\\neven when you have the much valued pasteboard, you must\\nbe on the ground much before 3 o clock, when the review\\nstarts, because the tribunes are packed since 2.\\nTHE OPERA BALLS.\\nThese have preserved their pristine splendor and ani-\\nmated gaiety, for which they are known throughout the\\nworld. It is considered the thing not to miss them. The\\nfirst ball takes place each year by February loth, and the\\nMardi-Gras and mid-Lent balls are. of course, the most\\nfrequented events. Battles of flowers and many novel and\\noriginal attractions are arranged, always in keeping with\\nthe tastes and fads of the day, and strangers say unan-\\nimously that nowhere balls can be given which can com-\\npare in animation, mirth and life to these memorable feasts\\nof Parisian gaiety, more so as the frame of the Opera of-\\nfers a truly unique foil to this carnival of laisser aller in\\nits grandeur.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0235.jp2"}, "236": {"fulltext": "i68\\nHOW TO SEE PARIS ALONE\\nRACING CALENDAR.\\nJULY.\\nSunday, i. Auteuil.\\nAmiens. La Reole.\\nMarseille. Hede. La\\nRoche-sur-Yon.\\nMonday, 2. Vincennes\\n(flat). La Roche-sur-\\nYon. La Reole.\\nWednesday, 4. Colombes.\\nThursday. 5. Enghien.\\nFriday, 6. Maisons-Laf-\\nfitte.\\nSunday, 8. Auteuil.\\nAmiens. Rennes. Ro-\\nchefort-sur-Mer. Vichy.\\nSalon. Pompadour.\\nRedon.\\nMonday, 9. Vincennes\\n(flat). Rochefort-sur-\\nMer. Rennes.\\nTuesday, 10. Maisons-Laf-\\nfitte. Lugon.\\nWednesday, 11. Colombes.\\nThursday, 12.\u00e2\u0080\u0094 Saint-Ouen.\\nSaturday, 14. Vincennes\\n(flat).\\nSunday, 15. Maisons-Laf-\\nfitte. Vichy. Longue.\\nLugon. Redon.\\nMonday, 16. Saint-Ouen.\\nThursday, 19. Maisons-\\nLaffitte.\\nFriday, 20. Enghien.\\nSunday, 22. Vincennes\\n(flat).\u00e2\u0080\u0094 Vichy.\u00e2\u0080\u0094 Verdun.\\nLa Fleche. Vitre.\\nMarennes. Lamballe.\\nAix-les-Bains. Chalon-\\nsur-Saone. Fontenay-le-\\nComte. Nancy. Niort.\\nSaint-Palais.\\nMonday, 23. Saint-Ouen.\\nChalon-sur-Soone.\\nFontenay le Comte.\\nNiort.\\nTuesday, 24. Enghien.\\nAix-les-Bains.\\nThursday, 26. Maisons-\\nLaflitte. Aix-les-Bains.\\nSunday, 29. -Maisons-Laf-\\nfitte. Fontenay le\\nComte. Aix-les-Bains.\\nLangon. Verdon.\\nCommercy. Vichy.\\nNancy.\\nMonday, 30. Langon.\\nFontenay le Comte.\\nCommercy.\\nAUGUST.\\nWednesday, i. Vincennes\\n(flat).\\nThursday, 2. Maisons-Laf-\\nfitte. Boulogne-sur-Mer.\\nFriday, 3. Boulogne-sur-\\nMer. Vichy.\\nSunday, 5. Boulogne-sur-\\nMer. Marseille. Vichy.\\nVienne.\\nTuesday, 7. Caen (mixed).\\nWednesday, 8. Caen (mix-\\ned). Vichy.\\nThursday, 9. Vichy. Li-\\nsieux.\\nFriday, 10. Deauville.\\nSaturday, 11. Avranches.\\nSunday, 12. Deauville.\\nVichy. Avranches.\\nMonday, 13. Pont-l Ev-\\neque. Cabourg (mixed).\\nTuesday. 14. Cabourg\\n(mixed).\\nWednesday, 15. Deauville,\\nMirande.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0236.jp2"}, "237": {"fulltext": "HOW TO SEE PARIS ALONE\\n169\\nAUGUST\u00e2\u0080\u0094 Continued.\\nThursday, 16. Deauville.\\nSaturday, 18. Deauville\\nIhurdle).\\nSunday, 19. Deauville.\\nMont-Saint-Michel.\u00e2\u0080\u0094 Le\\nCreusot.\\nMonday, 20. Alont-Saint\\nMichel.\\nTuesday, 21. Deauville.\\nWednesday, 22. Deauville\\n(obstacles).\\nThursday, 2^,. Deauville\\n(mixed).\\nSunday, 26. Neuilly-Le-\\nvallois.\\nWednesday, 29. Neuilly-\\nLe\\\\-aIlois.\\nFriday, 31. Cologne.\\nSEPTE\\nI. Neuilly-Le-\\nParis. Co-\\nSaturday,\\nvallois.\\nSunday,\\nlogne.\\nMonday, 3. Vincennes\\n(flat).\u00e2\u0080\u0094 Cologne.\\nWednesday, 5. Neuilly-Le-\\nvallois.\\nThursday, 6. Tarbes.\\nFriday, 7. Maisons-Laf-\\nfitte.\\nSaturday, 8. Lucerne.\\nSunday, 9. Paris. Tarbes.\\nLucerne. Pompadour.\\nMonday, 10. Vincennes\\n(flat).\\nTuesday, 11. Enghien.\\nWednesday, 12. Vincennes\\n(trotting) Lucerne.\\nTliursday, 13. Saint-Ouen.\\nFriday, 14. Maisons-Laf-\\nfitte.\\nSaturday, 15. Neuilly-Le-\\nvallois.\\nSunday, 16. Paris. Mar-\\nseilles. Cluny.\\nMonday, 17. Vincennes\\n(flat).\u00e2\u0080\u0094 Cluny.\\nMBER.\\nTuesday, 18. Enghien.\\nWednesday, 19. Neuilly-\\nLevallois.\\nThursday, 20. Maisons-\\nLaffitte.\\nFriday, 21.\u00e2\u0080\u0094 Saint-Ouen.\\nSaturday, 22. Vincennes\\n(flat).\\nSunday. 23.\u00e2\u0080\u0094 Paris. Mar-\\nseille.\u00e2\u0080\u0094 Le Pin (mixed).\\nLe Clavette.\\n^fonday, 24.\u00e2\u0080\u0094 Maisons-Laf-\\nfitte.\\nWednesday, 26.~Maisons-\\nLafiitte.\\nThursday, 27.\u00e2\u0080\u0094 Saint-Ouen.\\nCaen (stallion trial\\nrace). Castres.\\nFriday, 28.\u00e2\u0080\u0094 Maisons-Laf-\\nfitte. Caen (stallion trial\\nrace).\\nSaturday, 29.\u00e2\u0080\u0094 Colombes.\u00e2\u0080\u0094\\nCaen (mixed).\\nSunday, 30.\u00e2\u0080\u0094 Paris.\u00e2\u0080\u0094 Lille.\\nMarseille. Caen (mix\\ned).\u00e2\u0080\u0094 Castres.\u00e2\u0080\u0094 Macon.\\nOCTOBER.\\nMonday, i. Vincennes Thursday, 4.\u00e2\u0080\u0094 Maisons-Laf\\n(flat). fitte.\\nTuesday, 2. Saint-Ouen. Friday, 5. Enghien.\\nWednesday, 3 \u00e2\u0080\u0094Colombes. Saturday, 6.\u00e2\u0080\u0094 Pari.s.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0237.jp2"}, "238": {"fulltext": "I/O\\nHOW TO SEE PARIS ALONE\\nOCTOBER-\\nSunday, 7. Paris.\\nMonday, 8. Vincennes\\n(trot).\\nTuesday, 9. Saint-Ouen.\\nWednesday, 10. Colombes.\\nFriday, 12. Maisons-Laf-\\nfitte.\\nSaturday, 13. Auteuil.\\nSunday, 14. Paris.\\nMonday, 15. Vincennes\\n(flat).\\nTuesday, 16. Maisons-Laf-\\nfitte.\\nWednesday, 17. Colombes.\\nThursday, 18. Paris.\\nFriday, 19. Saint-Ouen.\\nCologne.\\nSaturday, 20. Auteuil.\\n-Continued.\\nSunday, 21. Paris. Bor-\\ndeaux. Cologne.\\nMonday, 22. Vincennes\\n(mixed).\\nTuesday, 2^. Chantilly.\\nWednesday, 24. Colombes.\\nThursday, 25. Chantilly.\\nBordeaux.\\nFriday, 26. Maisons-Laf-\\nfitte.\\nSaturday, 27.\u00e2\u0080\u0094 rAuteuil.\\nSunday, 28. Chantilly.\\nMarseille.\u00e2\u0080\u0094 Bordeaux.\\nMonday, 29. Vincennes\\n(flat).\\nMonday, 30. Maisons-Laf-\\nfitte.\\nNOVEMBER\\nThursday, i. Auteuil.\\nBordeaux. Marseille.\\nFriday, 2. Vincennes\\n(flat).\\nSaturday, 3. Neuilly-Le-\\nvallois.\\nSunday, 4. Auteuil. Bor-\\ndeaux. Marseille.\\nMonday, 5. Vincennes\\n(flat).\\nTuesday, 6. Saint-Ouen.\\nWednesday. 7. Maisons-\\nLaffitte.\\nThursday, 8.\u00e2\u0080\u0094 Auteuil.\\nFriday, 9. Maisons-Laf-\\nfitte.\\nSaturday, 10. Neuilly-Le-\\nvallois.\\nSunday, 11. Auteuil.\\nMonday, 12. Vincennes\\nflat).\\nTuesday, 13. Maisons-Laf-\\nfitte.\\nWednesday, 14. Colombes.\\nThursday, 15. Auteuil.\\nFriday, 16. Saint-Ouen.\\nSaturday, 17. Neuilly-Le-\\nvallois.\\nSunday, 18. Auteuil.\\nMonday, 19. Vincennes\\n(mixed).\\nTuesday, 20. Enghien.\\nWednesday, 21. Colombes.\\nThursday, 22. Auteuil.\\nFriday, 22. Saint-Ouen.\\nFriday, 30. Enghien.\\nSaturday, 24. Neuilly-Le-\\nvallois.\\nSunday, 25. Auteuil.\\nMonday, 26. Vincennes\\n(mixed).\\nTuesday, 27. Saint-Ouen.\\nThursday, 29. Auteuil.\\nDECEMBER.\\nSunday, 2. Auteuil. Sunday, 9. Auteuil.\\nMonday, 3. Enghien. Saturday, 15. Auteuil.\\nThursday, 6. Auteuil.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0238.jp2"}, "239": {"fulltext": "HOW TO SEE PARIS ALONE I /I\\nTHE RACES.\\nThe races have a quite particular importance here, not\\nonly on account of the splendor and elegance displayed by\\nthe spectators, but principally owing to the richness of the\\nprizes, which attract the best cracks of the world. Paris\\nis surrounded by a belt of racetracks, which divide them-\\nselves into the racing calendar. There are races daily at\\none of the tracks, except in August, which is devoted to\\nthe races at Trouville and the coast of Normandy; and,\\nfurther, excepting the time December 15th to February\\n15th, when the Southern races are run, principally at Nice\\nand Pau. Let me give a few practical hints to such as are\\nnot regular visitors at the tracks.\\nYou will find in almost any newspaper the place where\\nraces are run on a particular day. The best means of com-\\nmunication is nearly always by rail. Be careful not to\\nmake a mistake in the station, and do not arrive at the\\nlast minute. The railroads run special trains on racing\\ndays, and the time of departure will be given, just above\\nthe list of the field, in the Paris-Courses, a paper specially\\ndevoted to racing, or any other racing paper. These trains\\nstop running about one-half hour or one hour before the\\ntime set for the first race, in accordance with the distance\\nof the track. For the Chantilly races you must leave by\\nnoon; for the others you will be in time if you are at the\\nstation by i p. m., no later than 1.30 p. m., if the races\\nbegin at 2 p.- m., which is the usual time. On all racetracks\\nwe have paddock (pesage) and enclosure (the pelouse)\\nonly a few have a pavilion. The admission price to the\\npaddock is uniformly 20 francs for men, 10 francs for la-\\ndies; the pavilion (where it exists, and we shall mention\\nthis at each track) costs 5 francs for gentlemen or ladies.\\nThe enclosure (pelouse) costs i franc admission on some\\ntracks and 3 francs on others. The paddock is certainly\\nthe most pleasant place, where you find the best people.\\nFor a man unaccompanied by a lady the pavilion is not\\nso bad, but at the pelouse the public is very mixed.\\nAlthough almost everybody knows how to place a bet\\non the races, I will say a few words to novices. On en-\\ntering the paddock you receive the official programme,\\nand on the same you will find under the head of each race\\nthe name of the owner; the names of the horses are ar-\\nranged consecutively by numbers, i. 2, 3. 4. 5. 6. 7. etc., and\\nihe pedigree and weight carried are given.\\nAbout one-fourth hour before the first race numbers,\\nand opposite the same the names of the jockeys, are posted", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0239.jp2"}, "240": {"fulltext": "172 HOW TO SEE PARIS ALONE\\non a big board. Thus, when the disc over the board ap-\\npears in red, which occurs as soon as the field is closed, it\\nmeans that only the horses indicated by numbers will run\\nand that the corresponding jockeys will mount. Assum-\\ning that horses from Nos. i to 8 appear on a programme,\\nand the board posts Nos. i, 2, 3, 5, 7; this would mean that\\nthe horses 4, 6 and 8 have been scratched. If, for instance.\\nNo. 2 corresponds on the board to T. Lane, and the pro-\\ngramme indicates Valparaiso under No. 2, it means that\\nhorse No. 2, Valparaiso, will run with T. Lane up.\\nAfter you have scratched on your programme the num-\\nbers which are not posted, you may make your selection,\\nand I cannot advise you much in that direction. The\\nsmallest bet at the paddock is 10 francs, at the pelouse and\\nthe pavilion 5 francs. You must designate your horse by\\nnumber, not by name; you may play it to win or for place,\\nif there are more than three horses starting. Where only\\nthree horses start you can only play for first, not for place\\nwhere four horses run you can play first, and two for place,\\nand with a field of eight horses there is one for first and\\nthree are for place.\\nIf the same owner starts two or more horses in the same\\nrace, you may select one or the other horse to win (but\\nnot for place), but if one of the horses of the stable wins\\nthe winner is paid on either number of the same stable.\\nI suppose that you have friends to give you a tip on the\\nhorses to play, otherwise, if you are a novice, you may play\\njust as you would play lottery, go it blind or follow the\\n\u00e2\u0080\u00a2elections of some racing paper. By all means do not be\\ntaken in by so-called tipsters. There is a lot of people at\\nthe races who will tell you to play for them, or to give\\nthem 10 to 20 francs for indicating the sure thing of the\\nrace. Don t listen to them; they know no more than your-\\nself, and all they want is to part you from your 10 or 20\\nfrancs. Another advice, last but not least: Watch your\\npocketbook.\\nSPORTING PRESS.\\nThe opening of the sporting season gives birth to a host\\nof ephemeral publications. Hence we shall only mention\\nthe principal mouthpieces of sport, such papers as have\\nbeen familiar for a long time to the frequenters of the turf.\\nAUTEUIL-LONCjCHAMPS costs 10 centimes and is\\nin its eighteenth year. This is the most important sporting\\ndaily; it enjoys the reputation of being well informed and\\nevery season it counts the best quota of successful racing\\nprognostication. Daily, five minutes after each race, it", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0240.jp2"}, "241": {"fulltext": "HOW TO SEE PARIS ALONE 1/3\\nsends to its subscribers and to the principal cafes, where\\nyou can peruse the sheet, the resuU of the race, with the\\nreport of the proceeds of the mutuals. An evening- edition\\ngives the complete result and a summary of the day, to-\\ngether with the entries and the programme of the next\\nday. Chief editor is Mr. A. Laurentz.\\nLE JOCKEY, daily at lo centimes, is in the hands of\\nevery horse-owner and grandstand habitue.\\nPARIS-COURSES, daily at 5 centimes; the favorite of\\nthe paddock crowds, as much on account of its cheapness\\nas for the quality of its information.\\nPARIS-SPORT, 10 centimes, appears every racing day\\nat 5 p. m., and gives complete results of the day and the\\nprogramme of the next day, with the latest performance\\nof each horse entered.\\nLA FRANCE CHEVALINE, twice weekly, at 50 cen-\\ntimes, is the special organ of trotting races, and is read by\\nall lovers of this sport, whom Parisians designate with the\\nsobriquet of trotters.\\nFLAT COURSE RACES.\\nLONGCHAMPS.\u00e2\u0080\u0094 Twenty minutes from Saint-Lazare\\nstation by rail. Longchamps is the best known flat race-\\ncourse. You have the choice of any number of convey-\\nances, but the most agreeable and simplest communication\\nis certainly by the special trains which leave from Saint-\\nLazare station evefy 5 minutes between i and 1.30 p. m. for\\nSuresnes; tickets, first-class, 60 centimes; second-class, 40\\ncentimes. These trains have a bar-car, where you can ob-\\ntain excellent refreshments and smoke at your ease.\\nLongchamps has a pavilion at 5 francs; the paddock\\ncosts I franc only, but you can also see the races very well\\nfrom a carriage on the paddock near the winning post.\\nAdmission for one-horse carriages, 15 francs; two horses,\\n20 francs.\\nThe principal races are the Poules de Produits (Pools),\\nPrix Hocquart, Prix Noailles, Prix Grefifulhe, Poule\\nd Essai de Pouliches. Poule d Essai des Poulains (both the\\nlatter filly maiden pools), Prix Daru, Prix Lupin. As a\\ncrowning glory of the Summer meet, the Grand Prix de\\nParis (200,000 francs) is run on the second Sunday in June,\\nthe greatest event of the season. In Fall we have the coun-\\nterpart to the Grand Prix de Paris in the Grand Prix du\\nConseil Muncipal (100,000 francs), which is run on the first\\nSunday in October; and, besides, we have the Royal Oak,\\nOmnium Grand Criterium and the Prix Gladiator.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0241.jp2"}, "242": {"fulltext": "1/4 HOW TO SEE PARIS ALONE\\nCliANTlLLY. This is the former property of the\\nDuke d Aumale, and the races, which attract the most ele-\\ngant public of Paris, notwithstanding the comparative dis-\\ntance of this track, are run just opposite the castle. There\\nis only one connection with Chantilly, by the Compagnie\\ndu Nord, which has done wonders to insure a rapid and\\nperfect service. Special trains take about 40 minutes to\\nChantilly, and 30 to 40 run on racing days, one after the\\nother. Round trip, first-class, 6.90 francs; second-class,\\n4.95 francs; third-class, 3.20 francs. As it is necessary to\\nleave at 12.30 p. m. at the latest, I venture to give you the\\ngood advice to lunch at the bufifet of the station, where you\\nwill find an excellent meal at very moderate price. The\\npaddock admission costs i franc, but there is no pavilion.\\nWhen you arrive at Chantilly station you must take\\na carriage to go to the race course. Arrange about the fare\\nwith the driver beforehand, about 3 to 5 francs.\\nThere are only three meets, in May and end of October.\\nThe Diana prize comes off in May; also, the great event of\\nthe Jockey Club, generally called the Derby (75,000 francs).\\nThe races begin at 1.30 p. m.\\nMAISONS-LAFFITTE.\u00e2\u0080\u0094 A charming race^ track par\\nexcellence, only 24 minutes ride from the Saint-Lazare\\nstation. These meets are extremely well frequented, par-\\ntially on account of the great number of entries and further\\non account of the splendid yield of the mutuals. There is\\nbut one drawback, the lack of refreshment cars on the\\ntrains of the Compagnie de I Ouest. This track has no\\npavilion. Admission to the paddock costs 3 francs. Car-\\nriages are not allowed on the grounds. Principal prizes:\\nIn March the Prix Delatre; April, Prix Lagrange; May,\\nPrix Godolphi; July, Prix Monarque; August, the Om-\\nnium; September, Prix de Flore. End of September there\\nare three international days. Thames Handicap. From\\nOctober the races begin at 1.30 p. m., in Summer at 2 p. m.\\nAnd now just a few words about\\nVINCENNES where mixed races are run, flat, obstacle\\nor trotting.\\nYou may reach Vincennes by carriage, as the railroad\\nservice is very bad and there are so many accidents that it\\nis better to run no risk. The catastrophe of Saint-Mande\\nwill be long remembered. Moreover, a carriage will take\\nyou to Vincennes for 3 francs in twenty minutes.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0242.jp2"}, "243": {"fulltext": "HOW TO SEE PARIS ALONE 175\\nOBSTACLE RACES.\\nAhead of all we mention:\\nAUTEUIL. At the very gates of Paris. You reach the\\ntrack by the Western R. R. (Chemin de Per de I Ouest) in\\nless than twenty minutes. Most of the trains carry refresh-\\nment cars, and the bar does a rushing business.\\nHere we find a pavilion, seats 5 francs, and the paddock\\ncosts I franc admission. Round trip, 50 centimes.\\nThe public at large is extremely fond of this track, where\\nit always finds exciting racing and good odds.\\nAuteuil Opens on February 15th and closes December\\n15th. It opens and closes the sporting season. The most\\nimportant Spring events at this course are the Futurity\\n(Prix de I Avenir), the National Steeplechase, the Spring\\nPrize (Prix du Printemps), the President s Prize (Prix du\\nPresident de la Republique), 50,000 francs; in Summer we\\nhave the Grand Steeplechase of Paris (120,000 francs), the\\nGreat Hurdle Race (50,000 francs), the International Races,\\nthe Prix des Drags and the Wild Monarch Prize; in Fall\\nthe Futurity, Congress, Montgomery Prizes and the Croix\\nde Berny.\\nSAINT-OUEN. Very pretty little race course, a great\\nfavorite of sportsmen. It is on the line of the Northern\\nR. R. (Chemin de Fer du Nord). Tlie prizes are not very\\nheavy, but there is always a great field at good odds.\\nENGHIEN. Is also a very nice obstacle track, near the\\nCasino d Enghien; also on the Northern R. R. Unfortu-\\nnately the prizes, which are small, do not attract much of a\\nfield.\\nCOLOMBES.\u00e2\u0080\u0094 On the Western R. R. line (Chemin de\\nFer de I Ouest, 20 minutes from Paris; refreshment cars\\non each train. This course is patronized by heavy bettors;\\nthis is a gentlemen s track, and ofifers many strong sur-\\nprises to the talent. Paddock. 3 francs; no pavilion.\\nWe conclude by mentioning, for compJeteness sake, the\\ntracks of Rarnbouillet and Compiegne, where some rare\\nmeets attract crowds of visitors, when they come ofif.\\nTROTTING.\\nThese races attract a special public, among whom we\\nwill find most of the horse-breeders of the Norman region.\\nMost of the races are run in the country. However, the\\nHalf-Blood Society (Societe des Demi-sang) possesses\\nnear Paris a small track for this sport, at Neuilly-Levallois.\\nOn the big Vincennes race course this society reserves for", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0243.jp2"}, "244": {"fulltext": "176 HOW TO SEE PARIS ALONE\\nthe trotters some heavy prizes on the days of mixed races.\\nHere the breeding prize (Prix de I elevage) and Presi-\\ndent s Prize are contested for in Summer. As the latter\\namounts to 50,000 francs, it is certainly a big event for the\\ntrotters.\\nIn the Fail of last year the society had arranged a well-\\nequipped and most successful international contest, and an-\\nother event of the same kind will be offered to the lovers\\n^f trotting sport during the Exposition.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0244.jp2"}, "245": {"fulltext": "CHAPTER VIII.\\nCUSTOMS AND USAGES OF THE GREAT\\nBUSINESS HOUSES OF PARIS.\\nLet us now describe the daily life of a Parisian, taking\\nthe stranger by the hand and disregarding for the moment\\nthe curiosities of the capital, and let us guide him at ran-\\ndom through this life of the boulevards here, there and\\neverywhere, in order that he may rapidly familiarize\\nhimself with those thousand nothings, those indefinable\\nsubtleties which make the charm of Paris and give the\\ntrue Parisian his characteristic appearance. In this way\\nthe foreigner will quickly learn how they dress, what is\\nworn, or, rather, what it is proper to lay aside, following\\nle dictates of the fashion of the day, the hour or the mo-\\nnent. He will learn those business houses which are the\\nthing, which will make him present a stylish appearance.\\nnot only by means of the goods which they will ofifer, but\\nalso by means of tactful hints and suggestions. Let us\\nbegin the day with the Parisian. After he has taken his\\nchocolate, if he has a position under the Government,\\nyou will find him in his ofiice about half-past nine; he\\nwill remain there until noon, and will return at two to\\nstay until five. The greater part of the offices close from\\nnoon until two o clock, for the breakfast (dejeuner) is a\\nvery important matter in Paris. At half-past five the\\nParisian comes out on the boulevard. It is the hour of the\\ngreatest stir and activity in the city. The foreigner, who\\ngenerally up to that time has other matters than those of\\nbusiness, will pass his time in looking through the large\\nshops, studying the styles, inspecting the latest productions\\nin the Parisian fashion, like those not engaged in business.\\nHe must have alighted at some hotel convenient to the\\ncentre of life and bustle, like the Hotel Mirabeau, in the Rue\\nde la Paix. This well-known hotel is frequented by the most\\ndistinguished personages of France and Europe, and is\\nalso the resort of affluent society.\\nOne is certain of a cordial reception there, and the\\nprices are not extortionate. Every comfort is to be had.\\nAbout half way up the Avenue de I Opera, at No. 22, op-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0245.jp2"}, "246": {"fulltext": "178\\nHOW TO SEE PARIS ALONE\\nposite the Rue des Pyramides, the handsome entrance of\\nthe Hotel des Deux-AIondes attracts the attention of the\\nvisitor. This entrance opens on the court of the hotel,\\nwhich is surrounded with handsome terraces and gives\\ncarriages access within the hotel structure. Families\\nwhich rnay have the good fortune to secure rooms or\\napartments in this eminently respectable house may be\\nassured the} will lack nothing of quiet, comfort or luxury,\\nand that, too, at very moderate prices. The kitchen and\\nattendance are of the very best.\\nAt the regular hours for meals and at the five o clock\\ntea a fashionable gathering, in addition to the regular\\nguests of the house, throngs the rooms and tables of the\\nhotel restaurant. It is worth a visit.\\nFor the wants of a large class who wish luxury, but in a\\n1^ ^WimMmme-i\\nHOTEL MIRABEAU\\nquiet part of the city near the Bois de Boulogne, we would\\nmention that elegant hotel, The American, newly fitted\\nup, in the magnificent Avenue de Friedland, at No. 19, a\\nhotel especially designed for wealthy Americans, and ar-\\nranged to give them all the comfort and luxury to which\\nthey are accustomed. Banking houses are as useful as\\nhotels, but in a different way. We would mention Mun-\\nroe, in the Rue Scribe; the Comptoir National d Es-\\ncompte, Rue Bergere and Place de I Opera, as safe and\\ndesirable, whether for the deposit of money or valuables.\\nBefore going further, let us call the reader s attention\\nto an admirable organization designed to care for the\\nforeigner in case of accident or illness, and whether his\\nwants be medical, surgical or dental in their nature. This\\nestablishment, unique of its kind in Paris, is called Tin-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0246.jp2"}, "247": {"fulltext": "HOW TO SEE PARIS ALONE\\n179\\nstitut Medical International. It is in sight from the Place\\ndu Theatre Frangais, it is on the corner of the Rue de\\nI Echtlle, where, at No. 3, may be seen, up one flight, a\\nconspicuous sign in large white letters, I lnstitut ^Medical\\nInternational.\\nThe several departments of this institution are under the\\ncare of specialists of reputation, and all languages are\\nspoken. The hours of consultation are from 10 to 12 and\\n2 to 5. Tickets are sold, covering treatment for a week\\nor a month, at 10 and 20 francs. These are good for all\\nCAFE RICHE\\nthe members of a family. Thus provided against accident\\nor illness, let us decide upon suitable restaurants in dif-\\nferent parts of the city, which are frequented by people\\nof the right class, and where we may be sure of finding a\\nnice kitchen and proper neighbors, but Parisians, the real\\nParisian. In order that no mistake be made in this re-\\nspect, suitable restaurants will be minutely specified. If\\nyou happen to be on the boulevards, in the center of things\\nthe name Paiilard should be mentioned the Restaurant\\nPaillard, celebrated throughout Paris for the excellenct", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0247.jp2"}, "248": {"fulltext": "l80 HOW TO SEE PARIS ALONE\\nof its kitchen and wine cellar. Let us continue our leis-\\nurely stroll along the boulevards where, whatever be the\\nhour of the day, you will iind means of amusing your-\\nself in true Parisian style. Opposite the point of inter-\\nsection oi .he Rue Lalitte with the boulevard is the Church\\nof Notre Dame de Lorette, and in line with this, above and\\nhaving almost the appearance of having been built on top\\nof it, is the Church of the Sacre Coeur de Montmartre.\\nYou will soon see close by a handsome edifice on the same\\nside of the way. It is the Cafe Riche, on the corner of\\nthe Rue Le Pelelier. The reputation of the Cafe Riche is\\nvery great. It has become, by an almost fairy-like trans-,\\nformation, the most elegant cafe in Paris. It is to-day a\\nvery palace and a resort where one would like to dine,\\nwere it only once, in order to have some souvenir of an\\nestablishment so unrivaled in its class and some remem-\\nbrance of its never to be forgotten kitchen. Olher cafes\\nworthy of mention are the Cafe dc Paris, Avenue de\\nrOpera and Marguery, on the boulevards near the Theatre\\ndu Gymnase. This last named, one of the best, may be\\nfound very useful because of its proximity to the theatres\\nwhich you will probably visit. Going along the boulevard\\ntoward La Porte Saint Martin (Saint Martin s Gate),\\nwe shall Hnd the Restaurant Maire on the corner of the\\nBoulevard de Strasbourg, a daily meeting-place for artists\\nand the gay world.\\nThe Place de la Concorde being an attractive spot and\\nlikely to claim the foreigner s attention many times, we\\ngive as a near-by restaurant in the Champs Elysees, the\\nPavilion Paillard, justly :elebrated among the most exact-\\ning epicures. The hour of breakfast or dinner may some-\\ntimes find you on the other side of the river, or on the\\nleft bank of the Seine. If you are there for the purpose of\\nvisiting the Museum of Cluny or the Palace of the Lux-\\nembourg, or the Theatre I Odeon, you will find a con-\\nveniently situated restaurant, long established and of great\\ncelebrity both for its kitchen and its wine-cellar, at the\\ncorner of the Rue de Tournon. It is the Restaurant Foyot,\\nopposite the Senate Chamber. It is, during the sessions\\nof this body, a sort of parliamentary headquarters, and a\\nnightly place of meeting for the devotees of the second\\nTheatre Frangais, which has become the first in rank\\npending the rebuilding of the Maison de Moliere.\\nA brief general observation on the character of the\\nParisian cafe, or coflee-house, and the part it plays in the\\neconomy of Parisian life may perhaps be permitted here.\\nCertain cafes are frequented by the literary class, certain", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0248.jp2"}, "249": {"fulltext": "HOW TO SEE PARIS ALONE l8l\\nOthers by artists, still others by the theatrical world. Men\\nof nearly all classes have their cafe where they are reason-\\nably certain to be found at a given hour every day, and\\nwhere a great deal of business is transacted, ino attempt\\nwill be made to classify these very numerous resorts, but\\nduring the season, if you drop in at one of the following\\nnamed from hve to six F. Al. you will see to the best\\nadvantage the amusing, fan.astic, changeable and ever-\\ninteresting panorama of Parisian life unfold itself before\\nyou: Grand Cafe, corner of the Rue Scribe; Cafe de la\\nPaix, Place de I Opera; Napolitan, opposite the Vaude-\\nville Theatre; Pousset, between the Rue Le Peletier and\\nthe passage of the Opera.\\nIf you desire to be in the fashion, you must wear, at\\ndifferent periods of the day, different costumes. That of the\\nmorning is not suitable for the afternoon. That for a\\nshopping tour must be changed if you wish to make a call.\\nMy object in this chapter is not to become a master of the\\ncomplicated art of dressing in accordance with the dictates\\nof the Fashion. I do not propose even to retrace here the\\nmain lines of how one should dress for given occasions, but\\nI desire nevertheless to place you on guard against such\\nheresies, or instance, as to appear in a Prince Albert coat\\nwith a derby hat. I prefer, however, to direct you for the\\nvarious shades to be observed, and which are likely to\\nchange any day, to a tailoring firm who can furnish you\\nwith ?11 the necessary information on that point, especial-\\nly if you show this book, which will insure you a specially\\ncourteous and cheerful welcome. Therefore, direct your\\nsteps to No. 3 Place de la Madeleine, at Messrs. Jamet et\\nHarold, and there you will receive all the information\\nwhich at the time I write may be absolutely exact, but alto-\\ngether modified or inexact at the time you might call later\\non. It is an old-established house whose reputation goes\\non increasing as purveyors of European courts and elegant\\nsociety. The house of Jamet et Harold has a specialty of\\nchoice cloths of the latest styles, and their fitting is irre-\\nproachable a very essential point. No one can like\\ntiiem give the finish to a business suit which will enable\\nyou to risk a call without hurting the propriety of dress.\\nAnother reliable house and one of very attractive ap-\\npearance is Manby, 21 Rue Auber. This house has under-\\ngone some very happy alterations in preparation for the\\nExhibition, and its reputation can but be increased by its\\nrecent output of fresh goods of the greatest elegance and\\ngood taste. Wraps for ladies are also sold here.\\nAnd now let us attempt a description of the daily rou-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0249.jp2"}, "250": {"fulltext": "182 HOW TO SEE PARK ALONE\\ntine of a Parisian lady. Her day begins late even by\\ncontrast with that of the leisurely men of business. With\\nthe exception of a drive in the Bois de Boulogne or morn-\\nmg meetings in the drives like I AlIee des Poteaux, a la\\nPotiniere, a Madrid or a Armenonville, the fashionable\\niady in Pans rarely goes out before two o clock.\\nHer first visit, and one which ladies visiting Paris\\nwould naturally have occasion to make also, is to her\\ndressmaker. I feel sure that none of the ladies who may\\nperuse these pages would care to present themselves in\\nfashionable resorts in Paris unless gowned in a manner\\nto compare favorably with those formidable rivals in dress,\\nthe gay Parisiennes. The artistic cut and fit of a dress,\\nthe delicate blending of colors and the general effect of\\nthe whole are to be had in houses of the highest class as\\nnowhere else. Laferriere, 28 Rue Taitbout, is a great\\nhouse, and of the best. It has enjoyed an uninterrupted\\nexistence of fifty years on the same spot and is justly\\nin high repute for its elegant taste. Alterations have late-\\nly been made within and its apartments for the reception\\nof its patrons are now all on the ground floor. Our most\\nelegant society ladies and the actresses of our leading\\ntheatres are among the patrons of this bouse. They are\\nalso, by appointment, dressmakers to the Princess of\\nWales and to the ladies of several other foreign courts.\\nIn case our lady readers should find themselves con-\\nstrained, before fitting on their costumes, to avail them-\\nselves of the services of a first-rate corset maker, we\\nwould mention before all others Leoty, at the end of the\\nPlace de la Madeleine.\\nWhile in the Place de la Madeleine we will transcribe\\nthe address of a well known dentist, Dr. Leon. His card\\nis printed herewith:\\nCh ir u rg ic n- Den tis te\\nUiplome de la Faculte de (Medccine de Paris\\n{Memire de la Societe d Odontologie\\nde 2 a 6 heures 8, place de la Made eine, PARIS", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0250.jp2"}, "251": {"fulltext": "HOW TO SEE PARIS ALONE 1 83\\nFor hats, that indispensable crown to the successful\\ntoilet, we cannot do better than to suggest to our readers\\nto make their selections in the Avenue de I Opera, where\\nthe leading milliners are found. At No. 15, Mme. Dra-\\nvert-Vallette s, are to be found the most elegant designs,\\nwhether for calling, for the theatre, for the races or the\\nwatering places, and these, we might add, at prices that\\nare astonishingly low for the lovely tilings offered.\\nNot very far from there, Place du Theatre Frangais,\\nNo. 3, is a young house which has already made for itself\\na reputation for turning out original and attractive de-\\nsigns. It is the old house of Satori, Mmes. Feuillatre et\\nLiotard, successors. Their prices are low for what are\\nreally works of art.\\nBy this time it is four o clock, and time for lunch. Par-\\nisian ladies, usually without escort at this hour, never go\\nto a coffee-house alone. They patronize one of the pastry-\\ncook shops which abound along the route by which we\\nhave come, Rue Royale, Chaussee-d Antin and du Havre,\\nclose by the railway station, Saint-Lazare. There are\\nplaces which offer tea and muffins from 4 to 5, and\\nwhich are well frequented. Colombin, in the Rue Cam-\\nbon, is especially to be recommended. In no particular\\ndoes Fashion hold a more arbitrary and exacting sway at\\nParis than in the selection of letter-paper and stationery\\nof all sorts. Stern, near ihe Theatre des Varietes, pas-\\nsage des Panoramas, has acquired a great reputation for\\nluxurious letter and notepaper and elegant stationery of all\\nkinds. His prints from steel-plate engravings and other\\nartistic compositions are justly very celebrated.\\nIn antiques and rare works of art, Lovengard, formerly\\nin the Rue Buffault, but who now, having outgrown his\\nformer premises, has taken up his abode at No. i Boule-\\nvard des Capucines, has a choice collection which no\\namateur of ancient and artistic gems in that line can\\nafford to overlook. Some choice and rare treasures may\\nbe seen there.\\nA visit to one of the jeweler s shops of Paris is almost a\\nrevelation to the foreigner. Contreau, Rue de la Paix,\\nott ers a bewitching assortment of precious stones, mount-\\ned and unmounted. These are displayed in perfect taste.\\nHamcl, Avenue de I Opera, is very highly to be recom-\\nmended. In the Rue Louis-le-Grand. No. 11. do not fail\\nto visit the establishment of Maingourd, a jeweler from\\nle Mans, who has opened a branch here for the sale of\\nexquisite jewelry, bracelets, engagement rings, etc., made\\nat le Mans by workmen selected from the most compe-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0251.jp2"}, "252": {"fulltext": "184 HOW TO SEE PARIS ALONE\\ntent to be found in Paris. Prices here are very moderate.\\nThe Palais-Royal still keeps its old time renown for\\neverything in the line of jewelry, and Blanchet, 19 and 20\\nGallery Montpensier, offers a wonderful assortment of\\nrings, bracelets and necklaces not easily duplicated else-\\nwhere as regards both price and quality of work. It will\\nbe remembered that in the days of Louis XIV. and Louis\\nXV. it was quite the thing to select wedding outfits in\\nthe Palais-Royal in the shops of the great jewelers of that\\nepoch.\\nThe visitor will hardly leave Paris without bringing into\\nrequisition the services of a photographer. As you go\\nfrom the Palais-Royal toward the Place Vendome through\\nthe Rue Samt-Honore, you will see, at No. 350 in this\\nlast named street, a very fine collection of photographs\\nexposed- to view. This gallery, formerly belonging to\\nMora, is to-day carried on by Peuchet, who, in a com-\\nparatively short time, has acquired an enviable reputa-\\ntion. Foreigners who desire to take away with them some\\nphotographic souvenir in their visit to the Exposition of\\n1900 would do well to visit this house. Foreign languages\\nare spoken here.\\nAnd now the day is drawing to its close. After a drive\\nthrough the Bois de Boulogne it will be dinner time, and\\nafter that time to go to the theatre. It will only remain\\nto look m at some restaurants where supper is served\\nafter midnight. In addition to some excellent restaurants\\nwhich have already been named, there is the Cafe de la\\nPaix, the Grand Cafe, Pousset, and last, but highly to be\\nrecommended for the excellence of its suppers, the Cafe de\\nPa -is.\\nIt is impossible to assert that such a round of pleasure\\nand activity as has been described is adapted to any but\\nthe strongest constitutions. If nature, overcome by the\\nfatigue or dissipations of life in Paris, should find herself\\nin need of the prudent advice or the professional care of\\nsome competent physician, the office of Dr. Monnet, a\\nspecialist in diseases of the stomach- and skin, is to be\\nfound at No. 16 Boulevard Saint Germain. Consultations\\nmay be had with Dr. Monnet on Mondays, Thursdays and\\nSaturdays from 2 to 4 P. M. On other days, or at other\\nhours, by appointment. Although Dr. Monnet has pub-\\nlished a treatise on diseases of the stomach and skin\\nwhich has attracted attention (it is furnished, postpaid, at\\nthe nominal price of one franc), the Doctor by no means\\nconfines himself to these specialties, but treats all forms\\nof disease. Dr. Monnet conducts a sanitarium for the", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0252.jp2"}, "253": {"fulltext": "HOW TO SEE PARIS ALONE\\n185\\nespecial accommodation and convenience of patients who\\ndesire to remain under his constant care and observation.\\nTo wind this chapter up in a gayer tone, we will invite\\nyour attention to a house where you will hardly fail to\\nmake a purchase, either for use during your stay in Paris\\nor to replenish your wine-cellar on your return. We refer\\nto that distmctly French product, champagne wine, source\\nof liveliness and restorer of health. The house of E.\\nMercier Co., Epcrnay, have opened a Palais des Cham-\\nPalais dos Cliainpagnes Mercier.\\npagnes, opposite I Ecole jNlilitairc. It is on the corner\\nmade by the Avenues dc La Alotte-Piquet and de La\\nBourdonnais. This structure, handsomely designed and\\nexecuted, contains a panoramic and cinematographic rep-\\nresentation of the entire process of the culture of the wine\\nin the province of Champagne. It also shows, in the same\\nmanner, a complete picture of all the wine-cellars belong-\\ning to this house and the way in which champagne wines\\nare manipulated and ripened for public consumption. This", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0253.jp2"}, "254": {"fulltext": "lS6 HOW TO SEE PARIS ALONE\\nstructure is rendered more complete by the addition of a\\nroom where the quality of the wine may be tested by the\\nvisitor. It is believed the success of this will at least equal\\nthat of the monster cask at the Exposition of 1889. It\\nremains only to assure the reader that the bearer of a copy\\nof this Paris Exposition will be the recipient of par-\\nticular attentions in all the houses herein mentioned.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0254.jp2"}, "255": {"fulltext": "CHAPTER IX.\\nMEANS OF TRANSPORTATION FR, ,M PARIS\\nTO THE SUBURBS.\\nWith the exception ol New York, Paris probably has the\\nbest transportation system of any large city. In the first\\nplace, there are the public cabs (of which I have given you\\nietails on page 28). The fare is i franc and 75 centimes,\\nincluding a tip for a course, that is, a ride from one\\npoint to an} other in the city, and 2 francs and 50 centimes\\nif hired for an hour. You can generally find a cab in any\\nstreet, and always at the cab stations, to be found at cer-\\ntain corners and more especially in the squares.\\nFor those who do not wish to take a cab, Paris has pro-\\nvided an omnibus and tramway system, which, although\\nnot equal to that of America, is still very practical.\\nWe will now speak of the great lines which serve the in-\\nterior of Paris in general. As for those intended, more\\nparticularly for the Exposition, we will give detailed in-\\nformation in the second part of the guide. The uniform\\nfare on these lines is ,^0 centimes for the inside of the\\nvehicles or on the platform, and 15 centimes for a seat en\\ntop. Smoking is permitted on the platform and on top.\\nMADELEINE\u00e2\u0080\u0094 BASTILLE\\nWe first speak of the most frequented line and the one\\nwhich will be the most useful to you is the line from the\\nChurch of the Madeleine and che Place de la Bastille.\\nThis line runs from one end of the boulevards to the other.\\nOn its route it can put you down at any of the following\\ntheatres: The Opera, the Boufifes, the Nouveautes. the Va-\\nrietes, the Gymnase. the Lyrique, the Porte St. Martin and\\nthe Ambigu. On race days at Vincennes you may take\\nthis omnibus to the Place de la Bastille, at the side of\\nwhich i= the Vincennes station, where the trains leave for\\nthe race track.\\nPLACE ST. MICHEL- GARE ST. LAZARE\\nThis line, of which the terminal points are the St. Lazare\\nstation and the Place St. Michel, is also much frequented.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0255.jp2"}, "256": {"fulltext": "1 88 HOW TO SEE PARIS ALONE\\nIt runs through the Rue Auber, passes before the Opera,\\nfollows the Avenue de 1 Opera, stops before the Theatre\\nFrancais, goes along the Rue de Rivoli, before the Louvre,\\nto the Place du Chatelet, where the theatre of that name\\nand also the Sarah Bernhardt theatre are situated, crosses,\\nthe bridge, passes before the Conciergerie and the Palace\\nof Justice, and finally puts you down at the Place St. Mi-\\nchel, in the heart of the Latin Quarter.\\nVAUGIRARD-GARE ST. LAZARE\\nThen there is the Vaugirard-Gare St. Lazare line, much\\nfrequented by visitors. After passing by the Madeleine\\nand the Tuileries, it goes to the celebrated store called the\\nBon Marche, and then continues to an extremity of Paris,\\nthe Rue Vaugirard.\\nWe mention these three lines particularly because they\\ncan be used without confusion by all, even if unfamiliar\\nwith the French language, their routes are so simple. For\\nthose who can speak the language, we give, a little further\\non, a table of the lines which serve the interior of Paris,\\nnamely, the lines cl the Compagnie Generale des Omnibus\\net des Tramways; for the other lines, the Northern and\\nSouthern Tramways, are only used to go to the extrems?\\nlimits of the city.\\nFor those who use the vehicles of the Compagnie Gen-\\nerale des Omnibus we wish to explain the method of cor-\\nrespondence or transfer system.\\nThe transfer system is provided for the purpose of al-\\nlowing a passenger who does not find a line running\\ndirectly to the place he wishes to go, to change cars on\\nthe route without paying an additional fare. Transfer\\ntickets are only given to passengers who pay 30 centimes,\\nthat is. those who ride below unless those on top choos\\nto pay 30 centimes. A transfer ticket can be obtained only\\nfrom the conauctor to whom you pay your fare; that is\\nto say, if you have once changed cars and given your\\ntransfer ticket to the second conductor, you cannot obtain\\nfrom the second conductor a transfer ticket allowing you\\nto change cars again. If you do not know at what bureau\\n(little street stations) to change, you have only to ask the\\nconductor. As soon as you have left the first omnibus\\nwith your transfer ticket, you must go in the omnibus\\nbureau and procure from the agent a ticket stating your\\nnumber among those who are waiting for your second\\nomnibus. When this omnibus arrives before the station,\\nthe numbers are called out. When your number is called", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0256.jp2"}, "257": {"fulltext": "HOW TO SEE PARIS ALONE\\n189\\nout, you get in, giving the conductor your transfer ticket.\\nYou have nothing to pay in this omnibus. The conductor\\nwill give you any information as to the place to get out.\\nWhile waiting with your transfer ticket for the second om-\\nnibus you are not allowed to leave the omnibus station\\nand walk about or go to a store, even though it may take\\nbut a moment.\\nSTAGE AND STREET-CAR LINES\\nSTAGES\\nCarrefour des Feuillantines,\\nPlace Clichy.\\nTiocadero, Gare de I Est.\\nPorte-Maillot, Hotel de Ville.\\nPlace de I Etoile, Palais Royal.\\nTames, Filles du Calvaire.\\nMadeleine, Bastille.\\nBastille, Place Wagram.\\nBatignolles. Jardin des Plantes.\\nClichy, Od^on.\\nPlace Pigalle, Halle aux Vins.\\nMontmartre, Place St. Jacques.\\nBoulevard St. -Marcel, Notre\\nDame de Lorette.\\nLa Villette, Saint-Sulpice.\\nButtes-Chaumont, Palais Royal\\nBelleville, Louvre,\\nLac Saint-Fargeau, Louvre.\\nM^nilmontant, Gare Montpar-\\nnasse.\\nCharonne, Place d ltalie.\\nPlaisance, Hotel de Ville.\\nGare de Lyon, St-Philippe du\\nRoule.\\nRuejenner, Square Montholon\\nPalais Royal, Ecole Militaire.\\nGentilly (Ceinture) Place de la\\nR^publique.\\nBoulevard Montparnasse, Gare\\ndu Nord.\\nVaugirard, Gare Saint- Lazare.\\nGrenelle, Porte Saint-Martin.\\nGrenelle, Place de la Bastille.\\nPassy, Place de la Bourse.\\nGare du Nord, Place de I Alma.\\nChamp-de-Mars, Quai de Val-\\nmy.\\nMontrouge (Eglise), Gare de\\npassy.\\nPantheon, Place de Courcelles.\\nPorte de Versailles, Louvre.\\nJavel, Gare Saint- Lazare.\\nGare Saint-Lazare, Place Saint\\nMichel.\\nPare Monceau, La Villette.\\nGare Saint-Lazare, Gare de\\nLyon.\\nGare des Batignolles, Gare\\nMontparnasse.\\nMontmartre, Saint Germain\\ndes Pr^s.\\nRue des Morrillons, Les Halles\\nBoulevard de Bercy, Boulevard\\nde la Villette.\\nPorte d lvry, Bastille.\\nPorte Saint -Martin, Concorde.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0257.jp2"}, "258": {"fulltext": "190\\nHOW TO SEE PARIS ALONE\\nSTREET CARS\\nLouvre, Vincennes.\\nPlace de I Ettjile, La Villette.\\nLa Villette, Place de la Nation.\\nCours de Vincennes, Louvre.\\nMontrouge, Gare de I Est.\\nLa Chapelle, Square Monge.\\nCimetiere St.-Ouen, Bastille.\\nPassy, Hotel de Ville.\\nLouvre, Charenton, Creteil.\\nBastille, Avenue Rapp.\\nGare de Lyon, Place de I Alma.\\nLa Muette, rue Taitbout.\\nAuteuil, Boulogne.\\nTrocadero, La illette.\\nTrocadero (ceinture), place Pi-\\ngalle.\\nPorte d lvry, Les Halles.\\nEglise de Boulogne, Les Mou-\\nlineaux,\\nPlace de la Natioii, Gare de\\nSceaux.\\nPantin, Opdra.\\nMontreuil, Chatelet.\\nCharenton (ecoles), Place de la\\nR^publique.\\nSaint-Denis, Chatelet.\\nLouvre, Saint-Cloud, Sevres\\nVersailles.\\nAuteuil, Saint-Sulpice.\\nCours de Vincennes, Saint-\\nAugustin.\\nAuteuil, Madeleine.\\nMontrouge, Saint-Philippe du\\nRoule,\\nTrocadero (ceinture), Etoile,\\nOp6ra.\\nBoulevard de Vaugirard, Gare\\ndu Nord.\\nGare d Orleans, Gare du Nord.\\nArpajon, Rue de Mddicis.\\nPoint du Jour, Place de I Alma.\\nGare de I Est, Place de la Con-\\ncorde.\\nPlace de la R^publique, Place\\nde la Concorde.\\nBastille, Place de la Concorde.\\nTHE PASSENGER BOATS.\u00e2\u0080\u0094 If you should find\\nyourself near the Seine and wish to take a little trip on the\\nwater, or to go to sotiie other point which is also near the\\nSeine, it is very convenient to take the river boats, which\\nwill carry you from the Point du Jour to the Bastille for\\nthe moderate sum of 2 cents on week days and 4 cents\\non Sundays. These boats stop at nearly all the bridges.\\nWe will mention these boats again in speaking of excur-\\nsions to the environs of Paris.\\nPARIS-AUTEUIL RAILWAY.\\nThis line is indeed of very great service to busy persons;\\nthe fare second-class is 30 centimes, and the trains leav-\\ning the Gare Saint-Lazare every seven minutes, on ord\\nnary days, take a quarter of an hour to reach Auteuil, sit-\\nuated right at the other end of Paris. You may stop in\\ncourse of route at the following stations:\\nBatignoUes-Courcelles\u00e2\u0080\u0094 On the Place Pereire.\\nNeuilly\u00e2\u0080\u0094 Which supplies the Jardin d Acclimatation, and\\nwhere is one of the entrances to the Bois de\\nBoulogne.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0258.jp2"}, "259": {"fulltext": "HOW TO SEE PARIS ALONE IQI\\nBois de Boulogne Facing the Porte Dauphine at the\\nAvenue of the Bois de Boulogne, within a few\\nyards of the Place de I Etoile and the Champs\\nElysees.\\nTrocadero Right at the top of the Avenue Henri Mar-\\ntin, which leads to the Exhibition.\\nLa Nuette For all the suburb of Passy.\\nAuteuil Of which we have already spoken in our chap-\\nter relating to the races.\\nTHE METROPOLITAN.\\nThe Metropolitan will enclose Paris in an immense net,\\nwhose stitches carefully and slowly fastened will be termin-\\nated, one part on ihe 30th of March, 1906, and the second\\npart on the 30th of March, 191 1. On the 15th of June,\\n1900, the line specially constructed for the Exhibition will\\nbe thrown open to Paris and its millions of visitors.\\nThis line will go from Vincennes, following the whole\\nof the Rue de Rivoli, as far as the Place de I Etoile, and,\\nhence taking the shape of a three branches fan, one will\\nlead to the Porte Maillot, the second to the Porte Dau-\\nphine and the last to the Trocadero.\\nThe fare will always be the same, whatever the distance\\nto travel, viz.: 25 centimes first-class and 15 centimes sec-\\nond-class. As long as the passenger does not leave the\\nstation (the same rule applies to the American elevated\\nrailways) he is allowed to take any other train. How-\\never, by purchasing a ticket for 20 centimes before 9 a. m.\\nthe holder will be entitled to take, without extra charge,\\nany of the afternoon trains going in opposite direction.\\nIn all the stations the entrance, single or otherwise, is\\nsituated in the street and leads to a subterranean station,\\nwhere tickets can be purchased and from which it is very\\neasy to reach the platforms.\\nFrom Vincennes to I Etoile the trains run every two min-\\nutes and stop at Place of the Nation, Rue de Reuilly (en-\\ntrance between the streets Rondolet and de Chaligny).\\nGare de Lyon (entrance by the Rue de Chalons), Place of\\nthe Bastille, Rue Saint-Antoine (entrance at the junction\\nof the streets of Rivoli and Saint-Antoine), Place de\\nI Hotel de Ville, at the Louvre (entrance at the corner of\\nthe Rue de Rivoli, and of the Place Saint-Germain I Aux-\\nerrois), at the Palais Royal, at the Tuileries (entrance Pa-\\nvilion de Marsan). Place of the Concorde, Avenue Alex-\\nrndrc III. (at the corner of the Champs Elysees), Rue\\nMarbeuf, Avenue of I Alma and I Etoile.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0259.jp2"}, "260": {"fulltext": "192 HOW TO SEE PARIS ALONE\\nOutings and Excursions.\\nIt is not sufficient to have seen Paris well. Near the\\ncity there are a number of historic places to which\\nagreeable excursions can be made and which strangers\\nshould visit.\\nAt the head of the list must be placed Versailles, the\\nsumptuous residence of the Great King, Louis XIV.; a\\npart of the palace has been transformed into a museum.\\nSt. Cloud, Sevres, Versailles, St. (-.ermain,\\nFontainebleau.\\nThe only practical way to get to Versailles is by the rail-\\nroad. You will take the Montparnasse station or the St.\\nLazare station, whichever is the more convenient. I have\\nsupposed until now that you are living on the right bank\\nof the river, in which case you should take the St. Lazare\\nstation.\\nTo make the excursion to Versailles you should take an\\nentire day, leaving by the train at 9.05 (there are others\\nat 10.00 or 11.05), and having breakfast at Versailles.\\nOn arriving at the St. Lazare station, go up in the large\\nhall, and on the side opposite the waiting rooms and facing\\nit, you will see ticket windows with the sign Billets.\\nAbove you will see the sign Versailles. Following are the\\nprices of tickets to Versailles:\\nFirst-class. Second-class.\\nSingle ticket i-Sof i.isf\\nReturn ticket 3 oof 2 3of\\nHaving secured your ticket, pass through the waiting-\\nroom, at the door of which you also see the sign Ver-\\nsailles (together with the time of departure of your train),\\nand, after showing your ticket to the agent, you can go\\nand take your place in the train.\\nThe railroad takes you successively through Clichy,\\nLevallois and Asnieres, where you pass the Seine, Becon,\\nCourbevoie, Puteaux, Suresnes and St. Cloud. We will\\nstop a moment at St. Cloud, if you wish, and take a glance\\nat this old imperial park.\\nOn leaving the station, take the Rue Dailly, built under\\nLouis Philippe, which passes before the station itself.\\nThis street leads up to the little plateau of Montretout,\\nwhere, at the corner of the Rue des TenneroUes, arid on the\\nway to Versailles, is the monument erected in memory of\\nthe heroes who fell there in the famous battle of Montret-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0260.jp2"}, "261": {"fulltext": "HOW TO SEE PARIS ALONE 1 93\\nout. Continue along the Rue Dailly, which will bring you\\nto the big barred gate, the entrance to the Avenue du\\nPalais, on the Place d Armes.\\nAt your left is the Seine, over which you see the bridge\\nwhich connects St. Cloud with Boulogne, with the res-\\ntaurant du Pavilion Bleu on the bank. Behind you is the\\nrestaurant de la Tete Noire.\\nYou must now follow the Avenue du Palais, on the left\\nof which, some distance back, are the barracks of the\\ndragoons, until you reach the principal gate of the park;\\nif you are in a carriage, you must first buy an entrance\\nticket at the tobacco store in the Place d Armes. It is at\\nthe left of this gate that we find all that remains of the\\nroyal palace. At the right of the gate is the Valois pavil-\\nion, which has been turned into the Superior Normal\\nSchool of Primary Instruction. There, where now\\nstretch terraces, once rose the palace, burned during the\\nCommune of 1871, and of which the ruined walls stood un-\\ntil 1896. Advancing along the terrace to the left, you find\\nbefore you a beautiful view of Paris. At your feet passes\\nthe avenue which leads to Sevres, where we will take you\\nfor a moment; for there is nothing to be seen at St. Cloud,\\nexcept the beautiful park, and Sevres being the station after\\nSt. Cloud on the road to Versailles, we will take this op-\\nportunity of saying a word about it.\\nSEVRES\u00e2\u0080\u0094 The Factory.\\nIf we stop at Sevres, it is not at all because of the im-\\nportance of the pretty town, for, although it contains a\\nnumber of fine villas and is surrounded by beautiful woods.\\nit would not merit particular attention were it r ot the seat\\nof the most interesting national factory.\\nSevres can be reached by boat, by tramway and by three\\nlines of railroad. Once there, ask any one the road to the\\nManufacture, which is near the church. Before leaving\\nPans you should secure, at No. 3 Rue de Valois, an ad-\\nmission ticket, given gratuitously, which will permit you to\\n.visit the workshops on Monday, Thursday or Saturday,\\nand the museum and galleries any day. You should, there-\\nfore, choose one of these three days for your visit, so as\\nto see the workshops and the museum on one trip.\\nThe factory of Sevres is in the town of Sevres, at the\\nentrance of the park of St. Cloud. On arriving before the\\nfactory, go up the stairway facing the park, at the foot of\\nwhich is the statue of Bernard Palissy. These stairs lead\\nto a vestibule, where you must check your cane or um-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0261.jp2"}, "262": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0262.jp2"}, "263": {"fulltext": "194 HOW TO SEE PARIS ALONE\\nbrella. There you will find a guide, who, on seeing your\\ncard, will accompany you on a visit to the workshops.\\nFirst you will be shown how the rough material is pre-\\npared out of which are made the beautiful vases and por-\\ncelains so fine that they are nearly always the gifts selected\\nby France for foreign rulers. A little further on a work-\\nman will, before your eyes, turn a cup, a saucer, or some\\nother piece of porcelain. Then you will watch the work-\\nman whose duty it is to strain the paste. Your visit to the\\nworkshops will be terminated before the furnaces, where\\nthe products you have just seen manufactured are baked.\\nFrom the workshop you will be conducted to the show and\\nsales rooms and the museum, where you can admire the\\nfinal results obtained by the men you have seen at work.\\nGive a fee of 15 sous to the guide who accompanied you.\\nVERSAILLES.\\nOn leaving the station you will find in the courtyard a\\nnumber of cabbies, who will beg the honor of driving\\nyou. Unless it is your intention to only remain at Ver-\\nsailles a very short time, say two hours, I would advise\\nyou to decline their offers, and to avail yourself, instead,\\nof the tramway to be found beyond the station gate, which\\nwill take you directly to the palace.\\nThere are three things at Versailles, or rather three\\ngroups of things, which you must at least see; for to study\\neverything carefully one afternoon is hardly sufficient.\\nThese things are the Palace, the Park and the Trianons.\\nWe do not pretend here to give complete details on these\\nsubjects. We limit ourselves to pointing out in a general\\nway, as has heretofore been our plan, what should be seen.\\nWe leave the details of the galleries and the park to those\\nbetter able to speak, and for the benefit of such of our\\nreaders who can give some time to this visit, we cannot do\\nbetter than recommend the famous guide Une Journee a\\nVersailles (A Day at Versailles), in which the author,\\nM.;. L. Bernard, keeper of the palace, in unpedantic style\\ngives complete and practical details in regard to every-\\nthing pertaining to Versailles. As for us, we must take a\\nmore general view.\\nThe large square, dominated by the palace, is called the\\nPlace d Armes. It is reached by the Avenue de Paris,\\non one side of which is the artillery workshop, formerly\\nthe great stables, and on the other the engineering bar-\\nracks, formerly the little stables.\\nYou pass through the magnificent gilded gate which", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0263.jp2"}, "264": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0264.jp2"}, "265": {"fulltext": "HOW TO SEE PARIS ALONE I95\\nseparates the outer courtyard from the Place d Armes.\\nThis outer courtyard is contained between two buildings\\nformerly known as the wings of the ministers.\\nThe palace which rises before you has been changed in\\nmany details by the various governments which have held\\nsway since Versailles was the residence of the Great\\nKing, Louis XIV. Thus, the sixteen statues stretching\\nto right and left along the courtyard were placed there in\\nthe reign of Louis Philippe; in whose reign also was erect-\\ned the great equestrian statue of Louis XIV. on the site\\nof the gate which used to separate the outer court from\\nthe royal courtyard.\\nHaving passed the equestrian statue of the Sun King,\\nturn a little to the right and you find yourself in the\\nchapel court, by which you can enter the palace. The\\nPalais and the Trianons are open every day. except Mon-\\nday, from eleven to five o clock. The gardens are closed\\nat nisht. You must leave your cane or umbrella in the\\ngreat antichamber at your right. Having passed the vesti-\\nbule you find a stairway at your right which leads to the\\napartments above. The door near the foot of this stair-\\nway over which are the numbers 84-93 leads to picture\\nalleries\\nThe stairway leads you to the upper vestibule of the\\nchapel, from which you get a full view of it. I particular-\\nly call to your attention the. paintings on the ceiling.\\nFrom there \\\\vc pass through the Salon of Hercules (105),\\nwhich was the great ball-room of the eighteenth century,\\nand the Salon of Abundance (106). There we enter the\\ngreat apartments of Louis XIV. Passing by the door in\\nfront of, the window, we find, successively, the salons of\\nVenus (107), Diana (108), Mars (109), Mercury (no),\\nand Apollo (ni), which, sumptuously furnished and hung\\nwith tapestries representing the history of Louis XIV.,\\nonce served for the receptions of the court. Each of the\\nceilings represents the divinity which has given his or her\\nname to the salon.\\nWe next find ourselves in the Salon of War (112), which,\\nwith the Glass Salon and the Salon of Peace, make a suite\\ntruly marvelous. It was in the famous Glass Salon that\\nall the great fetes of the court were given. It was here\\nalso\u00e2\u0080\u0094 sad remembrance!\u00e2\u0080\u0094 that the king of Prussia was\\ncrowned Emperor of Germany; but, in revenge, it wa.,\\nhere, the 8th of October, 1896, while the people were pro-\\nclaiming the Franco-Russian alliance, that the august\\nsovereign .,.f onr friendly neighbor, the Czar Nicolas II.,\\nwas received.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0265.jp2"}, "266": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0266.jp2"}, "267": {"fulltext": "HOW TO SEE PARIS ALONE I97\\nYou next enter the Cabinet of the King by the glass\\ndoor opening into the Glass Gallery (at the back of which\\nare the little apartments of Louis XV.), which must be\\nvisited with a keeper; then the room where Louis XIV\\ndied, irom which we pass into the antichamber where the\\ncourtiers awaited the rising of the king. This latter room\\non account of an oval window in it, is called the Anticham-\\nber of the Bull s Eye (123). Thence we continue our\\nvisit by way of the Salon of Peace, the chamber of the\\nqueen, her large private room and the antechamber which\\nbrings us to the Guards Room; but I would advise you\\nto make this part of your visit on going out; that is when\\nyou arrive at the Guards Room by the new way I am\\n\u00e2\u0080\u00a2?oing to show you. Go back a little to the Bull s Eye\\nwhich gives access to the little apartments of the queen\\nwhich must be visited with a keeper, to whom you will\\ngive eight or ten sous on leaving. Those -little apart-\\nments can sometimes be entered from the queen s cham-\\nber, Tlie keeper will give you the history of each room\\nind the great events of which they were witnesses.\\nOn leaving the little apartments we enter the Guards-\\nRoom, from which the marble stairway, or Queen s Stair-\\nway. lakes you up to the great historical picture rooms\\nIf you go through to the left in the Glass Salon, you ar-\\nrive at :i number of rooms of which the walls are cov-\\nereo with lamous paintings. The last of these rooms are\\nthe Battle Gallery, and the portrait room.\\nOutside of the palace proper, at the Princess court en-\\ntrance, there are the halls of Congress and the Senate\\n(the latter was the old Opera), and the hall of the Jeu de\\nPaume (Games). Rue Gambctta. whose walls witnessed\\nthe oath of the deputies of the Third Estate (Tiers Etat)\\nwhich served as a prelude to the revolution.\\nTHE PARK AND THE GARDENS.\\nThe majesty and beauty of the Park of Versailles can\\nbest be observed from the terrace in front of the palace\\nI will not attempt to guide you here. for. outside of the\\npalace gardens, which are on the terrace itself a volume\\nwould be required for the task.. The best thing to do is to\\ntake a carriage, agreeing on the price in advance, and\\ndrive about for an hour or an hour and a half throuo-h\\nthe majestic alleys and the woods. There is one day each\\nmonth which is the best to visit the park, that on which\\nall the fountains play. The effect is splendid. On this\\nday. however, which is always a Sunday\u00e2\u0080\u0094 in summer the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0267.jp2"}, "268": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0268.jp2"}, "269": {"fulltext": "now TO SEE PARIS ALONE 1 99\\nfirst Sunday of the mouth the Parisian public, informed\\nby advertisements, comes in such numbers that the apart-\\nnicuLs of the palace are closed.\\nAfter you have seen the park, drive, or if you are on foot\\nit is but a short walk to the Trianons, or chateaux.\\nTRIANONS. The visit to the Trianons must be made\\nwith a keeper. You will be taken around with ten or\\ntwenty other people, shown the dififerent rooms and ex-\\nplained their former use. There is the Grand Trianon,\\nmuch the more important, and the little, or Petit Trianon,\\nthe favorite residence of Marie Antoinette, who had a\\nlittle hamlet built there, with a cow-house, where she used\\nto ainuse herself with playing at peasant. Between the\\ntwo Trianons is the carriage museum, where all the old\\nStale and court carriages are to be seen, and also that used\\nby the Russian Emperor on his trip from Paris to\\nVersailles.\\nOther excursions in the immediate environs of Paris are\\nto St. Germain and to Marly. Each of these places has\\nhad its hour in history.\\nST. GERMAIN.\\nThis is cue of the classic excursions near Paris. There\\nare several ways of getting there; first, by railroad from\\nthe St. Lazare station, which will put you down before the\\npalace in thirty minutes. There is a good buffet on each\\ntrain. The price of tickets is as follows:\\nFirst-class. Second-class.\\nSingle ticket t.5of. i.osf.\\nReturn ticket j.oof. 2.iof.\\nThe Compagnie de I Ouest (Western Raiload Com-\\npany) has also a line by way of Marly le Roi, of which we\\nspeak in the ne.xt paragraph. This trip is very pretty;\\ntime, one hour and twenty minutes. The price of tickets\\nis as follows:\\nFirst-class. Second-class.\\nSingle ticket i.8of. l.2of.\\nReturn ticket .3.oof. 2.iof.\\nReturn tickets are good by one or the other route. There\\nis also a steam tramway, which leaves the Arc de Triomphe\\nand goes to Bougival by way of Marly.\\nFinally, every morning from May to the end of Septem-\\nber, the river boat, le Touriste, leaves the quai d Orsay", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0269.jp2"}, "270": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0270.jp2"}, "271": {"fulltext": "HOW TO SEE PARIS ALONE 20I\\n(Orsay whan and lands passengers at the foot of the ter-\\nrace of the St. Germain jjalace. Single tickets are 3 francs,\\nreturn tickets 4 francs. Lunch and dinner are served on\\nboard.\\nThe principal thing at St. Germain is the excursion\\nthrough the woods. Whichever way you may turn a\\npicturesque scene lies before you. The restored i)alace of\\nSt. Germain contains a number of very interesting national\\nantiquities, and from the terrace of the palace a beautiful\\nview is obtained.\\nMARLY LE ROL\\nThe means of getting to Marly le Roi are the same as\\nthose of St. Germain. If you take the boat, however, you\\nshould get ofif at Port Marly, near Bougival, celebrated for\\nits boatmen s ball. Port Marjy and Marly le Roi are realh\\ntvvo parts of the same place, one on the Seine and the\\nother at the top of the slope. Nothing remains of the\\nformer palace of Marly, which stood in the midst of the\\nmagnificent woods. Some ivy-covered stones indicate the\\nsite. The excursion through the woods should be men-\\ntioned again. It is most fascmating, and those who wish\\nan hour of repose from the turmoil of Paris will not regret\\nlooking for it at Marly.\\nFONTAINEBLEAU.\\nAlthough hardly in the environs of Paris, the excursion\\nto Fontainebleau is sucli a favorite one, both for bicycle en-\\nthusiasts as well as those content with the modest rail-\\nroad, that I must speak of it in this connection.\\nFontamebleau is connected with Paris by the P. L. M.\\nRailroad. Express trains take about an hour and a half.\\nFirst-class. Second-class.\\nSingle tickets 6.6of. 4-45f.\\nReturn tickets 9-yof. 7-i5f.\\nThe station at Fontainebleau is about a mile and a half\\nfrom the palace. The best way to get there is to take the\\nelectric tramway, which is reached by an underground\\npassage fron: the slation itself, and which will ])ut you\\ndown before the palace in twenty minutes. Fare, 30\\ncentimes. Get off at the Place Solferino. in front of the\\nhorseshoe stairway: at the top of which Napoleon, about\\nto leave in exile, bid farewell to his old guard.\\nBetween the two arms of this stairway is the public en-\\ntrance to the palace. The wing to the right hand, which", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0271.jp2"}, "272": {"fulltext": "202 now TO SEE PARIS ALONE\\nis not open to the public, contains the apartments of the\\nPresident of the RepubHc. Under the stairway you will\\nfind a guide, who will take you on the regular tour through\\nthe palace; fee, 50 centimes. The principal points of in-\\nterest are the chapel, the apartments of Napoleon I., the\\napartments of Marie Antoinette, the library and the theatre.\\nIf, on leaving by the horseshoe stairway, you turn to the\\nleft under the arch, you find yourself in the Court of the\\nFountain. To your right is the Chinese museum, with the\\nfish pond at the end. If you go through the court and\\npass under the arch facing the first one, you find beautiful\\ngardens, carefully attended to. Continuing along the side\\nof the building, you find a gate, to the left, which opens\\non the road, which, passing between the palace on the left\\nand a school on the right, takes you to Place d Armes,\\nwhere there is a cab-station. The forest is wonderful and\\na drive through it, if you have time, will well repay you.\\nTake the route by the Valley of the Sole, Franchard and\\nBarbizon; or the coachman will arrange the itinerary ac-\\ncording to the time at your disposal. Arrange the price\\nof your carriage in advance, and bargain well with your\\ncoachman. I know of no greater robbers than the coach-\\nmen of P ontainebleau. Ofi^er him half what he asks, and\\nyou will still be robbed.\\nI will complete this chapter by a word to bicycle and\\nautomobile enthusiasts. If you have not a machine, the\\nfirst thing is to know where to procure one either buying\\nor renting it which won t break down on the road. Here\\nare some addressees which may be of service:\\nGladiator, Boulevard Montmartre,\\nRUDGE, Boulevard Haussmann.\\nBicycle and Automobile Excursions.\\nPARTS\u00e2\u0080\u0094 SAINT CLOUD-VERSAILLES\u00e2\u0080\u0094\\nVALLEES DE LA BIEVRE et de CHEVREUSE.\\nThe daily promenade which calls only for slight exertion\\nis to the Bois de Boulogne. This might be said to be the\\nstarting point for all excursions, for the forest of Vin-\\ncennes is too far away to be convenient for such a pur-\\npose. From the Bois you can continue your excursion as\\nfar as Saint-Cloud.\\nTo do this you go down the river, behind Longchamps,\\nand then, coming up stream, always on the right bank,\\nyou come to the bridge of Saint-Cloud. Keeping straight", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0272.jp2"}, "273": {"fulltext": "HOW TO SEE PARIS ALONE 203\\non and passing Sevres you will come to Bas-Mendon,\\nnhere you can breaklast or dine on the banks of the river.\\nI his excursion is delightful about five in the afternoon or\\non a fine morning.\\nFrom the Bois de Boulogne and the Bridge of Suresne\\nyou can go to Versailles by an agreeable but somewhat\\nhilly route, through Montretout. by the heights of Saint-\\nCloud, along the park of the same name and through the\\ncity of Avray. There are two fine excursions from Ver-\\nsailles; the first into the valley of the Bievre. You go\\nthrough the groves, near the station on the left bank and,\\nkeeping to the right, you go down toward Jouy, cross the\\nBievre, and come back either by the Croix-de-Berny and\\nSceaux or (but this is a longer route) by Choisy-le-Roi\\nand Charenton. The second excursion is to the valley\\nof Chevreuse; this is longer but a finer one. Near Jouy\\nyou turn to the right, not far from a large aqueduct, you\\ncross the elevated land which separates the Bievre from the\\nYvette and going down to Chevreuse you rest. Then you\\ngo up the delightful little valley all verdant and wooded,\\nyou visit Dampierre and you push on as far as Vaux de\\nCernay, picturesque rocky gorges, diminutive representa-\\ntions of the Alpine cafions. To return by a different route\\nyou turn to the left at Dampierre; you pass through la\\nVerriere, Trappes, Saint-Cyr and thence to Versailles.\\nPARIS SAINT-GERAIAIN PONTOISE MAN-\\nTES ROUEN.\\nFrom the Bois de Boulogne, always our central point,\\ntake the Bridge of Suresnes, climb the slope; turn to the\\nright after you get by the railroad bridge, pass through\\nRueil, Chatou, Ic Vesinet, le Pecq; thence up the hill to\\nSaint-Germain. This route, perhaps somewhat hard to trace\\nout, is well supplied with guide-posts. Saint-Germain,\\nlike Versailles, is also a good starting point for excursions,\\nwhether to be to Poissy and following the flowery banks\\nwatered by the Seine to Mantes, still farther to the pretty\\ncity of Vernon, farther yet to Rouen, by a diversified route,\\nover hills, through valleys, in the midst of deep-shaded\\nforests, past charming sites, little villages with artistic sou-\\nvenirs, like Pont de I Arche, or whether, turning to the\\nright at the entrance to Saint-Germain itself, you cross the\\nLoges and the lovely forest in its whole extent to come out\\nat Conflans and at the pretty confluence of the Oise.\\nKeepmg on your way. you go directly to Pontoise, or, bet-\\nter still, by following the meanderings of the river, then", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0273.jp2"}, "274": {"fulltext": "204 HOW TO SEE PARIS ALONE\\nback to Paris by a new and direct route, through Her-\\nblay, Enghien, the banks of the Seine and the Bois de\\nBoulogne.\\nPARIS\u00e2\u0080\u0094 CO A IPIEGNE OR FONTAINEBLEAU.\\nThe other excursions are long and practicable for auto-\\nmobiles only. Paris Chalons; Paris Chantilly; Paris\\nChartres; Paris Etampes; Paris Soissons; Paris\\nTroyes; to make them implies covering a goodly number\\nof miles.\\nThere are, however, two very practicable excursions, ofie\\nto Compiegne, the other to Fontainebleau. Bicyclists go\\nby rail to either of these two cities and thence, branching\\nout in all directions, pass an agreeable day or two.\\nAt Compiegne, after crossing the bridge over the Oise,\\nyou go straight through the forest as far as Pierrefonds,\\nwhere you may breakfast. You come back, after visiting\\nthe chateau by the little lakes, .and you will thus have gone\\nthrough the most attractive parts of the forest. At Fon-\\ntainebleau the excursions are longer and more varied. To\\nvisit Barbison, Marlotte, the tower of Denecourt, with its\\nbeautiful view, the eagle s nest (le nid de I aigle), the place\\ncalled le gros Fonteau, the rocks and gorges of Franchard.\\nthe rocks of the Ermites (hermits), the weeping rock (la\\nroche qui pleu-re), the gorges of Apremont would require\\na stay of several days, which, for that matter, one would\\nnever regret.\\nr=^|^S", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0274.jp2"}, "275": {"fulltext": "CHAPTER X.\\nFASHIONABLE SEASIDE RESORTS\\nThose visitors who have- only two or tlirce weeks to\\nspend in France will, naturally, give all their time to Paris\\nand the Exposition; but those who have come for a long\\nSlay will not. in general, desire to stop all the hot season\\nin the capital, but will arrange to spend some weeks in the\\nfresh air of the seaside resorts. There they will find the\\nfashionable society of Paris, which, beginning with the\\nmonth of June, escapes to the seashore to continue the\\npleasures of the winter in the casino-balls and the night\\nfetes, not to mention the races, where the men go to see\\nthe horses and the women to let others see their pretty\\ngowns.\\nThe seaside resorts of Brittany are not much frequented,\\nexcept by tourists and by those who wish to spend their\\nvacation economically. It is to the coast of Normandy you\\nmust go if you wish to be in the fashion. The number of\\nthese resorts which are considered fashionable is quite\\nlimited, and in each you will find about the same faces, for\\nit IS considered the thing to be seen at certain times in\\neach these three or four places, these periods being gener-\\nally the race days.\\nAll four of these fashionable places are situated on the\\nnet-work of the Compagnie de I Ouest, which, at the sea-\\nson of the seaside excursions, endeavors to make the ac-\\ncommodations for travel both agreeable and cheap. We\\nwill speak a little later on of the different methods which\\nthis company has provided, saving both time and expense\\nfor the convenience of those who wish to visit the Nor-\\nmandy coasl.\\nPRACTICAL ADVICE.\u00e2\u0080\u0094 I repeat the advice which I\\ngave at the beginning of this book, when you were on the\\npoint of leaving for Paris; namely, to write from Paris five\\nor six days in advance to the hotel which you have selected\\nat Trouville. Dieppe, Fecamp or Treport; otherwise you\\nwill run the risk of not being able to secure accommo-\\ndations.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0275.jp2"}, "276": {"fulltext": "2o6 HOW TO SEE TARIS ALONE\\nTake as little baggage as possible, particularly if you in-\\ntend to visit several resorts; though a dress-suit for men\\nand one or two evening gow^ns for women are indispen-\\nsable, for there is much parade of fashion at these resorts,\\nand in the evening at the Casino evening dress is in order.\\nTo save you annoyance with your baggage, the Com-\\npagnie de I Ouest, alwaj s solicitous for the comfort of its\\ntravelers, will take your baggage from your residence the\\nday before your departure.\\nThis service is also attended to by the Duchemin agency.\\nTHE ST. LAZARE STATION.\u00e2\u0080\u0094 The Compagnie de\\nrOuest has two stations in Paris; the Montparnasse sta-\\ntion, on the left side of the river, which serves all the west\\nof France, principally Brittany, and the St. Lazare sta-\\ntion, in the heart of the right section of the city, which\\nis the place of departure for the fashionable resorts\\nmentioned.\\nAfter having ascertained the hour of departure of your\\ntrain in the time-table (a little blue-book; price, 30 cent-\\nimes; for sale in all stations, and which should be secured\\nfor the purpose of learning the various stopping places of\\nyour train), you should write to M. le Chef du Depot de\\n^avalerie de la Compagnie de I Ouest, 86 Rue de Rome,\\nstating which train you will take and how many are in\\nyour I any.\\nYou should arrive at the station half an hour before the\\ntrain leaves in order to get comfortably arranged, and at-\\ntend to your baggage. If you have sent your baggage by\\nthe Duchemin agency, there is no trouble. If your bag-\\ngage is carried to the station by the company s carriage\\nin which you ride, you should drive to the Havre Court,\\nwhere porters, to whom you should give 4 sous per trunk,\\nwill put your baggage on hand-carts and roll it to the\\nchecking room.\\nThis attended to, inquire for the ticket ofifice. Ask for\\nthe number of tickets you wish (children under seven years\\nold are half price), and be careful to specify whether you\\ndesire first or second-class. (The first-class tickets are\\nbiue; second-class brown. Return tickets are divided in\\ntwo parts by a red line.) Having secured your ticket, re-\\nturn to your porter and lake from his hand-cart such of\\nyour baggage as you desire to take in your apartment with\\nyou. Your trunks will then be weighed, each person being\\nallowed to have 30 kg. carried free. You will be given a\\nbaggage receipt, which states the number of your pieces,", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0276.jp2"}, "277": {"fulltext": "HOW TO SEE PARIS ALONE 20/\\nthe weight, and any amount paid. Be very careful of this\\nreceipt, for you must have it at your destination in order\\nto secure your baggage. This done, give your hand pack-\\nages to a porter paying him a few sous who will conduct\\nyou .to your train, where you can put your packages in\\nyour seatt and then do what you please until you hear the\\ntraditional. En voiture, s il vous plait! (All aboard, if\\nyou please!)\\nPRECAUTION.\u00e2\u0080\u0094 Be sure that the train in which you\\nLave taken your place goes directly through to your dts-\\ntinauon, or learn if it is necessary to change cars on the\\nway; otherwise you will run the risk of finding yourself\\nmany miles from where you expect.\\nFROM PARIS TO TROUVILLE.\\nTo Trouville, according to the time you wish to remain\\nthere, the price of tickets is as follows: First-class, 24.65\\nfrancs; second-class, 16.65 francs; return ticket, good for\\nten days, exclusive of the day it is bought, first-class,\\n35.85 francs; second-class, 24.15 francs; return ticket, good\\nfor four days, first-class, 30 francs; second-class, 21.50\\nfrancs.\\nAs to the hour to leave Paris, following are the different\\ntrains between Paris, Trouville and Deauville: Fast train,\\nr.io p. m.; express trains, 7.55 a. m., 9.45 a. m., 5 p. m.,\\n6.30 p. m.; \u00e2\u0096\u00a0\u00e2\u0096\u00a0half-express, 8.45 a. m; omnibus, slow trains,\\n12. |0 a. m., 1.20 p. m., 3.25 p. m., 11. 16 p. m.\\nWe will not mention the omnibus trains further, as they\\ntake too long a time, but will confine ourselves to the\\nothers. For people in a hurry, or those who only intend\\nspending two or three days at Trouville, the fast train\\nwhich leaves Paris at i.io p. m., and which has passage\\nways and other conveniences, is the most practical, as it\\narrives at Trouville at 4.52 p. m., which leaves the evening\\nfree.\\nAmong the express trains the most agreeable are those\\nat 5 p. m. and 6.30 p. m. Dinner is served on these trains,\\nand. thanks to the Compagnie des Wagons-lits, the ap-\\npointments of the cars are perfect. These trains are near-\\nly as fast as that at i.io p. m., the 5 p. m. train arriving at\\n8.47 and the 6.30 p. m. train at 10.54. On these two trains\\nmeals are served from Paris to Mantes, from Mantes to\\nConches, or from Perquigny to Trouville. Price of meals\\n(wine not included), first-class, 6 francs; second-class, 3.50\\nfrancs; wine is from 2 francs per bottle, or i franc per half\\nbottle.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0277.jp2"}, "278": {"fulltext": "208 HOW TO SEE PARIS ALONE\\nARRIVAL AT TROUVILLE.\\nMost of our readers who take this trip will only remain\\nat Trouville a few days, two or three weeks at the most,\\nand will, therefore, go to the hotel, as the cottages are\\nvery dear and are not rented for less than a month.\\nFollowing is a list of the best hotels:\\nHotel des Roches Noires, Hotel de Paris, Hotel Bellevue,\\nHotel de la Plage, Hotel Beausejour.\\nOn arriving at the station you will find cabs and omni-\\nbuses. The best thing to do is to take the omnibus of the\\nhotel which you have selected. The fare is 50 centimes for\\neach person, during the day, and 70 centimes from mid-\\nnight to six o clock in the morning. You can give your\\nbaggage ticket to the conductor of the omnibus, who will\\nsee that your things are immediately forwarded to the\\nhotel, thus saving you all trouble. The price of a cab from\\nthe station to a hotel is 1.50 francs, tip 25 centimes. If\\nhired by the hour the price is 3 francs the first hour and 2\\nfrancs for each succeeding hour. From midnight to six\\no clock in the morning the price is doubled.\\nTo take you to your hotel your carriage will turn to the\\nright from the station and cross a bridge over the\\nTonques, a little river at the mouth of which Trouville is\\nsituated. You then proceed along the quays to the left\\nby the Rue des Bains, which takes you to the heart of the\\ntown. From the quays you can see the pier and the sea-\\nshore to the left.\\nNow that you are at your hotel, there only remains to\\nmention the pleasures and distractions which await you,\\nand the most pleasant walks and drives.\\nTROUVILLE-DEAUVILLE.\u00e2\u0080\u0094 Although each of the\\nnames is that of a dififerent beach, yet Trouville-Deauville\\nreally forms one entity; it is really one town of which the\\ntwo parts are joined by the bridge over the Tonques.\\nPeople of fashion pass from one to the other, and in the\\nevening at the Trouville Casino one may find the habi-\\ntues of that of Deauville, and vice versa.\\nOf the town itself there is not much to be said, as it\\ndoes not contain any monument or curiosity of note, and a\\nhalf-hour s stroll along the shore will make you better\\nacquainted than would ten pages of description with the\\nfashionable society which is the principal charm at this\\ndainty watering place.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0278.jp2"}, "279": {"fulltext": "HOW TO SEE PARIS ALONE 2O9\\nPLEASURES AND DISTRACTIONS.\\nAmong the principal diversions at these resorts is fish-\\ning, which at Trouville has many followers. You may\\nhire a fishing boat from one of the many boatmen at Trou-\\nville and go out in the open sea with a fisherman, who\\nwill take you to the best fishing-grounds, or you may be\\ncontent to drop a line in the river.\\nBut the leading attraction of Trouville-Deauvile is its\\ntwo Casinos, one at Trouville and the other at Deauville,\\nwhich are the meeting places of fashion, either at the gam-\\ning tables, the ball-room, or in the theatre, where the best\\nartists of Paris are to be heard. You can buy a ticket at\\neither of these Casinos which permits you to visit the\\nvarious apartments.\\nThe favorite time with sportsmen to go to Trouville-\\nDeauville is the first half of the month of August, when,\\neach year, on the Deauville racecourse, our best horses\\ncome to contend for the rich stakes. At this period the\\nCompagnie de I Ouest sends out a luxurious train, with\\nbuf\u00c2\u00a5et, which leaves Paris every morning at 9.25, arriving\\nat Deauville at 1.15. After the races, at 5.50, the same train\\ngoes back to Paris, arriving at 10.02 in the evening.\\nDuring the two weeks of the races pigeon shooting takes\\nplace in a field beyond the church, and always attracts a\\nthrong of enthusiasts.\\nThe excursions about Trouville are as numerous as they\\nare varied. The best plan is to hire a carriage and give\\nyour coachman the route to follow. The hotel will furnish\\nyou with all information. Make your price with your\\ncoachman in advance, otherwise, after the fashion of his\\nkind in America, he will charge you a lancy price.\\nDonkeys are also much in favor at Trouville, and many\\nyoung people prefer a ride on the back of one of these\\nsturdy little animals to the more comfortable carriage.\\nFollowing is a list of the principal drives:\\n1. To the chateau of Bonneville, returning by way of\\nSt. Arnoult. To visit the chateau a fee of 50 centimes is\\ncharged.\\n2. The drive along the coast, to Villers, Houlgate and\\nCabourg.\\n3. To Hontleur.\\n4. To the chateau of Hebertot.\\nThere are many other pleasant excursions, for this coast\\nabounds in ravishing corners. There is also an excursion", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0279.jp2"}, "280": {"fulltext": "2IO HOW TO SEE PARIS ALONE\\nby water, from Trouville to Havre, which is most agreea-\\nble. The boat makes this trip in 45 minutes. The hotel\\nwill give you information as to the hours of departure and\\nthe rates. Leaving Trouville-Deauville behind you as you\\nmake out to sea, you behold a fine picture of the coast,\\nwith Cabourg and Houlgate in the distance. The steamer\\nmakes for the St. Adresse pifer, leaving Honfleur and Vil-\\nlerville to the right. To the left of the harbor of Havre\\nrises the great terrace of the Hotel Frascati, while prom-\\ninent among the forest of masts which fills the basin are\\nthe great smokestacks of the ocean greyhounds. You\\nshould take advantage of this opportunity to visit the City\\nof Havre, which is well worth the while. If you are in a\\nhurry you may make this trip on your way back to Paris.\\nThe best trains to take are those leaving Havre at 6.45 p.\\nm. and 8.15 a. m. If you wish to make this trip from\\nParis, these two trains, which are very well equipped,\\nleave there at 8.15 a. m. and 6.52 p. m. These two trains\\nhave state and dining cars.\\nAnd now let us visit the youngest sister of the queen of\\nseaside resorts, Dieppe.\\nI shall not repeat the information given at the beginning\\nof this chapter, but will limit myself to mentioning the\\ntrains which go to this enchanting watering place.\\nYou may go to Dieppe by either of two lines, one by\\nway of Pontoise, the other by way of Rouen; but as the\\nPontoise line has only omnibus trains, I would advise\\n\\\\ou to take the Rouen route. The latter trains stop a she i-t\\ntime at Rouen, which permits you to refresh yourself at the\\nexcellent buffet.\\nFast trains: 1.25 p. m., arriving 4.49 p. m., and 8.10 a. m.,\\narriving 11. 4 a. m.\\nExpress trains: 8.15 a. m., arriving 12.4 p. m., and 9 p.\\nm., arriving 12.23 P-\\nThrough trains leave at 11.35 P- and 5.18 a. m.\\nRates: Single tickets, first-class, 18.80 fr., second-class,\\n12,70 fr. return tickets, good 4 days, first-class, 26 fr., sec-\\nond-class, 17.50 fr. return tickets, good 10 days, first-\\nclass, 30.10 fr., second-class, 20.30 fr.\\nARRIVING AT DIEPPE.\\nFollowing are the best hotels:\\nOn the beach Hotel Royal, Hotel Metropole et des Bains,\\nHotel du Rhin et de Newhaven, Hotel des Etrangers,\\nGrand Hotel. In the town Grand Hotel de la Gare,\\nHotel du Commerce.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0280.jp2"}, "281": {"fulltext": "HOW TO SEE PARIS ALONE 211\\nAt the station yuu will tind hotel omnibuses, fare 30 cen-\\ntimes, or cabs at 1.25 iv. the course and 1.75 fr. by the\\nhour, tip not included.\\nDieppe is a delightful and very popular seaside resort,\\nand is also a charming place to stop over a few days on\\nyour way from London, for Dieppe is the French port of\\nthe New Haven line.\\nThere is a celebrated Casino at Dieppe, but it is the race-\\ncourse which particularly attracts the crowd. On race days\\na finely-appointed train leaves Paris at g.55 a. m., arriving\\nat Dieppe at 1.31 p. m.; returning, leaves Dieppe at 5.30\\np. m., and arrives at Paris at 9.10 p. m.\\nThe most interesting drives about Dieppe are to Le\\nPollet, Arques, Puys, Pourvillc, Varengeville, Berneval,\\nSt. Valery and St. Aubin.\\nA little further on are Fecamp and Treport, but as these\\nare themselves well-known resorts, I will speak of them\\nmore particularly.\\nLE TREPORT\\nTo go to Treport you have your choice of two lines,\\neither by the St. Lazare station, which we already know,\\nor the Northern station Gare du Nord.\\nFollowing are the trains on each line:\\nwi\\\\ LAZARE STATION:\\n11.35 p.m. Dieppe 5.18a. m. Treport Mers 8.24a. m.\\n1 1.30 a. m. 4.34 p. m. 6.22 p. m.\\n12.55 p. m. 6.55 p. m. 9.3 p. m.\\nRates: First-class 22.85 fr., second-class 15.40 fr.\\nGARE DU NORD:\\nExpress 7.5 p. m., with dining car, arriving 10.33 P- ni-\\nHalf-express, 10.23 p. m., arriving 5.20 a. m.\\nHalf-express. 1.25 p. m., arriving 8.31 p. m.\\nOmnibus trains, 11. 10 p. m., arriving 8.59 a. m., and 5.45\\na. m., arriving 1.25 p. m.\\nRates: First-class 20.50 fr., second-class 13.85 fr.\\nOn arriving at the station at Treport you will find om-\\nnibuses which will take you either to Treport or to Mers,\\nThe station is between these two resorts, which are twins,\\nas it were, and each is equally popular. Following are the\\nbest hotels:\\nGr.- .nd Hotel de France, des Bains, de la Plage; in town,\\nHotel de Calais, Hotel du Commerce, Hotel Terminus.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0281.jp2"}, "282": {"fulltext": "212 HOW TO SEE PARIS ALONE\\nAt both Treport and Mers there is a Casino and a\\nbathing-beach, perfectly appointed. The excursions are nu-\\nmerous and varied. Carriages and donkeys are the means\\nof transportation. I particularly mention the Chateau\\nd Ku, half hour from Treport; the property of the Orleans\\nfamily and the residence for a long time of the Count of\\nParis. It can only be visited under special permit.\\nFECAMP.\\nOn the opposite side there is another fashionable resort,\\nFecamp, on the western line Chemin de fer de I Ouest.\\nTrains leaving Paris:\\nExpress 8.15 a. m., arriving 12.52 p. m.; 1.25 p. m.,\\narriving 5.13 p. m.; 6.52 p. m., arriving 11.20\\np. m., and 11.3S p. m., arriving 5.10 a. m.\\nOmnibus 12.35 a- arriving 8 a. m. 8.20 a. m., ar-\\nriving 2.46 p. m.; 12.55 P- ni., arriving 7.5\\np. m. M\\nRates: First-class 24.85 fr., second-class 16.80 fr. return,\\n4 day tickets, first-class 30 fr., second-class 21.50 fr. return,\\n10 day tickets, first-class 35.85 fr., second-class 24.15 fr.\\nOn arriving at Fecamp, which is a very pretty resort,\\nwith casino, baths, etc., you will find at the station omni-\\nbuses from the principal hotels, which are as follows:\\nGrand Hotel des Bains, de la Plage, d Angleterre in\\nthe town: Hotel du Chariot d Or, Ho: el Canchy.\\nThere is a tramway running between the casino and the\\nvalleys at the end of the town. The cliffs are very pic-\\nturesque, and many little summer-houses are built among\\nthem.\\nYou must not miss visiting while at Fecamp the distil-\\nlery of the Benedictine Brothers, which is in the town\\nitself, where the famous liqueur which bears their name\\nis made. You cart buy a ticket for 5 sous at the abbey.\\nAll the coast hereabout is filled with little resorts to\\nwhich you can make excursions and picnics. For this pur-\\npose you have only to hire a carriage agreeing on the\\nprice in advance.\\nIn connection with this summary description, we add, as\\nfollows, a list of excursions gotten up by the Compagnie\\nde rOuest at reduced rates.\\nThee is to be found at Mers, as at the Treport, a casiro\\nand a beach perfectly fitted up excursions there are\\nnumerous and of various characters, for which carriages or\\ndonkeys backs are used.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0282.jp2"}, "283": {"fulltext": "now TO SEE r-ARIS ALONE 2I3\\nEx:oxJI^SI02s^s\\nOn. the Coasts of Normandy, Britaiiny and the\\nIsland of Jersey.\\nRoundtrip Tickets available for One Month exclusive of the day\\nof departure.\\nl-isued from May 1st till October 31st, with optional stops at\\nall the iatermediate Stations.*\\nThe time for which these tickets are availablt can be extended by One\\nMonth on payment of a supplementary charge of 10 per cent.\\nt The i^t, 2iid, 3d, 6th, 7th and nth Itineraries g ve the passenger the\\nOjjiion, fiom the ist of June to the 30th of September, to make the crossing\\nbetween Koien and Havre, in one direction, in one of the boats of the Company\\n(it t)mnibiis Boats of Rouen, -without extra Charge\\nJ Lamballe or Saint-Brieuc on supplementary charge.\\nFIRST ITINERARY.\\n1st Class 50 Francs. 2nd Class 40 Francs.\\nJ aiis Rouen, Havre, by Rail.\\nLes Andelys\\nLouviers or Rouen, Havre, by Steamer. t\\nFecamp, Etretat, Saint-Valery-en-Caux, Dieppe, Le Treport-\\nMers, Arques-la-Bataille, Gisors, Paris.\\nSECOND ITINERARY.\\nIst Class: 50 Francs. 2nd Class: 40 Francs.\\nI aris, Les Andelys, Louviers, Rouen, Dieppe, Cony, St-Valery-\\nen-Caux, Fecamp, Etretat, Havre, by Rail,\\nOr Rouen, Havre, by Steamer. t\\nHonfleurorTrouville-Deauville,Villers-sur-Mer, Beuzeval (Houl-\\ngate), Dives-Cabourg, Caen, Paris.\\nTHIRD ITINERARY.\\n1st Class: 70 Francs. 2nd Class: 55 Francs.\\nParis, Les Andelys, Louviers, Rouen, Dieppe, Rouen, Saint-\\nValery en-Caux, Fecamp, Etretat, Havre, by Rail.\\nOr Rouen, Havre, by Steamer. t\\nHonfleur or Trouville-Deauville, Villers-sur-Mer, Beuzeval (Houl-\\ngate), Dives-Cabourg, Caen, Isigny-sur Mer, Cherbourg, Paris.\\nFOURTH ITINERARY.\\n1st Class: 80 Francs. 2nd Class: 60 Francs.\\nParis, Briouze, Bagnoles, Tesse-la- Madeleine, Granville, Avran-\\nches, Le Mont Saint-Michel, Saint-Malo, Saint-Servan (Para-\\nme), Diiiard, Dinan,t Rennes, Vitr^, Fougeres, Le Mans,\\nParis.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0283.jp2"}, "284": {"fulltext": "214 HOW TO SEE PARIS ALONE\\nFIFTH ITINERARY.\\n1st Class 90 Francs. 2nd Class 70 Francs.\\nParis, Caen, Isigny-sur-Mer, Cherbourg, Saint-Lo or Carteret,\\nGranville, Avranches, Le Mont Saint- Michel, Saint- Malo,\\nSaint-Servan (Param^), Dinard, Dinan,t Rennes, Vitr^, Fou-\\ngeres, Le Mans, Chartres, Paris.\\nSIXTH ITINERARY.\\n1st Class 90 Francs. 2nd Class 70 Francs.\\nParis, Les Andelys, Louviers, Rouen, Dieppe, Rouen, Cany,\\nSaint-Valery-en-Caux, Fecamp, Etretat, Havre, by Rail.\\nOr Rouen, Havre, by Steamer. t\\nHonfleur or Trouville-Deauville,Villers-sur-Mer, Beuzeval (Houl-\\ngate), Dives-Cabourg, Caen, Isigny-sur-Mer, Cherbourg, Saint-\\nLo or Carteret, Granville, Bagnoles-Tess^-la-Madeleine,\\nBriouze, Paris.\\nSEVENTH ITINERARY.\\n1st Class 105 Francs. 2nd Class 90 Francs.\\nParis, Les Andelys, Louviers, Rouen, Dieppe, Rouen, Cany,\\nSaint Valery-en-Caux, Fecamp, Etretat, Havre, by Rail.\\nOr Rouen, Havre, by Steamer. t\\nHonfleur or Trouville-Deauville, Villers-sur-Mer, Beuzeval (Houl-\\ngate), Dives-Cabourg, Caen, Isigny-sur-Mer, Saint-Lo or Car-\\nteret, Granville, Avranches, Le Mont Saint-Michel, Saint-Malo,\\nSaint-Servan (Param^), Dinard, Dinan,t Rennes, Vitre, Fou-\\ng^res, Le Mans, Paris.\\nEIGHTH ITINERARY.\\n1st Class 105 Francs. 2nd Class 90 Francs.\\nParis, Briouze, Bagnoles-Tesse la-Madeleine, Granville, Avran-\\nches, Le Mont Saint-Michel, Saint-Malo, Saint-Servan (Pa-\\nrame), Dinard, Dinan, Saint-Brieuc, Paimpol, Lannion, Mor-\\nlaix, Roscoff, Carhaix, Brest, Rennes, Vitre, Fougeres, Le\\nMans, Paris.\\nNINTH ITINERARY.\\n1st Class 105 Francs. 2nd Class loo Francs.\\nParis, Caen, Isigny-sur-Mer, Cherbourg, Saint-Lo or Carteret,\\nGranville, Avranches, Le Mont Saint-Michel, Saint-Malo,\\nSaint-Servan (Param^), Dinard, Dinan, Saint-Brieuc, Paimpol,\\nLannion, Morlaix, Roscoff, Carhaix, Brest, Rennes, Vitr6,\\nFougeres, Le Maiis, Paris.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0284.jp2"}, "285": {"fulltext": "HOW TO SEE PARIS ALONE 21$\\nTENTH ITINERARY.\\n1st Class lOO Francs. 2nd Class So Francs.\\nLe Mans, Caen, Isigny-sur-Mer, Cherbourg, Saint-Lo or Carte-\\nret, Granville, Avranches, Le Mont Saint-Michel, Saint Malo,\\nSaint-Servan (Parame), Dinard, Dinan, Saint-Brieuc, Saint-Pol,\\nLannion, Morlaix, Roscoff, Carhaix, Brest, Rennes, Vitre,\\nFougeres, Le Mans.\\nELEVENTH ITINERARY.\\n1st Class loo Francs. 2nd Class So Francs.\\nRouen, Cany, Saint-Valery en-Caux, Fecamp, Havre, by Rail,\\nOr Rouen, Havre, by Steamer. t\\nIlonfleur or Trouville-Deauville,Villers-sur-Mer, Beuzeval (Houl-\\ngate), Dives-Cabourg, Caen, Isigny-sur-Mer, Cherbourg,\\nSaint-Lo or Carteret, Granville, Avranches, Le Mont Saint\\nMichel, Saint-Malo, Saint-Servan (Parame), Dinard, Dinan, t\\nRennes, Vitre, Fougeres, Le Mans, Lisieux, Rouen.\\nTWELFTH ITINERARY.\\n1st Class: 6o Francs. 2nd Class: 50 Francs.\\nAngers (Saint-Serge), or Nantes (State), or Saint-Nazaire, or\\nRedon, Chateaubriant, Vitre, Le Mont Saint- Michel, Granville,\\nSaint-Malo, Saint-Servan (Param^), Dinard, Dinan, Saint-\\nBrieuc, Rennes, Chateaubriant, Angers (Saint-Serge), or\\nNantes (State), or Saint-Nazaire, or Redon.\\nTHIRTEENTH ITINERARY.\\n1st Class 91 Francs. 2nd Class 71 Francs.\\nParis, Briouze, Bagnoles-Tess6-la- Madeleine, Granville, Jersey\\n(Saint-Helier), Saint-Malo, Saint-Servan (Parame), Le Mont\\nSaint-Michel, Saint-Malo, Saint-Servan, Dinard, Dinan, Saint-\\nBrieuc, Rennes, Vitre, Fougeres, Le Mans, Paris.\\nFOURTEENTH ITINERARY.\\n1st Class: 71 Francs.\u00e2\u0080\u0094 2nd Class: 56 Francs.\\nCaen, Isigny-sur-Mer, Cherbourg, Saint-Lo or Carteret, Gran-\\nville, Jersey (Saint-Holier), Saint-Malo, Saint-Servan (Para-\\nme), Dinard, Dinan, t Le Mont Saint-Michel, Dol, Rennes,\\nLaval, Vitre, Fougeres, Caen.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0285.jp2"}, "286": {"fulltext": "in\\na\\n\u00e2\u0096\u00a0a\\n_\\nm\\n\u00e2\u0096\u00a0o\\nM\\na\\nOJ\\n\u00e2\u0096\u00a0o\\nu\\nc\\n\u00e2\u0096\u00a0a\\n3\\n\u00e2\u0080\u00a2a\\nc\\no\\na\\nc\\na\\na\\n09\\no\\n(fl\\na\\n\u00e2\u0096\u00a0a\\nCO\\nI M I I I I I M I I I I I I I I I I I M\\nI M I I I I I M I I I I I I I I II! II\\nI I M II I II II M I M M I III I\\n3.2\\n5 2\\nC8 2 C\\n4) to lA\\no \u00c2\u00bbc lO lo io ift o tc lo o ifi o in \u00c2\u00bbc ic lo o o o lo lo o o o l^\\n^CCr^OSi-lr^T-lCCr^r-tr^COt-IC^CDT-H,\u00e2\u0080\u0094 (M(M *OCM(M iOL-\\nC^l (M Cvl IM M C^ fTJ C^ (M 03 (M (M M Ol C^I (M OJ (M C-4 CO OI (M CO\\no o o lO o lit! o o lo lo lo to lo m ic lo o o o lo o o lo\\n5^ceOC.-iQOOOOO\u00c2\u00abCCOOOOOOO *lCOCQOO!CO QOtJ 53-*\\nO O CM tH \u00c2\u00bb0 lO lO lO \u00c2\u00bbf5 \u00c2\u00bbra lO O lO l CO no ift Irt L^ t^ (M -M X\\nCO CO CO OO CO CO CO CO CO TO CIO CO CO CO CO CO CO CO CO CO T**\\na\\n151\\nn^^lS\\nJ2 w\\nX\\nt^coo;cs050cso5 H^^(MC-i(?qc icqi\u00e2\u0080\u0094 ir-fc^c^ como (OO (MCO\\ntgSS O^O^*^ ^OOOO O O O O CO CO-*i\\nC-lCvJCacMC^JCOCOCMCOCOCOTOCOCOCOCOCOCOCO cococ\\nwg\u00c2\u00a3;\\n03 W (D\\nI ill\\nCD tJ P\\n\u00e2\u0080\u00a2S o\\nCo! g\\n3^ S^.S,!= sS.i\\niS^ Ss\\nb g o\\nai-:iMOfi Hi-5K]\\nag", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0286.jp2"}, "287": {"fulltext": "I II I M I I M I I II I I I I\\nI I I\\nI I\\nI Ml!\\nlO O m tf5 O O 0 iri L O ZS\\n00OCDt-O00O -*(MTt O\\nI I\\nI I\\nI I\\nI I I\\n5\\n4\\n5\\nPI\\n1?\\no. S\\no a\\n\\\\2\\nest\\ncw i-i rH\\n=3 CI\\nIfr. c.\\n10\\n1 7 50\\nC 1^\\n-s\\nK a", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0287.jp2"}, "288": {"fulltext": "2l8 HOW TO SEE PARIS ALONE\\nFROM PARIS\\nto Stations belonging: to the system of the Orleans\\nLiae, as described hereafter.\\nROUND TRIP TICKETS,\\navailable for 33 days exclusive of tlie day of departure.\\nFROM PARIS (Saint-Lazare, Montparnasse and Austerlitz)\\nto Stations as below\\nPrices of Tickets.\\nist Cla. 2nd Cla.\\nSaint-Nazaire 59-7\u00c2\u00b0 40.30\\nPornichet (Sainte- Marguerite) 61.25 41 J^5\\nEscoublac-la-Baule 61.80 42.25\\nLe Pouliguen 62.20 42,60\\nBatz 62.75 42.95\\nLe Croisic 63.20 43.15\\nGuerande 62.65 42.85\\nVannes, Port-Navalo, Saint-Gildas de Ruiz. 62.90 42.85\\nPlouharnel-Carnac 67.20 46.05\\nSaint-Pierre-Quiberon 68.50 47.00\\nQuiberon 69.05 47.40\\nLe Palais (Belle-Ileen-Mer) 72.05 5040\\nLorient (Port- Louis) 70.15 48.20\\nQuimperl6 (Le Poul du) 72.85 50.15\\nConcarneau 7^-25 54 O\\nQuimper (Benodet, Fouesnant, Beg-Meil. 78.90 54-55\\nPont-1 Abbe (Langoz, Loctudy) 81.70 56.65\\nDouarnenez 81.95 56.80\\nChateaulin (Pentrey, Crozon, Morgat) 82.90 4745\\nFROM PARIS (Saint-Lazare and Montparnasse).\\nTo Seaside Stations belonging to the System of the State Line\\nas described hereafter.\\nRound Trip Tickets available for 33 days (the day of issue not\\nincluded).\\nI. Tickets do not give the right to break the journey at inter-\\nmediate Stations.\\nist Cla. 2nd Cla. 3d Cla.\\nChallans (He de Noirmoutier, He d Yeu,\\nSaint- Jean-de-Monts) ._ 63.35 44-65 31.35\\nFromentine (He de Noirmoutier, He\\nd Yeu) 06.80 48.10 33.95\\nBourgneuf (He de Noirmoutier) 5^50 42.90 3010\\nLes Moutiers 5850 43.30 30. Jo\\nLa Bernerie 58.50 4355 3060\\nPornic 5^-^P 44-3\u00c2\u00b0 3I-I5\\nSaint-P^re-en-Retz (St-Br^vin-1 Ocean).. 58.50 43-30 30.65\\nP.iimboeuf 59.05 43.30 30.80", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0288.jp2"}, "289": {"fulltext": "HOW TO SEE PARIS ALONE 219\\n2. Tickets give the right to break the journey at the inter-\\nmediate Stations between Saint-Pazanne inclusive and the cross\\nStations described as below\\nChallans (He de Noirmoutier, He d Yeu,\\nSaint-Jean-de-Monts 71-35 So-^S 35-35\\nFromentine (He de Noirmoutier, He\\nd Yeu 74-8o 54 10 35.95\\nBourgneuf (He de Noirmoutier) 66.50 48.90 34.10\\nLes Moutiers 66.50 49.30 34.40\\nLa Bernerie 66.50 4955 3460\\nPornic 66.80 50.30 35.15\\nSaint-Pere-en-Retz(St-Brevin-l 0c6an).. 66.50 49.3\u00c2\u00b0 34-65\\nPaimbceuf (Saint-Brevin-l Ocean) 67.05 49.30 34.80\\nWATERIxNG PLACES.\\nTo be complete, without, however, tiring the attention of\\nour readers, we cannot do otherwise than to point out the\\ncustom which draws in ceriam watering places the greater\\npart of the Parisians. There are three of them which we\\ncannot omit to mention; they are: Aix-les-Bains, La Bour-\\nboule and most specially Vichy.\\nThis last watering place draws more particularly a great\\nnumber of visitors, invalids or otherwise, Parisians more\\nor less tired by the constant tohu-bohu and turmoil of the\\nGreat City. A consultation before their departure or the\\nnecessary advice and cares during their stay in Paris are\\nfor every one of them things of absolute necessity.\\nThe person the most qualified to advise or attend you\\nis by far the Doctor Monnet, renowned specialist for skin\\ndiseases and stomach disorders. His consulting office is\\nsituated 16 Boulevard Saint-Germain. His consulting days\\nare Tuesdays, Thursdays and Saturdays from 2 to 4 p. m.,\\nand any other days by appointment.\\nThis Doctor of great repute has written on the special\\nsubjects which he treats with so much skill a book, very\\nnnich appreciated by all. called SKIN AND STOMACH,\\nwhich will be sent to you carriage paid for i franc. Per-\\nsons suffering from those complaints and wishing to be\\nattended to in Paris can be received at a private hospital\\nunder the direct supervision of Doctor Monnet himself,\\nwho is always most attentive to the welfare of his patients.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0289.jp2"}, "290": {"fulltext": "H\\nIH\\nM\\nM\\nXtl\\nM\\nP5\\nfcn ti\\n3 OOr-( rt\\ni c-i o a\\nHS2\\nStO CO\\np O C: 05 rii.\\nO CO CO rt c\\n-4* H 1-1 iC t^ iC r!\\nto CO coco\\n\u00e2\u0096\u00a0(CQCOi-l _; jj -jOrHCO S fO S\\nC CD O O O t- 1-1 00 sd\\nr- i-^ (.Tj iLj S r\u00e2\u0080\u0094 t.- i iij i;_j tT3 \u00e2\u0080\u009eM iTj lij uj -rp r^ m C 1 CJ O CO CO lO ^-i i-h\\n-^Ci t- C-3 *-rJ io\u00c2\u00bbOOCDCDC 00 S cL^^ CO CO Oi Oi Cl O O\\np-lTf^CO\\niO 1-1\\no :7id ^^c; ^co(N(r3C i-*OkC)050i:^ic^-if5Csi:~- f:) o\\nSi-^\\na\\nss\\nceS\\nOO (1\u00e2\u0080\u0094 (CO IO-*005COOCOt\\n\u00e2\u0096\u00a0^CVtC^O r4i\u00e2\u0080\u0094 (COCOCOOCO-^-^i\u00e2\u0080\u0094 (OO\\nO-\u00e2\u0080\u0094 It\u00e2\u0080\u0094 I ^T\u00e2\u0080\u0094 Ir-tiHCOCOOlOCOt t-OOC\\no.CC Oi\\nt- t-os\\nOC^r-^OOOCO irrfirO^^t\u00e2\u0080\u0094lO C!\\nCJOtM-^OOr-iCOc^jOCOCMCO P-\\nr- c;)(M!MiMC0CCC0+2I i-l -iCD A\\nft\\n^ft-\\nOO H\\no CI r-H o t- o a\\ni-i coo coco \u00c2\u00bbo fi\\nH rH i-H M M (M C 1 o\\nPits\\ni^ .~r _:\\nlO o o\\ni-j a\\n\u00c2\u00bb0 W (N\\nCO 00 O O t-t\\nCO rt (^^l\u00e2\u0080\u0094ICT-lliNC^\\np,p.\\noc o\\nfl Ci\u00e2\u0080\u0094 iCOCOt\u00e2\u0080\u0094 ICJIOCOCO\\nCO 00O5\\ns a s s\\nCO lo lo t- c^ a\\n1-1 Ol Tti O P\\nCO CO CO O t CO p|\\n5 OO 00 O CO 00\\n[H 7J CO O rH (M 1\\n0510 \u00e2\u0080\u00a2COCOt~CD- #lO *THi-(lCCOrT-i M.\u00c2\u00ab iCCD.\\n\u00e2\u0080\u00a2(MCO iftiO lO O Tt \u00c2\u00bb0 (M CO Tjl O i-( Ift CO 1\\n.CO t- l 00 Oi O; CSO O O O +3 iH CO CO i-( p^\\n_ lO o\\n_; CM lo o\\nCD-*!MOSiCOCOO ^Csi:^ d\\n\u00e2\u0080\u00a2T# lOi-li\u00e2\u0080\u0094 II\u00e2\u0080\u0094 ICOr^CMCOCOiO P\\n*COCOlOlOCOCOt:^t--l t--t^ 53\\n(C\\nOl\\n\u00e2\u0080\u00a2\u00c2\u00bb,_ CC, iCc\u00e2\u0080\u0094 ini ^c;^hC;i i\\nnq ^q o g gS g fe, oo\u00c2\u00ab;z;\\nlO 1-1 00 o (^J\\nOS rt 1-i r-i CT\\nO \u00c2\u00bbft O O lO O lO lO\\nO iH CO 00 00 O 05\\nt- 00 00 CO 03 CO CD 00\\nIft \u00c2\u00bbo o o o o\\n(M t- Cl O C5\\n\u00c2\u00bbo i-H ira \u00c2\u00abD t^ t^\\ntH (M (M M1M n\\nCO r-* I-. CO\\n05 odocj", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0290.jp2"}, "291": {"fulltext": "CHAPTER XI.\\nTHE SOUTH OF FRANCE AND ALGERIA.\\nFor those who wish in coming to France to get a com-\\nplete idea of the divers aspects and the divers climates of\\nour beautiful country, this book would be incomplete if il\\ndid not contain some pages on that Eden of perpetual\\nsummer called the South of France. It could not be too\\nstrongly recommended to travelers from abroad not to\\nleave France without passing some days at Nice and at\\nMonte Carlo. The season in the South begins in Octo-\\nber and ends in April. As to those who wish to be at\\nParis from the time of the opening of the Exposition I\\nwould suggest to them to make a voyage along the shores\\nof the Mediterranean. For those, on the other hand, who\\nstay in our midst up to the closing of the doors of the\\nExposition, I would suggest before the return home that\\nthej^ pass several days along la Corniche, inhaling its fra-\\ngrant odors. For that matter, all these exhortations are,\\nI doubt not, useless, for the foreigner has no need of being\\ninformed as to the pleasures that are to be found along the\\nshores of the Mediterranean. There is one name that is\\nstronger than all the arguments that I could devise to de-\\ncide the traveler upon this delightful little voyage: Monte\\nCarlo, Monaco. These names, well known in all coun-\\ntries, inspire in some minds cupidity; in others curiosity,\\nbut all wish to see this magnificent palace, built up with\\nmarvelous decorations and where gold is so liberally han-\\ndled. The best plan is to leave by the seven o cock morn-\\ning train. This is the most convenient and most agreeable\\none. We give the hours of departure of the principal trains\\nand their chief stopping places. This train draws, besides\\nits first class carriages, a number of sleeping coaches and\\nparlor coaches; besides this a dining car is attached to\\nmost of the trains, where a very good breakfast or dinner\\nmay be had for five or six francs. I would especially\\nrecommend to carry in your pocket one of those little\\nbooks of Chaix s; they contain a quantity of information\\non the hours of the leaving of trains, rates of fares, etc.\\nI need not repeat here the general suggestions which were\\ngiven at the beginning of this book, either or^ the subject", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0291.jp2"}, "292": {"fulltext": "222 HOW TO SEE PARIS ALONE\\nof the baggage or the passage tickets, nor yet on the\\ngeneral subject of traveling. Traveling is always the\\nsame thing; it is only the carriage that changes. Here\\nare some of the stations which you will pass through:\\nFirst, Fontainebleau, of which we have already spoken\\non page 201 then Joigny, Tonnere, and finally, here we\\nare at Dijon. This is the capital of the ancient Province\\nof Burgundy. It is a city with a large commerce; as it\\nis not an especially gay place, I would not suggest to you\\nto stop there. After Dijon come Beaume, Macon, theTi\\nLyons. Now, if you have the time, take a look at this\\nenormous beehive, which is certainly worth a visit of\\nthree or four hours. After Lyons .we pass through Val-\\nence, Montelimar, Avignon, Aries and then Marseilles.\\nHere you might stop for a time, but, if you please, I shall\\ngive you, a little further along, the details concerning Mar-\\nseilles, and when we shall have made the trip through the\\ncities that line the shore, Nice, Menton, Cannes, for I pro-\\npose to lead you back to Marseilles and to embark you\\nthere for a journey of twenty-four hours.\\nCANNES, NICE, MENTON, MONACO.*\\nIt is at Marseilles that the line of the Mediterranean\\ncoast begins to unroll itself. However, with the exception\\nof Ciotat, an agreeable little city which you will see on the\\nright, in the midst of some olive trees, looking a little\\nbare as yet, and in a tract of country which will recall to\\nyour mind the outskirts of the great city of the Phoceans,\\nand excepting the important city of Toulon, which ofifers\\nwith its port, its roadstead, its Arsenal, a series of drives\\nof a peculiar charm, the railway traverses a country which\\nwill seem to you perhaps at first barren, mountainous, dry\\nand disappointing, and but little in accord with the idea\\nwhich you will have formed of this country as you have\\nseen it described. Have patience, after having followed\\nalong the mountains of the Moors, the train will take you\\nto a point on the shore which deserves your attention. It\\nis at Frejus that you will be surprised by your first glimpse\\nof the blue sea, and following all the windings of the hilly\\nbut charming coast, crossing the wild banks of the Es-\\nterel,with its tufts of wood so long frequented by brigands,\\nyou will have at every moment unexpected glimpses of the\\nazure of the Mediterranean, and if the weather be fine it\\n*For the rates of fare and the hours of leaving for\\nNice and Italy, see page 220.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0292.jp2"}, "293": {"fulltext": "HOW TO SEE PARIS ALONE\\n223\\nwill draw from you exclamations of admiration. The view\\nremains the same as far as Theoule. Soon after that you\\nreach Cannes itself, the rival of Nice. Situated between\\ntwo promment points, that of old Cannes, so picturesque\\non the one side, that of the point of Croizette on the other\\nbacked up to the north by high hills, the California, with\\nIts horizon intercepted in the south by the Lerins Islands\\n(Samte-Marguerite, with its Fort; Saint-Honorat, with\\nIts Convent), on the west by the outline quite pronounced\\n01 the mountains of the Esterel, far away, behind which\\nthe sun brings out for you at his setting brilliant effects of\\nlight quite unexpectedly, this pretty city of Cannes cer-\\ntainly deserves more than a visit; it deserves a residence\\nhere. Luxurious villas of all sorts, in all styles, the most\\nfantastic and the most grotesque abound here. All the\\ngreat names are written here. You will see these villas in\\nime on the heights of the coast of the Croix des Gardes\\nand behind old Cannes. Those along the road to Napoule\\nare the oldest, and rising one above another from the new\\ncity and Croizette upon California, are the most recently\\nbuilt ones. There are many lovely drives and excursions\\nabout Cannes; to Cannes along the Grand Boulevard,\\nwhich leads thither direct from the mairie; a longer one\\nto Grasse, on the mountain now, after having crossed\\nthose large fields of flowers which serve for the dis-\\ntillation of the perfumery of which the City of Grasse is a\\ncentre of manufacture; still further away in the moun-\\ntains, to the Saut du Lomp (Wolf s Leap). On the other\\nside of Cannes the most attractive drive is that which\\ntakes you along the Gulf of Juan, the lower slopes of Val-\\nlauris, covered with orange and lemon trees, blossoming\\nwith fields of roses and violets, with here and there groves\\nof olive trees as far as Cape Antibes, and even Antibes it-\\nself, a little old city, the last trace of those fortified bas-\\ntions which used to defend the shore. At Cannes you\\nwill take the train again for Nice. There you will arrive\\nin a large city, delightfully located, in the form of an\\namphitheatre on the slopes of hills which are themselves\\nbacked up by a still loftier girdle of the last end of the\\nAlps. In order to get a look at this landscape, which is\\nunique, it is only necessary to climb up on the terrace of\\nthe chateau. There you can enjoy the magnificent pano-\\nrama and get a view of that harbor which will at once\\nshow you the attraction which the Queen of the South\\nexercises upon French and foreigners alike. If you wish to\\nreach the sea at once, as you come out of the railway sta-\\ntion, take the avenue of the Station, cross the city, the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0293.jp2"}, "294": {"fulltext": "224 HOW TO SEE PARIS ALONE\\nPlace Massena and Place Charles-Albert, and you will\\nsoon come to the celebrated promenade des Anglais, bor-\\ndered by palm trees, and which follows the contour of the\\nBay of Nice. If you cross the Paillon, a torrent often dry,\\nsometimes threatening, but arched over at its mouth, you\\nwill traverse the Boulevard du Midi, which is an exten-\\nsion of the Promenade des Anglais. The hotels are nu-\\nmerous. Let us mention some: The Grand Hotel Angle-\\nterre, the Hotel de France, both of them looking out over\\nthe, sea; the Cosmopolitan, the Hotel of the lies Britan-\\nniques, and the Monopole, more modest. The tariff for\\ncarriages is: For one horse with two -seats, 75 centimes a\\ntrip by day, and i franc 25 centimes by night. By the\\nhour, 2 francs and 2/2 francs. Without the limits of the\\nOctroi, 3 francs and 3^ francs; four passengers, the trip,\\nI franc and 1^2 francs; by the hour, 2^/2 francs and 3 francs.\\nOutside the limits of the Octroi, Z and 4 francs. For\\ntwo horses, i franc 50 and 2 francs 50; by the hour, 3\\nfrancs 50 and 4 francs. Without the Octroi, 4 francs 50\\nand 5 francs. Luggage, 25 centimes each piece. The\\ngreatest life and animation at Nice are at the time of the\\nCarnival, which lasts for eight days, and which enjoys a\\nreputation comparable to that of the Carnival of Venice\\nin days gone by. The Veglione, the Festival of Flowers,\\nand the Battle of Confetti are known everywhere for their\\nlife and brilliancy. But during the rest of the season at-\\ntractions succeed one another as well at the Casino as at\\nthe Grand Theatre, on the Promenade of the Jette and at\\nthe Municipal Theatre. Spectacles of all sorts have given\\nNice a well deserved reputation as a gay city, and it is in\\nthis that she is especially distinguished from her rival,\\nCannes. The promenades within the city are interesting\\nbecause of their varied and their curious aspect. The old\\ncity deserves a visit with its scarped and picturesque\\nstreets, narrow and winding, which the sun never shines\\nin and where the passage of carriages is not possible. The\\nexcursions are numerous and varied: to the Observatory,\\nthe dome of which can be seen from a distance, standing\\nout in relief upon Mont-Gros; to Cimiez; to the Garden\\nof Zoology: to the Vallon of the Flowers; to the Valley\\nof the Paillon. The finest excursion is that which will\\ntake us to that crown of the Mediterranean, Monaco and\\nMonte Carlo. The railway, of course, would take you\\nthere in less than half an hour, but let us take the longest\\nroute; it is more agreeable and is delightful. Passing\\nabove the Port of Nice we turn around the Cape of Mount\\nBoron by the route of the new Corniche, parallel to the", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0294.jp2"}, "295": {"fulltext": "now TO SEE I AKIS ALONE 225\\nold one, but following all the windings of the coast in-\\nstead of wandering off into the mountains, we go along\\nthe shore of the deep bay of Villefranche, we cross Beau\\nlieu and its long line of gay, new villas, Eze and many\\nspots sought out -by quiet visitors, and soon, from the\\nsummit of the sharp peak, with its abrupt cliffs, we see\\nm the distance, as it were in the midst of the sea, old Mo-\\nnaco. Monaco, Condamine, Monte Carlo\u00e2\u0080\u0094 these three\\ncities make up this celebrated Principality. Hotel Beau-\\nsite, at Monaco; Hotel of Condamine, at Condamine, and\\nthe Hotel of Paris, at Monte Carlo. The price of a car-\\nriage is a franc and a half for a trip, and three francs an\\nhour. Monaco is interesting by reason of its picturesque\\nlocation on a rugged rock, by its curious aspect of a\\ndimmutive but complete capitol, with its palace with a\\nlong facade, its handsome court of honor, its museum,\\nand especially its gardens. The visitor goes from -urprise\\nto surprise, admirmg at his arrival the brilliant parterres,\\nthen going dov/n gradually by attractive walks past over-\\nhanging masses, Babylonian terraces which grow as large\\nas small trees, giant geraniums always in bloom, with the\\nunforgettable blue sea, spotted white here and there by the\\nI ight of gulls, as a horizon. Monte Carlo is a different\\nplace; it is a triumph of the hand of man which has con-\\ntrived to shape the natural form of this lovely country and\\nmake of it, in an appropriate architectural frame, a worldly\\nplace of reunion, the most marvelous ever seen. In less\\nthan twenty years these villas, these superb gardens and\\nthis magnificent Casino have been built. The facade of\\nthis latter, the work of Gamier, as is also the Hall of\\nFestivals, is the most artistic part of the Casino. En-\\nchanted gardens with grottoes and exotic plants sur-\\nround it on three sides, and in front magnificent ter-\\nraces reach down to the sea. Trap shooting for pigeons\\ntakes up a part of it. In the interior, a fine atrium opens\\nbetween the theatre and the hall for play. The theatre re-\\ncalls, by the luxury of its sculptures and its gildings, the\\nOpera House at Paris. It has an excellent auditorium,\\nwhere spectacles are given that are celebrated by reason\\nof the well known artists who assist at them. The hall for\\nplay, the chief attraction, opens out on the other side. It\\nIS a long series of roulette tables one after another, usually\\nthronged with people very much pre-occupied, and the\\nforeigner who enters there for the first time stops a mo-\\nment, deafened by the sound of the pieces of gold and\\nsilver handled in piles without res.t orpity. The most at-\\ntractive promenade is from Monte Carlo to Menton.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0295.jp2"}, "296": {"fulltext": "220 HOW TO SEE PARIS ALONE\\nThis is a city of ten thousand people, whose villas have\\nbeen largely added to by the demands of a constantly\\nincreasing number of sick or of people who seek a shel-\\ntered abode in a climate exceptionally mild and with\\nquiet surroundings. A few of the hotels are: Alexandra,\\nthe Ambassadeurs, Paris, Beilick. The price of carriage\\nis: For one horse, i franc the trip and two francs and a\\nhalf the hour; two horses, ojie franc 50 the trip and 3\\nfrancs 75 the hour. The old city, with its picturesque\\nquarters, is curious; the new is formed by a street two\\nmiles long which follows the shore of two bays, and along\\nthe base of the promontory upon which the old city is\\nbuilt. Your promenade will take you to the Hotel de\\nVille, to the Gate Saint-Julien, a relic of the feudal fortifi-\\ncations, to the Place of the Church, where the view is\\nvery fine; to the cemetery, where you ought to go to enjoy\\nthe magnificent views which it gives to the city and its\\nenvirons, and to admire the monuments which are there;\\nto the Public Garden, planted with fine palm trees and\\nwith exotic plants, and having also a lovely view. What\\nmakes the charm of Menton are the near-by drives in the\\nsurroundings valleys, their variety and their beauty. The\\nsmallest pathway can be taken in all security; it will al-\\nways bring you to some picturesque spot either among the\\nlemon trees, the wealth of the country, or into those large\\ngroves of olive trees, the glory of Menton, where they\\ngrow to the size of our large trees in the North. There are\\nalso numerous excursions: let us mention that to the\\nBridge Saint-Louis, throw:n across a wild ravine, and\\nfurther along to Cape Martin (three hours to go and re-\\nturn), to the Annonciade (two hours), to the Valley of the\\nPrimeveres and to the chestnut trees (three hours), to\\nSaint-Agnes (five or six hours), and also to Vintimiglia,\\nBordighera, San Remo, which winds up our tour and lets\\nus go back to Marseilles. Few are they who go as far as\\nNice without stopping at Marseilles to make an excur-\\nsion into Algeria. To be able to say that one has been\\nin Africa is a great deal, and then the trip is so lovely,\\nthe arrival is so picturesque! All those white houses on\\nwhich the sun glances; and in the streets of Algiers, those\\nArabs clad in their large burnous; the veiled women, with\\ntheir, curious costumes\u00e2\u0080\u0094 all this is well calculated to pro-\\nvoke the curiosity of the traveler. The only company\\nwhich maintains a line between Algeria and France is the\\nCompagnie Generate Transatlantique, or at least it is the\\nonly one v/orth mentioning; its service is so superior to\\nall others in respect to speed and comfort.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0296.jp2"}, "297": {"fulltext": "HOW TO SEE PARIS ALONE 22/\\nARRIVAL AT MARSEILLES.\\nYou come in at Marseilles by the Station Saint-Charles;\\nat the door will be found omnibuses of the principal hotels\\nof the city and also private carriages; but in the station\\nitself you will find the magnificent hotel called the Ter-\\nminus Hotel, built by the Compagnie Paris-Lyon-Medi-\\nterranee. If you do not select the Terminus Hotel, the\\nbest thing to do is to choose among the hotels men-\\ntioned below and take the omnibus of that hotel. In any\\ncase, here are the prices of the private carriages within\\nthe city limits from six in the morning until ten at night:\\nOne-horse carriages, i franc the trip; by the hour, 2 francs\\nto 2^4; from ten o clock at night to six in the morning, Yz\\nfranc more; baggage 25 and 50 centimes the piece. List\\nof the principal hotels: Hotel de Nouailles, Grand Hotel\\ndu Louvre et de la Paix, Grand Hotel des Deux-Mondes.\\nGrand Hotel de la Poste.\\nThe principal part of Marseilles made forever celebrated\\nby Daudet, is the Cannebiere. It is from there that all\\nthe drives start, and so from there I shall tell you to start\\nin your carriage to go to the Place Saint-Michel, the Cours\\nJulien, the Place of the Prefecture, the Place of Paradis,\\nand the Palace of Justice. The Palace of Justice is worth\\na visit, which need not be a long one; then go up by the\\nelevators for 30 centimes to Notre Dame de la Garde.\\nThis church has a very handsaaaie crypt, and the interior\\nis interesting because of its numerous votive offerings in\\nthe form of small vessels, fishing barks and marine pic-\\ntures. From the summit of the steeple you can get a very\\nline view of the landscape which stretches out at your feet.\\nAsk your cabby to drive you to the Abbey Saint- Victor,\\nwhose subterranean galleries are very interesting. Take\\na look at the Prado, and, if you can, make another visit\\nto the Corniche, the same as that which we have al-\\nready traversed at Menton and at Monaco. If you still\\nhave time you might make an excursion to the Chateau\\nof If, so celebrated since the time when Alexandre Dumas\\nlaid there the scene of his romance, Monte Cristo.\\nAMUSEMENTS AT MARSEILLES.\\nAmong the first is the Grand Theatre, so often men-\\ntioned in the theatrical journals; by its side are a number\\nof concert halls, small theatres which your hotel keeper\\nwill tell you about. I shall not omit mention of the Zoolog-\\nical Garden and the Chateau d Eau, called also Palace of", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0297.jp2"}, "298": {"fulltext": "228\\nHOW TO SEE PARIS ALONE\\nthe Arts, which Marseilles points out with such pride to all\\nher visitors. And now for the excursion to Algeria.\\nWhether you stay in Marseilles one hour or two days\\nthere are always the same formalities to be gone through\\nwith that is to say, procure your passage-ticket at the\\nAgency of the Compagnie Generale Transatlantique, or, if\\nyou have already got it and came in by the special tram\\nwhich leaves Paris at 10.20 in the evening, get it stamped\\nat the same Agency, No. 9 quay of the Joliette.\\nIf you come direct from Paris to embark at 1.30 in the\\nafternoon, it will be necessary for you to have procured\\nyour ticket there at the office, 12 Boulevard of the Ca-\\npucines; and then, on your arrival at Marseilles, you\\ntake a carriage at the station which will land you on the\\nquay of the Joliette, where your ticket can be stamped\\nand your baggage registered. If you did not buy a ticket\\nin Paris, and if you made the trip along the shore first,\\nhere are the principal addresses of the Agencies of the\\nCompagnie Transatlantique along the Mediterranean\\ncoasi:\\nNice, quai Massena: Compagnie Internationale des\\nWagons-Lits.\\nCannes, quai Saint-Pierre: Carlavan.\\nHyeres, avenue de la Gare: Crivelli.\\nToulon, quai Cronstadt: A. Bernard.\\nI am only going to describe here the excursion to Al-\\ngiers itself, for Algiers is the principal point of landing\\nfor tourists. It must, however, be remembered that Al-\\ngeria has other cities, Tunis, Bobe, Philippeville, which\\nare also worth the short voyage which it takes to see\\nthem. Here is a table which shows the railroads which\\ntake you along the shore from Tunis to Algiers or vice\\nversa, and the hours of departure of the different trains\\nand also the different lines of the Compagnie Generale\\nTransatlantique, which permit you to go directly to the\\ncities or to return to Marseilles.\\nTime Table of the East- Algerian Railway, connecting- at\\nBone Guelma and its extension between Tunis and Algiers.\\nGOING.\\n1st Class.\\n2iid Class.\\nDeparture.\\nArrival.\\n33 60\\n16 60\\n50 20\\n25 20\\n12 55\\n7.20 A. J\\n4.56 P. 1\\nI.\\nI.\\ns..\\n4 47 p. M.\\n6 15 P. M.\\n10. 15 P. M.\\n10.40 P. M.\\n7.30 P. M.\\nCoDstautine\\n37 65 6.32 A I\\nRETURN.\\nDepa ture.\\nArrival.\\n7.55 A. M.\\n815 A. M.\\nI.Up. m.\\n9 .58 P. M.\\n10 40 P. M.\\n1.5 P. M.\\n3 pm.\\n10 40 P. M.\\nConstantine\\n1", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0298.jp2"}, "299": {"fulltext": "-a.c3-3S3:n c:jx:e3s\\nOF THE\\nGENERAL TRANSATLANTIC COMPANY\\n(FRENCH LINE)\\nin Algeria, Tunis, Corsica and flalta.\\n^JHccio Costa.\\nAlgioj s, S boulevard dc la K( publi(|ue. Bessoii.\\nAiv.ew Faure.\\nBizerte Tunisian Bank.\\nBone, quai Nord De Pleurre.\\nI^ougie Grandperve t.\\nC ollo Chauvin ills.\\nCoustantiuf Momy.\\nDjidjelli Eocco!\\nLa Calle. j, Panariello fils.\\nMalte, 251 stvada Reale Vadala.\\nM ^deah Algerian Co.\\nMonastir Medina.\\nNemours Chaber Chasta:\\nOran, place de la ]iei)ublique. De Rochefort.\\nPhilippeville, place du Marclie Lambert.\\n*^t^tif Algerian Co.\\nSfax Tunis Bank.\\nSousse\\nTabarca (He de)\\nTunis, 3 rue Es-Sadikja\\nMAILBOATS.\\nLength\\nin\\nWdth\\nin\\nGauge\\nin\\nHorse\\nDisp.\\nin\\nDspth\\nMeters.\\nMeters.\\nTons.\\nPower.\\nTors.\\n2.826\\nMete;\\nGen^ral-Chanzy.\\n106 50\\n10 70\\n2.330\\n3.800\\n7.75\\nJIareehal-Bugeaud\\n108 50\\n10 90\\n2.235\\n3.500\\n2.920 7.75\\nVille d Alger\\n108 50\\n10 90\\n2.235\\n3.500\\n2.920\\n7.75\\nDuc-de-Bragance.\\n106 50\\n10 70\\n2.102\\n3.300\\n2.826\\n7.75\\nEugene-Pereire\\n106 50\\n10 70\\n2.078\\n3.300\\n2.826\\n7.75\\nVille-de-Tunis\\n99 55\\n10 50\\nJ. 966\\n2.600\\n2.906\\n7.75\\nVille-de-B6ne\\n98 40\\n10 25\\n1.9.38\\n2.000\\n2.965\\n7,75\\nyille-d Oran\\n98 40\\n10 25\\n1.936\\n2.000\\n2.965\\n7.75\\nVille-de-Barcelone\\n97 95\\n10 25\\n1.905\\n2.000\\n2.965\\n7.75\\nKl. ber\\n97 95\\n10 25\\n1.900\\n1.879\\n2.000\\n2..?J0\\n2.965\\n2.885\\nr-\\nVille-de-Nai)les.\\n98 55\\n10 25\\n1 10\\n7.75\\nVille-de-Madrid..\\n98 55\\n10 25\\n1.874\\n2.000\\n2.959\\n7.75\\nMoise\\n99\\n10 25\\n10 25\\n1.873\\n1.859\\n2.000\\n2.000\\n2.911\\n2.910\\nAbd-el-Kader\\n99\\n7.75\\nIsaac-Pereire\\n99\\n10 25\\n1.8.55\\n2.000\\n2.910\\n7.75\\nSaint-Augi .stin\\n99\\n10 25\\n1.854\\n2.600\\n2.911\\n7.75", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0299.jp2"}, "300": {"fulltext": "CO\\nW\\nCO\\nO\\nH\\nCO\\nW\\nD\\nH\\nPu\\nW\\nQ\\ns a s\\nfi fi. a g rt ci ic a d\\nOj z^ y r^m CO Qj CLi i^ CLi Cl^.i^ Ph.vh -i^\\n3 3 3 o o r-( o 7^ ^\u00e2\u0080\u00a2g 3 -n 3 o 3 g\\n4:3 to\\nft\\nq^ \u00c2\u00ab3\\ncS 2 J ii S rf\\nOJ s\\n.i2,.!2 0 O\\nQQ 00 OQ\\nOO\u00e2\u0080\u0094lS\\nc: .S X\\nsi .c oc\u00c2\u00a3 o 03\\nO Q. Q-(Z)C/5I- I\u00e2\u0080\u0094\\nggggg^g^aggg^^gga^g^^^rg\\nCO\\nW\\nw\\nCO\\no\\nCO\\nw\\nD\\nH\\na.\\nw\\nQ\\n1 10 a lo a 1\\na,:^ :si ;s :g\\nft.\\n_ft\\n^,-1 a aioinio a^o a a a s\\ngs^\\n=2 S ce S .2 _g cs S\\n^.a\\nb b v\\n^t\\nm d -pi -i^i\\ncS cS 1:^ 5-1\\n.2 o\\n_is o", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0300.jp2"}, "301": {"fulltext": "w\\nH\\nH\\nM\\no", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0301.jp2"}, "302": {"fulltext": "C\\nfl\\nes\\nm\\nH\\nTtl\\nm\\n0)\\nec\\nfe s\\neg\\nO \u00c2\u00bb0 lO t^ O (M O\\nCl 10 O lO 05 O 10 CO t-\\nOOOOOlMiCOtOiOiM\\ninoooicoicooo\\nCI t^ O i-l 10 C (Tl 1-t\\n\u00e2\u0096\u00a0H 1\\nc\\nM\\n\u00e2\u0080\u00a2H\\nr3\\nft \u00e2\u0096\u00a0\u00c2\u00bbi.2^|Ht:^\\nflj a,\\n;Sce\\nOOOOOOMiOCOOOOOOO\\ni-trHr-HT-lCOfMt-lfOCOr-l\\n0000000 a; cc\\nCOCOCO(MOCOrO ^C\\nOOOOIOOOOOO\\n0000000000\\nO O T^ o\\n0)\\n.3 c\\n5^\\n9)S (ii rD\u00c2\u00ab*d.2 S\\nfefiN S^ Si s eS cs S i^\\nM5\\nPie\\n\u00e2\u0096\u00a0^\u00e2\u0096\u00a00\\nr~\\n00\\nM\\nCO\\nrn\\n\u00e2\u0080\u00a2^10\\nCD\\n.H\\np\\ncs\\n^liN\\n;:3\\nbd.-\\nce 5\\nP-i\\n1-1\\na\\nc\u00c2\u00a3\\n\u00e2\u0096\u00a00)\\nM\\nrt\\nS\\nP\\nc3\\ncS\\nH\\na\\na\\no-^ -a -5 c.\\nM)fl d\\no ^t^\\nH\\n0) P\\nE rH\\nPi M K t\\n(Cm (D (Tl\\nbcO)\\n(T\\nC6 rj p\\nS S S te\\n2-3 fl\\nn a a a\\nS M M M\\n2\\nu\\ns\\n\u00e2\u0080\u00a2a\\ne3", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0302.jp2"}, "303": {"fulltext": "now TO SEE PARIS ALONE 233\\nDESCRIPTION OF THE VOYAGE FROM MAR-\\nSEILLES TO ALGIERS.\\n\\\\our ticket once stamped and your luggage registered\\nyou iiave only to go aboard the ship of the Compagnie\\nTransatlantique. At this time there is a service on Mon-\\nday. Wednesday, Thursday and Saturday. When we shall\\nhave given you a description of one of these steamships\\nwe shall practically have given you a description of all.\\nThe deck is reserved for passengers of the jirst and second\\nclass. There are numerous arm chairs at the dis-\\nposal of the passengers, from which they can take in the\\ncharming panorama which unrolls itself before them. Un-\\nder the deck is a, smoking room, supplied with tobacco of\\nthe best quality, and also beverages of the best sort, which\\nthe company offers to its patrons at prices lower than\\nthose of our Paris cofTee houses. A little further along\\nis the Grand Salon, the dining room, with its long tables,\\nwhere gayety always reigns, and finally below, on a level\\nwith the bullseye windows, the cabins where the berths\\nare ready. You have a good half hour before the ship\\nsails. You can use it either in strolling on the deck, look-\\ning at the equipment, or in attending to your correspon-\\ndence and .sending off your telegrams. You need only\\ngive your letters or telegrams to the steward; he will see\\nthat they are sent off. You can also receive telegrams\\naboard; you have only to give your correspondents the\\nfollowing- address:\\nA destination (Algiers, Bone, Phillippeville,\\netc. Transat. Marseilles.\\nAnd you may be sure that the telegram will be found on\\nthe table in the salon and you will have only to take it. For\\na letter it is just the same. A quarter of an hour before\\nsailing you will see a boy w^alking around frantically ring-\\ning a large bell; this is the moment for the goodbys, for\\nin a quarter of an hour the ship will have raised her\\nanchor, and in five minutes more the gangways will have\\nbeen drawn in. The whistle will sound and only a single\\nhawser will hold the ship to the quay. This is hauled\\naljoard and the ship starts. Slowly its screw turns over\\nand it comes out of the basin of Joliette. Climb up on\\ndeck, if you are not already there, and take a look at the\\npanorama which is disappearing. On the left the Forts\\nSaint-Jean and Saint-Nicholas. At the entrance of the\\nold port, above which you can see Notre Dame de la\\nGarde: on the right along the Islands of Pomogue, Raton-\\nneau. the Chateau of If, and further along the lighthouse", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0303.jp2"}, "304": {"fulltext": "234 HOW TO SEE PARIS ALONE\\nof the Planier; in another half hour the land is nothing\\nbut a gray streak, and we shall see it again only for a brief\\nmoment at the Baleares Islands, which we leave on the\\nlarboard hand. The next day at noon we begin to see\\nthe white coast of Algeria. All at once the fog vanishes\\nand we make out Algiers, shining white, planted on a\\ngreen hill in all its splendor; but before we get there we\\nmust pass Point Pescade, Saint Eugene, on the left Cape\\nMetifou and Mustapha; then slowly the ship draws up\\nalongside the bridge which overlooks the Boulevard of the\\nRepublic. The gangplank is run out and we are once\\nmore on terra lirma. It is useless to bother with your lug-\\n.gage. The custom house inspection is tedious and it is\\nbest to send a porter from the hotel after the baggage.\\nThe first thing to do is to select a hotel, or rather select\\nthe omnibus which is to take you to the hotel of which\\nyou have already made a choice out of the following list^\\nAlgiers. Hotel de I Europe, Hotel des Etrangers.\\nMustapha. Hotel Splendide, Hotel Kirsch, Hotel\\nOriental, Hotel Continental.\\nAn important suggestion is not to allow yourself to be\\ninfluenced or disturbed by the numerous natives, who will\\nprecipitate themselves forward to meet you. If you have\\na telegram to send off, it is best to have it carried from\\nthe hotel. In case you have letters to look for at the post\\noffice, it is located on the Boulevard of the Republic just\\nbeyond the square. In visiting Algiers, as in visiting any\\nother city, it is best to take a general view of the whole;\\nfor that you require a carriage. The prices are: A trip in\\nthe lower part of the city, one franc; in the middle part,\\none franc and a half; in the upper part, two francs; by\\nthe hour, two francs. I am going to confine myself to a\\ndescription of the most interesting parts of Algiers, those\\none ought to have seen. In my opinion, the Arab quarter,\\nso characteristic of the country, should be seen first. That is\\nwhere you find those old Moorish houses and those famous\\nhouses with grated windows which have been the subject\\nof so many romances. There is also in Algiers a French\\nquarter, in the lower part of the city; but there is nothing\\nwhatever attractive in it. In this quarter is to be found\\nthe Museum and the Library; also the Place du Gouverne-\\nment and the Palace of Justice. But all that, in my opin-\\nion, is not worth the local color. I would not, however,\\nforget to mention the Mosque Djama-Djedid, the Rue Bab-\\nel-Oued, and the Casbah, an ancient fortress, which was\\nthe palace of the Bey. It was in this palace that the Con-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0304.jp2"}, "305": {"fulltext": "HOW TO SEE PARIS ALONE 235\\nsul of France received, in 1826, the famous blow with a\\nfan which led up to the conquest of Algeria by the Due\\nd Aumale. As to your evening, you can pass it at the thea-\\ntre; but I think it is much more curious to take a guide,\\nwlio is indispensable in an Arab city, to visit the local\\ndancing places and the fantastic doings of the Aissaouas.\\nBut make a price with your guide beforehand. They can-\\nnot be trusted and are always ready to trick the foreigner.\\nEXCURSIONS OUTSIDE OF ALGIERS.\\nWithout taking account of the charming places to which\\nthe railway of the Est-Algerian will take you and of\\nwhich you will find guides in every hotel, there are several\\npromenades which can be made in a carriage:\\nThe summer palace of the Governor and the Col-\\numn of the Voirole, following the bay of Algiers and the\\nmountains of Kabylie; then the promenade of\\nBad-el-Oued, Birkadem, which, although rather\\nfar, will delight you. One ought not to neglect to\\nsee Blidah and Cherchel, which are two of the most inter-\\nesting points in the country. Here I bring to a close the\\nfirst part of this Guide Book, which I have dedicated to\\nthe traveler. I hope that I gave at the beginning of the\\nbook all practical information for escaping the blunders of\\ntravel, and that I have pointed out to him all the objects\\nof interest worthy of his attention and his interest. And\\nif, as I hope, O traveler, you are coming with me to go\\nthrough the vast display of the Exposition, I hope to point\\nout for your admiration the wonders which Paris has gath-\\nered together in her inclosure, and at the same time to re-\\nmove all obstacles of travel from your way.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0305.jp2"}, "306": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0306.jp2"}, "307": {"fulltext": "", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0307.jp2"}, "308": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0308.jp2"}, "309": {"fulltext": "", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0309.jp2"}, "310": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0310.jp2"}, "311": {"fulltext": "PQLAW \u00c2\u00a9E rElP\u00c2\u00a9Sa\u00c2\u00a5QJ\u00c2\u00aeW jyWQMEKilELlE \u00c2\u00a9E I Q!i)\u00c2\u00ae!(\\nET Dl| sow ANNEXE DE VINCENNES D APRES LES DOCUMENTS OEFICIELS", "height": "2765", "width": "3232", "jp2-path": "parisexposition101kr_0311.jp2"}, "312": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0312.jp2"}, "313": {"fulltext": "PART II.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0313.jp2"}, "314": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0314.jp2"}, "315": {"fulltext": "EXPOSITION\\nCopyrighted, 1899, by Vte. de Keratry.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0315.jp2"}, "316": {"fulltext": "I", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0316.jp2"}, "317": {"fulltext": "CHAPTER I.\\nTHE EXHIBITION.\\nThe method we shall use in this second part, will be ex-\\nactly the same as the one used in the first, viz: Take the\\nvisitor by the hand, pointing out the facilities offered to\\nhnn either as to mode of conveyance, restaurants or any\\nother thing of current necessity, then draw his attention to\\nthe sites which require more particularly to be seen and\\nlast to guard him against any possible inconvenience or\\nennui; such will be our aim and to gain it, we shall act, to\\nthe letter, as we did in the first part of this work, starting\\nwith practical advice, then asking the reader to accom-\\npany us in a general ramble and thus enable him to find his\\nway ill this immense maze. We shall afterwards describe\\nthe different zones and finish by pointing out carefully the\\nattractions and curiosities the Universal Exhibition offers\\nlo its visitors.\\nPRACTICAL ADVICE.\\nMeans of Conveyance Ontslde the Exhibition.\\nTo go to the Exhibition or to return home, the main\\nthing is to be acquainted with the means of locomotion\\noffered to the public. Cabmen, either to go to the Exhibi-\\ntion or from it, demand as a rule most exorbitant prices,\\nand this causes one to fully appreciate the particular value\\nof th- numerous lines of the General Tramway s Company\\nwhich run to the different entrances.\\nOMNIBUSES AND TRAMWAYS.\\nThe Monumental Gate is reached by street ear lines\\nbearing these respective names:\\nBastille-Place de la Concorde.\u00e2\u0080\u0094 Place de la Republique-\\nPlace de la Concorde.\u00e2\u0080\u0094 Gare de I Est-Place de la Con-\\ncorde.\u00e2\u0080\u0094 Porte Saint-Martin-Place de la Concorde.\u00e2\u0080\u0094 Pan-\\ntheon-Place Courcelles.\u00e2\u0080\u0094 Passy-Hotel de Ville.\u00e2\u0080\u0094 Louvre-\\nVersailles. Louvre-Boulogne-Saint-Cloud. Hotel de\\nVille-Porte Maillot.\u00e2\u0080\u0094 Etoile-Palais-Royal.\u00e2\u0080\u0094 Gare du Nord-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0317.jp2"}, "318": {"fulltext": "4 HOW TO SEE EXPOSITION ALONE\\nPlace de I Alma. Bastille-Porte Rapp. Javel-Gare Saint-\\nLazare. Gare des Batignoiles-Gare Monparnasse.\\nGare de Lyon-Place de I Alma.\\nThe Esplanade des Invalides is reached by:\\nPalais-Eloyal-Ecole Militaire, Porte Saint-Martin-Gre-\\nnelle on the side of Rue de Constantine. Saint Philippe du\\nRoule-Vanves, near the Bridge of the Invalides.\\nThe Bridge of I Alma is reached, at the corner of the\\nrue des Nations by:\\nEtoile-Gare Montparnasse.\\nThe Champ de Mars is reached, on the side of the Ave-\\nnue de la Bourdonnais by:\\nQuai Valmy-Porte Rapp. Bastille-Porte Rapp.\\nAnd on the side of the Avenue de la Motte-Picquet by:\\nSaint-Philippe du Roule-Vanves.^Javel-Gare Saint-\\nLazarc. Avenue d Antin-Issy. Palais Royal-Ecole Mili-\\ntaire. Saint-Sulpice-Auteuil. Vanves-Paris.\\nThe gate which leads to the French Colonies is reached\\nby the tramway Loitvre-Versailles.\\nThe entrance facing the Trocadero, in front of the\\nMadagascar Exhibition, connects by:\\nHotel de Ville-Passy. Trocadero-Gare de I Est. Au-\\nteuil-Madeleine. Place Pigalle-Trocadero. La Villette-\\nTrocadero.\\nThe pont de I Alma, where is to be found the Rue de\\nParis, is reached by:\\nPlace de I Alma-Gare de Lyon. Place de I Alma-Gare\\ndu Nord. Etoile-Montparnasse. Place de la Chapelle-\\nPont de I Alma. Bastille-Porte Rapp. Montmartre-\\nPorte Rapp. Passy-Hotel de Ville. Louvre-Versailles.\\nBoulogne-Saint-Cloud.\\nSTEAMBOATS\u00e2\u0080\u0094 OMNIBUS.\\nA special service of Steamboats-Omnibus is run night\\nand daj to and from the Exhibition and stops at every\\nbridge. Price: 30 centimes.\\nTHE METROPOLITAN (CITY RAILWAY).\\nThe Metropolitan reaches the Exhibition by three dif-\\nferent stations:\\nOne, Place de la Concorde at the corner of the Tuile-\\nies facing the Monumental Door; at the Champs-\\nElysees opposite the Grand Palace, and at the Troca-\\ndero, close to the entrance of the Exhibition of Madagas-\\ncar.\\nRespecting the fares and the time table of the Metro-\\npolitan we beg to refer the reader to page 191 (Part I).", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0318.jp2"}, "319": {"fulltext": "HOW TO SEE EXrOSITION ALONE 5\\nWESTERN RAILWAY (CHEMIN DE PER DE\\nL OUEST).\\nA circle line starts from the Gare St. Lazare, to the\\nChamp de Mars and to the underground station of the\\nInvalides.\\nFirst Class 55 centimes. Second Class 30 centimes.\\nThis line passes through:\\nBatignolles, Courcelles, Porte Maillot, x\\\\venue du Bois\\nde Boulogne, Trocadero, Boulainvilliers, Champ de\\nMars, Invalides.\\nApart from cabs, there are to be found generally a mul-\\ntitude of waggonnettes or other conveyances unworthy of\\ncommendation.\\nNow that we are able to go as far as any of the doors of\\nthe Exhibition, it is necessary to find what the price of ad-\\nmission may be.\\nMoney is not allowed to be taken at any of the turn-\\nstiles, the visitor must pay with tickets purchased before-\\nhand, either in tobacconists shops, from salesmen in the\\nthe streets or from any stores where one sees written in\\nvery large letters at the door, or in any conspicuous place:\\nVente de tickets d Entree a I Exposition.\\n(Sale of Entrance Tickets for the Exhibition).\\nThe price varies almost every day, but on an average it\\nis about 60 centimes; by buying twenty, one is able, of\\ncourse, to obtain them a little cheaper.\\nWhatever the price of the ticket may be, it will always\\nbe necessary to give up two tickets to enter the exhibi-\\nion before 10 a. m.; from 10 a. m. to 6 p. m., one ticket\\nwill be sufficient. After 6 p. m., two tickets will be needed\\nexcept on Sundays or Feast days, when the price remains\\nthe same, viz: one ticket. On certain days, however, at\\ncertain hours, and according to a rule which the Adminis-\\ntration has not yet established, probably on exceptional\\noccasions, the Director of the Exhibition has the right to\\ndemand two, five, may be even ten tickets.\\nMEANS OF TRANSPORTATION INSIDE THE\\nEXHIBITION.\\nNow we are within, let us study how to get about, with-\\nout too that much fatigue, in this immense field opened to\\nour curiosity. The principal difficulty for the management\\nto solve, was to connect those two centres, so distant from\\none another, the Place des Invalides and the Champ de\\nMars. This problem was solved with ingenuity and va-\\nriety, by movable platforms and an electric railway. These", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0319.jp2"}, "320": {"fulltext": "6 HOW TO SEE EXPOSITION ALONE\\nIwo lines, parallel to each other, but moving in opposite\\ndirections, run along the Quai d Orsay, the rue Fabert,\\nthe Avenue de la Motte-Picquet, where they circle outside\\nthe Exhibition, and the Avenue de la Bourdonnais. The\\nelectric railway moves the same way as the hands of a\\nwatch. Each train is composed of a motor engine and\\ntwo carriages.\\nFare: 25 centimes.\\nStations Invalides (Rue Fabert j.\\nOrsay (Foreign Powers).\\nOrsay (War and Marine).\\nEiffel Tower and Palace of Electricity.\\nThe trains can run, if necessary, every 90 seconds.\\nThe line is sometimes elevated (7 metres high), some-\\ntimes on a level with the ground and sometimes under-\\ngroutjd (speed, lo miles an hour). The moving platforms,\\n22 feet high, number three; one stationary and the other\\ntwo moving; the first has a speed of 2^ miles an hour, the\\nsecond 5. This arrangement has the double advantage\\nof allowing visitors, active or otherwise, to pass suces-\\nsivel} from the stationary point to the maximum speed,\\nand either to admire from the top of the balcony the de-\\ntails of the panorama ofifered to their eyes, or to reach as\\nquickly as possible any part of the circuit. The first plat-\\nform takes 53 minutes to go all round, the second scarcely\\n26.\\nPrice, 50 centimes, without any limit of distance.\\nAs usual, there are to be found in large quantities, roll-\\ning chairs, which permit one to visit the Exhibition with-\\nout faligue. These are very numerous, particularly at the\\nTrocadero, Colonial Exhibitions; for instance, the\\nChinese and Indian runners, the filanzanes, and other\\nchairs used in foreign countries.\\nLastly, moving railings, composed of an endless carpet\\nwhich rolls along on motor cylinders, allow one to pass\\ninsensibly and without any exertion whatever, from one\\nfloor to another. By subscribing 20 francs, one has the\\nright to use them during the whole of the Exhibition.\\nPrice: 10 centimes per visitor.\\nThese tickets can be bought cheaper by taking a quan-\\ntity. There are 27 of these moving railings.\\nRESTAURANTS.\\nMore than once the time for lunch or meals will catch\\nyou in the midst of your peregrinations. It is therefore\\nnecessary to give you a list of the restaurants inside the\\nExhibition, and, as usual, I will do so according to prices.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0320.jp2"}, "321": {"fulltext": "HOW TO SEE EXPOSITION ALONE 7\\nEXPENSIVE RESTAURANTS.\\nAt each end of the Pont Alexandre, on-the bank, French\\nrestaurant on right shore, foreign restaurant on the left\\nshore; ail along the rue des Nations; in the pavilions of\\nTurkey, Austria, Bosnia, Hungary, Norway, Germany,\\nSpain and Greece; at the Champ de Mars, all along the\\ncentral gardens and by the side of the Eififel Tower; bor-\\ndering the Avenue de SufYren, the Munich restaurant; also\\n\u00e2\u0096\u00a0close to the Eiffel Tower, to the Dress Palace, to the\\nTour de Monde, to the Swiss Cottage, to the Touring\\nClub, to the Palais de la Femme, and at the Cineorama;\\nat the Trocadero, on both sides of the Pont d lena (right\\nshe re), at the British Indies, Egypt, China, etc.\\nSECOND CLASS RESTAURANTS.\\nTwo in the annexes of the rue de Constantine; two in\\nthose of the rue Fabert, and in the annexes of Austria and\\nJapan; on the Quai d Orsay, the Roumanian restaurant\\nnear the Press Pavilion; at the Champ de Mars, all along\\nthe exhibits of linens and fabrics, civil engineering, also at\\nthe palaces of Mechanics and Chemical Industries; at the\\nTrocadero, close to the pleasure boats Exhibition; all the\\nrestaurants in the rue de Paris, the Bouillons Duval are\\nplaced Quai de Billy, down the river, close to the narrow\\ntoot-bridge which connects the Vieux Paris to the Palace\\nof War and Marine and at the Champ de Mars at the\\ncorner of the Avenue de SufTren and the Avenue de la\\nMotte-Picquet.\\nRESTAURANTS TABLE D HOTE.\\nLa Belle Aleuniere, at the Trocadero, down the river\\nand at the corner of the Pont d lena: Breakfast. 4 francs;\\ndinner 5 francs. There is one at each of the corners of the\\nChamp de Mars, another in the middle of the Avenue de\\nSuflfren and the last between the pleasure boats Exhibition\\nand the Vieue Paris. Lastly let us mention about one\\nhundred ALIMENTARY KIOSKS, or BOOTHS, and\\nas a curiosity the special sites put at the disposal of those\\ndesirous to eat in the open.\\nPOST OFFICES, lELEGRAPHS AND TELE-\\nPHONE INSIDE THE EXHTBllTON.\\nIt will not be necessary for you to leave the Exhibition\\nto communicate with anyone or attend to bu.sinegs.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0321.jp2"}, "322": {"fulltext": "HOW TO SEE EXPOSITION ALONE\\nThe Post Office authorities have made a careful selec-\\ntion in their already selected staff. Eighty chief operators\\nand clerks, together with 175 sub-agents and postmen, at-\\ntend to the wants of the public from 7 a. m. to 11 p. m.\\nThe main office is close to the gate of the Avenue de la\\nBourdonnais, opposite Avenue Rapp. Branch offices are\\nsituated: Pont dTena; Avenue de Suffren, close to the\\nBig Wheel; Pont de I Alma, facing the Palace of Con-\\ngress; Quai d Orsay; on the Esplanade des Invalides, at\\nthe corner of the rue Fabert; at the Grand Palace of Fine\\nArts, and at the Cours-la-Reine. A telegraph office is\\nsituated on the second platform of the Eiffel Tower. An-\\nother office has also been established in the Annex of\\nVincennes behind the Charenton Cemetery.\\nThe subscription to the telephone is 300 francs for the\\nwhole of the Exhibition, 150 francs for six months and 25\\nfrancs more per month above that period, but the useful-\\nness of this service is, in reality, only felt by the exhibitors.\\nFifty public call offices are at the disposal of anyone, who,\\nby paying 20 francs, will immediately receive a card of\\nadmission entitling the bearer to use those offices when-\\never they are opened.\\nBANKING AND EXCHANGE FACILITIES AT\\nTHE EXHIBITION.\\nYou will even be able to carry out your banking opera-\\ntions within the precincts of the Exhibition.\\nThe Comptoir National d Escompte has opened, for that\\npurpose, at the Champ de Mars, corner of the Southern\\nPillar of the Eiffel Tower, a handsomely and elegantly\\nfurnished pavilion, together with telegram room, salon of\\ncorrespondence, telephonic cabin, exchange office; in one\\nword, everything which makes the features of the head\\noffice of this well known social establishment. Rue Ber-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0322.jp2"}, "323": {"fulltext": "CHAPTER II\\n(GENERAL REVIEW,\\nBefore going into a detailed description of the visit to\\neach Palace, it seems to me to be in the interest of the\\nreader to make a general survey of the whole, to the end\\nthat he may always be able to locate himself in the midst\\nof this vast display while visiting, in detail, later on, all\\nparts of this veritabe city by itself. I am going to divide\\nthis general view into two days (but inasmuch as we shall\\nbegin the second day where we left off the first), it is evi-\\ndent that the whole can be done in one day if the visitor\\nprefers. If, at the end of, or during the first day, you\\nshould so desire to make a more extensive examination of\\nthe attractions along your route, you have only to refer\\nto the description in one of the next chapters, where, in its\\nproper place, everything is taken in turn.\\nFIRST DAY.\\nDrive to the Place de la Concorde about lo in the morn-\\ning. Here is the principal entrance to the Exposition,\\ncalled Porte Monumentale because of its very large dimen-\\nsions, but also known as Porte Binnet, from the name of\\nthe distinguished architect who designed it. It consists of\\nthree arches holding up a gilded dome. It covers about\\nfive hundred and fifty square -yards and is capable of shel-\\ntering two thousand people. It is tianked to the right\\nand to the left by two towers, which throw electric\\nrays over the city. In the evening the appearance of the\\nwhole, sparkling with many-colored lights, is fairylike.\\nThe bas-reliefs on the gate, which are the work of Guillot,\\nare worthy to be admired. Once within the inclosure of\\nthe Exposition we find ourselves in a vast shaded way (the\\nold Cours-la-Reine), whose borders have been transformed\\ninto a monstrous and marvelous exhibition of horticulture,\\nwhich will be renewed each season. This floral display\\ncontinuing as far as the entrance to the Bridge des Inval-\\nides, of which we shall speak later on, harmonizes with the\\nhorticultural decoration of the new palaces of the Champs\\nElysee i, and its annexes continue as far as the intersection\\nof the Avenue d Antin with the Champs Elysees.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0323.jp2"}, "324": {"fulltext": "%r\\n^^^^^\\\\9*^m-samm.\\n^M?\\n.vililltlMIIIIIMI-l\\nThe Palaces of the Champs-Elysees and Exposition,\\nviewed from the Bridge Alexandre III.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0324.jp2"}, "325": {"fulltext": "HOW TO SEE EXPOSITION ALONE I I\\nA few hundred yards farther along this shaded way is\\ncrossed by the Avenue Nicolas II., which connects the\\nliridge Alexander III. on your left with the Avenue des\\nChamps Elysees on your right. We shall return later to\\nthis bridge; at present let us turn to the right and go up\\nthe Avenue Nicolas II. as far as the gate which opens\\non the Champs Elysees.\\nAnd now turn and look at the marvelous spectacle which\\noffers itself; at the end of the avenue the lofty dome of the\\nInvalides lifts itself majestically, its gilded surface respond-\\ning brilliantly to each ray of the sun, while on each side\\nthe two Palaces of Industry, which border this avenue,\\nshine out in pure white, while nearer to you rise the pylons\\nof the Bridge Alexander III. Close by you, to left and\\nright, rise those two palaces whose brilliantly-colored pic-\\ntures attract your attention. On the right is the large pal-\\nace, whose entrance is from the Avenue Nicolas II.\\nThe colonnade in front suggests that of the Louvre. A\\ntruly imposing appearance has been given to the principal\\nentrance by M. Girault, architect, the sides below are orna-\\nmented with a frieze by Mr. Fournier: Art s Figures;\\nthose on the sides are executed by celebrated artists, rep-\\nresent the different arts; at the two extremities of the\\nfagade other gigantic groups, the Quadrigas, represent Im-\\nmortality preceding Time and Harmony ruling Discord.\\nThe Grand Palace is in the general shape of a geometri-\\ncian s T, and its three distinct parts have been treated by\\nthree separate artists, under the direction of Mr. Girault,\\nThe principal fagade, of which we have just spoken, is the\\nwork of Mr. Deglane. The facade in the rear, on the Ave-\\nnue d Antin, is by Mr. Thomas. Do not overlook the\\nfrieze in pottery from the factory at Sevres, after drawings\\nby Joseph Blanc and representing the History of Art down\\nthrough the Ages; finally, the gate allotted to Mr. Louvet\\nis Median and forms a symmetrical union of the two\\nothers.\\nIn this palace are two sorts of expositions, one reserved\\nfor French and foreign artists, the other, on the right, to\\nthe Centennial Museum. If now we go back towards the\\nleft the Little Palace is the next thing to attract our atten-\\ntion. The proximity of these two palaces, very pleasing to\\nthe eye when separately considered, has been made the\\nsubject of much criticism, but an intelligent Cicerone, as\\nwas remarked at the beginning of this work, keeps strictly\\nwithin his province when he points out objects especially\\nworthy of attention. I shall confine myself to saying: Ob-\\nserve, study, compare. By the side of this great palace.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0325.jp2"}, "326": {"fulltext": "View from the Avenue Nicolas II.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0326.jp2"}, "327": {"fulltext": "HOW TO SEE EXPOSITION ALONE I 3\\nmajestic in its structure, is a work of art by Mr. Girault.\\nThe Little Palace affects the shape of a trapeze. Its\\nbasis is the Monumental Frontage, which serves as En-\\ntrance, and the back looks toward the Jardin des Euiler-\\nies, whilst the sides look respectively on the Cours La\\nReine and the Avenue des Champs Elysees.\\nThe Entrance is an imposing structure, with an opening,\\n15 metres wide, with a staircase of twenty steps. Notice\\nthe finish of the Principal Door, work of Injalbert; groups\\nof the Seine and the Seasons. Do not forget the bass\\nreliefs (bas-reliefs), by Hughes, and the Clock, ornamented\\nwith figures of Hector Lemaine representing: Night and\\nDay together with the Three Fatal Sisters.\\nNow let us go back as far as the Bridge Alexander HL,\\nand follow the banks of the Seine through those magnifi-\\ncent beds of flowers and plants. After crossing the Bridge\\nof the Invalides we shall soon be in the Rue de Paris. The\\npavilion of the city of Paris, which lies on the right, while\\nthe Bohemian restaurant is on the left, is the first object\\nwhich will excite your curiosity. On the scrolls of the first\\nstory one can follow the various changes which the arms of\\nthe city of Paris have undergone since the year 1200;\\nabove, on the frieze, we find represented the different\\nbodies of craftsmen; close by we see the Garden of Chan-\\nson, and, finally, a little farther along we come to the fa-\\nmous Aquarium, which belongs to the Pavillion of Horti-\\nculture and Arboriculture, while on the right hand side of\\nthe street succeed, one after another, the attractions of the\\nRue de Paris: la Maison du Rire, les Tableaux Vivants, le\\nChat Noir and la Roulotte; then, before we get to the\\nGrand Guignol and to the Bonshommes Guillaume, a\\nseries of borders and of gardens forming a part of the an-\\nnexes of the exhibition of horticulture.\\nThe Palace of Horticulture, which encloses between the\\ntwo wings of which it is composed the Aquarium of Paris,\\nconsists of two halls in glass united by a garden in the\\nform of a terrace, which is reached by a stairway, this latter\\nending in a terrace running along the Seine, and where are\\nlocated the conservatories (hot-houses), coffee-houses and\\nbars. Farther along, on the same side with the Pavillion\\nof Horticulture and of Arboriculture, is the Palace of\\nDancing, opposite to the Gay Authors, the Manoir\\na I envers. the Theatre of Loie Fuller and the\\nGrand Guignol. The Palace of Congresses and of\\nSocial Economy is next neighbor to the Palace of Danc-\\ning, and suggests a bringing together of diametrically op-\\nposite extremes, since side by side with the handsome", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0327.jp2"}, "328": {"fulltext": "I iJi iJH!; General view of the Alexander III. Bridge.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0328.jp2"}, "329": {"fulltext": "now TO SEE EXPOSITION ALONE 15\\n(lancers arc lodged the learned gentlemen who have come\\n10 discuss the future welfare of nations. The aspect of this\\nmonument of learning is far from bringing up the idea of\\ngavety. Its cube of a severe white appearance is made up\\nof three niches, with three bays, each separated by two\\npillars, its sole ornament being a series of busts of the\\neconomists of the last century. We are now at the Bridge\\nof Alma, where are situated two large gates of the Expo-\\nsition. There is a foot-bridge here, above the bridge,\\nwhich will enable you, if you choose, to reach the Rue des\\nNations, on the other bank of the river.\\nFor the present let us continue along the right bank,\\nand as soon as we shall have passed the Place of Alma by\\nmeans of the footbridge thrown across the large bridge,\\nwe shall find ourselves in front of Old Paris. For a length\\nof 600 yards we shall see, one after another, reconstruc-\\ntions of the houses and the monuments of ancient Lutece.\\nNow, after having passed the French restaurant, we find\\nourselves on the bank of the Seine in front of the exhibi-\\ntion of pleasure yachts and behind us the pavilion of the\\nBoards of Nautical trade.\\nWe have now reached the animated trips (voyages ani-\\nmes). We shall mention them again in the chapter: Le\\nTrocadero.\\nWhen we have passed the Colonial Restaurant we come\\nto the Bridge of lena, which connects the Trocadero,\\nwhere the Colonial Exhibition is, with the Champs de\\nMars, which apart from the numerous curiosities grouped\\nabout the Eififel Tower is completely filled with large\\npalaces.\\nDuring this first promenade we sliall stay on the right\\nbank of the Seine, and shall give our time to the Trocdero.\\nThe Colonial Exhibition, both French and foreign, is lo-\\ncated wholly in the Garden of the Trocadero. It is not\\nnecessary to give here any detailed description, for the\\nreason that farther along in this volume is a chapter wholly\\ngiven up to the Trocadero, whose buildings in such varied\\nforms and different styles deserve more than a single visit.\\nStill I will ask you to observe now before you to the right\\nand the left two structures brilliantly white. They are the\\ntwo Pavilions of .\\\\lgcria: the one on the right is the offi-\\ncial i);iviIion. A little farther along to the left i f the un-\\nofficial Algerian exhibition is the Tunisian. .\\\\t the end is\\nthe Grand Palace of the Trocadero, by the side of which,\\non the left, is the exhibition of .-Asiatic Russia, while behind\\nthis last, and not visible from where you stand, is a moving\\nplatform, which takes you to the exhibition of Madagascar.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0329.jp2"}, "330": {"fulltext": "Palace of Civil Engineering,", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0330.jp2"}, "331": {"fulltext": "HOW TO SEE EXPOSITION ALONE I 7\\nLet it suffice to say now that the Gardens of the Troca-\\ndero, where the whole colonial display is grouped, are\\ngiven up on the right hand side (as you face the monument\\nof the Trocadero on the bridge) to foreign colonies, and on\\nthe left hand side to French colonies. A large subterranean\\nf^allery, near the monument of the Trocadero, has afforded\\ncppor!.unity for a subterranean mining exhibition, entrance\\nt i which is had by means of two passage ways, one on the\\nright, the ether on the left in the borders of the two large\\nstreets which extend from the two central gates of the\\nTrocadero as far as to where we stand. The first day s\\npreliminary survey of the Exposition ends here, and 1\\nv\\\\ould suggest to take advantage of your proximity to the\\nColonial Restaurant (at your right on the quay) to try its\\nwell-llavored cookery.\\nSECOND DAY\\nThis lime we will drive to Gate No. 4, Place du Troca-\\ndero, at the corner of the Avenue du Trocadero. Having\\ncrossed over under the peristyle of the Trocadero, leaving\\nbelling us JVladagascaf (that large circular structure on the\\nright), we will go down the route which lies before us\\n(bordered on the left by the exhibition of Asiatic Russia)\\nas far as the Seine at the Bridge of lena, where we stopped\\nyesterday. Let us cross the bridge and halt. Before us arc\\nthe supports of the Eiffel Tower, whose color is not the\\nsame as that which excited so much admiration in 1889.\\nOn our right are the exhibitions of hunting, fishing, fores-\\ntry, etc.\\nOn the left everything pertaining to navigation and then\\nin a second part of the exhibit of navigation, the Paris\\nboats, and a little farther along the Messageries Maritinies.\\nLet us go on now, leaving on our right and left the For-\\neign Pavilion to which we shall soon come back, and\\nplace ourselves under the center of the Eiffel Tower, in\\norder to take in, in a brief glance, the various edifices\\nwhich surround us, and know how to locate ourselves at\\nour next visit. In the distance, exactly opposite, is the\\nChateau d Eau, the Palace of Electricity, the Hall of Festi-\\nvals, and the two long palaces which you see to right and\\nleft enclosing gardens are made up each of three distinct\\npalaces, containing the exhibit of Education, Engineering,\\nMechanics, Metallurgy, Costumes, etc., the details of which\\nwill be found on another page.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0331.jp2"}, "332": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0332.jp2"}, "333": {"fulltext": "HOW TO SEE EXPOSITION ALONE\\n9\\nAll about us wc find only what have been characterized\\nas the Attractions. We shall not investigate them to-day,\\nplaced, as they are, in the vicinity of the Eiffel Tower, you\\nwill easily locate them by referring to the Chapter on At-\\ntractions. You will easily select such as invite your atten-\\ntion, and the plan will guide you to them. Let us now re-\\ntrace our steps as far as the Bridge of lena, to the left of\\nwhich is situated the Oyster Park, and let us turn to the\\nright; here we are between the Paris boats, on the left, and\\nthe Messageries Maritimes, on the right, to which succeeds,\\non the right, the Chamber of Commerce, on the\\nleft the Pavilion of the Navigation of Commerce,\\nafter which we enter the Rue des Nations, which\\ncomes out to our right by the Pavilions of Belgium, of\\nGreat Britain and of Russia; on the left are the land and\\nsea forces, close by the Pavilion of Mexico. We are now\\nat the Bridge of Alma; hence to the next bridge are only\\nforeign pavilions; on the left are represented Servia.\\nGreece, Monaco, Spain, Sweden, Germany, Norway, Bel-\\ngium, Great Britain, Hungary, Bosnia, Austria, the United\\nStates, Turkey and Italy, while on the right are seen Rou-\\nmania, Finland, Luxemburg, Persia, Peru, Portugal and\\nDenmark.\\nWe have now reached the Bridge of the Invalides.\\nBefore leaving this remarkable Rue des Nations, let us\\ngo up for a moment on the foot-bridge, which crosses the\\nBridge of the Invalides, and admire the magnificent view\\npresented by the basin of the river from the Bridge of the\\nInvalides to that of Alma, and which has been named the\\nBassin des Fetes.\\nIn the evening it is used for Venetian festivals; in the\\ndaytime it presents a unique spectacle with its numerous\\npalaces on both streets casting their shadows on the water.\\nNow we come to the Esplanade of the Invalides, where\\nis found the principal station of the Western Railway, lo-\\ncated, so to speak, under ground.\\nLet us take a rapid look at foreign tobaccos, the Vienna\\nrestaurant, the different foreign annexes, the furnaces and\\nglass-works, the potteries, and then go into that series of\\npalaces arranged in the form of a horse-shoe in the annex\\nof the Bridge Alexander III., and containing, first, the\\nnational manufactures; second, decoration and furnishing\\nof public edifices and dwelling houses. This part of the\\nExposition is really interesting, and the long lines of pal-\\naces of different styles which unite the Bridge Alexander\\nIII. to the Hotel des Invalides produce a fine effect.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0333.jp2"}, "334": {"fulltext": "20 HOW TO SEE EXPOSITION ALONE\\nOne can only regret the encroachment on the central\\nroute which now, from the Seine, shows only the portal\\nof the Invalides, but it was necessary at all costs to find\\nroom for the exhibitors. Near the quay the exhibition of\\nthe Esplanade begins by an immense place in semi-circle,\\nending at the Rue of the Palaces of the Mobilier and of\\nthe Decoration. This place is situated above the very rail-\\nway station of the Invalides, whose existence is disclosed\\nby four transparent sidewalks, surrounded by flanking ma-\\nsonry, and by a way paved with thick crystal bricks, which\\nallow the light to pass through.\\nIn the central alley are six small gardens, where are\\nshown collections of French and foreign rose-propagators\\nand cultivators. The wings of the palaces have for base\\nelegant arcades, surrounded above by a large terrace.\\nFrom place to place to the top scrolls represent the armor-\\nies of Foreign Nations on the right and of the principal\\ncities of France on the left. On each side the line of pal-\\naces forms a harmonious whole, which gives communi-\\ncation between the vast halls of which it is composed\\nand which ends on the side towards the Invalides by an\\nornamental facade, where may be seen handsome bas-\\nreliefs, the works of the potter, and painting on pottery.\\nOn the side toward the Seine are to be seen fine groups of\\nstatuary by Houdin, representing Industrial France, and\\nFrance Welcoming the Nations, by Peynot.\\nIt should be noted that on the Esplanade everything\\nwhich is of French origin is on the left, and every-\\nthing of foreign origin on the right, instead of having\\nthem all assembled in the same palace, as was done\\nin the Champ de Mars. We must not leave the\\nEsplanade without casting a glance on the shade of\\nthe trees regularly planted, the whole length of the\\nRue Constantine, the French annexes, the Mas Pro-\\nvengal, the Musique Bretonne, the exhibition of the Dec-\\norative Arts, the displays of the Magasins of the Eouvre,\\nand the Printemps, and, on the quay, the decorative exhibi-\\ntion of the street, as well as a new series of annexes of\\nHorticulture. Let us close this long survey by a lengthy\\nstay on the Bridge Alexander III. It spans the river by\\na single arch more than 340 feet in length by a width of 130\\nfeet, preceded at each end by two groups of towers sur-\\nmounted by gilded Pegasuses. It is wholly of iron, worked\\nout with ornaments of bronze in relief, and has a keystone\\nof its arch a tablet representing the Seine and the Neva, the\\nwork of Mr. Recipon. After having crossed the bridge we", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0334.jp2"}, "335": {"fulltext": "now TO SEE EXPOSITION ALONE 2 1\\nfind ourselves again in the Avenue Nicholas II., near the\\nmonumental gate. We can now look at the magnificent\\nopen ironwork gate of the Metropolitan station at the\\nChamps Elysees entrance, which will take us later to the\\nannex of the Exposition at Vincennes.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0335.jp2"}, "336": {"fulltext": "The Grand Palace.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0336.jp2"}, "337": {"fulltext": "CHAPTER III.\\nPALACES OF THE CHAMPS ELYSEES.\\nNow that we have run through the Exposition in a way\\nto get an inteUigent glance at its general arrangement and\\nlocate each monument, we will visit them successively in\\ndetail to examine their interior: for these visits the plan\\nwhich we shall adopt in this first chapter of detail is this;\\nWe will devote an entire day to the palace of the Champs\\ndes Elysees; the next day or any other following day (for\\nwe can now vary the order of the visits as they are ar-\\nranged in succession in the chapters of the book), we will\\ngive to the right bank of the Seine: the rue de Paris;\\nafter that will come the chapter of the Trocadero; the Co-\\nlonial Expositions. It remains only to cross the Seine\\nand we are in the midst of (chapter IV) The attractions:\\nWe will make an examination in all directions of those\\nlarge displays due to private enterprise and contained in\\nthose different palaces which encircle the Tower EifTel\\nabout. The following chapter will take us across the\\nlarge palaces in the field of Mars; then in Chapter VIII.\\nwe will take up rue des Nations; this chapter has been the\\nobject of special care and preparation, for here will be,\\nboth for the foreigner and the French, the most attractive\\npart of the Exposition. Finally, we shall finish Chapter\\nX. with the Esplanade of the Invalides, where all the\\ndivers intustries are assembled.\\nTHE PALACE OF THE CHAMPS ELYSEES.\\nEntrance to the Exposition this time will be by the gate\\nof the avenue of the Champs Elysees, the one which is op-\\nposite the new gate open in the rue of the Palais de\\nI Elysee, which borders the avenue Marigny. As soon as\\nwe shall have passed through one of the turnstiles we\\nshall find ourselves in the avenue which goes between the\\ntwo palaces as far as the Bridge Alexander III. On our\\nright and on our left flowers and plants; this is one of the\\nnumerous open-air annexes of the Exhibition of Horticul-\\nture; on our right is the Grand Palais, we will begin here.\\nAs soon as we have crossed the threshold of the large", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0337.jp2"}, "338": {"fulltext": "24 HOW TO SEE EXPOSITION ALONE\\ndoor, leaving the colonnades on the left and on the fight,\\nwe see straight before us, under the vast cupola of glass\\nwhich covers it, the entire exhibition of sculpture, but be-\\nfore entering into details, let us, if you please, take a\\nglance about us in order to familiarize ourselves with the\\ninternal arrangement. The cupola, under which we stand,\\nis made by the intersection of the large nave and a sort\\nof counter nave, which is the vast gallery opening oppo-\\nsite the large door. This counter-nave is inclosed by two\\nbranches, in the form of a horseshoe, of the monumental\\nstaircase which leads to the floor where are the paintings.\\nThis staircase is divided into two parts, the front part,\\nwhere we are, and the rear part, which is made up of a\\nlarge elliptical hall, surmounted by a metallic dome, hav-\\ning on either hand a large hall with balconies. On the\\nfirst floor are found the paintings. On the ground floor,\\nnear the grand staircase, on the right, is a vast salle\\nd honneur, or reception room, which can even be used for\\nlarge concerts. One thing important now to fix in the\\nmind (if that be necessary for an understanding of the\\nplans which we are about to lay out), is that all that part\\nof the Grand Palace which lies to our right is entirely given\\nup to the French display,while the part on our left is wholly\\ngiven up to foreigners. The display on each side is of the\\nsame character, but while France has all the space on the\\nright, the foreigners have divided among themselves the\\nspace on the left, and their displays, although relatively\\nsmaller, are none the less symmetrical. An axis laid down\\nfrom the gate of the avenue of the Bridge Alexander III.\\nand intersecting in its midst the magnificent staircase, is\\nthe median line which separates the French exhibit from\\nthe foreign exhibit, except that up one flight, the French\\nexhibit of paintings encroaches a little on the other side.\\nNow let us go up on the right hand side of the magnifi-\\ncent staircase as far as the first story, which is given\\nup wholly to artists of our day; that is to say, to those\\nwho, at least as far as the French are concerned, have\\nmade an exhibit in the last three or four Salons. Being\\nnow at the head of the staircase, let us begin our visit by\\nthe first room on the left, the one which is contiguous to\\nthe exhibit of Japan. This room contains aquarelles and\\ndrawings. If we keep on in the direction in which the\\nhands of a watch go, we find the foUowings displays: lo,\\narchitecture; 8, engravings and lithographing; 7, paint-\\nings, drawings and sketches, all executed by French artists.\\nWhen we get around, opposite the monumental gate by\\nwhich we entered the building, we come to the exhibit of", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0338.jp2"}, "339": {"fulltext": "now TO SEE EXPOSITION ALONE 25\\nforeign painters. All the following sections are desig-\\nnated by the name of the nation making the exhibt, and\\ncoming around to our point of departure we go down the\\nstaircase, pass under it to visit the gallery at the extremity\\non the right and on the left; it is the Centennial Exposition\\non the right French, on the left foreign. It is adjacent\\nto the French side of the Salon d Honneur, which we\\nhave already pointed out. Retracing our steps, we find in\\nthe midst of the gardens and the parterres all the finest\\nsculptures distributed according to the same order. Re-\\ngaining the door, we are obliged to pass through the\\nCentennial Exposition. It is not thought necessary to\\ngive the nomenclature of all the works exhibited or a list\\nof the rooms which follow one another. It will suffice to\\npoint out to the reader each one of the large divisions of\\nthis Palace of Fine Arts, and he will be able to look\\nthrough it with pleasure; but here I will make a sugges-\\ntion. Although the large, oiScial catalogue, with its\\ngreat number of volumes, may have attractions for the\\ngeneral visitor, the special little work for the Fine Arts\\ncould hardly fail to have great value for him who seeks to\\ntake mere than a cursory glance at thi* collection. Oppo-\\nsite us is the Little Palace, which is at least as interesting\\nas the large one. It is the Museum of the retrospective\\nExposition, and is solely devoted to a retrospective view\\nof French art. We will enter by the large door opposite\\nthat of the Palace of Fine Arts, by which we have just\\ncome out, and we find ourselves in the midst of old royal\\narmor, like that of Francis I., Charles IX., Louis XIII.,\\nby the side of stained glass windows and casts; then on the\\nright are carriages from Trianon, after that furniture. The\\nLittle Palace is a collection of galleries arranged in double\\nand sometimes in triple lines; those on the right and on\\nthe left are lighted laterally and from without, those in the\\ncentre are lighted from overhead. The first are especially\\ndevoted to sculpture; the others to paintings. The Little\\nPalace is ornamented in its centre by a lovely garden,\\nwhich is overlooked by a circular gallery, giving a very\\ngraceful effect. After the Exposition, this monument will\\nrevert to the city of Paris, which will establish its museum\\nwithin it. At present, the retrospective Exposition which\\nis sheltered there, is made up of the masterpieces of the\\nmuseums and of private collections; all the schools of this\\ncentury are represented there. When we shall have given\\na look at all that verdure which lies round about the two\\npalaces and shall have gone as far as the Cours la Reine,\\nit vvfill remain only to devote a little time to the Bridge\\n4I", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0339.jp2"}, "340": {"fulltext": "26 HOW TO SEE EXPOSITION ALONE\\nAlexander III., opposite which we shall come out, and we\\nshall have seen all that part known as the Section of the\\nChamps Elysees.\\nThe Bridge Alexander III. is one of the central points\\nof the Exposition of 1900. It spans the river with a length\\nof about 350 feet and a width of 130 feet. At each ex-\\ntremity are two groups of towers surmounted by gilded\\nPegasuses. Female figures seated on pedestals at the foot\\nof each tower represent figures symbolizing France in her\\nchief periods of glory. The one opposite us on the right\\nrepresents the France of to-day, the one on the left France\\nunder Charlemagne. The base of each of these statues is\\nornamented with allegorical groups in gilded bronze.\\nIn front of the towers the gilded lions are the work of\\nGaudet. If we cross the Seine, we shall be able to admire\\nthe balustrade with its candelabra and its genii. In the\\ncentre of the arch is represented, on the right, the Seine,\\non the left the Neva, thus recalling the visit of the sover-\\neign of Russia, when, accompanied by the President of the\\nFrench Republic, he laid the first stone of this monument\\nwhich sealed the alliance between France and Russia. We\\nhave now reached the left bank. Let us turn to look at the\\nPylons, or towers; the gilded lions are the work of Dalou.\\nOn the right, the statue of the woman seated represents\\nFrance at the time of the Rennaisance, that on the left\\nFrance under Louis XIV. Behind us and on the right\\nis the Station of the Invalides, where train will take us\\nrapidly to the centre of Paris, unless, indeed, you prefer to\\ngo out by gate No. 5.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0340.jp2"}, "341": {"fulltext": "CHAPTER IV.\\nTHE RUaiT SHORE OF THE SEINE FROM THE\\nPONT DES INVALIDES TO THE TROCADERO.\\nTHE RUE DE PARIS.\\nEntering- by the monumental door and following the\\nintervvay of the Seine, we pass first, those flower beds\\nand clumps of trees, situated below the Palais des Champs\\nElysees and which are an annex of the Horticultural\\nExhibition, to reach the goal of our visit, the Rue de\\nParis.\\nTHE RUE DE PARIS. The Rue de Paris consist of\\na row of theatres, opposite some pavilions, interesting to\\nParis alone, because they are exhibitions of purely Pari-\\nsian origin.\\nThe buildings are placed on two rows, one on the left,\\nbordering the Seine, the other on the right, bordering the\\nCours La Reine. If you do not mind, we will start with\\nthose on the left and we find, then, first of all\\nTHE PA VILLON DE LA VILLE DE PARIS. It is\\na reproduction of the Hotel de Ville. On the ground\\nfloor, we notice a park, a miniature reproduction of the\\nPark of Versailles, with its monumental fountain, and the\\nwaters are so disposed as to form an allegory of the rivers\\nsupplying Paris, viz., La Vanne, I Avre, I Ourcq, and last\\nof all our great Parisian river la Seine. All round are\\nrepresented all the diflferent public works of the Ville de\\nParis, water works, drains and sewers, lighting, the Pre-\\nfecture of Police (Police Headquarters), with its anthro-\\npometric service, etc. On the first floor are the large\\nParisian schools, such as the Law Academy, the Academy\\nof Medicine, and all the professional or Grammar schools.\\nThe sewers and drains exhibition is completed in the\\nbasement part of the building.\\nFurther is to be found\\nTHE GARDEN OF SONG (Le Jardin de la Chanson),\\nopened from 3 p. m. until midnight. Admission, i and\\n2 francs.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0341.jp2"}, "342": {"fulltext": "28 HOW TO SEE EXPOSITION ALONE\\nIt is the Vieille Chanson (the Song of Old) sung by\\npretty women, clad in costumes of the period. Everything\\nin this charming frame carries us back to the time of our\\nforefathers.\\nClose to a foreign restaurant, we find the famous Palace\\nof Hbrticulture which includes the Paris Aquarium. The\\nonly thing for me to say is that the whole of the Pavilion\\nat the end, on the other side of the Aquarium, is reserved\\nto foreign exhibitors, whilst the first one we meet is ex-\\nclusively PVench. Needless to give you details, you only\\nhave to walk leisurely in the midst of those flowers and\\nplants, some of them perfect marvels. I must nevertheless\\npoint out to you the AGRICULTURAL INSTRU-\\nMENTS EXHIBITION, to be found in a gallery raised\\nfive metres above the ground in the centre of the aisle\\nand whose walls are covered with plans and water-colors.\\nIn the basement, two large conservatories, beside all the\\nplants and flowes they contain, show us all the watering\\nand heating apparatus, in fact everything used or em-\\nployed in hot houses.\\nTHE AQUARIUM. Admission From 8 a. m. to\\nS p. m., I franc; from 5 p. m. to 9 p. m., 2 francs; from\\n9 p. m. to midnight, 3 francs.\\nIt represents the whole of the submarine world with its\\ninhabitants, its plant growth, the monsters of the deep,\\nits corals, in one word the whole of its animal and floral\\nlife lighted up by rays of lights; the source of light is\\nindiscoverable.\\nTHE PALACE OF THE DANCE. The prices vary\\nfrom 1.25 to 5 francs. It is an elegant little theatre re-\\nproduction of the famous Bayreuth Auditorium and the\\nstage of the whole history of the dance, living and\\nanimated, unfurls itself before your eyes. Pretty girls,\\ngarbed in dresses appropriate to periods, countries and\\ncircumstances, take turns in dancing the Gavotte and the\\nMinuet; then you will see the Bacchanales of the Romans,\\nthe Chinese dances followed by the Nautch Girls, sO light\\nand graceful conjuring up reminiscences of India and the\\nSacred dances.\\nTHE palace of CONGRESS AND SOCIAL\\nECONOMY offers but very few things to excite your\\ncuriosity. It has been constructed more especially to be\\nused as a meeting place for the dififerent congresses, which\\nwill succeed one another during the whole time of the\\nExhibition. The ground floor is given up more particu-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0342.jp2"}, "343": {"fulltext": "now TO SEK F.XPOSITION ALONE 29\\nlarly to Social Protection, that is to say, to institutions\\nprotecting childhood and making regulations for syndicates\\nand professional associations. The first floor reserved to\\nthe congresses is divided into live halls, one of them much\\nlarger than the others will be used for concerts.\\nWe have now reached the Pont de I Alma which we will\\ncross by a foot bridge which will enable us to emerge\\nopposite Old Paris.\\nOLD PARIS. Admission i franc during the day;\\n2 francs from 7 p. m.; on Fridays 2 francs during the\\nday and 4 francs during the evening; on Sundays 50 cen-\\ntimes during the day and i franc from 6 p. m.\\nOld Paris is the reconstruction of Paris of the middle\\nages. There are three parts absolutely distinct from ong\\nanother, the portal called Porte Saint-Michelis admits to\\nthe portion which ends at the church Saint-Julien des\\nMenetriers, leading to the quarter of the Halles. Whilst\\nthe former belongs to the fifteenth century, the Halles\\nrepresents the eigteenth century, and the next is a mixture\\nof the seventeenth and eighteenth centuries; the palace\\nbelongs to the period of the Renaissance.\\nI must, however, mention here the different attractions\\ncontained in the Vieux Paris which, of course, like every\\ntown watchful of its good reputation possess a large\\nnumber of cafes and restaurants at various prices.\\nAmong those we will mention the Cabaret de la Pomme\\nde Pin (The Pine Cone Inn), made famous by Alexandre\\nDumas, and where one can hear the charming diva Mile.\\nEugenie Bufifet. The Theatre de la Bodiniere, which its\\namiable director has made one of the snuggest and most\\nselect places, has an annex in the Salle des Palais, where\\nwe can listen to the old airs sung with exquisite taste and\\npathos by Mile. Amos. At the church Saint-Julien des\\nMenetriers, M. Bordes, assisted by the singers of Saint-\\nGervais, gives two recitals every d Sy, at 11 a. m. and\\n5 p. m.\\nWe have now only to mention the Grand Theatre, where\\nin turn all the most celebrated artists of the gay capital\\ncome to sing or play. Admission 2 and 3 francs. Tlie\\nConcert Colonne, already mentioned in Chapter VIII,\\nperforms there every day.\\nWhen leaving Old Paris, we arrive at the:\\nNAVIGATION DE PLAISANCE, which is adjacent\\nto the Trocadero and with which we will close this part\\nof the chapter, as we shall need to wend our ways back", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0343.jp2"}, "344": {"fulltext": "30 HOW TO SEE EXPOSITION ALONE\\nto our starting point to visit the other side of the Rue de\\nParis.\\nNAVIGATION DE PLAISANCE. I have no need to\\ngive you any details respecting that exhibition made on\\ntlie river Seine. You only have to admire the different\\nmodels exposed to your view.\\nI have chosen this route, in the belief that it is the\\nmost rational, and in order to save you from walking too\\nmuch, I should advise you, when you have passed the\\nPalace of Congress and before crossing over the foot\\nbridge, to retrace your steps and visit the opposite side\\nof the Rue de Paris. We will find first ____^_,^\\nLA TOUR DU MERVEILLEUX, OU MANOIR A\\nL ENVERS (The World Upside Down). Admission\\n1 franc.\\nEverything in that castle is built upside down, with the\\nchimneys on the ground and through a very ingenious\\nsystem we can see the whole of the Exhibition topsy-\\nturvy. There is a special gallery, where the handsomest\\nwoman will see herself turn into a hideous monster\\nTHE THEATRE DES AUTEURS GAIS. Admission:\\n2 francs. It is a truly fair day theatre, where the actors\\nparade the boards outside, inviting you to enter the\\nbuilding, which is most handsomely an d luxuriously\\nfurnished; the plays heard inside are the works of some of\\nthe cleverest members of the Parisian newspaper world.\\nTHEATRE LOIE FULLER. Price Stalls, 2 francs;\\nDress circle, i franc.\\nEvery one knows the style of amusement to be wit-\\nnessed, for there is not a country in the world which has\\nnot seen Lo ie Fuller and admired her light effect dances.\\nWe still have\\nTHE PHOTO-CINEMA THEATRE, a combination\\nof the phonograph and the cinematograph; further on is\\nthe THEATROSCOPE. The admission in those two\\ntheatres is i franc.\\nLES BONSHOMMES GUILLAUME. Entrance\\nI franc. It is the reproduction of actual events and life.\\nIt is a magnificent little theatre of actuality. All the\\nevents occurred lately are represented to you in miniature\\nwith miniature actors, whose resemblance to the originals\\nis simply marvelous. It is the work of the grand artist\\nGuillaume.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0344.jp2"}, "345": {"fulltext": "HOW TO SEE EXPOSITION ALONE 3 I\\nLE GRAND GUIGNOL (Punch and Judy). Admis-\\nsion I and 2 francs. Besides Dickson s Fantastic Ca-\\nbinet and the American Biograph, which only perform\\nat nights, we have during the day the whole history of\\nihe Farce en France, from its origin until the present day.\\nWe are again in front of the Palace of Horticulture,\\nLlien\\nLA ROULOTTE. Admission i, 2 and 3 francs during\\nthe day, and 2, 3 and 5 francs at night. The auditorium of\\nthe Roulotte (the Strolling Players), has been constructed\\nby the popular architect M. Binet, the creator of the Porte\\nMonumentale, which adorns cover of this book. It is\\n-Montmartre at large transported to the Exhibition. One\\nfinds there Bruant, Furcy, Xanroff. There are dances,\\nmimics and recitals of the Chanson Rosse.\\nLIVING PICTURES. Admission: i, 2, 3 and 5 francs.\\nt is more a plastic exhibition, where in turn we see the\\npoems of Armand Sylvestre, the poems on feminine plastic\\ntaken from Milton s Paradise Lost, and also a trip to the\\nland of dreams in the very centre of the stars, the whole\\naccompanied by an invisible orchestra.\\nWe will have finished this chapter when we shall have\\nspoken of\\nLA MAISON DU RIRE. Prices 50 centimes and\\nT franc. Laughter is the only tenant of this exhibition.\\nEverything which can call forth laughter, all the most\\nfunny and ridiculous processions of the Carnival are\\nbrought together for your enjoyment, and all the comic\\nartists of the capital lend brilliancy of picture to a very\\nappropriate frame by their side splitting comicalities in\\nin recitation and song.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0345.jp2"}, "346": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0346.jp2"}, "347": {"fulltext": "CHAPTER V.\\nTHE TROCADERO.\\nWe shall enter to-day the enclosure of the Exposition\\nby the Palace of the Trocadero, that last vestage of 1878.\\nWe see first a large edifice in the form of a circus reserved\\nMADAGASCAR.\\nfor Madasgascar. It is connected with the palace by a\\nfoot-bridge and a rolling platform, and presents, in the\\ncentre, a large space surrounded by a canvas, painted in\\npanorama, representing the capture of Tananarive. It shows\\nthe exact position occupied by the French troops before the\\ncapital of Hovas the 30th of September, 1895, and it was\\nexecuted on the spot with scrupulous exactness by Mr.\\nL. Tinayre, a painter who accompanied the exhibition.\\nTwelve dioramas make the central panorama and repre-\\nsent the principle episodes of the campaign. Round about\\nthe panorama the exterior galleries contain different prod-\\nucts of that great island. Each group gives a lively and\\nfaithful picture of existence there. In returning, on the\\nright, let us take a look at the panorama of the Congo,\\nor of the Mission Marchand, which, painted by Castellani,\\nijrings out in eleven successive pictures this heroic expe-\\ndition across the Dark Continent.\\nPANORAMA DU CONGO (Mission Marchand).\\nEntrance, i franc. The ground floor is entirely re-\\nserved to Dioramas: A fire on the road to Majunga, the\\nQuillon with Captain Baratier and the Painter Castellani\\non board; Menelick; the Faidherbe, and last of all, the\\ntriumphant march of Major Marchand, etc.\\nOn the first floor is the Panorama properly speaking:\\nthe embarking of the Mission Marchand on the Ouban-\\nghi.\\nAfter having injoyed this work, we should advise you\\nnow in entering the Palace of the Trocadero to go to the\\ncentral terrace and thence take a look at the colonial ex-\\nposition as a whole. On your left are the foreign colonies\\nand on your right the French colonies. In honor of our\\nmost illustrious guests, let us turn to the left and visit the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0347.jp2"}, "348": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0348.jp2"}, "349": {"fulltext": "HOW TO SEE EXPOSITION ALONE\\nSIBERIAN PALACE.\\n35\\niiiagniiicent palace of Asiatic Russia, the Siberian Palace.\\nIn a pure Russian style it represents in some sort a Siber-\\nian city, of which all the structures are supported by tow-\\ners and walls (Kremlin). It is in fact a partial recon-\\nstruction of the Kremlin, at Moscow, on a scale approach-\\ning that of the original, since some of the towers reach an\\naltitude of 150 feet. On the left of the principal entrance\\nis found a hall of reception destined for the Czar, in ac-\\ncordance with an ancient Russian usage, which gives right\\nof access to the Emperor to the first peasant proprietor\\nwho comes. Opposite to this principal entrance is a vast\\ncourtyard, with a Russian restaurant and a balcony on\\nwhich the best orchestra of St. Petersburg will play, that\\nof Count Cheremetieff. On the right a hall with the be-\\nlongings of the imperial family, and an exhibition of all the\\nproducts of their properties. Then a hall for the petroleum\\nof Nobel, a diorama of his factories, views of Bakou the\\nTemples, lighted by fire. On the left two halls devoted\\nto Siberia properly so-called and to Northern Siberia.\\nFinally three halls reserved to scientific exhibits or to the\\ntechnical reproduction of the building up of the trans-Si-\\nberian Railway, with panoramic views rigorously exact of\\nthe journey across and of Vladivostock. In order to com-\\nplete this view it will be necessary to enter under the Tower\\nof the Clock by a gate especially reserved for that into the\\nexhibit of the trans-Siberian Railway. You get into a train\\ncomplete (Moscou-Chine) of the company of Wagons-\\nlits, and by an ingenious artifice you see unrolled before\\nyou the gigantic panorama of this long voyage, with stops\\nat the different stations, with all their local color, and you\\nseem to descend at the terminal point at a Chinese station.\\nCHINA.\\nChina has two palaces, a large and a small. In order to\\navoid the unfortunate Chinese style, the architect con-\\nceived the idea of reproducing the Temple of the Black\\nDragon, with some details borrowed from the Imperial\\npalaces. The pavilion, with two roofs, is an exact copy of\\nthe six pavilions which, taken as a whole, make the Im-\\nperial palace. There can be seen in the interior a series\\nof shops, where the industrious Chinese are at work under\\nyour very eyes. Let us retrace our steps in the central alley\\nof the Trocadero and visit the fine exhibit of the Dutch\\nEast India, which contains for that matter all Holland.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0349.jp2"}, "350": {"fulltext": "36 HOW TO SEE EXPOSITION ALONE\\nDUTCH EAST INDIA.\\nThree buildings are before us. In the middle background,\\non two terraces placed one above another, where aire seen\\nreproductions or reconstructions of the ruins of Pramba-\\nnani in Java and the celebrated Temple of Boro-Boudor.\\nHere is the most remarkable specimen of Hindoo architec-\\nture in Java, the Temple of Djamdi-Sari. The casts, sculp-\\ntures, motives of ornamentation were taken from the\\ntemple, which the vandalism of the Chinese had partly\\ndestroyed, and they form a whole hitherto unseen in Eu-\\nrope. In the interior you will admire the sculptures and\\ncollections. The two other pavilions are types of a con-\\nstruction indigenous to the table-land of Padang (in Su-\\nmatraj Each one of their four fronts represent a dif-\\nferent style of habitation. In the pavilion on the north\\nare shown models of encampment, fortifications, ethno-\\ngraphic exhibits, mineralogical and agricultural exhibits.\\nOn the floor below the Japanese dancers and the musicians\\nenable you to study the style of amusements in that coun-\\ntry. Taking the Avenue of Jena, which crosses the central\\nTRANSVAAL.\\nalley, we find ourselves at once in front of the principal\\npavilion of the Transvaal, containing exhibitions of the\\ngovernment, ethnographic collections; showing the prog-\\nress of the Republic of South Africa and the products of the\\ncountry. Behind, a Boer farm of primitive construction,\\nwith all the details of the dwelling house, the principal\\nroom, the kitchen and the ovens for baking bread, the\\ndining room, sleeping room and stable. Two other pa-\\nvilions are given up to the mining industry. In the first\\nthe mill, or Boccardage, where the rock is crushed; in the\\nother, the dififerent treatments of amalgamation and the\\ncyanide process. The walls without are covered with sta-\\ntistical pictures, interesting as attesting the importance of\\nthe production of gold in this country, and the coveted\\nriches, so hard to defend, which still lie buried in its depths.\\nLet us go down below to see the gallery of a mine with the\\nshaft for the extraction of the ore, and a gallery for car-\\nrying it. After the Transvaal, in the midst of the gardens,\\nlet us visit the Portuguese colonies. They have no special\\ntype of architecture, yet they are original. There are to be\\nPORTUGUESE COLONIES.\\nfound samples of the chief products of the Portuguese col-\\nonies and those of Portugal itself, which did not find room\\nenough on the Quay d Orsay for their exhibition. By the\\nside of this let us notice the Pavilion of the Oranges. On", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0350.jp2"}, "351": {"fulltext": "HOW TO SKF, EXPOSITION ALONE ^J\\nMISSIONS.\\nllie other side, near the Avenue of Jena, the Pavilion of\\nihe Missions groups the colonial work accomplished by\\nthe religions orders in the entire world. On the ground\\ndoor six dioramas, painted by Amable and Halle, represent\\nthe missions at Tonkin, in China, in Senegambia, Madagas-\\ncar, in Oceanica. Up one llight the principal hall contains\\nhistorical souvenirs, collections, specimens of scholastic\\nwork or of other kinds In order not to come back into\\nI his out of the way place, let us point out that in going be-\\nhind the wing of the Trocadero there is to be seen an ex-\\nliibit of the coal mines of France, very curious to see, with\\ntheir mining shafts, which give you an illusion of the real;\\nCOAL-PITS\\nThe whole of this extremely interesting Exhibition is\\nsubterranean. Entrance, i franc.\\nIt represents a Coal-Pit, with all its means of locomo-\\ntion, the miners work inside the Pit, and also some Etrus-\\ncan Tombstones; in fact, this Exhibition is a reconstitution\\nof everything connected with subterranean digging.\\nLIGHT HOUSES.\\nSituated at the corner of the Trocadero, behind Rus-\\nsian Asia, the Light-Houses Exhibition has also and prin-\\ncipally a restrospectixe exhibition. First of all is repre-\\nsented the Light-House from the He Vierge, facing the\\nAbberw rachjopposite the Hoiel des Anges, in the bay itself\\nat the confluence of the English Channel and the Atlan-\\ntic; that island enjoyed for a time a certain reputation\\non account of the large quantity of rabbits who dwelt\\nhere. At the side is Mount Saint-Clair s Light-House and\\nall the instruments and apparatus employed at Saint-\\nMathieu and Lizard. In fact all the models of Light-\\nHouses with revolving lights and projections.\\nThe retrospective exhibition begins with the Cordou-\\nan s Light-House, and thus enables us to follow the series\\nof improvements and transformations of revolving and\\nfloating lights, resuming in their whole, all the modifica-\\ntions and uses of Light-Houses since they have been to\\nnavigators and seafaring men of such serious utility.\\nEGYPT.\\nHaving seen all that is interesting, let us resume our\\nvisit at the Avenue of Jena, on the corner of Rue Magde-\\nbourg. Here the Egyptian palace attracts our attention.\\nPreceded by a vast open space, where the sphynx and obel-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0351.jp2"}, "352": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0352.jp2"}, "353": {"fulltext": "HOW TO SEE EXPOSITION ALONE\\n39\\nisks rear themselves, it is arranged in a style which recalls\\nthe temples of ancient Egypt. The principal facade was\\ninspired by the Temple of Dandour, the lat-\\neral and posterior fagade reproduce the Tem-\\nple of Philoe, with some designs trken from\\nKarnak and Abydos. Let us enter by the imposing\\ndoor. Behind you see a rectangular portico, with columns,\\na covered gallery around a vast court yard, where are\\nfound displayed the agricultural and mjmufactured prod-\\nucts, the objects of art, the manuscript, the weapons, etc.,\\nof Egypt and of the Soudan. At the other end a stairway\\nakes us to the galleries above. Without do not fail to have\\npoii?ted out to you the entrance to the cellars, where the\\nfuneral chambers of the ancient and modern dynasties are\\nreproduced. Near the temple a Bazaar in pure Arabian\\nstyle, whose facades extend to the Avenue of Jena, is separ-\\nated on the left by the Place of the Temple. Tbe entrance\\nin the centre is a reproduction of that at Cairo; at the angle\\na handsome fountain. On the ground tloor a vast court-\\nyard or patio, covered with tents of the Arabs devoted,\\nlike the galleries up one flight, to the sale of merchandise.\\nOn the side of the Avenue of Jena, look at a perfect repro-\\nduction of the salon of the French minister at Cairo. A\\nthird monument is the theatre, in the style of ancient Egypt\\nwith a vast stage and luxurious boxes. Fine spectacles\\nare given here, Arabian, Soudanese and ancient Egyptian.\\nJAPAN.\\nUp one flight, on a covered balcony, you must have seen\\nthe pavilion reserved for Japan. Its presence here con-\\ntradicts the classification of this group as reserved to for-\\neign colonies, a contradiction perhaps consolatory to the\\nTransvaal and also to China. For no one questions now\\nthe independence of the Japanese, that warlike people.\\nHere is a veritable little city, constructed after the plan of\\nMr. Hayashi; a palace of Japanese art of the 7th century,\\nreproducing the Kondo. an ancient temple, which exists\\nat Nara and containing the national exhibition of fine arts\\n(ancient and modern), and a host of objects hard to be\\nseen even in Japan, for there they are carefully shut up in\\nmuseums not easy of access. This palace is wholly of\\nwood, of two stories, gilded externally and ornamented in\\nits lower parts by the lotus, that symbolic plant, and in\\nits upper part by sculptures representing Japanese god-\\ndesses. Tn the first pavilion, the Japanese serve you black\\nand green tea; in the second, a wine, made of rice; the\\nthird is given over to a sort of general Japanese bazaar.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0353.jp2"}, "354": {"fulltext": "|:i|^K", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0354.jp2"}, "355": {"fulltext": "HOW TO SEE EXPOSITION ALONE 4 I\\nLet US continue our route by the old quay. We see on the\\nleft, overlooking the Seine, the .YH]3Ufl9\\nMOVING PANORAMAS (Voyages Auimes).\\nEntrance, i franc during the day, 2 francs at night.\\nSome cinematographic projections enable the visitor to\\nramble through the most enchanting sites: Pyrennees,\\nProvence, Vosges, Auvergne, Dauphine, etc., the whole\\naccompanied by beautiful music.\\nOn the first floor a refined and select orchestra accom-\\npanies the ever charming melodies, however old they may\\nbe, and which are sung with such taste, sentiment and\\nfeeling by Mesdames Mielle and Suzanne d Albray.\\nThis is a picturesque view of France, unroling itself in the\\nis a picturesque view of France, which unrolls itself in the\\ninterior before our eyes: Savoy, Dauphiny, Vosges, Bre-\\ntagne, Auvergne, Pyrenees, Province and Cote d Azur, all\\nour charming landscapes, sung in appropriate verse with\\na musical accompaniment, give our guests, and also we\\nourselves, who perchance need it, an idea of the natural\\nENGLISH COLONIES.\\nsplendors of France. Opposite, to the right, is our neigh-\\nbor, England, who by her palace of the Indies, ranged be-\\nhind the two pavilions reserved for Canada and Western\\nAustralia, brings before our eyes a worthy proof of her\\npower and her colonial wealth. The palace is in beautiful\\nIndian style. Its interior rivals in beauty its exterior,\\nthanks to the efforts of the merchants of Calcutta and the\\ngreat cities of Flindostan. The native states of Baroda and\\nof the Punjab have contributed works of art. Cashmere\\nhas furnished an appropriate central piece, in the form of\\na collection of rare carpets from Srinagar. A door placed\\nin the axis of the grand entrance permits crossing the\\ncentral avenue and entering the pavilion of Canada. The\\nproducts of the latter are curious to see, particularly a\\nhandsome and unique collection of handsome animals. On\\nthe right side, Western Australia exhibits specimens of its\\nred woods, so much sought after by cabinet makers. We\\nnow go out by the way at right angles to the central ave-\\nnue, opposite the Transvaal, and, turning to the left, we\\ngo as far as the centre of the great basin. Now, we enter\\ninto the part reserved for the French colonies, and we\\nhave on our left and our right the two pavilions of .Algeria.\\nALGERIA.\\nThis country occupies the place she so well merits, the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0355.jp2"}, "356": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0356.jp2"}, "357": {"fulltext": "HOW TO SliE EXPOSITION ALONE 43\\nplace of honor. The pavilion on the left is the official pa-\\nvilion. It is a fine specimen of Arabian architecture, and is\\nsurmounted by a handsome reproduction of the miniarette\\nof Sidi-bou-Medine, near Tlemcen. The interior presents\\na succession of Oriental courts, bordered by colonnades\\nand porticos and ornamented by faiences, painted with hap-\\npy efYects. On entering you see the agricultural exhibits;\\nthat of leather is on the left and on the right. It is an ex-\\nhibition of private enterprise. Then comes that of the as-\\nsociations and societies of agriculture; then the exhibition\\nof forestry (both private and of the State). Finally, the\\nexhibition of the arts m general, with a map in relief of\\nAlgeria and the exhibition of the school labors. Tradition-\\nal art allies itself here to comfort. The old Algerian furni-\\nture, the sandal wood boxes, the carpets, ancient and mod-\\nern, the thick carpets, and in the midst a reservoir whence\\nruns out a limpid stream of water; this whole gives you the\\nimpression of having entered into the house of a rich citi-\\nzen of the Orient. Below, the hall reserved to archeolog-\\nical discoveries will give you a glance at the work that\\nAlgiers has done and is carrying on in this direction. The\\nexcavations at Timgad furnish a rich instance of it. All\\nabout in the cellars is the exhibit of wines. The other\\npavilion, on the other side of the central way, represents\\na real Algerian city in miniature, with its houses, its domes,\\nifs minarets, its winding and sloping street, which recalls\\nto mind that leading from Casbah to Algiers. The Moor-\\nish cafes, the native orchestras, the Aissaouas, the dancers\\ndu ventre form naturally the chief attractions. However,\\nshops containing the small trades of the country open\\nall around and are no less curious to see. At the northern\\nextremity the stereorama shows on a moving canvas the\\ndivers aspects of the coast of Algiers. We pass on now,\\ngoing out at the rear of the pavilion of Algiers, to the sec-\\nTUNISIA.\\nond jewel of our colonial crown. Tunisia. Under the\\ndirection of the Commisiioner, Dr. Loir, with Mr. Roger\\nMartin as Assistant Commissioner, the architect, Mr. Sala-\\ndin. has restored with especial ability the purest Arabian\\narchitecture. Five pavilions make this up. The most im-\\nportant is that placed at the bottom of the court, and\\nwhich is given up to an exhibit of commerce and indus-\\ntry. It is a faithful reproduction of the Masque of Sidi-\\nMahres, at Tunis. It contains all the products of the Tu-\\nnisian coast, oils, wools and wines. Besides, it is the build-\\ning devoted to archeology, where are contained objects be-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0357.jp2"}, "358": {"fulltext": "44 HOW TO SEE EXPOSITION ALONE\\nlonging to the Carthagenian, Roman and Arabian epochi\\nThe front is a reproduction of the Zaouia (school) of Sidi-\\nali-ben-Hassen at Sfax. Then comes a Turkish cafe, the\\ndetails of which are exact reproductions of casts taken\\nfrom Manouba. The Palace of Instruction is a house\\nin 7 unis, reproduced exactly as it is. A passageway takes\\nyou to the Souk, an Arabian market, which is very inter-\\nesting. In the little, winding streets are many small shops,\\nset up in the basements, where may be found the natives,\\nbusy at their various trades: carpet weavers, tinsmiths from\\nKairouan, enamelers, shoemakers from Beja, calling out to\\none another in a confusion which would make a lively\\nillusion of the reality. A slave market is installed just as\\nit can be seen in Tunis. Passing in the midst of the\\njewelers, the tailors, the confectioners, we go up by the\\nother extremity to admire a street from Tunis, copied just\\nas it exists and which opens into the exhibition of the\\nSOUDAN AND SENEGAL.\\nSoudan and of Senegal. This pavilion is remarkable for its\\noriginal style of architecture, which is borrowed from the\\nSoudanese and contains an exhibit of the products of that\\ncountry, as interesting as it is mysterious. Weapons and\\nrich stuffs manufactured by the natives will not fail to at-\\ntract your attention. Then a little to the left we come to\\nFRENCH EAST INDIES.\\nthe French East Indies. This pavilion, by its importance\\nand its interest, is a worthy rival of those of Plolland and\\nEngland. It was set up to expose the senseless but widely\\nprevailing opinion that our acquisitions in the Indies are\\nno longer of any importance. After the colossal work of\\nDupleix, which unfortunately passed into the hands of our\\nrivals, the relative smallness of our remaining territories\\nis certainly to be regretted. But the economical and com-\\nmercial value of those market towns must not be forgotten.\\nThe exhibit of the French East Indies is here to recall this\\nto our mind. An interesting reproduction of our establish-\\nments at Pondichery, Chandernagor, Mahe, Kari-kal,\\nYanaon, with the customs of the Indies, its life, its man-\\nners, is presented to us. A pagoda from Vishnu forms\\nthe principal edifice; its dome rears itself more than 150\\nfeet and its ornaments are made from casts taken in the\\nplaces themselves. You can take part in the ceremonies\\nconducted by the religious sect of the Brahmins with the\\nassistance of the Bayaderes. These last, handsome, grace-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0358.jp2"}, "359": {"fulltext": "nOVV TO SEE EXPOSITION ALONE 45\\nlul, covered with jewels, dance in their voluptuous fashior\\ntheir religious dances. A large crypt occupies the base-\\nment of the pagoda. Vou can see there a museum of wax-\\nworks, where fakirs, yogis, widows, accepting the suttee,\\nor funeral pile, are represented to you as evidence of the\\nsuperstitious fanaticism and attachment to their religious\\ncreeds of these ancient countries. Before climbing up to\\ncontinue our visit to the colonial pavilions, one word on\\nAndalusia at the time of the Moors, situated on the quay\\nof Passy, to the left of the French East Indies. It is an\\ninteresting reproduction which brings back to life the\\nArabian civilization as it existed during the fifteenth cen-\\ntury in Southern Spain. To accomplish this reproduction\\nthe rich treasures which the monuments of Cordova, Se-\\nville and Granada have preserved have been liberally\\ndrawn on. The entrance is an exact reproduction of the\\ncelebrated gate of the Alcazar, at Seville. A reproduction\\nof the famous Giralda of that same city gives a tower 170\\nfeet high, surmounted by a gilded statue which turns at\\nevery change of the wind. The entrance takes us into a\\nvast patio, serving as a court of honor, whose white decor-\\nations are lighted up at night with a thousand colors. On\\nthe walls the celebrated Azuletos, or windows of Seville.\\nLet us examine the details. There is the place reserved for\\nthe tournaments between the Moors and the Chevaliers, to\\nhunting the gazelle with slougis (deer hounds), the at-\\ntack upon a caravan by the Touaregs, those bandits too\\nwell known. Then the quarter of the Aissouas, with their\\ngourbis (houses) and Moorish shops, their serpent charm-\\ners, their glass eaters, their Jewish dancers in brilliant\\ncostume. The Spanish village, the theatre, where the\\nclassic dance of La Mancha (les seguidillas manchegas) is\\nrepresented, completes this curious reproduction. In go-\\nDAHOMEY.\\ning back toward the Trocadero we shall see Dahomay and\\nits dependencies, with a reproduction of the Tower of the\\nSacrifices at Abomey and the ramparts of Kotonoue. On\\nthe left of this the pavilion of the Colonial Press, where\\nexplorers come and at interesting conferences tell the story\\nof their travels. To the right, the small African pavilions\\nof the Cote d lvoire, then the Cote Occidental Africaine\\nand of Guinea, near which that of the French Alliance\\nrears itself. We cross the Boulevard Delessert. and we\\nDIORAMA OF THE COLONIES.\\ncome to the Diorama of the Colonies, composed of four", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0359.jp2"}, "360": {"fulltext": "o", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0360.jp2"}, "361": {"fulltext": "HOW TO SEK EXPOSITION ALONE 47\\nhalls reserved for the four following small colonies: Saint-\\nPierre and Miquelon (Fisheries), Somalis (Djibouti),\\nMayotte and Comore (Cane Sugar), I Oceanie Francaise\\n(Taiti), (Pearl Fisheries). Behind this group is found the\\nINDOCHINA.\\nimportant exhibition of Indo-China; it includes four sec-\\ntions. In the middle Cochin-China and Annam. On the\\nright Tonkin, where is to be found a reproduction of\\nthe pagoda of Tino-loun. Behind Cambodge, with its\\nsacred mountain, surmounted by pagoda; on the left the\\nCambodgian Theatre, a reproduction of the pagoda of\\nAngkor. Here are given accurate representations from\\nthe Royal Theatre at Tnom-Penh by the aid of 60 artists\\nbrought here at great expense. In annexes of the theatre\\nis a collection of objects of art from Cambodge, bronzes,\\nfurniture, musical inscruments, tissues of silk, braided car-\\nANTILLES.\\npets. Between Cambodge, Indo-China and the central\\npassageway of the Trocadero, let us visit the four pavilions\\n01 Guiana, of Guadeloupe, of Martinicjue and of the Island\\nof the Re-union, our ancient colonies, where are to be\\nseen the best known of their products, rum, cofifee, etc.\\nThen, let us go towards the Trocadero, keeping in mind\\nthat near the basin, opposite the exhibit of Martinique, is\\none of those stairways which take us down into the coal\\nmines, and let us stop at the Palace of the Minister of the\\nMINISTER OF THE COLONIES.\\nColonies. Before the principal front is found a maquette\\nby Mr. Marqueste of the monument erected to the memory\\nof the conciuerors of Madagascar. Let us enter the pavil-\\nion. Tlie cupola, painted by Cormon, represents the four\\nquarters of the globe. Three halls are reserved for the\\ncolonial office. In the galleries are placed busts of the\\nprincipal French colonists from the sixteenth century. At\\n.the end of this gallery is a winter garden, where one can\\nsee the coffee tree in its different stages of growth. In\\nfront of the wing of the Trocadero, the pavilion adjoining\\nthe one which we have just visited is reserved for\\nNEW CALIDONIA\\nThere are first of all exhibited all the products of the\\nColony, such as: India-rubber, Tobacco. Vanilla, Ginger,\\netc., then all the metallurgic and auriferous specimens\\nproduced by this rich island. This Exhibition is com-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0361.jp2"}, "362": {"fulltext": "48 HOW TO SEE EXPOSITION ALONE\\npleted by extracts of rare woods and an elegant Pavilion,\\nwhere you can rest whilst sipping some most delicious\\ncoffee. The display of coffee, one of the principal\\nsources of wealth of this country with a future, is one of\\nthe most complete. Finally, before going back to our\\nstarting point, we ought not to overlook the pavilion of\\nthe Congo. It is located at the corner of Rue Franklin,\\nbehind the end of the wing of the Trocadero which we have\\nin front of us. It seems that we have failed once more to\\ngive its just dues to this mysterious country; the Belgians\\nhave been able to draw out of their Congo large profits\\nwhich we are still waiting for from the share which fell\\nto us. The ivories, palm oils and collections shown there\\nare, however, a pledge of the brilliant future which is re-\\nserved for that country.-", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0362.jp2"}, "363": {"fulltext": "CHAPTER VI.\\nALL AROUND THE EIFFEL TOWER.\\nATTRACTIONS.\\nHonor and Glory to the Mightiest! Before speaking of\\nThe God, a few words on the God Himself, I mean the\\nFamous Eiffel Tower by speaking thus. The ascent to t\\nTower is thrust upon one, because if you have a fine day,\\nat an altitude of 300 metres (984 feet), you will be able to\\ngaze on the grandiose Panorama of Paris decorated of ail\\nits beauty.\\nI need not tell you that the Eiffel Tower is not of recent\\nerection, for it was the main feature of the 1889 Exhibition.\\nNevertheless the ascent remains as curious now as ever.\\nFrom 9 a. m. until 11 p. m., you can ascend to the last\\nplatform, and it only takes you 7 minutes to reach it. Of\\ncourse, you may, if you so wish it, ascend it by the stair-\\ncases, but I should not advise it, for it is indeed a very\\ntiring work. You may stop at either of the platforms-\\nthere are three altogether. From 8 p. m., the ascent to\\nthe third platform is no longer allowed, in fact no tickets\\nare delivered after 10 p. m., for any of the platforms.\\nThe ticket offices are situated at the corner of each\\npillar, where are also all the lifts and where you can obtain\\nevery information respecting stoppages.\\nPRICES OF ASCENTS.\\nSun., Holidays,\\nWeek- from before\\ndays. 11 a. m. 11 a. m.\\nto after\\n1 p. m. 1 p. m.\\nAs far as the first platform (lift or\\nstaircase) 2.00 i.oo 2.00\\nFrom first to second platform (lift or\\nstaircase) 100 i.oo i.oo\\ntrom second platform to the top... 2.00 2.00 2.00\\nThe whole ascent 5.00 4.00 5.00\\nOn the first platform raised 57 metres above the ground,\\nyou will find all the comfort you may desire, either as res-\\ntaurants or theatre, for there is always there an attraction\\nof some sort to induce you to stay there.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0363.jp2"}, "364": {"fulltext": "50 HOW TO SEE EXPOSITION ALONE\\nIt is from the second platform that you will be able to\\nsee to its better advantage the whole of the Exhibition.\\nFrom the third you can judge of the whole of Paris, and\\nprovided you have a fme day you will be able to see some\\nparts a long way from the GREAT CITY. Above your\\nhead are established some lighthouses, so to speak, pro-\\njecting very powerful rays of electrical light over the whole\\ncity.\\nIf you wish to make this ascent the object of a special\\nvisit, it would be best for you to reach the Exhibition by\\nthe doors 15 or t.j, or better still by the Pont d lena.\\nAll around the Tower have been gathered what has been\\nnamed THE ATTRACTIONS, which with THE RUE\\nDE PARIS previously visited, makes up the whole of the\\nentertaining part of the Exhibition.\\nFor this visit I will not follow the plan used for the\\nother exhibitions, that is to say, tell you that when leaving\\none place you reach such and such another place, the map\\nwill be quite sufficient to determine the exact position of\\neach respectively. I shall simply draw your attention to\\nmy itinerary Leaving the Pont de I Alma at the corner\\nof the RUE DES NATIONS, I shall follow the quay as\\nfar as the PONT DTENA. There, I will turn round the\\nEIFFEL TOWER, the same as the hands of a watch, to\\nreturn and finish my ramble on the extension of the quay\\non the other side of the Pont d lena.\\nTHE ATTRACTIONS.\\nAfter we have passed the MEXICAN PAVILION, we\\nfind the PAVILION OF THE ARMY AND NAVY\\nclose to the HYGIENE, which is the first to draw our\\nattention. It is really by this that I ought to begin this\\nchapter; but as the MEXICAN PAVILION and the\\nPAVILION OF THE PRESS were outside of the radius\\nof our visit in the RUE DES NATIONS, allow me to\\ndescribe them now.\\nMEXICAN PAVILION. Once inside we find our-\\nselves in the centre of a large hall covered with a glass\\ndome and all round us a circular gallery overlooks the\\nground floor. A large reception room faces the Hall of\\nHonor supported by white and pink pillars. At the en-\\ntrance are the cigars and cigarettes manufactures with\\npretty Carmen! The central part is especially reserved to\\nthe great Mexican industries; at the side of the reception\\nroom, where we will be able to see specimens of paintings\\nand sculpture betraying talent and warmth, we see the", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0364.jp2"}, "365": {"fulltext": "HOW TO SEI-: EXPOSITION ALONE 5 I\\nl)ai)er and cloth manufactures, whilst on the other side is\\nthe Military Exhibition adjoining that of Mines. Before\\nascending to the first floor, let us cast a glance on the\\nexhibition of Photographs, Maps, Engravings, situated\\nunder the staircase. On the first floor are all the instru-\\nments of precision, embroideries, and all the products of\\nthe country; we will also be able to judge of the value of\\nMexican administrations, for each department has its\\nshow, including library, which shows us some very rich\\nand interesting collections of Mexican books.\\nBefore leaving the MEXICAN PAVILION, we must\\nnot forget to mention that it contains also the exhibits of\\nthe REPUBLIC OF SALVADOR.\\nPAVILION OF THE PRESS. This Pavilion is most\\nelegantly built and furnished. It has been erected by the\\nPRESSE FRANCx-\\\\ISE with a view to receive and wel-\\ncome their foreign contemporaries and put at the disposal\\nof all the members of the Press luxurious rooms with well\\nstocked libraries as well as all the comfort possible,\u00e2\u0080\u0094 tele-\\ngraph, telephone, etc.\\nPALACE OF THE HYGIENE. The Palace of the\\nHygiene is a little mixed in so far that it contains the\\nmodels and apparatus for heating and ventilation, which\\nhowever have a special exhibition of their own almost\\nopposite and to the same side. On the ground floor we\\nhave all the apparatus, all the installations for heating and\\nventilating purposes, even electric ventilation such as\\nused in large buildings, such as academies, museums,\\nhospitals, etc. On the first floor is a stoves exhibition,\\nmore particularly china stoves and ceramic. At the\\nside is Class in, that of the Hygiene which is portioned\\nout on the first and ground floors and where a SALON\\nOF HONOR has been reserved to TFIE INSTITUT\\nPASTEUR. Foreign powers have largely contributed to\\nthat class; on the other side of the street is an annex with\\nother patents for heating and ventilation, and principally\\nthe Centenarian Museum close to an annex adjoining it\\nof THE ARMY AND NAVY, whose principal Pavilion\\nis right opposite us. On the ground floor is the whole\\nmaterial and armament of the Artillery, with explosives,\\ntogether with a collective exhibition of motor cars for\\ncarrying forage, food, ammunition, etc.; further is the\\nMilitary Engineers and everything connected with it,\\nsuch as the drawing of bridges, railways construction,\\nwar balloons, wireless telegraphy and all optical signals as", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0365.jp2"}, "366": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0366.jp2"}, "367": {"fulltext": "HOW TO SEE EXPOSITION ALONE 53\\nwell as the flying pigeons from Meudon as used in case of\\nwar. Further still is Naval Engineering with the\\nwhole of the Hydraulic Exhibition, the theory of tor-\\npedoes, as well as the whole process relating to coast\\ndefence together with the Constructing Company of the\\nLoire (dockyard). On the other side of the ground floor\\nare established foreign nations, the most important ex-\\niiibition is that of Russia, which has even her Marine\\nPavilion in the annex of the pavilion we just spoke of a\\nfew minutes ago.\\nAbove, we find the Centenarian Museum, which is cer-\\ntainly one of the most complete, whilst at the side has\\nbeen established a Museurn of Hydrography and mapping,\\nmore particularly the map of the Etat-Major and all the\\ninstruments of precision used in surveying.\\nIn Class 120, close to, are the administrative services who\\nhave created there a large military picture with wax per-\\nsonages (such as those of Grevin in Paris, Madame Tus-\\nsaud s in London), dressed in the dififerent uniforms. Still\\nfurther on, Military Hygiene with its hospitals, tents and\\neverything connected with it. Close to the two annexes of\\nwhich we have spoken of, one for heating, the other for\\nthe Russian army, we find two smaller ones, Great Britain\\nand Belgium.\\nEXHIBITION SCHNEIDER. CREUZOT CO.\\nThe Creuzot, whose director is M. Schneider, is, as every\\none knows, one of the largest metallurgic factories, if not\\nthe biggest, in the world. Its exhibition consists in\\nmodels of the greatest part of its manufactures, and as\\nthe Creuzot manufactures a great deal for the French\\nartillery, this exhibition will prove very attractive to those\\ninterested in it.\\nPAVILION DE LA NAVIGATION. On the first\\nfloor is all the material for mercantile navy. There are\\nalso exhibited there the models invented by all the com-\\npetitors to the PRIX ANTFIONY POLLOCK for the\\nbest instrument or apparatus for saving life. This prix\\nwas instituted by the heirs of Anthony Pollock, who died\\nin the caastrophy of the Bourgogne, and is of a value\\nof 100.000 francs ($20,000).\\nTo decorate the staircase of Honor, they have used the\\nditiferent models of pleasure and private yacht. of the\\nFrench Yachting Squadron, and we have again just under\\nthe Dome an exhibition of the Suez Canal, of the Central\\nSociety for Saving Life at Sea, and last of all the Cen-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0367.jp2"}, "368": {"fulltext": "54 HOW TO SEE EXPOSITION ALONE\\nlenarian Museum, side b side with riggings and cordages.\\nForeign nations are also represented there. On the first\\nfloor, the models of boats, steamers; the Transatlantic\\nCompany has there a very fine exhibition of water colore,\\nrepresenting the interior of mail boats, steamers, dock\\nyards, etc.\\nMESSAGERIES MARITIMES. In the exhibition\\npresented by the Compagnie des Messageries Maritimes\\nthe goal has been to show the progress obtained in her\\nsteamers, that is the reason why on one side we notice a\\nreproduction of her first boats, such as the Pericles, and\\non the other side the new models such as the Annam.\\nThe riggings, tastefully arranged, complete this exhibiti-\\ntion.\\nCHAMBRE DE COMMERCE. The Chambre de\\nCommerce de Paris has been anxious to give an exhibi-\\ntion of its different Bureaux; the whole is represented by\\nphotographs and reductions.\\nWe have reached the Pont d lena. The Pavilion nearer\\nto the Eififel Tower is that of the Government manufac-\\ntures. The name by itself is a guide to the different\\nproducts exhibited there and which are those made by\\nthe different Government manufactures, that is to say\\ntobaccos, cigars, etc. At the side is the\\nCREDIT LYONNAIS. The Credit Lyonnais has\\ninstalled here a branch of the head office, where all trans-\\nactions are carried out in exactly the same manner as\\nat headquarters on the Boulevard des Italiens.\\nPANORAMA DU TOUR DU MONDE. Admission:\\nI and 2 francs. It is a reproduction of Japan, of the\\nChinese town of Shanghai, then Suez with the whole of\\nthe Canal, which unrolls itself before your eyes. In fact,\\nas its name shows it, we enjoy a trip around the world.\\nLE CHALET SUISSE. Le Chalet Suisse is the official\\nPavilion for Switzerland, it represents a Swiss villa, as we\\nhave seen them in the neighborhood of Montreux.\\nTHE ALPINE CLUB is the Pavilion of the Club of\\nthat name; it is divided into two very distinct parts, the\\nPavilion properly speaking and the dioramas. In the\\nPavilion are exhibited all the instruments necessary to\\nthe excursionist, and a great number of paintings re-\\npresenting mountain scenery. The other section is re-\\nserved to panoramas and dioramas. We see in the grand\\nI", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0368.jp2"}, "369": {"fulltext": "HOW TO SEE EXPOSITION AF.ONE 55\\npanorama the Mont Blanc, whilst in the others are scenery\\nrepresenting the Pyrenees and the Alpes.\\nSIAAl. There are two Pavilions connected by a foot\\ni^ridge; they are Siani s official pavilions. In the large\\none are exhibited all the products of the country; the\\nsmall one is a Siamese restaurant, such as those found in\\nthe country and where refreshments and meals remain\\nexactly those peculiar to Siam.\\nTHE FRENCH AUTOMOBILE CLUB. The French\\nAutomobile Club, which has contributed to establish all\\nregulations respecting automobile driving, has established\\nthere an exhibition of a character purely personal.\\nTHE LUMINOUS PALACE. Admission: i franc.\\nThis I alace is entirely made of colored glass and brilliantly\\nlighted. It IS really, at night, under the thousands of\\nrajs of electric lights, a scene from Fairyland. Every-\\nthing is made of glass and admirably imitates all original\\nobjects whatever they may be. Inside is a gigantic map\\nof the world.\\nIts neighbor is\\nLE PALAIS DU COSTUME, which is in every way\\nas original as the Luminous Palace. Admission: i franc.\\nThis Palace combines the work of the whole of the Pa-\\nrisian trade. Exjiibited in proper show cases are the\\ncostumes and dresses of the different periods, together\\nwith the jewelry of the dilterent epochs. Underneath, on\\nthe ground fioor, is the great restaurant Champeaux and\\nthe Pavilion of Gage, the confectioner.\\nQuite close is the Pavilion of\\nLA MATERNITE BELGE and LES ARDOISIERES\\nD ANGERS (The Slate Quarries of Angersj, side by side,\\nand at last of all, to tenninate the right side,\\nSAN MARINO. This Pavilion is, so to speak, a re-\\nproduction of the State Palace of San Marino; inside are\\nexhibited dilTerent products of the country, such as\\nWINES, OILS, etc., as well as old coins, medals and\\nphotographs.\\nOn the opposite side of the EIFFEL TOWER, the\\nComptoir d Escompte has also established a branch, which\\ncarries out every banking or financial transaction, and\\nwhich has been the subject of a special article in the\\nChapter: \u00e2\u0080\u00a2Useful Information.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0369.jp2"}, "370": {"fulltext": "56 HOW TO SEE EXPOSITION ALONE\\nLE PALAIS DE L OPTIQUE. M. Francois De-\\nloncle, together with M. Gautier, fellow of the Bureau de\\nLongitude, have constructed there a telescope 60 metres\\nin length. It enables one to see the moon, as if it were\\nquite close, and we can study the celestial map as easily\\nas a geographical map. The admission is 2 francs. You\\ncannot only study the celestial dome, but also the fast-\\nnesses of the earth, and through a certain arrangement of\\nglasses admire some light effects, which fairly carry you\\nthrough Fairyland.\\nMOROCCO. Morocco, which is officially represented\\nin this Pavilion, has imitated on the ground floor the\\ncourt yard of a rich Moorish house. The goods exhibited\\nthere are carpets, morocco leather, in fact all the products\\nof the country. All round are hung photographs sent by\\nthe French Consul in Morocco. On the first floor is a\\nCafe-Restaurant where are served the refreshments and\\ndishes peculiar to that country.\\nVENICE IN PARIS. Admission: i franc. The name\\nplainly tells us the contents of this Pavilion. It is a re-\\noroduction of Old Venice with its canals, gondolas and\\ngondoliers.\\nTRANSATLANTIC PANORAMA. Admission: i fr.\\nThe Transatlantic Panorama is the work of M. Poilpot,\\nwho presents to us the landing of one of the Transatlantic\\nCompany s steamers in the bay of Algiers, with the whole\\nof the panorama of the town as described before in\\nChapter XI. This panorama is completed by several dio-\\nramas on the ground floor.\\nTHE CINEORAMA. Admission: i and 2 francs,\\naccording to days and hours. It is a trip in a balloon\\ninside the Cineorama itself, where, through a clever ar\\nrangement, unrolling before your eyes, you see the scenery\\nof the different countries just as you would see it from\\nthe car, supposing your balloon carried away into a vir-\\ntiginous race.\\nThe Cineorama has as its neighbor the GAS Exhibition,\\nwhilst at the side we find\\nTHE TYROLIAN COTTAGE, which is a reproduc-\\ntion of an old Tyrolian manor at the time of the Renais-\\nsance. On the ground floor is a tasting-saloon, where\\nTyrolian Wines alone are served; the first floor is the\\nreproduction of a Chapel, the Princes room and a jewelry\\nexhibition. Continuing our visit, we reach the Palais de\\nla Femme (Woman s Palace).", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0370.jp2"}, "371": {"fulltext": "now TO SEE EXPOSITION ALONE 57\\nPALAIS DE LA FEMME. Admission i franc. It\\nis the history of WOMAN, not only in an historical point\\nof view, in her transformation, but also in is WOMAN in\\npractical life, her role, her wants, her longings, her duties.\\nShe is principally represented on the ground floor in the\\ndifferent occupations which she has held in more recent\\nyears, whilst at the side are exhibited the Glories of Feini-\\nninity. On the first floor is a Lecture Hall for Women\\nwith an exhibition of Woman s handicraft.\\nECUADOR. It is the national Pavilion of the Re-\\npublic of Ecuador, which, at the instigation of M. Medina,\\nhas sheltered the Republic of NICARAGUA. There are\\nexhibited all the natural products of these two countries,\\nso fertile and so rich in resources.\\nRUSSIAN ALCHOOLS. It is the exhibition of all\\nthe systems and processes used in Russia for the distilla-\\ntion of all alcoholic products, which are exhibited side by\\nside with the apparatus which produces them.\\nTHE CERAMIC is the complete history of the Ceramic\\nArt.\\nTOURING CLUB. The Touring Club has a very\\nelegant and handsome Pavilion for the use of its members\\nand guests.\\nWe have ended our ramble by the EIFFEL TOWER;\\nthere only remains to see close to door 27 the MARE-\\nORAMA. the work of Hugo d Alesy. Admission: 2 and\\n4 francs. Thanks to a most ingenious invention, we find\\nourselves on the deck of a steamer animated with pitching\\nand rolling, such as we would at sea, and we can seen be-\\nfore us passing the coasts of Algiers, in fact we go through\\nnil the peripatetics of a sea voyage. Before visiting the\\npart situated on the very bank of the Seine on the left\\nof the Pont d lena, we only have to enter the\\nCELESTIAL GLOBE. We see there all the marvels\\nof the world, a miniature reproduction of the Planets,\\nStars, Seas, Countries, etc.\\nWe have now to visit the bank of the Seine as far as the\\nPont d lena. First of all:\\nPAVILION OF FORESTRY. HUNTING AND\\nFISHING. This magnificent Palace, whose bas-reliefs", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0371.jp2"}, "372": {"fulltext": "58 HOW TO SEE EXPOSITION ALONE\\nrepresent the pleasures of Nimrod, dominates the river\\nand is completed by two elegant pavilions decorated in\\nthe same manner. On the ground floor is the Exhibition\\nof the Department of Agriculture, with a show of all the\\nprocesses in use for the propagation of forestry, with all\\ntheir picturesque scenery such as Foresters Lodges, saw-\\nmills, etc. Some dioramas and plans in relief together\\nwith photographs of the works executed to fight against\\nthe encroachements of the sea on our coasts complete\\nthis exhibition. Leaving the technical a side, we have\\nthe practical side, that is to say all the products of the\\nforests, india-rubber, essences, cork and bark, dye\\nproducts, etc. In the other part, on the ground floor, are\\nranged everything connected with fishing, and all that\\nrenders sea and rivers productive. We find splendid\\nexhibits of fishing rods, trailing lines, nets, in fact every-\\nthing necessary for fishing purposes.\\nOn the other side are all the products of the sea,\\nfishes, shells, sponges, etc., will excite our admiration.\\nThrough the kindness of the Naval Secretary we have\\nsome photographs which enable us to live the life of the\\nfisherman. Hunting and shooting has but a very small\\nexhibition. We only find there the products of the\\nchase, peltry manufactured into fur cloaks and coats\\nsuch as those worn by men and women and also motor\\ncar drivers, male or female.\\nForeign Nations are divided between the first and the\\nground floor. The Centennial Museum is on the first\\nfloor, where we notice the transformation of the horns of\\nanimals into commercial products, the use of skins in the\\nhat industry, specially hares and rabbits skins; then all\\nthe arms and weapons of destruction with the material\\nemployed for their manufacture, together with the dif\\nferent ammunitions used. This exhibitidn is completed by\\na retrospective show separate from the other: long-bows\\nand cross-bows, side-arms, armors and breast-plates. At\\nthe side is a small Pavilion, almost an annex of the\\nfirst\\nL OSTREICULTURE (Oyster Culture). The name\\nis sufficient to tell us the object of this Pavilion; it is to\\nshow us the cultivation of oyster beds of Arcachonand\\nand amongst others the Oyster Beds of Arcachon and\\nMarennes. I wish to add, for those so inclined, that\\nthey may, there and then, partake of the luscious bivalve\\nand compare the different qualities.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0372.jp2"}, "373": {"fulltext": "HOW TO SEI-: EXPOSITION ALONE 59\\nHere ends the chapter of the Attractions of the Eiffel\\nTower, but, as there are many other attractions adjoining\\ndirectly or indirectly the Exhibition, and bordering the\\nChamp de Mars, we shall refer the reader for a visit to\\nthe special chapter, entitled Attractions Outside the\\ntixhibition.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0373.jp2"}, "374": {"fulltext": "CHAPTER VII.\\nTHE PALACE OF THE CHAMP-DE-MARS.\\nLet us drive to gate No. 24, which is on the avenue de\\nSuiTren, opposite the southern support of the Eiflfel Tower,\\ne xactly on the corner of the Station of the Champ de\\nMars, where you can conveniently come from the station\\nSaint-Lazare. Here we are within. Let us go on as far\\nas the foot of the Eififel Tower; let us endeavor to go\\nthrough in detail this part of the Exposition which ex-\\ntends from the military school away at the other end on\\nthe right to the Eififel Tower, to which our backs are now\\nturned. Before us is the Chateau d eau, so wonderful in\\nthe evening under the thousand electric lights furnished\\nby the palace of electricity, which is set up between the\\nChateau d eau and the Hall of Festivals, which occupies\\nthe centre of the old Machinery Hall. To the right and\\nto the left is a series of palace s, which, united one to an-\\nother, seem to form a long palace on each side, the line of\\nwhich is perpendicular at each end to the ancient Ma-\\nchinery Hall, now become the Palace of Agriculture and\\nof Food Products. Now that we have got an idea of the\\nwhole of this, let us take up each palace separately and let\\nus begin by the nearest one. We will enter the long\\nline of palaces on our right; the first is that of Letters and\\nSciences and of the Arts, whence We shall pass step by step\\ninto the following ones. Nevertheless, from time to time,\\nwe shall be able to go out on the right hand side to take\\na look at the annexes, which are arranged parallel to the\\npalaces and bordering the avenue of Sufifern, just as when\\nwe get on the other line of palaces parallel to this (the\\none which a short time ago was on our left hand), we shall\\nsee a series of annexes bordering the avenue of la Bour-\\ndennais. In these palaces we shall always find, with the\\nFrench exhibit, a foreign exhibit of the same nature.\\nThese letter we shall speak of occasionally only. The\\nPalaces of Letters, of Sciences and of the Arts: On the\\nground floor, we find on entering, instruments of music,\\nthe Centennial Museum, whjch occupies the gallery in the\\ncentre; then typography, the book department, Class 13,", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0374.jp2"}, "375": {"fulltext": "HOW TO SEE EXPOSITION ALONE 6[\\nvery complete with its work, comprising specimens of\\neverything pertaining to the book-makers art, from works\\nexpensively bound down to copies of illustrated journals,\\ninstruments of precision, a very handsome collection of\\ncoins and medals, and finally, a whole theatrical equip-\\nment. A moving platform will take us, without fatigue,\\nto the first story where you will be able to see for yourself\\nthe progress made in Medicine and Surgery, and that with\\nilie more ease since the Centennial Exhibition of objects\\non the first floor above is distributed in exactly the same\\nway as that on the ground floor.\\nSide by side with this exhibition and on the same floor\\nwe find everything in the way of maps; maps of the world,\\ngeographical and cosmographical apparatus, and also a\\ncomplete exhibition of typography.\\nWe shall not mention the annexes in the text unless they\\ncontain something special. The plan will serve to show\\nyou that there is an annex to be seen in the border of\\nthe avenue. Without going out of doors we pass on to\\nthe palace of\\nEDUCATION AND INSTRUCTION.\\nUp one flight are secondary instruction, superior in-\\nstruction, primary instruction and that of adults, which\\nborder the Centennial Museum, on the other side of which\\nwe find the foreign exhibitions and, as particularly worthy\\nof mention, that of Great Britain, which is very interest-\\ning. On the ground floor we can see the enormous prog-\\nress made of late years in France in industrial and com-\\nmercial instruction, artistic and agricultural instruction\\nunder the de Grignons; the institute of agronomy, Grand-\\njouan, Montpellier and others, and this with the more ease\\nthat the Centennial Museum, situated on the left, near by,\\nat the beginning of the palace, shows us the progress\\nmade in all kinds of instruction. Here we will stop on\\nour right, near the annexes, to visit the large restaurant\\nwith terraces, where the only beer sold is that brought\\nfrom Munich.\\nAfter having seen its neighbor, the Caoutchouc Russe,\\nwhich shows us a laboratory and workshops, we will re-\\nturn to the ground floor of the palace of chemical indus-\\ntries, which shows to visitors, besides the Centennial Ex-\\nhibition of its products, which is found in the central gal-\\nlery, the process of making paper; then the display, so\\ninteresting, of tobaccos and matches, that of leathers and\\nskins, and finally that of pharmacy and everything relat-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0375.jp2"}, "376": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0376.jp2"}, "377": {"fulltext": "HOW TO SEE EXPOSITION ALONE 63\\nlug lo pharmaceutical products; this, not finding sufficient\\nspace, has encroached on the first story in the space al-\\nlotted to the foreign exhibits of these same products; thus\\neverything on the ground floor is French.\\nThis ends our walk through this palace on the right;\\nI ought now to conduct you into the galleries at right\\nangles to this palace, which are found in the palace of\\nelectricity and the palace of machinery, but as I suppose\\nthat to visit the two sides of these palaces you will have\\nfound it necessary to go to the end, and then come back\\nni the opposite direction, I imagine that you will return on\\nthe side toward the Eififel Tower; we will then continue\\nour visit by the palace on the left, which we will enter by\\nthe door on the left ot the EifTel Tower (as you look\\ntoward the Chateau d Eau). It is the palace of Mines and\\nMetallurgy. The whole of the centre of this palace is\\ntaken up by the Salon d Honneur of the Metallurgy of\\nFrance; it is entirely made up of the most imposing prod-\\nucts of the great factories of France. All about on the\\nground floor are other galleries filled with the mining dis-\\nplay, and also that of the quarries. This display is wholly\\nFrench. Some part of the floor above is also occupied by\\nthe French metallurgical and mining display; the greater\\npart of it, however, is occupied by the foreign display and\\nthe Centennial Museum.\\nWe have now reached the Fabrics and Tissues, but all\\nalong the palaces, on the right-hand side, there exists a\\nspecial exhibition, which I should not like to pass un-\\nniticed, that is:\\nThe Gas. In this small pavilion, on the left of the Me-\\ntallurgy and before reaching the Tissues and Fabrics, we\\nfind the whole of the Collective Exhibition of the gas, and\\nall that derives from that industry, viz., light, heat, etc., etc.\\nLet us return to the principal gallery, for it is now the\\nPalace of Tissues and Fabrics, which will draw our atten-\\ntion, and more particularly that of ladies.\\nPALACE OF TISSUES AND FABRICS.\\nOn the ground floor, after leaving the central gallery,\\nwe find, first of all, everything connected with the manu-\\nfacture of tissues, that is to say, the inventions of Jac-\\nquart s successors (the looms). Then follow all the proc-\\nesses of manufacturing, rope-making and even perfum-\\nery. Everything works before your eyes; you see the\\nlooms in working order, you may compare the rough ma-\\nterials and also examine in its whole, the entire process of", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0377.jp2"}, "378": {"fulltext": "64 HOW TO SEE EXPOSITION ALONE\\nmanutacture required for the making up of fabrics. Close\\nby we will find everything relating to clothing and spin-\\nning; there you will see flax and hemp, next to all the prod-\\nues of ropery; in a word, all the textile materials. Fur-\\nther on we step right into the middle of a large dry goods\\nstore; ladies hats, flowers and trimmings, chemises, cor-\\nsets, etc. (all that is required for the clothing of either\\nman or woman). Still further, the magnificent and gor-\\ngeous silks and brocades, the finest textures, ribbons, vel-\\nvets, plushes there is enough there to captivate the eyes\\nof the most refined woman, however hard to please she\\nmay be. We arrive then to a class more varied: embroid-\\neries and laces; side by side are the finest and richest\\nlaces, together with the priest s robes and chasubles, the\\nwhole with a background of the most exquisite curtains\\nand guipures that any one would wish to see; on the other\\nside of the central gallery is to be found everything con-\\nnected with dyeing and the dressing of materials in their\\nrough state, just as later on we will see dresses and clothes\\npassing through the different stages of manufacture.\\nHere, as well as in the majority of the other palaces,\\nwhere we have ambled through together, we find in the\\ncntre of the Centenarian Museum, framed, so to speak, by\\nthe foreign nations, which, individually, have an exhibi-\\ntion in every way similar to the one we have just de-\\nscribed.\\nThe same thing can be seen on the first floor, and almost\\nplaced identically as on the ground floor, but the position\\noccupied by the foreign nations is very much larger.\\nHence, it will be very easy for us to reach the Palace of\\nMechanics. We are again in about the same place as\\nwhere we were when we stopped in the palace on the\\nright and after passing the Chemical Industries; you will\\nnow understand the reason which has led me to consider\\nthis place as our Point Terminus. In fact, the Palace of\\nMechanics, which will be now the object of our attention,\\nis situated right and left of the Chateau d Eau, and the\\ntwo galleries, facing each other, communicate with the\\nPalace of the Electricity.\\nPALACE OF MECHANICS.\\nThis exhibition is divided, as I have just told you, in two\\nvery distinct parts; the one we are now in is exclusively re-\\nserved to France, whilst the other, symmetrical to the\\nfirst, and situated on the other side of the Chateau d Eau,\\nis entirely occupied by foreign nations. We shall only", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0378.jp2"}, "379": {"fulltext": "HOW TO SEE EXPOSITION ALONE 65\\ngive you, therefore, a description of the French section;\\nhowever, we will call your attention to the Centenarian\\nMuseum placed in the longtitudinal gallery, just at the cor-\\nner of the Palace of the Electricity, on the first floor.\\nNevertheless I must warn visitors that those classes are\\nportioned in such way that it is impossible, if one wishes\\nto be brief, to give much details; that is to say, to com-\\npare between the ground Hoor and the first floor, because\\nthe same kinds of exhibits are scattered in both places.\\nVou will find, moreover, a complete annex of this exhibi-\\ntion at Vincennes. In any case, permit me to point out\\nthat you will find there machinery and tools employed in\\nthe working of wood and metals, machines used in the\\nproduction of electricity (either directly or indirectly), all\\nthe patented motors, including steam engines and loco-\\nmotives almost from its origin; in fact, everything pro-\\nducing strength and transmitting it.\\nTHE PALACE OF THE ELECTRICITY.\\nOn leaving the Palace of the Mechanics, we only have\\nto turn to the right to find ourselves in the Palace of the\\nElectricity, the soul of the Exhibition; it is, in fact,\\nthrough the realization of this new invention, Child of the\\nGenius of the century which is just closing, that the 1900\\nExhibition has been able to surpass the previous one of\\n1889.\\nThis marvellous palace, in which every inventor,\\nFrench or foreign, every firm of repute, no matter its na-\\ntionality, has had a share, supplies alone the whole of the\\nExhibition; it sheds a blaze of incandescent lights on all\\nthe magnificent treasures heaped up on each side of the\\nSeine, from the Champs Elysees to the Trocadero, from\\nthe Invalides to the Champ de Mars, but also, and above\\nall, it is to that palace that we are indebted to, when\\nnight has come, to enable us to see the Chateau d Eau\\ntransformed into falls of purple and gold, a fairy scene\\nrealized beyond our expectation.\\nThe Centenarian Museum on the first floor will show\\nus the whole of the rapid improvements obtained from the\\ndays of Graham and Armstrong, Volta and Leclancher,\\nlo the superb dynamos which, nowadays, no longer leave\\nany limits to transit or strength.\\nForeign nations are represented both on the ground\\niloor and the first floor. The whole of the history of elec-\\ntricity and of the results achieved are put forth in the two\\nstories, of this magnificent palace. Connected with the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0379.jp2"}, "380": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0380.jp2"}, "381": {"fulltext": "HOW TO SEK KXI OSJ l lON ALONE 6/\\npieceding gallery we find all the systems of production\\nand mechanical use relating to electricity; all the practical\\nand thcoric uses of the Electro-Chimie.\\nThe electric light which, during recent years, has ad-\\nvanced with such rapid strides, is entirely exhibited on the\\nground floor.\\nThe first floor is more especially reserved to telegraph\\nand telephone, in all their varieties, aerial or subterranean\\ntransmissions, marine cables, those wires which so marvel-\\nlously carry the voice across the seas.\\nTurning to your right, through a subterranean passage,\\nin the centre of the gallery of the electricity, you can go\\nunder the Chateau d Eau and admire all its details, for\\nthe visit is indeed well worth making.\\nTHE CHATEAU D EAU.\\nThere is no necessity to enter into many explanations\\nto recommend to your admiration this marvellous work of\\nart executed by M. Paulin.\\nFrom the Grotto, 30 metres higher than the level of the\\nChamp de Mars, when night has spread its wings over the\\ngay city, you will see and admire this magnificent water-\\nfall, lighted up by electricity and offering to your enrap-\\ntured mind thousands of colors blending harmoniously\\ntogether and giving all the hues of a glorious rainbow. It\\nis, indeed, a wonderful spectacle, far above all that our\\nimagination could picture.\\nWe will now leave the Sublime for the Practical, by\\nstepping inside the Palace of Agriculture and Alimenta-\\ntions. Do not let us omit, however, to throw a glance\\nand I0 admire (I speak to those businessly interested in\\nit), those immense boilers which are placed on the right\\nand left of the reception hall, situated in the very centre\\nand behind the Palace of the Electricity. On the left is\\nthe building reserved to boilers; one called Usine La\\nBourdonnais (deriving its name from the Boulevard\\nwhich encircles it), is occupied by French engineers,\\nwhilst foreign engineers exhibit in the other building\\ncalled Usine Suffren.\\nThose two large structures supply with steam the whole\\nof the machinery working in the Exhibition, including the\\ndynamos themselves of the Palace of the Electricity close\\nby.\\nRECEPTION HALL.\\nA? we have had occasion to mention again the reception\\nhall of the Palace of the Electricity, we cannot omit to\\nmention that the United States take the largest share in", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0381.jp2"}, "382": {"fulltext": "8 HOW TO SEE EXPOSITION ALONE\\nthis Exhibition. We see Edison s marvellous discoveries,\\nGerman s radiographical invention (X-rays) close by,\\nMarconi v\u00c2\u00bbith his wireless telegraphy together with\\ntelephone in all its different applications.\\nTHE PALACE OF AGRICULTURE AND ALI-\\nMENTATION.\\nWe have now almost eached the end of our promenade.\\nIt only remains for us to see the old Palace of Machinery\\nof the 1889 exhibition transformed into the Palace of Ag-\\nriculture and Alimentation. There again we find that the\\nsame arrangement prevails respecting exhibitors. For-\\neign nations are on the right, France on the left; but be-\\nfore enterting into the details of this Exhibition, permit me\\nto say a few words respecting this famous Salle des\\nFetes which separates French from foreign exhibitors.\\nLA SALLE DES FETES.\\nThis hall, which occupies the centre of the old Palace of\\nMachinery of the 1889 Exhibition, is quadrangular. When\\nwe have reached it by one of the four grand entrances, of\\nwhich two are monumental and exclusively reserved to\\nofficial rceptions, we find ourselves on a circular track.\\nAbove the door, four official boxes, one of them solely af-\\nfected to the President of the French Republic; eight large\\ntribunes are erected in the remaining spaces, and at the\\ncorner of the pylons, which alone form nearly the whole of\\nthe structure, are four smaller boxes.\\nLet us return now to the Palace of Agriculture and\\nAlimentation. The different exhibits of these classes are\\nindeed too numerous to allow a reliable description, and\\n1 will not worry the reader by so long an enumeration.\\nLet it be understood, however, that all alimentary and\\nagricultural products will be found there, classed according\\nto their origin, belonging either to the animal or vegetable\\nspecies. Amongst those products you will have the satis-\\nfaction of witnessing how to make bread, how to knead\\nthe fiour, and you will also find dioramas, panoramas,\\nphotographic views, all inclosed in a vessel constructed by\\nthe renowned and celebrated chocolate firm of Menier.\\nTo those fond of candies and sweets their temptation will\\nsorely be tried by fortresses of nougat and caramels,\\nwhilst those seriously inclined will find agricultural statis-\\ntics and everything connected with husbandry. They\\nhave even gone so far as to warn you against the destruc-\\ntion of useful insects, by presenting them to you, together\\nwith all their products, whilst a very clever collection will", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0382.jp2"}, "383": {"fulltext": "HOW TO SEE EXPOSITION ALONE 69\\nenable you to distinguish and class parasitical plants and\\nvegetables. All the above is exhibited on the ground\\nlioor. I will add, however, that part of the material for\\nagricultural and rural enterprises are classed on the first\\niloor, side by side with the agricultural industries and the\\nculture of the vine. Behind that palace are two restau-\\nrants, both equally good, I believe, and if your visit at the\\nE.xhibition coincides with an evening Fete, it will be\\nwiser and better for you to rest and dine there, to await\\nthe waking of Phoebe, then go and admire the marvellous\\neffect of the Chateau d Eau and of the Palace of the Elec-\\ntricity.\\nNevertheless, should you wish to go out of the Exhibi-\\ntion, you will find three doors close by, one on your right\\n(door 21), facing the Swiss Village, of which we will enter-\\ntain you later on; the other, facing the Salle des Fetes\\n(door 20). and the third (door 19) close to the moving plat-\\nform.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0383.jp2"}, "384": {"fulltext": "CHAPTER VIII.\\nTHE RUE DES NATIONS.\\nOn account of its special character, the Rue des Nations\\nis, to my idea, the most important part of the Exhibition.\\nIt will require to be seen minutely and carefully, for that\\nwe need time, and it would therefore be better to conse-\\ncrate two days to it.\\nIn any case, I will take it for granted that you have\\nentered the Exhibition by the Porte Monumentale, and\\nhence following the shores of the Seine as far as the Pont\\ndes Invalides, you will cross it with me on\\nLA RUE DES NATIONS\\nWe are now once more at the Monumental Gate, Place\\nde la Concorde. Let us notice on going in that there is a\\nseparate entrance reserved for official occasions and great\\nfestival days; we drop our ticket at one of the thirty-two\\nsmall gates, which are capable of admitting more than\\n20,000 an hour to the Exposition, and we go straight ahead\\nwithout stopping at the new gate or the new palace, con-\\ntenting ourselves as we go along with the line floral dis-\\nplay which we go through as far as the Bridge of the\\nInvalides. Let us cross this bridge on the foot bridge re-\\nserved for that purpose and devote our day to the foreign\\npavilions, which we have thus far only enumerated. To-\\nday we shall examine them in detail.\\nWe will take, if you please, the first line of buildings,\\nthat which is found facing the Seine and built in part\\nabove the line of the Moulineaux, having as ground plan\\nthe admirable terrace already spoken of and having a\\nbasement located in the elevation near the quay. The first\\nPALACE OF ITALY\\nis the Palace of Italy, one of the largest of the Exposition.\\nIn designing it the architect was embarrassed by a choice\\namong the wonderful masterpieces of that peninsula. The\\ncommission had the coquetry to set aside those that we", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0384.jp2"}, "385": {"fulltext": "HOW TO SEE EXPOSITION ALONE 7 I\\nall know and select an ogive style, very common in France\\nbut rare in Italy. The commission apparently undertook\\nto show us that Italian Gothic art of the Sixteenth Century\\nhad left sufficient trace to inspire the building of a national\\npalace on that line. The principal motive is a charming\\ndoorway, which is repeated on each front of the edifice. It\\nis copied from a doorway of the Palace of the Doges at\\nVenice. The scroll of the House of Savoy surmounts it.\\nAt each angle is a gilded cupola; a larger cupola sur-\\nmounts the whole edifice, and is a reproduction of that\\none at St. Mark s Church in Venice. The whole interior\\nis agreeably decorated with statues, mosaics, friezes, and\\nthe efTect is highly decorative. It forms a large hall, where\\nall the manufactured products of commercial Italy are\\ngrouped together with the skill habitual with the descend-\\nTHE OTTOMAN PAVILION\\nants of the artists of the Renaissance. The Ottoman\\npavilion, which we come to next, is in the Turkish style\\nof architecture at its most brilliant period, with its harmo-\\nnious outlines, its white walls, and its glass in all colors.\\nIherc is everything to be seen in this delightful pavilion,\\nfrom the Turkish restaurant to the Armenian Theatre, not\\nomitting the costumes and weapons of the Janizaries and\\na panorama of the banks of the Bosphorus. We come now\\nUNITED STATES\\nto the national pavilion of the United States. On the\\nground floor on the front overlooking the Seine is a por-\\ntico, a sort of triumphal arch, ornamented with large\\nCorinthian columns, surmounted by a group representing\\nthe Goddess of Liberty on the car of progress. Under\\nthis portico has been placed an equestrian statue of Wash-\\nington. There is a large hall of the height of the monu-\\nment, surrounded by balconies on every story, admitting of\\naccess and covered with a dome decorated with historical\\npictures; on the right and on the left are smaller halls,\\nwhich on the ground floor will be used for receptions.\\nTwo stairways and two elevators give access to the three\\nstories. On the facade in the rear is a secondary door,\\ngiving access to the street. The structure is wholly of\\nwood, with a foundation in cement. The whole is covered\\nwith plaster without. Within it is decorated with paintings\\non the walls, which, as well as the sculpture and all the\\nparts of the buildings, are the work of Americans from\\nAmerican materials. The dome, excepting the decorated\\npart is covered with sheets of metal. For lighting at night", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0385.jp2"}, "386": {"fulltext": "Eifii^ i-fWjl\\n1^ Ai i^ags\\nBosnia and Hungary.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0386.jp2"}, "387": {"fulltext": "HOW TO SEE EXPOSITION ALONE 73\\nthere are lines of electric wire disposed in a way to bring:\\nout the outline and the important features of the structure.\\nThe eagle, placed on top of the monument, has a spread of\\nfifteen feet. The total height above the quay is 165 feet.\\nThe dome is 60 feet in diameter, and the group placed\\nbefore the pavilion and crowning the Arch of Triumph is\\nAUSTRIA\\n90 feet high. The national pavilion of Austria comes next\\nto that of the United States, and covers a superficial area\\nof 800 yards. It was built after the plans of the chief archi-\\ntect, Mr. L. Baumann, in a style recalling the eccentric\\narchitecture in Vienna of the Eighteenth Century. We see\\nin it traces of the Imperial Palace, of the old university, of\\nthe Church of St. Charles and some other works. The\\nbasement is occupied by the Dreher Brewery and by a\\nbranch of the Leder Bank of Vienna. On the ground floor\\nand one flight up are found exhibits of the Austrian press,\\nof the watering places of Austria and Bohemia, of the city\\nof Vienna, an exhibit of paintings of Austrian masters and\\none of the postal and telegraph departments. Let us add\\nthai the participation of Austria in the Exposition shows\\nitself also in the different industrial palaces, where a super-\\nficial space of 18,000 yards has been given her without in-\\nBOSNIA\\neluding the Annex et Vincennes. The Palace of Bosnia,\\nwhich we come to now, is a rustic structure of absolute\\nauthenticity, whose charm lies in the fact that it is a re-\\nproduction of the house of a great Bosnian lord. The\\ntrimmings in wood, sculptured in the country itself, re-\\nlieve the white tone of the rest of the building, while\\nclimbing plants give an agreeable appearance to this hand-\\nsome pavilion. The Government of Bosnia exposes here\\neverything which touches its own administration and the\\nlarge industrial establishments of the country: mines, agri-\\nculture, control of tobaccos, railways, etc. The central\\nhall is given up solely to the reception of the products of\\nthe School of Decorative Arts, which is the only one in the\\nworld devoted to Mussulman art. Here is a panarama of\\nScrajevo and pictures illustrating Bosnian life, without for-\\ngetting the restaurant in the basement, where a celebrated\\nnational orchestra can be heard. Let us stop a moment\\nHUNGARY\\nbefore the pavilion of Hungary, one of the most curious in\\nthis street, consisting of four wings, grouped about a", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0387.jp2"}, "388": {"fulltext": "b", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0388.jp2"}, "389": {"fulltext": "HOW TO SEE EXPOSITION ALONE 75\\ncloister in the Roman style. It should be added that this\\nstructure is destined to pass in review the development of\\nHungarian architecture, and to serve as a frame to this\\ncollection of historic monuments and works of art. The\\nGothic front, which faces the Seine, is brought out by a\\nlower, 120 feet high, whose arcade overlooks the Corso\\nwhich runs along the pavilion. To this tower will be at-\\ntached a fine Gothic monument, the front of the Chapel\\nof Kessa, with its ancient facade and its tower. The small\\nconstruction which serves as a relief between the west and\\nthe south fronts, represents one of the entrances to the\\ncathedral of Gyala-Feheivar. The western facade recalls\\nthe armory of Eperges, and, finally, after a tower repre-\\nsenting the one of the Church Serbe at Buda-Pest, we\\nfind on the Quay d Orsay the principal facade, a restora-\\ntion of the Roman door of the Church at laad. Let us go\\nin by a vestibule which gives access to an interior court,\\nwhich is surrounded by a charming and picturesque clois-\\nter. The halls for the exhibits reproduce the interiors of\\nHungarian monuments. The ceilings, the doors, the win-\\ndows are all historic reproductions. Let us mention chiefly\\nthe Ffall of the Hussars, which serves as a reception salon\\nfor the Commissary General; the paintings and sculptured\\nornaments represent the deeds of the Hungarian hussars\\nGREAT BRITAIN\\nand trace out their noble exploits. The royal British pa-\\nvilion reproduces, as we have already said, the facade of\\nKnigston-House, built under James L, son of Mary Stuart.\\nIt will be open to the public, but it will serve especially as\\nan offive for the Commissary General and a place of re-\\nception for the Prince of Wales and the Royal Commis-\\nsion. The monumental stairway within and the furniture\\nof the reception rooms are remarkable in all their details,\\nboth fc.r elegance and for comfort. Here may be seen\\nworks of art and rare collections belonging to the Prince\\nof Wales, without forgetting weapons and jewels of enor-\\nBELGIUM\\nmous value. Flie Palace of Belgium represents one of the\\nni ft ancient monuments of the Sixteenth Century, the\\nCity Hall of Audenerde, which strikes the characteristic\\nnote of ancH-nt edifices in the municipalities of Belgium,\\nwith it^ high tower surmounted by a gilded knight. The\\nground floor contains three halls, of which two are separ-\\nated by a large hallway, giving access to the large stair-\\ncase. One of the halls is given over to the service of the", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0389.jp2"}, "390": {"fulltext": "The Swedish Palace,", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0390.jp2"}, "391": {"fulltext": "HOW TO SEE EXPOSITION ALONE J\\nPress, and is used as a reading and writing room. The\\nother two are given up to the exhibit. The first story con-\\ntains the reception room. On a level with the river banks\\na number of Belgian brewers have established a Flemish\\nNORWAY\\nCabaret, built in the style of this edifice. Norway shows\\nus a pavilion wholly in wood, as does also her sister coun-\\ntry, Sweden. Tt is in the form of Chalet, with two spires,\\nand recalls the dwellings of the country, at least those of\\nlarger proportions and handsomer ornamentation. On the\\nground floor a large gallery occupies the Place of the Way,\\nwhich is a promenade on the Seine and opens out by three\\nlarge entrances. On the first floor the whole length of the\\nfacade is a balcony, with corbels, having in its midst a pin-\\nion motive. The interior forms a large hall, where are\\nseen the natural products of the country and panoramic\\npictures. Do not forget the restaurant established in the\\nbasement. Let us salute now the work of His Majesty,\\nGERMANY\\nWilliam IT., for the plans for the German pavilion were\\ninspected in their minutest details by the Emperor himself\\nbefore they came to France. The monument is an example\\nof architecture of the German Renaissance of the Fif-\\nteenth and Sixteenth Centuries. Large pinions decorated\\nin colors, roofs and little steeples in colored tiles, the whole\\nmaking a belfry, give us the impression of one of those\\nrich dwellings on the banks of the Rhine. The German\\nexhibit is above all economic and social in its character,\\nbut it has an annex, retrospective in its character, and of\\ngreat interest, for it has the peculiarity of being French.\\nThe Emperor has, in reality, sent from his numerous cas-\\ntles seme of the pieces of furniture and works of art got\\ntogether by Frederick the Great, and this feature of the\\nexhiibit cc nstitutes one of the principal attractions of a\\nSPAIN\\nvisit to the German pavilion. The royal Spanish pavilion\\nis in the style of Spanish renaissance, and the details have\\nbeen drawn from diver, of the most celebrated, historic\\nand artistic monuments, the University of Alcala, the\\nAlcazar of Toledo, the University and the Palace of the\\nDukes of Montery at Salamanca. The central building has\\nin its m.idst a court, made of balustrades and columns, a\\nvery lofty tower and three smaller ones. The pavilion is\\nintended for the receptions of the Royal Commissariat,\\nand its decorations are an exhibit of retrospective art.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0391.jp2"}, "392": {"fulltext": "The Roumanian Palace.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0392.jp2"}, "393": {"fulltext": "i HOW TO SEE EXPOSITION ALONE 79\\nMONACO\\nhe Priiicij)ality ol Monaco displays close by that of Spain\\na inoic modest structure, but one which none the less has\\nIts charm, for it recalls to us the lovely cities of the\\nMediterranean coast a white matting on which are de-\\ntached depths of color, arcades, terraces, a tower whose\\ngrand outlines are borrowed from the Castle of the Princi-\\npality.. In the interior the products of this sunny land and\\nthe rich ethnographic collections assembled by Prince Al-\\nbert of Monaco are /i^orthy attentive examination.\\nSWEDEN\\nhas built a structure of the greatest originality, being\\nwholly in red pine, even to the external covering, whose\\ncounterfeit slates are also of that wood. In the centre of\\nthe palace a large and high tower rears itself, flanked at a\\ncertain distance by four smaller towers, these latter con-\\nnected with the large tower by foot bridges, thus giving\\nthe edifice a very picturesque appearance. Artificial gar-\\nlands of leaves, lighted at night, hung in festoons around\\nthe pavilion, complete the decoration. In the interior one\\nshould visit the brewery in the basement, the hall where\\nskillful embroiderers can be seen working under the eyes\\nof the public, the dioramas so attractive, without forgetting\\nthe telephone bureau, united to all points of the Exposi-\\ntion, an innovation quite fin de siecle for the Scandina-\\nvian, riij G;eek pavilion puts before us no monument i-f\\nantiquity. It represents rather one of the Byzantine\\nchurches so numerous before the fall of the Empire of the\\nOrient, with itr- bricks in various colors, its soft tint, blend-\\ned with rose and turquoise, its princpial dome, its two\\nsmall dome.s and its characteristic portico. Within, besides\\nthe i.r-iducts of the soil, are to be seen ancient master-\\npieces recently recovered at Delphi and at Olympus, the\\nmore bulky pieces of which have been arranged about the\\nSERVIA\\nmonument on its exterior. Servia, which comes next,\\nshows us also a pavilion in the Byzantine style, suggested\\nby the religious monuments of Servia. It has a large\\ncentral cupola and two smaller ones; the entrance orna-\\nmented with Byzantine columns; a large central hall into\\nwhich open four other rooms, each with a semi-circular\\nceiling. A rich interior decoration recalls the brilliant\\nfrescoes which still are to be found in certain sanctuaries.\\nHere can be seen the products of industry, the products", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0393.jp2"}, "394": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0394.jp2"}, "395": {"fulltext": "HOW TO SEE EXPOSITION ALONE 8 I\\nof agriculture, as well as d,i admirable collection of nation-\\nal costumes. Here we are at the Bridge of Alma, and I\\nwould urge you to return now with me to see the build-\\nings in the second line, placed under the trees on the other\\nside of the Rue des Nations. The pavilion of\\nROUMANIA\\nis the work of Mr. Ferniige, the celebrated architect of the\\nExposition of 1889, whose task has been inspired by the\\nmost celebrated monuments of Roumania. The dome and\\nthe towers which surmount it are copied from the mar-\\nvelous church at Argis, the principal door and the frieses\\nare reproduced from the Church of Jassy. The many col-\\nored carpentry work and the enameled bricks give an exact\\nimpression of that Oriental style which characterizes the\\nRoumanian architecture. On the ground floor, at the\\nleft, are exhibited underground products and the process\\nof treatmg them: petroleum, amber, alabaster, lignite, etc.\\nOn the right are the products of the soil: wood, leather,\\nhides, etc. We see here a fine forestry map and some\\nvery interesting photographs. In the first story among the\\nobjects relatmg to literature, science and the arts, civil\\nengineering, social economy, etc., we see the curious publi-\\ncations of the Roumanian Academy and reductions of the\\ngreat works of art executed in Roumania during these late\\nyears. Let us mention a very fine set of furniture carved\\nin nutwood and a monumental door. There is also an an-\\ncient piece of jewelry work, very celebrated, known under\\nthe name of the treasure of Petrossa. It is in solid gold,\\ninlaid with precious stones, having in all probability be-\\nlonged to Alaric, King of the Visigoths, and a magnifi-\\ncent illuminated manuscript of the Gospels, the work of the\\nQueen of Romania. We will not leave the Balkans with-\\nBULGARIA\\nout visiting the pavilion of Bulgaria, which represents an\\nelegant structure, very modern, very gay, and in a style\\nabsolutely new, ornamented with numerous openings, giv-\\ning very large lighting surface. The principal exhibitor\\nfrom Bulgaria is Prince Ferdinand himself, thanks to his\\ncollections, his wines and the harvests from his properties.\\nThere are also to be seen here carpetings, costumes, agri-\\ncultural products and rare perfumes. The pavilion of Fin-\\nFINLAND\\nland gives us a curious idea of that Russian province\\nand furnishes an interesting specimen of local", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0395.jp2"}, "396": {"fulltext": "82 HOW TO SEE EXPOSITION ALONE\\narchitecture. The PaviUon is constructed according\\nto the custom of the country with double walls\\nand double windows on account of the cold. The\\nceiling is made out of pieces of wood, the decorations are\\nborrowed from the animal kingdom; bears, frogs, heads\\nof reindeers, wolves, etc. The pavilion is especially de-\\nvoted to an exhibit of public instruction, which is widely\\ndiffused in Finland, the University of Helsingfors, its capi-\\ntol, enjoying wide reputation. We find ourselves now in\\nLUXEMBOURG\\nfront of the pavilion of the Grand Duchy of Luxembourg.\\nWe can admire this elegant structure, which seems to be a\\nhandsome city hall of a small city made up of several\\ndetails taken from important monuments of their country\\nof origin. With its large roofs and its tower in the form\\nof a belfry, this pavilion certainly makes a very good figure\\nby the side of its neighbors. Here is a rare building, the\\nPERSIA\\npavilion of Persia. It represents a palace in actual exist-\\nence at Ispahan, and which is the admiration of travelers.\\nIt is composed of two stories, the entrance placed before a\\nkiosque of music is the full height of the palace, 36 feet,\\nand, like the whole front, is ornamented with pieces of\\npottery, reproduced exactly from the gate of a famous\\npalace of Ispahan. We enter the hall of honor, ornamented\\nwith Oriental magnificence. We see here Persian carpets\\nand pieces of faience, metallic reflexes unique in the world.\\nThis salon is destined for the use of the Shah during his\\nstay in Paris. From the large salon we go to the bazar\\nproper, where are found all the products of the soil and\\nof the industries of the country. Before going away, let\\nus stop on the terrace, where is a cofifee house. The ter-\\nrace supports two pavilions with colonnades, copied from\\nthose of the Palace of the Forty Columns at Ispahan. Un-\\nlike the great part of the other nations, Peru has not\\nsought to reproduce her national architecture, which has\\nno existence except in the religious monuments of the\\nPERU\\nSpanish era. The Peruvian pavilion is an elegant and\\nconvenient structure, which, after having furnished a shel-\\nter for the exhibition of Peru, will be taken down and sent\\nto that country to be rebuilt there. It contains the miner-\\nalogical researches of the country and certain textile and\\npharmaceutical products. Do not neglect the collections of\\nexotic plants and flowers, as well as the kiosque containing", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0396.jp2"}, "397": {"fulltext": "HOW TO SEE EXPOSITION ALONE 83\\nPORTUGAL\\nthe restaurant. The pavilion of Portugal, which comes\\nnow and is near the Bridge of the Invalides, represents\\nthe colonial architecture of that country. The building is\\nwholly of wood, representing stone and pottery together.\\nWe find here all the mining and agricultural products of\\nthe country, without forgetting its wines, which are known\\nthroughout the civilized world. The last pavilion of this\\nnot-to-be-forgotten series represents an original and com-\\nfortable old-fashioned mansion. It is the pavilion of Den-\\nDENMARK\\nmark, placed just behind the pavilion of the United States.\\nIt offers this peculiarity: it was erected by subscription.\\nThey were generous donors who, apart from the general\\nexhibit of which the government paid tlie cost, have met\\nall the e.Kpense of this. In the interior we find a large\\nhall, occupying both stories and containing an uninterrupt-\\ned gallery. Here is a salon for ladies, with all the comforts\\ndesirable, and also the permanent bureau of the society for\\nbuilding up the export of Danish products. This curious\\npavilion reflects great honor on Denmark, whose products\\ninstalled in their respective classes have achieved consider-\\nable success.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0397.jp2"}, "398": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0398.jp2"}, "399": {"fulltext": "CHAPTER IX.\\nTBE ESPLANADE DES INVALIDES.\\nFor that visit we will advise those residing on the left\\nshore of the Seine (it will very likely be the smallest\\nnumber) to enter by door No. 5, which is placed at the\\ncorner of the Quai d Orsay and the Pont Alexandre III.;\\nthe others, living on the right shore, will do wisely to\\nenter the Exhibition by the Monumental Door or by the\\nEntrance of the Champs Elysees, between the two pal-\\naces. Whatever the door selected, pass over the Pont\\nAlexandre III. In any case, I shall suppose the visitor at\\nthe corner of the bridge on the left shore of the Seine.\\nThere, after having gone through the avenue facing him,\\nhe will have, right and left of him, the two long palaces,\\nand I v/ill now ask him to stop with me a minute and as\\nusual try to find his way about.\\nWe have on each side a long series of buildings, each of\\nthem forming a whole; right and left is an assemblage of\\npalaces, gathered together exactly in the same fashion as\\non the Palace of the Champ de Mars.\\nNevertheless, let us remark, that to our left, under\\nground, is the station des Invalides; on our right, a little\\nway behind us, is the entire Rue des Nations, where flags\\nof all nationalities gaily and gracefully waving to the\\nbreeze give the Rue an appearance of gaiety and rejoicing;\\nin the distance, facing us, stands majestically the Dome\\nof the Hotel des Invalides.\\nEntering the left wing of the palace on our left, we find\\nan elegantly built construction, just on the border of the\\nSeine; it is L Art Dans la Rue (Art in the Street). We\\nwill have occasion later to return to that exhibition.\\nFirst of all is the Furniture Palace, following immediately\\nthat of the Decoration. In the hall, on the ground floor,\\nare placed the drawings and models of decorative carpen-\\ntry and carved ornaments. Further on we have roof-\\nings, audacious in erections, graceful in styles; then doors,\\ngates, iron railings most beautifully carved and chiselled;\\nwe will call it the regular decoration for public buildings\\nand dwellings. On the first floor we find Tapestry and", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0399.jp2"}, "400": {"fulltext": "86 HOW TO SEE EXPOSITION ALONE\\nOrnamentation in all its branches, whilst the ground floor\\nis reserved to Furniture and the Centenarian Museum. At\\nthe end, always on the ground floor, but in that part of the\\npalace following, so to speak, the first one, is an entirely\\ndififerent style of exhibition.\\nThere, America and France vie with each other in the ex-\\nhibition and possession of magnificent jewels, whilst right\\nat the bottom, but on the right, we find everything con-\\ncerning cutlery.\\nThis represents the whole of this right-hand side pal-\\nace. We will go through it again, room by room, for we\\nshall be obliged to leave very often the principal gallery\\nto see on our left the private exhibitions of large dry\\ngoods stores, as well as those special exhibitions which\\ndraw our attention when nearing the Invalides.\\nThe palace on the right is by far much easier to visit.\\nThe first gallery near the Seine is devoted to the Ceramic.\\nAll the other galleries are reserved to foreign nations\\nwhose exhibitions, symmetrical to those in the left palace,\\nwhich belong to France.\\nThis rapid visit has been useful, for it will enable you to\\nselect the parts more likely to interest you by showing you\\ntheir position, and thus ramble freely through every class.\\nLet us now enter the pavilion bordering the Seine,\\nArt in the Street.\\nL ART DANS LA RUE. (ART IN THE STREET).\\nIts principal entrance is situated between the Rue de\\nConstantine and the Quai d Orsay. Art in the Street re-\\ncalls to one s mind those popular fairs with all its glare\\nand tinsel which were the delight of our childhood.\\nThe door, original and lightly erected, with glaring\\ntones, attracts the eyes; the- interior decoration blends\\nwith the outside, and this Pavilion of The Art in the\\nStreet fully justifies the idea we formed whilst children\\nat the old Fair Stalls. To call the entrance a door needs\\nindeed an apology, for it is only an entrance, an opening,\\nalmost a palisade, which few paintings audaciously thrown\\non the boards lead the public to take for a Monumental\\nEntrance, an opening covered, so to speak, of the tradi-\\ntional peacock s feathers.\\nThe remainder of the avenue matches the entrance.\\nGenius and Cleverness have replaced Ostentation and\\nDisplay. if 11", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0400.jp2"}, "401": {"fulltext": "HOW TO SKE EXPOSITION ALONE 87\\nIt had firsi been intended to make the Art in the Street\\na real marvel, but necessity has limited Ambition, and to\\niiy idea the work is far better as it stands.\\nThe aim of The Art in the Street was to recall, as I\\nsaid before, those popular fairs, where we find side by-\\nside shooting galleries and menageries; giants and dwarfs,\\nbearded women and wrestlers, etc., etc. M. Colin, the de-\\nsigner, has fully grasped the idea, and treated the subject\\nin a masterful way. He presents to us the ephemeral life\\nof clowns and mountebanks. Close by is the news ven-\\nder s stand, the same where in the morning we buy from\\nthe girl, risen too early to have had time to make a very\\nelaboratfj coififure, the penny paper which she hands to us\\nwith a smile. Then we turn to the practical side of life.\\nIt is the Correspondence organized by M. Selmersheim,\\nwhere one finds all the needful for writing, and further on,\\nthe I ansian Inventions, which, under M. Sauvage s di-\\nrections, recall the New Year, with its toys, its puzzles,\\never new, ever cheap, that one always buys; in fact, Paris\\nlatest whim!\\nNow we have seen the Paris of the Boulevards on feast\\ndays, let us resume our ramble, which, although of a more\\nserious character, will be none the less gay and interest-\\ning for all that (I speak more especially to ladies), as we\\nshall step into the Jewelry Section.\\nThe fiist class to attract our attention is the Decoration,\\nwhich ircludes, as we have already said, two distinct parts;\\nregular decoration and furniture decoration. We could\\nvery well christen this place The Palace of the Decorative\\nArt. We will start by the ground floor. It is there that\\nis reviewed the whole of the Decorative Art, sculptural and\\nornamental, which concerns alike hardware and iron-\\nmongc-y, even ornamental painting; that is to say, the\\ndecoration used in the most difficult items connected with\\nbuilding and habitations. We also find there the Mosaic,\\nunder ev( r shape or form, with its hues and designs ever\\nchanging and occupying a more important stand than the\\none allotted previously to that work on the first floor; fur-\\nther on we come across a new transformation, I mean the\\nCeramic, which shows us in a most convincing manner\\nthat public buildings can be thus decorated at a minimum\\nof cost.\\nWe have now passed into Class 70, which immediately\\nfollows the first. It contains everything connected with\\nfurnishir.g, carpets, tapestry, hangings, furniture, etc., etc.\\nWe even notice there the manufacturing materials used\\nfor those rich and valuable hangings and in which our", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0401.jp2"}, "402": {"fulltext": "88 HOW TO SEE EXPOSITION ALONE\\nParisian dry goods stores are second to none; besides\\ntissues, pi-operly speaking, we notice that an exhibition of\\ncarved, embossed and plain leather, used in the covering\\nof chairs, etc., has found a very important place, and I\\nwill also add ,that the house in which the author of this\\nGuide has its aparments, Le Lineoleum, 23, Boulevard des\\nItaliens, has succeeded in presenting a show of its goods\\nwell worth noticing, not only on account of the finish,\\nstyle and refinement, but also for the cheapness of its\\nmanufactures.\\nTHE GREAT DRY GOODS STORES.\\nWe must now leave the Principal Palace to look at and\\nadmire those Large Exhibitions presented by our great\\nParisiati stores, and which excel in showing their magnifi-\\ncent goods and call forth the admiration not only of for-\\neigners, but\u00e2\u0080\u0094 Parisians themselves, however much accus-\\ntomed they may be to refined and handsome displays.\\nThe Louvre, the Bon-Marche, the Printemps, have re-\\nconstituted a marvellous Palace of Fashions.\\nEntering the Grand Palace once more, we shall face all\\nthe models for lighting purposes, in all their shapes,\\nform? and patents. Electricity is not, however, included\\nin this Exhibition, as this mode of lighting is confined\\nto its special palace: The Palace of Electricity.\\nVincennes (should you list to follow us there) will\\ngive us a better and larger idea of the new invention:\\nThe Acetylene, where it can boast of having one of\\nthe foremost shows in that Annex.\\nI shall not speak of Petroleum and its uses. Since\\nOil has been struck, it has had such a widespread fame\\nthat it wc uld be perfectly usless to worry the reader with\\nany details about it, being well known by all, from the\\nmost civilized countries to the roughest and farthest; be-\\nsides its progress for the last ten years has been so small\\nand few, that all our readers must be perfectly aware of\\nalmost all its improvements; nevertheless, a glance at the\\nvery few new processes may prove of interest.\\nWhilst we are still on the ground floor, allow me to\\nmention Class 74, Apparatus and Models and Process for\\nHeating and Ventilation. There are but very few repre-\\nsented here, however, as they are more specially con-\\nnected with Social Economy and Hygiene, where they fig-\\nure pron:inently.\\nBefore looking over the department reserved to cheap", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0402.jp2"}, "403": {"fulltext": "HOW TO SEE EXPOSITION ALONE 89\\nfurniluix. which is placed at the end of the Palace, it\\nwould be more rational and practical to ascend at once to\\nthe first floor and admire the models exhibited by Tapes-\\ntrj in general; that is to say, the work and decoration for\\nluxuriouo furniture, for instance, drawing-rooms, ante-\\nrooms, bedrooms, boudoirs (that very sanctum of woman),\\nand study, nay, admire, the most perfect taste employed in\\nthe decorations of reception rooms and ball rooms, where\\neverythin,-^- blends and harmonizes so well, and is calcu-\\nlated to set forth to the better effect the dresses and adorn-\\nments of ladies, an art in which our Parisian firms so\\nthoroughly excel; also the bedrooms, this apartment of\\nla Vie Intime, which deserves our praise as well as the\\nboudoir style Louis XVI., the snuggest of all places.\\nAt the side we find an industry, one of the largest and\\nmost important in France, one to which we are indebted\\nfor breaking the uniformity and monotony of the walls in\\nour apartments! I have mentioned the wall papers\\nbrought by the French artists to such a high degree of\\nrefinement.\\nFurther on, still on the first floor, we see the Stained\\nGlass Windows. Often, when visiting churches, we have\\nremained in ecstasy before those magnificent stained win-\\ndows representing Christ, the Apostles, the Stations to\\nCalvary, etc., but nowhere shall we find stained glasses\\nwith warmer tones, with more delicate finish and execu-\\ntion than those which will meet the visitors eyes at the\\nParis Exhibition of 1900; for they are in every way worthy\\nof Bernard Palissy, this clever and famous artist.\\nThere remains to be seen the cheap furniture and costly\\narticles, both exhibitions will be worthy your attention for\\nthe whole of the firms in the Faubourg Saint-Antoine have\\nendeavored to vie with one another.\\nI have already told you that the Palace opposite is re-,\\nserved to Foreign Exhibits, symmetrical to the French,\\nwhich wc have just described.\\nIn the first two rooms of the Palace, on your right, are\\ngathered the Ceramic, already seen on the ground floor,\\nand further on, glass wares and stained glasses.\\nWe must not leave the Palais des Tnvalides without\\ncasting a glance on the three stalls bordering the Rue de\\nConstantine. First is the Mas Provengal. renowned res-\\ntaurant cf Southern France, reputed for its good table and\\nharmonious and melodious singing: a little further on is\\nthe Maison Arlesienne; useless to enter into great or\\nnumerous details, when the word Aries is pronounced,\\nwe ar^ every one of us well aware of its meaning; respect-", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0403.jp2"}, "404": {"fulltext": "90 HOW TO SEE EXPOSITION ALONE\\ning the Auberge des Cadets, to present it to you in an\\nadequate manner, it would be necessary that I should call\\nto contribution Coquelin Aine, the famous Cyrano de Ber-\\ngerac. I had much rather let you enter it alone and judge\\nfor yourself.\\nXhe Guide to the Exhibition is ended; before closing\\nthese pages, which may perhaps have appeared to you,\\neither too long or too insufficient, allow me, reader, to re-\\npeat anevv my request made at the end of the first part of\\nthis work: Point out to me all the mistakes or omissions,\\nand in either case, to forgive me. Remember the days\\nwhen my Guide has been of service to you, and has saved\\nyou from imprudence and ennui.\\nVICOMTE H. DE KERATRY.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0404.jp2"}, "405": {"fulltext": "SUPPLEMENT.\\nATTRACTIONS OUTSIDE THE EXHIBITION.\\nAll round the Exhibition are to be found a great many\\nprivate enterprises, which, although not within the pre-\\ncincts of the Great Show, are nevertheless curious and in-\\nteresting to see.\\nThe most important of all is the one connected to the\\nExhibition by a foot-bridge.\\nTHE SWISS VILLAGE.\\nThe foot-bridge connecting the village with the Exhibi-\\ntion is in the Palace of Agriculture (Machinery Gallery of\\n1889), Champ de Mars.\\nEntrance, i franc, and i franc extra should you wish\\nto see the Panorama of the Alpes Bernoises.\\nA whole Swiss village has been erected on the ground of\\na superficies of 21,000 metres. We will find there a dairy, a\\ncreamery, a Swiss Chalet where we can listen to the melo-\\ndies of the Highlanders whilst drinking milk; further on is\\nthe historical Inn of Bourg Saint-Pierre, where, according\\nto History, Napoleon stopped when crossing the Mount\\nSaint-Bernard.\\nClose by we find:\\nTHE BIG WHEEL,\\nErected Avenue de SufTren at the corner of the rue Du-\\npleix.\\nEntrance, i franc.\\nThe Big Wheel is placed in a beautiful garden surround-\\ned by several places of amusements. Should you care to\\ntake a trip in the Wheel, in one of the small wagons at-\\ntached to it, on payment of i franc extra, you will be able,\\nat an altitude of 106 metres, to have a magnificent and in-\\nteresting bird s-eye view of all the surroundings.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0405.jp2"}, "406": {"fulltext": "92 HOW TO SEE EXPOSITION ALONE\\nTHE PAVILION RODIN.\\nThe Rodin Exhibition, mentioned on the map, is situ-\\nated at the corner of the rue Montaigne and rue Jean\\nGoujon close to the Pont de I Alma. It contains the whole\\nof the works of the celebrated sculptor; who attracted so\\nmuch attention in the artistic world, on account of the\\nfamous statue of Balzac, rejected some time ago, as a result\\nof the violent polemics it created amongst the members of\\nthe Literary Men s Society, who had entrusted the execu-\\ntion of the statue to the renowned sculptor.\\nThere are also to be found:\\nThe Panorama of Rome; Rue Jean Goujon. Entrance,\\nI franc.\\nVesuvius in Paris; 24 Rue de la Federation. Entrance,\\nI and 2 francs.\\nA living Pompeii; also Rue de la Federation. Entrance,\\nI franc.\\nL Hippocycle; Avenue de Sufifren. Entrance, 50 cen-\\ntimes.\\nA Cairo Street; 26 Avenue de Suffren. Entrance, 50\\ncentimes.\\nThe Cour des Miracles; Avenue de Suffren. Entrance,\\nI franc.\\nAnd many others too long to enumerate.\\nBefore ending this Chapter, allow me to advise you to\\nvisit the Magnificent Panorama of the Revolution, work of\\nthe eminent painter, M. Poilpot, and situated. Boulevard\\nDelessert, close to Door 33 of the Exhibition.\\nANNEX OF VINCENNES.\\nTraction and Locomotion not having had sufficient space\\nallotted to therh in the Palace du Champ de Mars, the\\ngreatest and the most important part of thos two Exhibi-\\ntions has been placed at Vincennes. First of all, permit\\nme to mention the different ways to reach this Annex.\\nFirst, we have the Metropolitan, which takes us to the\\ndoor of Vincennes (see page 191); the inner circle (alight\\nat Reuilly), and the Electric Car (Place de la Bastille et de\\nCharenton). The most practical way would be, by far, to\\ntake a cab which will take you to Door 7 of the Annex.\\nThe same rule as for the Great Show prevails here; no\\nmoney is accepted at the turnstiles, and tickets only, pur-\\nchased beforehand, will secure your admission.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0406.jp2"}, "407": {"fulltext": "HOW TO SEE EXPOSITION ALONE 93\\nRAILWAY MATERIALS.\\nVVc find, iirst of all, an Exhibition of Railway Materials,\\nwith special pavilions afifected to Germany and Austria.\\nItaly and Belgium. Leaving the shooting galleries on one\\nside (long-bows and cross-bows), we reach the Tools, Ma-\\nchines, Brooding apparatus, and finally the United States\\nExhibition. Above and next to Roumania. is the Acety-\\nlene, side by side with all the machinery connected with\\nmotors, and there, almost joining the preceding one, a\\ncomplete Exhibition of Motor Cars and Cycles. The fam-\\nous Velodrome Municipal is situated between the sec-\\ntions Tools and Machines and that of Motors. It is there\\nthat during the whole of the Exhibition will be decided the\\ngreater part of sporting matches.\\nAt the end of Lake Daumesnil, close to the Cycle s Ex-\\nhibition, we find an annex of the Army and Marine, pre-\\nceding the park of the Aerostation, where all competitions\\namongst Aeronauts will take place. A little above on the\\nPavilion of the Lake itself, we have the Falconery Exhibi-\\ntion connected with the Aviculture.\\nOn the opposite shore are ihe Forests, with a Pavilion\\nspecially reserved to the United States, and right against\\nthe sidings of Motor Cars and Cycles. Above a large place\\nhas been set apart to the Department of Agriculture for an\\nexhibition of all reproductive animals, including even the\\nwing tribe of the farm-yard.\\nLast of all, close to the Door 7, we find on the skirts of\\nthe lake the Panorama of the Tour du Monde, whilst close\\nby is the Philanthropic Society with an exhibition of all the\\napparatus and instruments for Saving Life.\\nBy consulting the daily papers, you will find all the de-\\ntails relating to the matches, competitions, races, etc.,\\nwhich will daily take place on the grounds of the Velo-\\ndrome Municipal.", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0407.jp2"}, "408": {"fulltext": "TABLE OF CONTENTS.\\nPractical Advice\\nCHAPTER I.\\nCHAPTER II.\\n3\\nGeneral Review g\\nFirst Day g\\nSecond Day 17\\nCHAPTER in.\\nPalaces of the Champs-Elysees 23\\nCHAPTER IV.\\n1\\nThe Right Shore of the Seine from the Pont des Invalides\\nto the Trocad^ro 27\\nCHAPTER V.\\nThe Trocadero\\n33\\nCHAPTER VI.\\nAll Around the Eiffel Tower 49\\nCHAPTER VII.\\nThe Palace of the Champ-de- Mars 60\\nCHAPTER VIII.\\nThe Rue des Nations 70\\nCHAPTER IX.\\nThe Esplanade des Invalides 85\\nSUPPLEMENT.\\nAttractions Outside the Exhibition 91\\nAnnex of Vincennes 92", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0408.jp2"}, "409": {"fulltext": "OCIETE fENERALE DE f UBLICITE\\nPOLVGLOTTE\\nPierre GRATEROLLE\\nDiRECTEUR\\np/kBis 31, Bue du 4-Septembre, 81\\nr La Sociele Generale de Publirile\\nPolyglolte est Seule Concessiou-\\nnaire de la publicite des Guides\\nPRHIS-EXPOSITIOII\\n1900\\njParis ^NIVERSEL I\\nparaissant simultanempnt a Paris.\\nLondrea, Berlin et, Xeiv-York, en\\ntrois lansues francais, anglais,\\nallemand.\\nPreface de Jules CLARETIE\\n[dite par la Maison CHARr ENTIER\\nFASQUELLE\\net important ouvragp. publie\\nROUS la direction du de KERATRY.\\nest mis en Vfnte par l s soins de\\nla Maison Eugene FASQUELLE. dans\\ntout -s les Liluairios de Fianr-e et\\nde_ rKtran^er et dans les Biblio-\\niheques des gaies de chemins de\\nfer.\\nTelepho7ie 212-83\\nAdresse telegr. Guidnat-Paris\\nKOTA Pour facjlitcr les reclicrches dps annniires\\ndes Maisons roooniniandcos, coiisiilter la Table\\ndes Matieres a la fin du Volume (pages coulours).\\ni\\nJ", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0409.jp2"}, "410": {"fulltext": "", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0410.jp2"}, "411": {"fulltext": "LA TOILETTE\\nHYGIENE DE LA FEMME", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0411.jp2"}, "412": {"fulltext": "LA TOILETTE\\nLINGERIE, GANTERIE\\nI ^^^j^ _^\\nGHJlpE PISOS DE BMllG\\n6, Boul. des GapuGines Pahis\\nJ. LOU VET SES FILS\\nToiles, Linge de Table, Rideauz, Lingerie, Mouchoirs,\\nChemises Bonneterie, Ganterie, Couvertures, Trousseaux\\net Layettes.\\nTelas, Lopa de mesa, Cortinas, Lenceria, Pannelos,\\nCamisas, Boneteria, Guanteria, Frazadas, Ajuares et Canas-\\ntillas.\\nLinen, Table-Clothes, Curtains, Drapery, Handkerchiefs,\\nShirts, Hosiery, Gle^ves, Blankets, Outfits and Baby linen.\\nMAKUFACTUKE A A-lGiJ^-I XHUIL TELEPHONE\\nGRANDE MAISON DE BLANC GRANDE MAISON DE BLArfC\\nJ, LOUVET ET SES FILS J. LOUVET \u00c2\u00a9.ij()nf.\\nIIojoTHo. CrojoBoe fitJbe. 3aua-\\nDtcbi. Bt^be. ILiaxKii. PJfiatuKii. Bii-\\nsaiiHbw iisAtiifl. nepqaxKH. Oitn^a. Seinwniib, iEifrfjjdig, SBotMiij*, 8n6w iM\u00c2\u00ab,\\nripiiyiaHoe u 6 6.ibe a^h HOBopo;K- j SafiteutHrf)tt,.6(iiittn,\u00c2\u00a9tnimvfn)aiir(ii,4iiint.\\nAeniiwx-b, S f.-fjiiliti iD(tf n, Jlujflniiiii Stn link Jtiiiberjfiig.\\n4 a6piiKa bt. Argenteiril. SnOiif in Argenleuil.\\n4f^\u00c2\u00ab", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0412.jp2"}, "413": {"fulltext": "LA TOILETTE\\nLES CORSETS\\n(har\\na\\\\/el\\nCORSETS\\n1\\n4/. rue S JTluguslin,\\nPARIS IJobes de Chambpe\\nBlouses et Ijingerie\\nCORSET-JUPON CULOTTE-CORSET DIANE\\nMODELES DEPOSES\\nTelephone 2 3 5-8 g.\\nEnglish spoken.\\noAlan spricht Deutsch.\\n3, place Du Theatre- Frao ?ai5 MEO -E\\nD OR I O OR\\nCorget-Culrasse pour amincir el allongcr la aillo sans\\noccasinnnpr ni gftne, ni fatigue.\\nBusc Artlcul6 ne fatigviant jamais la poitnne.\\nCorset i EpaullAres centre la tendance a se voftlcr.\\nCorset de Null, Corset du Matin, sans busc, res-\\nsons, ni baleines.\\nCorsets pour diflormite, Coussins CreUX.\\nCorsets Orthop6dlques pour dinger et rectifier le\\nd^velopperaent de la taille.\\nCorset s aver Tuteurs l^crs; ne gOn.int jamais.\\nCorsets d tti, en coutil de soie ou batiste.\\nCorset-Celntur^, special pour bicyclettcs.\\nsur la personnc habill6e\\navcc la rube.\\n-MBSURES POUR CORSET\\nTour de taiUe.\\nTour de la poitrine et du dos en passant Sous Ics bras\\nTour des hanches.\\nDessous du bras jusqu k ia taille.\\nPriirc de dire si la taille est longue, courte ou moycnnc", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0413.jp2"}, "414": {"fulltext": "LA TOILETTE\\nDENTELLES\\nMaurice DALSHEIMER\\nn n\\nI 10, rue.Auber PARIS\\ni 35\\niDentelles Anciennes et Imitations i\\nStot^es d ititeriieup et {^ideaa^\\nn\\ni COUVRE-LITS I\\ni\\n|gHE|VIISS DE TflBItE SEl?VIGES FRNTRISIeI\\ns\\na\\nn\\nHepapations et Transfof mations de Dentelles g", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0414.jp2"}, "415": {"fulltext": "LA TOILETTE\\nTROUSSEAUX ROBES ET MANTEAUX\\nPOUR^ DAMES ET ENFANTS\\nW M- Anna HEritie:^\\nrs\\n17, Rue Berg-ere\\nCOUTURIER\\nCosinnT^s i\\\\o Ville\\nET DC SPORT\\nJAOliETTRS M^NTEAM\\nJ. BIHABEN\\nUssiEuftsl Tailleup o\u00c2\u00ab\u00c2\u00bbfsJ\\n54. ID? (ie la Vict/)ire\\nht ioMa ixpunoJ i On nant fn patSoi\\nTAIllEOR POOR DAMES\\n\u00e2\u0080\u00a2Robes et TUanteaux\\nPOUH YACMt Et OENRE SPOftTlF\\nJ.\\n20, RUE JOUBERT\\n(titgti tiniuUC I ortM)\\nP KRIS", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0415.jp2"}, "416": {"fulltext": "LA TOILETTE\\nROBES MANTEAUX AMAZONES\\nTAILLEUfiCULOTTIEeGUETBIER\\n*\\\\ciEv FounivissFt n\\ns u L empeheur et oe s\u00c2\u00ab m.isov\\nonevF.TR oe s. u. te noi- oes OEi.r.ES\\nfoiinniissEun de LeMPEBECn oe nussie\\n49 boalevafd Haussmann\\n38, poe Caamaptin\\nT^LEPWONE 256,07\\nSp6cialit6 de LIVREES\\nROBES MANTEAUX\\nL. TOUSSAINT\\nGiiEMENCE VflSSEUR\\nSUCCESSEL k\\n57, r\u00c2\u00bbe S.iint-Rocii, 5;\\n(avenue de lovlua)\\n^izri^s\\nD\\nTmLETFES DE ?ILU! ET D SOIREES\\nMODES\\nEXfEHiTIOKS \u00c2\u00a3N PflOViHCf ET A fETRASGEB\\nPRIX MODERES", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0416.jp2"}, "417": {"fulltext": "LA TOILETTE\\nHAUTES CONFECTIONS\\n0^ Robks-Maktmujk-Iiijiqeri^\\n/(^.^C^acc ^?^iA^//w\\nMaisow Tres Elegante\\nCliGntcie duTout Paris Mondain\\nk2h.\\nTELEPHONE\\n13 15\\nJka/2/iep\\niz^^O /id\\nRQBfeS\\nCOMFECTIONS\\nPARIS\\nSoulevjra dt Itf^n^ .eklnt", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0417.jp2"}, "418": {"fulltext": "LAITOILETTE\\nROBES ET MANTEAUX\\nROBES MANTEAUX\\n.r LUDINART\\n129* Faubourg _ Saint- Honore, 129\\ni, KV COIN DE LA RUE SAtNt-PmjLIPPE-DU-RoULE\\nENGLISH SPOKEN\\nll^. Robes Mamteaox\\nSPECIAIliITE\\nDE\\nCostunies Jailkur pour Qames\\ni/wrnoy\\n28, flue \u00e2\u0096\u00a0CaumaPtin (angle de la rue Soudreaa) -PAffiS\\nCOSTUMES SPORXIFS", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0418.jp2"}, "419": {"fulltext": "LAc^TOILETTE\\nROBES COSTUMES TAILLEUR\\n4\\n\u00e2\u0080\u00a2fA4-.4i.!^^Ji-? ,JiJL i-.-ir. iSr.-J:.:Sr.:gr,-f,7lr, r,-?- y \u00e2\u0080\u00a2r,v,.-S^i:,^* J\\nANTEAUX |OBES\\nMc.nllcz, Dresses.\\nP C0J^\u00c2\u00a5ZEJV(\\n76, rvie Hichelieu\\nPARIS\\nJ\\n-K\\n12, Rue Auber, 12. PARIS\\niA LENTRESOL;\\nLADI{)S TAILOfi\\nSeu/e Afa/SOA) dans Paris faisant /e Costume-Tailleu/\\nentierement doubl6 sole et sur mesure k iStS francs.\\nJAQUETTE DOUBLEE SOIE, 7S FR.\\nLes Commaades sont executees par un des premiers Coupeurs de Paris\\nlifllSON RECOWMAUDfiB UNIQUE DANS SON GENRE", "height": "2938", "width": "1510", "jp2-path": "parisexposition101kr_0419.jp2"}, "420": {"fulltext": "LA TOILETTE\\nAMAZONES\\nJ. TALON\\n(Place Saift.fe-Augvjsfcan)\\nPARIS\\n^ma^ones\\n^-AMERICAN ORDERS", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0420.jp2"}, "421": {"fulltext": "LA TOILETTE\\nROBES ET MANTEAUX\\nLiingerie\\nH N^E KERTEUX\\n[ij PARIS 37, Rue des MathurlTis\\n\u00e2\u0096\u00a04-\\nLadies Costumes. Dauieii Keider.\\nMantles and Linen. Mautel und Wasfhe.\\n.:fi^nf^fif^ ^ipf^vp^:f^^f^fjY\u00c2\u00a5\u00c2\u00a5W ^^TVWT^^^\\niOBES ^ANTEAUX\\nModeles exclusifs\\n1?^, rue Roquepine\\nROBfiS J)0U6n\u00c2\u00a3\u00c2\u00a3\u00c2\u00a7 D\u00c2\u00a3 SOIE. DEPUIS 150 FRANeS\\nROBES DE STYLE\\nDeuVV sur Mesuve en VO \\\\vewpeft\\nENGLISH SPOKEN\\nSPECIALITE DE I\\\\OBES de BAL", "height": "2938", "width": "1454", "jp2-path": "parisexposition101kr_0421.jp2"}, "422": {"fulltext": "LA TOILETTE\\nCOSTUMES TAILLEUR\\n(S^^T-a)\\nEx-Coupeur des G.randes Maisons de la ru8 de la Paix\\nTELEPHONE aSO-OO\\nSP:eGIALITE\\nDE\\nROBES COSTUMES TilLLEUR\\n\u00e2\u0096\u00a0.iss\\nAnglais, Allemand.R-usse. Tailleur Viennois\\n10, pue de la P^pini^re ^nri^", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0422.jp2"}, "423": {"fulltext": "LA TOILETTE\\nCOSTUMES TAILLEUR\\nCi-dfViinl, Vhct du Thtiali-e-Francais\\n9, RUE DE L ECHELLE. 9\\nPres I Avenue de I Opera\\nPARIS\\nCostumes elegants de Ville et de Voyage\\npour Dames et Messieurs\\nSPECIALITE DE COSTUMES GENRE TAILLEUR POUR DAMES\\nCoupes et Modeles de la Maison", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0423.jp2"}, "424": {"fulltext": "LA TOILETTE\\nILLEUR POUR HOMMES FOURRURES\\nw\\nr W\\n0-\\nfc\\nk\\n1\\nX\\n.i.\\n2S. iJS^.^^ ^Uj.\\nJ Specialite\\nJAQOETTESi DAMES\\nEN TOUS GENRES\\nf5: DIPLOME D HONNEUR, M^OAiLLE D OR\\nReparations\\nEH TOUS GE?(RES\\nPrjv mocl6p68\\n5, FflOBOURG IBONTI^IflRTRE\\nPris du boulevard Montmartre)\\nGONSERYATION d^ FOURRURES\\npendant J 4l4", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0424.jp2"}, "425": {"fulltext": "LA TOILETTE\\nL HYGIENE\\nEAU DE SUEZ\\nDENTIFRICE ANTISEPTIQUE VACCINE DE LA BOUCHE\\nPreserve les Dents, les Cuerit, les Conserve,\\nRafraichit et Parfume la Bouche.\\nEST\\nVINAIGBE LACTE OE SUEjK pour la TOII.ETTE\\nPOUORE ET PATE DENTIFRICES de SUEZ\\nEXTRAIT Teat U mondt jaiiant jail ju Ja tiluparl iet ientifriecs lont des lipiides [arfumesl\\n1ti QPin/ir h frepriile curative; t rute, fHa^H do Suez, dentifrice antiseptigue, est un\\\\\\nW** I virilai .i midicament gui prtfTve Ut Jtthlt, Itt^uiril. lis conserve. I\\nd4p4t GBiriRAL Ptiarmaele B^X%.A.I 14, Rue de la Paii, PARIS, et da\\\\s les bovnes maiso. s.\\nMaison Sp^iale d Eaux de Beaute\\ni.\\nli Eiiu DEHlWOPHlIiE IiAIS\\nFaitdisparaitre rougeurs, boutons, ger^ureset riSea\\nR\u00c2\u00abffermit et developpe la poitrine\\nSEUL INVENTEUR DE JVIOl^A\\n1 8, rue des Capucines, PARIS", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0425.jp2"}, "426": {"fulltext": "XVHl\\nLA TOILETTE\\nONDULATIONS POSTICHES\\neOIFFURE:\\nPour Dames\\nSPECIALITE DE POSTICHES\\nET COIFFURES POUR DAMES\\nn PERRUQUES\\nSALONS D ONDULATION\\nTEINTURE ant 1 SEPT 1 QUE\\nSHL-^MPOOXNa\\nIjOyFaubouzg St-Honot^, ^o\\n,i\\\\ PARIS", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0426.jp2"}, "427": {"fulltext": "XIX\\nPHOTOGRAPHIE\\nPORTRAITS CARTES D IDENTITE\\nPMOTOGi^APHIE\\nEdouard R0Z\u00c2\u00a3\\n29, Boulevard des Italiens. Paris\\nInstallation de l ordre Salons St Cabinets de toiletta r^serv^s\\nAPERQU OU PRiX CQURAHT\\nCarte de visite soigni^e, la douz. 25 fr Carte album soignee, la doaz. 40 fr.\\n.Iail2dpuz.\\\\bh.\\nCaite visjte au plaHne, ta dnuz. 40 fr.\\n(Ires riche) ln\\\\/2doiu. To Ir.\\nlall2douz.25(r\\nCorte album au platine, ta douz. 80 0\\n(tresriche) M 1/2 doHS. 50 fr.\\nQRANOS PORTRAITS |NALT^RABLES\\nGrandeur 0.18 X 0.24 de h.aui prix 25 francs /Vpreuw\\n0.30 XO.AO^ _ 60\\n0.50 X 0.60 100\\n0.65 X 1 _ 200\\n1 Xl.50 300\\nPpprpducilons d anciens portraits, reisejijfeiagEe absolument exacte\\n{Prix suivai\\\\t dlf^c^U)\\nDifferentes poses sont soumises au client avant la lipraison,\\nsans qftigmenlalion de prix\\nPORTBAiTS POUR CAni\u00c2\u00a3 D lOENTITE LIVRES OANS l\u00c2\u00a3S 48 H \u00c2\u00a3u R E S\\ncAoaes RICHES et pantaisies a o s.s prix TBts modehEs\\nOn peut poser tous les jours de 7 heures da matin i 7 neures du soir\\npar n imf)orte quel temps", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0427.jp2"}, "428": {"fulltext": "L HYGIENE\\nLES SOINS DE LAtBOUCHE", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0428.jp2"}, "429": {"fulltext": "L HYGIENE", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0429.jp2"}, "430": {"fulltext": "L HYGIENE\\nSOINS DE LA BOUCHE\\nSiiHttt Srivtll II I. I ifi fiey de TbiU\\nV: Bachelard\\nSUCCESSEUR\\nCHIRURGIEN-DENTISTE\\nMAISON DE CON FIANCE\\n2, Beukuard Bonne-NeuDdle, 2\\n*5C PAI^ I S 3^", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0430.jp2"}, "431": {"fulltext": "LE VOYAGE\\nMALLES, VALISES, ETC\\n\u00c2\u00a3\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1J:\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1\u00c2\u00b1J^\\nMANUFACTURE\\nd Articles de Voyage U\u00c2\u00bb\\nT\u00c2\u00a3l\u00c2\u00a3PHONE 221-34\\n(Eslablishcrt over IOC years)\\nE.60YIKDAmEp\\nRue Saint-Honore, 233\\nMANUFACTURER H^\\nof soul leather Ladies and Gentlemen triinks N*\\nDRESS BASKETS LADIES HAT CASES p\\n^n#\u00c2\u00abr\u00c2\u00abnj%ii\\nBULLY\\nn, ra* MoiUiituU, PARIS,\\nHOItfUffS S DAMES\\nCostume de Chasse a CoarK\\n\u00e2\u0096\u00a0Ki-f- iL pEi ft V\\n(1\u00c2\u00abs M\u00c2\u00bbl?/ ns HKNRl UaSB.\\nBOtiTF.MV. OKIGER\\n7t rue Sainle-Anne A", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0431.jp2"}, "432": {"fulltext": "LA MUSIQUE\\nMaison la plos imporlaiilo en France dans le commerce de JIusiqup\\nEmiie MEPESSOwYPiM S ^-Cecile, REIMS\\n19 Ml^DMI.LtS. DIPLOMES D HONxNEUR ET DtCORATlUiNS\\nyour Lcs cIpt_\u00e2\u0082\u00acs. li uiilc rl afjrtahlr U\\ncoTiMiitrf les noui cautis. dc Hvp Urna-\\ncoup d musiquf, cl i da }i r:.[ jiossihU\\nn ppii de frats que par un abonnxHvni\\nBotlc Itemoia.\\nGrand Ahoieffleiil a la tectare Misicaie\\nOffrani 400,000 MORCEADX dete^es Editeurs. 4.000 PARTITIOXS D OPEHAS. PiaDo seuiet Y\\\\m elClunt\\nMQDE REMOIS PORTS FRANCO\\nDepuis 15 francs par an y compria Ic.s froisdc iKn-tyillcrct retour\\nSONT COMf niS DANS L ABONNEmENT\\nLes morceaux de Jfiauo A 2, 6, 4 el d*6 mains.\\nLe^pa^lilionsd op^^a5, piano seulei piano et chant.\\nLa musique Je chfcnt, airs.d operas, inplodirs, etc.\\nLa musique pour Violon, Violoncelle, Orguc,\\nFICiie, Mandoline, eto.\\nLe Mufeique d enserablf, duos, irlos, quaiuors\\nLesijpiudes, les nouveaul^s.\\nLe sorvico do rabonneiiicDt ne se Tail pas les d.mai\\n11 est delivre i clinque aboDoe uo cartoo du [ir\\nLES ABONNEIlflENTS SONT PAYABLES AVANCE\\nN\u00c2\u00b0 3 doiiiiaiU droit (jc lire dausl aiinee\\n350 fr. de musique.\\nI nv marque cl i iO larifs po.ttau.T.. 15 fr.\\nI 4 donnant droit de lire dansj anude\\n750 fr. de musique.\\nPrix rnarqu^ el a 14 larifs postaux.. 26 fr\\nN 5 donnanl droil de lire dans I annee\\n1,200 fr- de mus^ue.\\nPii\\\\ marque et k IS laHfs poslauj.. 38 fr.\\nLa musique lue en plus est comptee 4 fr. par I(Kt fr.\\n-Mjour KaboDQeinflDl flo 3 U fr. pour raltOQDfliiioul\\nPMi\u00c2\u00bb 4 2 fr. 50 pour I abooneniCQl n 0.\\ncomme nombre d envoi nu jKiids (Je torif riioyeaoaot\\nuQ sitpulfiment proportiooDsl (celui lodique est do\\n3 kiloB el eQ pare).\\nLes HtiannAs retjci- eot ftvRc cliaquoen?oi oxpedifi franco\\nif pdstalqui leur Hssure i^aletneot\\nd. r.\\nupplei\\nJa\\ndu turif ost k aju\\nI etrfin\\nau prj\\nLe Rayon de Musique d Abonnement de la Maison Cmile MENNESSOIM St Fils\\nest le plus Important qui existe en France\\nLa mu.j(tue..de tous I os fid;teurs est dooo. n i labi-Qocinctil, oi cumme li y co n ud6 ccolaine oq France, il\\npeul eJtiator de CoUlogue gtneral pouvnnt reosfi p nnr sii, )o musitjud 4 choi5ir. Le^ abouncs qui o oot pa de lili(\\ndoDner peuvonl ftidiqiicr le genre ot la fi,rfo de la tnii^njue a Ii ur eovoyor. lis scruDt \u00c2\u00aboivii a leur sah.raclion,\\nPAYEMENT DES PIANOS EN 36 MOIS, depuis 25 francs par mots\\naecor.iiooi Pianos detous les Facteurs, ERARD, PLEYEL, GAVEAD. etc., etc.\\nJSj?/ Svsleme E. MENN l SSON, brevoK, adopt* par les piincipnui\\n\u00c2\u00ab3Er Professeurf du Conservoloiro .1.; Vm-^. par les Maisons PLEYEL. WOLFr el C\\n-^W^ GAVE\\\\U, etc., do I aris.\\nJi itoniinnndi^ par li-i jitus CLicbrcs Pianislcs cl Vii-luoscs\\nLe M0LLIPI10f(B;a.u n )ouble hut l il assourdil li! Piano a volonle el k lei poiiil i|iie ni ilos pii^iTi\\nconligues, aides appariemejjis siiues au-dessus on au-dessoiis on ii eniendc les t?iudes iinisic;(k 2 il\\na le grand avaniagft (le pTo^eger les feuues des marleaux et d assdrer au Piano un scfvite beaufoup ])lus\\nIon;: qu i ecu lion moins.du Moliijihone.\\n^\u00e2\u0096\u00a0,3Sr KEYUE .MBSICALE CECILE;^ rj^^t;\\nCouo Revuo cj^icjile pubtiee suaf Ic patronofre demiueals nrti*iles, iolferc^se les pcrsonnts duji inusicieuDi\\naussi bieo que Iq*. piiTajeane^ c|pve5. EHc doune cliaque nnnee 40 francs de musique. pru iriurqu6, ei I-SO p.ifi j\\nde lexto, coinpr\u00c2\u00aboaiit:,5 OgTB[ tiie, cliroarqn a cl eludes musicalc.;, les nouvelles mu icoltis da la Frruice el dr ifctrnoper,\\ndos elemeolB et priucip^ d banrtoQle, des aiiecdoLtis. des ephemerittcs, des rScrcmion*. des comK.lic^ ei dcs sajOL ti i\\npour fainilles fll tiiaisoas d WuMlioQ. Envoi d un numtfi o specimen cojurci* fi\\\\ 30 en iimin-cs-posic.\\nOd ^Mm, J tODie epodue d6 1 anaSe, Envoyer mandat-posie de 4 Ir. a E, mennesson i Fils, Mlieurs i Reims", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0432.jp2"}, "433": {"fulltext": "LES GilANDS^VINS DEIiFRANGE\\nYINS DE CHAMPAGNE\\n^^^^^1^^^^^^^^^^(^^feQi\\nCHAIPAGKE\\nPROPRIETAIRE\\nAVIZE (Champagne)\\n^_ MEI AI LiJLrES D OK\\nAHYEES f S9 4 KQUEM 1SS6\\nCarte Blanche.\\nCarte Rose\\nCarte d Or 1893\\nFr\\n4\\n5\\n6\\nV:\\n.)2] 50 centimes en plus par 2 dedii bouteilles.\\n1\\nFRANCO D EMBALLAGE PRIS EN GARE D AVIZE\\n^74] La Maison demande des RepresenLants\\nV^ ti I Eiranj^er par tout ou elle n est pas\\ni\\nrf\\n;6\\nm-\\nHfrPv\\nm\\n^^^^^^^0^^^^^-^^", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0433.jp2"}, "434": {"fulltext": "LES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0434.jp2"}, "435": {"fulltext": "XXVlt\\nLES^GBANDS VIKS.DE FRANCE\\nVINS DE CHAMPAGNE\\nVINS PINS OE CHAMPAGNE\\nCARRE-PERSEVAL C\\nREIMS\\nGrands Dipldmes d Honneur aux Expositions de\\nPAftIi 1886 MeCBOURNE 1888\\nBORDEAUX S97\\nPRIX-COURANT\\nCARTE D OR, laboutellle fu 3 SO\\nCARTE BLANCHE, _ 550\\nGRAND VIN SEC, 7 50\\nSp6claUt6 tie Chamjmgne bygiiaiqua\\nm^^Er^-\\nVins Fins de Champagne\\nCHAUREY FILS\\nPHOPRI^AIRE KEGOCIAHT\\n75 \u00c2\u00a3pEKN H Y\\nCarte Blanche. 4 fr. Guvee Reserv6e. 5 fr.", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0435.jp2"}, "436": {"fulltext": "XXYIII\\nLES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE\\nChalons-sup- Mapne\\nMWSO^ FONUV.P EN 1862\\nPRIX COURANT\\n.._\\nh Mill\\nL- Universe., 6 Creir.ar.t. P.cse\\nGrand Vin Hoyal 5 50 Tff Fleur de Sillery\\nEouzv Cabinet. 5 rti Sillery auperieur\\nCarif Planche 50 f Ay supeneur\\n4 50\\nU\\n3 50\\n3\\ni.\\nm MAISON FONDLE EN 1846\\n\u00e2\u0080\u00a2V .x^\u00c2\u00bb\u00e2\u0084\u00a2\u00c2\u00bb,\u00c2\u00ab,\u00e2\u0080\u009e, de Henri IV\\nAncicn Domainc\\n^i-i^^-L. ^y _ Champagne\\nPBIX-COURANT\\n3 SO I Carte Rose\\ncarte Beue. carte d Or\\nCarte Blanche k\u00e2\u0080\u009e,,i,.,ii,.\u00c2\u00ab\\nspecial cuvee e\u00c2\u00abtra-dry, la caissc dc 1^ bouiciuis\\nCarte noire\\nFRANCO DEMBAUUAGE PR.S A AY", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0436.jp2"}, "437": {"fulltext": "^XIX\\nLES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE\\nla b fr.\\nEmhallc en ^are Dameiy. 40 c. en plus par 2/2 bout.\\nVente Direete du ProdaeteuF au GonsommateuF\\nSUPPRESSION DES INTERMfeDIAIRES\\nLUTTE CONTRE.LA FRAUDE ET LA FALSIFICATION\\nEll prtviiion dune rapide invasion phyllox^yique qui ne s esi lieuieiise-\\nment pas lialisee, les Nigociants out consiitiii! des stocks considerables de\\nV lii etmngers Bcaujolais,. Sauniur, Hongiic.\\nPour I ipondie a cette manoeuvre, les Propi letaires-Vigncrons ont\\nconstind I associatinn du Pur Champagni\\nLA QUALITY\\nde 1105 Vins est indiscutable, I Asso-\\nciaiion n itant pas patentee et ne\\npouvant, de ce fajt, s approvisionner\\nautre p\u00c2\u00abrt qucn CHAIUPACNE, elle\\nnc livre done que les recoltes ae seS\\nadherents. Preprint a j res -Vignerons\\na Ay, Ver:[enay, Oger, Cumiires,\\nDamery, Mailly. Venteuil, etc., etc.\\nLE BON MARCH^\\nla valeur du prp-\\nIc 4 lAssociatKin\\nlucun dcs Irais dcs\\nen Conipur:i\\ndiiit, dcvicii\\nqui nc siipi\\nautres niaiijuLS, 6)^que I .itciile\\nRcpresciilaliiiii, lincfn*iifiiiircs, Aiv\\nnonces, KccUtncs, iuithaincaiit les\\nprix dc icviciii dcs vins s\u00c2\u00abn$ en\\naugmentcr la QUALITY", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0437.jp2"}, "438": {"fulltext": "LES GRAKPS VINS DE FRANqE\\nYINS^DE CHAMPAGHE\\nMaison fondee en. 1840\\nPROPJUETAIRE\\n^pEi^ls^T ^V 1^\\n^^SPE CHAMPA\\nf fi\u00e2\u0082\u00aci)U l\u00e2\u0082\u00ac^$ \u00e2\u0082\u00acfi JS\\niir-iB\u00c2\u00a9^:\\nPROPRl^TAUtS AC VIGNCS\\nVEBTUS ,PBi:s JEpernay\\nt^. ^oeerdun-SHaumont possidant dei Vignes $ur plusiouri terri-\\ntoircM de\u00c2\u00bb pinif renommit sfe la Qliampayhc; est d mtmc dc fournir ta\\nprodtiita d deiprix exceptionnclt cnmr \\\\e,hQ,n marchi ot comme qualiU\\ni-:\\n.PRIX-COURANT-\\nC^rte Biancha 5 fwiacs.\\nLes 2 Demi-Bouteill^s, fr. 25 ejj Plus\\n\u00e2\u0080\u009e7 PR IS i VEsR-T^US -V- ;{Epi,b\u00c2\u00abUage eomprla)\\nVAioiir B 90 Jpurs ou 30 Jpurs, 2 I, d Escomptfi.\\n5i", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0438.jp2"}, "439": {"fulltext": "LES GRANDS VINS DE FRANCE\\nVINSiDE CHAMPAGNE\\nQl^ampagne\\nAlexandre DUMAS\\n^^/SON A LOHOP\\nes, Oastl\u00c2\u00a9 Stx^eet, SG\\nOxforci Street", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0439.jp2"}, "440": {"fulltext": "LES GRANDS YINS DE FRANCE\\n:inS DE CHAMPAGNE\\nVms Fins de Champagne s\\\\\\nSeule Maison eifective de ce nom\\nFONOEE EN 1784\\nflU CHflTEflU DE GORRlGOr piERRY, pres EPERMY\\n4\\nY\\nI ^1^ Vins de Champagne h\\nA. DESCOTES\\nMAREUIL-S/-AY (Marne)\\nPRIX COURANT\\nSillery Mousseux 2 50 Carte Blanche 4\\nAy Mousseux 3 Cuvee Rdservde 5 50\\nLa bouteille pvise a Mareuil-surAy 25 c en phjs par 3]1s bouleiUes.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0440.jp2"}, "441": {"fulltext": "XXXIII\\nLES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE\\nCHAMPAGNE\\nETABLI EN 1760\\nESTABLISHED 1760\\nlillHSOKPERE.Fms\\nREIMS\\nCette Marque est foarnie k\\nSA MAJESTE LA REINE D ANGLETERRE\\nSON ALTESSE ROYALE LE PRINCE DE GALLES", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0441.jp2"}, "442": {"fulltext": "LE8 GRANDS VINS DE FRANCE\\nVINS DE CHAMPAGNE\\nVINS DE CHAMPAGNE\\nCONCOURS D HYGIENE. RfilMS 1889. DIPLOME DE 1 CLASSE\\nIifinnion iBBmailBnal!! Si CililE (JJcemlitt lrt J Bars I8S5) OfliSD tRil\\nRficOMPENSKS OBTENU|S GetiSve, )\u00c2\u00ab93. Academ.e de Bruxclles, 18U1.\\nP^Tii. liiSiiiui infernaiional, 18!). Memhi^ du Jary Itofs ciinfojir^\\nMoscoii. 18D1. Anvers. 1894. Esposilmn alnnenlaire Liverpool, 180i Jloos, 189G.\\nMT^SSE PeKE Si. FllaS\\nGrand Cremant\\nChampagne Mousseux. 2 50\\nCarte Noire Qualite super. 3\\nChampagne du Chasseur 3 50 II. d 1 Etoile. 3 Zi\\nCarte Blanche 4 d 2 d 31 GIA\\nE:MBA.\u00c2\u00bb.t_ACfc 6N SUS\\nO fr. SO f n pliin rendu fi rtnmicUeS! Paris. Pjt 2 Bunt., O if. 3\u00c2\u00bben plui\\n2-fr 25\\nCuvee reservee, extra sec.\\nTisane Cremante\\nd 1 Etoile.\\n\u00c2\u00a5lNS DE f HAMPAGNE __-_^\\n^^^^^.^s-^-^- PIERRY-EPERNAY\\nAdPesse t4I6gr ephlque -LSB-LA^C-PieflfiY\\n1-*-!-^\\nPRIX-COURANT\\nCarte Blanche 3 50\\nCarte d Or 4 75\\nGrand Cremant, Cuvie rHervie 5 50\\nEXPEDITIONS PAR PANIERS OU CAISSES DE it, Sfl, Sft BOUTEILLES\\nPR. 50 FN PLCS POL ft S J/2 SOL TElLLES\\n.6\\nIBarchaDdises prises fpcrnay, fpanco d eiaballage", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0442.jp2"}, "443": {"fulltext": "XXXV\\nLES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE\\nBucy 4e Rochecourt\\n)VllIiIiER-GWOE a FlliS\\nProprietairee. Negocisnts -Esportaieura\\nIVTAREUIL-SUR-AY\\nPres ^perns (MARNE)\\nPRIX COURANT\\nCarte Noire 3 25 Marque Miller-Caqye et Fi)s\\nRoyal Caaed or(AjfeseMe) 5 Sillery exquis (exir^). 3^5\\nl.ES VlNS 80NT EXPKDIES BPUT. SEC. PEMI-SEC OU DOUX\\nNOTA Les bouteilles doivent \u00c2\u00a7tre couchees a Vafiri\\ndu froM rigoureux et de Vbumidne\\n30UTEJU\u00c2\u00a3s\\nr^v^^rr- rii^Mff ^iy^^\\n/^ORHA^ a^ElMS\\nCarte blanche 5 Boury 4^ Sillepy 3 Ay 2? 50 Tisane 2f 60\\nMAISON FONDEE EN 1820", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0443.jp2"}, "444": {"fulltext": "LES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE\\nREIMS\\nCRampagne\\nMaison a PARIS. 23, rue He Palestra\\nMllcry railciioirc hr 4 ii\\ncirtc vci lc 4 SO\\nr.stra,Diy Verzoiiay, vm sec. 4 SO\\ni;artc blanche SO\\nl.iserM- clivfc 5 50\\nCarte dor Crcinant 6 50\\n6 60\\n3\\nPRIX-COURANT\\nKr 4 11 Carte d or Crfeir.ant, Extra-sec\\nTisane niousseuse\\nMARQUE V ESBACH C\\napperlenHiiL A la Mai3on\\nAy ou SUlery mousseux 2 50\\nCarte blanche 3\\n0 SO eii plus par deux demi-bouteilles\\nL\u00c2\u00abS rofciS O tMBfcLLAGe f-T DE TRANSPORT SONT A L* CHARGE DG L-ACMETEUR\\nAfiii rtevrler Ips onii cfai niis. les Vins de 4 4 6 50 seront MpiuISs moms i ordre conlr.iiri-l\\nt ni,\u00e2\u0080\u009en,nn\u00e2\u0080\u009e\u00e2\u0080\u009en Ue I Dniioois I nu J Pie se iroiive flans looies les bonnes BalsoDS fle PARIS\\nLb Ctiampape V J. ROOSSILLON C ue la france ne lETiUNCER\\nREGIAOLT Fr^res\\nProprietaires de Vignes\\nau PESNll a OGER et VERTUS (premiers Crus Ghampenois;\\nrLe \u00e2\u0080\u00a2M^S f^Ii^-suP-O-G Ef^ (Mapne)\\nPRIX COURANT\\nCHKTG BDHNCrfE (QuaUU fixfra) \u00c2\u00ab\u00c2\u00b0J^\\n_ T10IT\\\\E iQualili gupineure) _\\n_ Bijeue (Premiere Quality)\\n25 Centimes eu plus paj- deux demi-BouteiUes\\nFRAJM d EMBM.U6E, tl CaiBB! M PaiuJiTdTirM 50 BttteillK, enBare MESHllrJiir-OBE!", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0444.jp2"}, "445": {"fulltext": "LES GRANDS VINS DE FRANCE\\nYINS DE CHAMPAGNE\\nVIN DBS PRINCES\\nEPERNAY\\nrEMOfiE f\\nPARIS\\nJ, lue^\\nQJcnoe^\\nMARSEILLE\\nL0N0RE3\\n5, sy/Ca.cK oLa.r-\\nSRUXELLES\\n25, Ut^ CIA Ut ^./C^u", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0445.jp2"}, "446": {"fulltext": "xxxvin\\nLES GRANDS VINS DE FaAJsCE\\nYIUS DE CHAMPAGNE\\nMAISON FONDLE EN +8-67\\nlExptD s i t i o n s In t e r n a t i OTiaiies\\nMENTION HONOHABLE BORDEA UX 1S9S\\nlaeDAILLR DE BBONZE ROUEN 1896\\nMfDAiLLE d aroent MARSEILLE 1897\\nGRA ND .DIPLOME DHONNEUR LYON ,1897\\n\u00c2\u00a5IK:S DE CJHAHFA!.G H3E\\nPROPRlfiTAJRE\\nPRIX-COURANT\\nCarfe d or, quality superieure. 6 i Carfe rose n\\nI Cafte blanche, 1 qualile. S j les 2/2 bouteiu.es so c. cn pil?\\nsfe\\nProprietaire de V^es\\ndan fes crus TenonTmes de la Champagne\\nIf A AVIZE, OGEa, GRAUVES\\n-^y vMONT+JELON\\n(Champagne)\\n,P.RlX.-\u00c2\u00a30.lfM.Itr\\nGrani] liiipeml:-4rull893\\nCarle BIsDcktCwnds Cm).\\nCarle Noire (Cre mant)\\nlaboot.\\nprise\\ni kmi\\n6\\n5\\n4\\nLes deux dcmi-bouteilles,\\n,0/r. 25 en plus.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0446.jp2"}, "447": {"fulltext": "LES GRANDS VINS DE FRANCE\\nYINS DE BORDEAUX, BOURGOGNE\\nGRANDS VINS DE BORDEAUX\\net de Bourgogpe\\ndales Ivijll^eHAP\\nTELEPHONE 250-95\\n308, rue Saint-Honore\\nWHISKIES GINS\\n~*^h engiaism house\\nTHES, CAFES\\ni\\nSur toiites les tables arisiocraiiauer, vous trouverez\\nles Grands Vtnsde la Matson jules Marchand\\nBORDEAUX and BURGUNDY BORDEAUX BURGONDER\\niligh Class Winel\\nAll iTi rk;9 of\\nChampagnes .-s Liquors\\nTelephone 250-95\\n36\u00c2\u00bb. rue St-Honofd\\nWhiskies, Cms\\nENGLISH HOtSK\\nTeas, Golfet!\\nOn iti tirt\\\\locraliL tal/tn yon prr vtre to finit\\nihe ki.i-.s if Juki iW^i.anU\\nChair.pat^ner r* Liqueurs\\nAller MariKO\\nj Giais HAaciaAnici\\nfiltpbone m-^\\n369, rua St- Honor*\\nWiskies Giits\\nENGLISCHES HAUS\\nThfees ct GaISs\\nAufaiteit ffintu Feschfn ftitM man tictn\\ndie Vi eiiic ion Jules K rthaud", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0447.jp2"}, "448": {"fulltext": "LES GRANDS VINS DE FRANCE\\nYINS DES COTES DE LA LOIRE\\nYOUYRAY\\n)i)m$ hc$ \u00e2\u0082\u00acbte$ he la \u00e2\u0082\u00aco\\\\xt t\\nSPECIALITE DE YINS BLANCS\\nJ FABRIQUE DE VINAIGRE DE VIN\\nBARUE fp^pes\\ne)(9\\n419 et 119 bis, Faubourg Bannier\\nDe VERMONT, Propri6taire.St-HlLAIRE St-FLORENT (France)\\nGRANDS VINS MOUSSEUX\\nCHATEAU DE VERMONT\\nPropriete exclusive dc la MaiSon\\nMRIEBLEUE. tiain ot uar.s l/,cbo.U-) 1 50\\nB16NCHE Eiain or 1 75\\nROSE 2\\nBLUNCHE CCREt 2 25\\nOOR 2 50\\nDOR GRUND VIN OE RESERVE. EUinsakle or 3\\nGRSND CREMANT MOUSSEUX 3 50\\nGRAND. VIN ROrAL Capsule or 4\\n^.it.T\\\\ ^;nt-BoulpiUe^. 6 fi: -to m plus\\nVOUVRAY MOUSSEUX\\nQUALITE SUPERIEURE. (sans 1/2 boul.I. 1\\nCUVEE RESERVEE 2\\nVIN D ANJOU MOUSSEUX\\nQUACtTE EXTRA\\nCUVtE EXTRA Si rl^tRIEUR^\\nCONDITIONS DE VENTE\\nSOjoiirs, 2 /o, GO jciirs. 1 /o 90 jours,\\nFranco toutes gares par 25 bouteilles\\nAVIS TRES IMPORTANT\\nLes Vins moussem doivent toujours etre\\nbus tres trais, meme etre mis dans I eau tres\\nJraiche ou glacee avant d etre debouches.\\nI i/*? la f/cifjc pendant\\nOta. Les petlicuii\\nla gitlec, J.sporaisse\\ns quiililc el be.iute J\\nUNE\\nI N N O VAT O N\\nGoiilez et choisissez\\nAoant lie faire line commaiule, iie sei-oit-ce que\\nde 25 bouteilles, I on desire gouter et clwisir.\\nAussi, centre t enaol il un lion lie puste de OIX\\nFHANCS, nous adressons UN POSTAL contenrint\\nQUA TRE Bouteilles nssorties lie MEME VALEUR\\nI f.50, 2f.; 3f., 3f.50;setonle Tarif ci-annexe.\\nLb tout est contenu dans un CHARMANT\\nPANIER, i/ui trouoe son utilite duns le menuge.\\nOE VERMONT\\nP.-S\\nADRESSE TELEGRAPHIQUE DE VEHWONT\\nBien indiquer la Care qui dessert.\\nSt-HILAIRE St-FLOBENT", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0448.jp2"}, "449": {"fulltext": "1.\\nLES GRANDS VINS DE FRANCE\\nYINS D ANJOU, DE TOURAINE\\nTTOUr^T^lNE\\nG. Tessier C\\nProprietaircs~fiegociants\\n(CHATEAU OE GHCN JLLE,\\nMaison fondce on 1859\\n*idresse TeSegraphique\\nTESSIER CRENELLE SAUMUR\\nmm IB ciici", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0449.jp2"}, "450": {"fulltext": "LES EAUX-DE-VIE DE FRANCE\\nICOGNAC, KIRSCH\\n4\\nM AISON\\nl ^De Bonnet C\\n\u00c2\u00a3aux-de-Yie\\n(Oliarente)\\nSp^eiAlit^ dc Kirschs gAracntis Purs sfe\\nHug. PBU^EUX\\nFOUGEROLLES (Haute- Saone)\\nRecolte 1 885. 6 Rdcolte tSgS. 4 25\\n1890. 5 1896. 4 n\\n1894. 4 50 -I 1-897. 3 15\\nLe litre logii en bonbonnes ncuves, px rt cf Sfoiti a la charge de I achetcitr\\nMoyennttnt Une kgite eugmentatiott on petit livier en belles bonbuimcs\\n(Itsgfyi j\u00c2\u00ab(- verre ds i ou 3 liliei youvaitt teiifir de i\u00c2\u00bbrafoii", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0450.jp2"}, "451": {"fulltext": "XXXjUUl\\nl\u00c2\u00a3B GEAKDEB ,MAHQUE6\\nLIQUEUR DIGESTIVE\\nUA RSOUINE\\nTcl est le nom dune des mcilleures Jiogeurs qo il soit donn* de .dftgusler.\\nC est dans le dtpartemeut de la Marne, A Abbaye d .Orbais, gue M. I AUtie P OT,\\ncurt ^I Qrbnis possosseur d une triss viaille lonnulc l\u00c2\u00abiss4c par iDou pu Bout,\\ninoiiic de lAlibaye^ Orbais. a ipsuUt une dwtJUerie modfcle dans laauelle il s ejt\\nappli()U(, avac succte. A mettEC 4 profit la jc^ecette qui Jul A.tti JSguce coramc qn\\nveritable trfisor et dont il a su tirer un si grand parti. Nous affirmons que les\\nliqueurs de grandes marques, telles que la Chartreuse et la B6nMictine, ne sow*\\npas meilleures, et nous avons la conviction que quand la REOLINE sera toniuie,\\nelle leur sera prfrterfee ,par beaucpup desourraets. Nous nesaunons trop engafar\\nnos Iccteurs ien (aire usage.\\nNcjs sommes encore sous le charmc do la visite que nous avons laitc;^\\nI Abbaye d Orbais, oil nous avons 4t* accueilhs par M. rAbbC Piot d uno (a ;oii si\\ncordijali;.J(Qn,seulcnienl.U nous,4 it visiter sa ipi^nifique dislillerie-dans laquclfe\\nnous avons pu jtdrmirer jfis apparcils les plus jjcctactiounes .ct Ics jilus modprni^.\\n-mais ce qui nous jd-oncere plus impi)\u00c2\u00ab4sionn*,e \u00c2\u00abat le cfttf philanthropique de soti\\nentrcprise, oar .4 laidc-tle \u00c2\u00abon inaustiie. ftvec altc ct par elle. il tait vivrc unc\\ncenlaino dorphelins qui, .jfrAce-alac^nleotion-.dcsa aavoureusc liqueur, trouvcnt\\nprts de lui 3outiei ct aflection.\\nLe dSsir.leplus ardent dejM.l Ab.WPioT e^t.dcvtjir scs efforts do pMis en pliis\\ncouronnes de succis, adn do.poiwvQir.augmentor.le.nombre des petits d6sh ;ntcs du\\nsort quil pourra recueillir. Ce^t asses vous. dire, chers, Iccteurs, combien les ame.\\ncompatissantes-doivent.elre beuMusesde pouvoir a9soci\u00c2\u00abr a unc telle wuvre\\naussi nous ne doutons pas un scul instant qu elles s cmpresseront de (ai^e figur ^r\\nsur leur tabic la savourcuse liqueur la REOLINE ct i lui donner la pr4(6rcnce sur\\ntoutcs les liqueurs similaires.\\nPour noire part, nous nous emprcssons de preter 1 concours de notrc puolirit*^\\nla prooagalion ric.la REOLINE d QRBAIS-l ABBAY\u00c2\u00a3,si,bonoe, si ouctueusa,\\net.avec le produitde laquelle un saint. hoinme. tait tant do bien.\\n\u00e2\u0080\u00a2Pour se procurer la REOLINE, il faut s adresser a la\\nDistillerle d ORBAIS-l ABBAYE (Marne)\\nou bien A\\nI Administration du GUIDE DO GRAND MONDE, 17, Rue Cadet, a PARIS\\nAINSI Qtl A SE\u00c2\u00ab; CORRF\\\\rOND\\\\NTS", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0451.jp2"}, "452": {"fulltext": "LES GRANDES MARQUES\\nEAUX-DE-YIE\\nFine Brelagne\\nPRODUIT de la DISTILLATION des\\nVSNS BLAHCS KilNTAlS\\nI\\nu/iecmnile QaMo/^r^\\nNANTES", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0452.jp2"}, "453": {"fulltext": "LES GRANDES MARQUES\\nLIQUEURS, YINS\\nLIQUEURS SURFINES\\nGuignolet\\nPoulain\\nTriple-Sec\\nPoulain\\n)E PISTILLERIS PE L*0UEST\\nfD^daille de Bronjs\\nBordeaux 1882\\n(IXdaille dc Vermeil\\nnanfe? 1882\\nmddaille d prgeni\\nBloij 1S83\\nmddaille d Hrgenf\\nVannef 1883\\nfn^daille d Hrgenl\\n\u00e2\u0080\u00a2nic 1684\\nm !daillc d Hrgcnl\\nti^on 1894\\nDipl^m^ Jlcademi^ T^alional^ Bgricol^ 1878. DipliSmrf d fjonneur Nanlcs 1894\\nE. POULAIfl Pere, Fils C^ a NANTES\\nVINS FINS DE BORDEAUX\\nPROPRIETAIRE\\nA. BjA.RSuA.O (O-ironcie)\\nVINS BLANCS\\nGjomcurK^ de. CHaoueith Cios le, t \u00c2\u00a3;(3iUt\\nVINS ROUGES\\n(Do ma 7/ne de Larriquelte Cru de I Or\\nCru de Jtdssoiie\\nTous ces vins pretsA mettre en bouteillcs, pamnt dirccte-\\ni^ mcnt de la propriete, h 150 franca et au-dcssus f:i\\nbarrique de 325 litres.", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0453.jp2"}, "454": {"fulltext": "LE.S -GEANPES MARQUES\\nLES BIERES FRAN^AISES\\nEKT REPORTS V\\ndans les ppineipales Villes de FWNCE et d flLCI^RlE\\nA PAH IS\\ndans les Grands .I:I6tels ef les ^PuiniCipaux Cai s\\n\u00e2\u0080\u00a2Mfiilspfi :(fe fPegiJsisiiion\\n4 Ktii (en face i OLYMPlA)\\n43. iBoul-evard des Capucines\\nDEJEUNERS DLXERS SOUPERS\\n37, Rue AJboay. TEI.EPHONE 264-51", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0454.jp2"}, "455": {"fulltext": "xxxxvn\\nLES GRANDES MARQUES\\nTAPIOCA NATUREL\\nIMPORTATION DIRECTE\\nTAPIOCA NATUREL\\nMedailles d Or\\nHdi^dctille de iwr^rite\\nPARIS A VIENNE 1873\\nDIPIuOME DHONNEUR\\n-S-^\u00e2\u0080\u0094 4\u00e2\u0080\u0094S-3\\nL MAUPSiyl\\nW Malson fondle en 1856 A f-\\nUSIHE PCEliE 33, Rue mathis.133\\nPABis -vilo:tteI\\nGARANTI PUR NATUREL.fH^v-,,,-..\\n6e (ISfior dea ContrefactetArs Ac VMlAtflGationS. V\\nUfifiJ am IHiiiaiies\\nA,^\\nBillatc :23 To\u00c2\u00ab BOO granttnsa 2 ff 70 le Kllog.\\nJ\\nr5", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0455.jp2"}, "456": {"fulltext": "LES GRANDES, MARQUES\\nPAINS D EPICES\\nA^. La Maison apporie\\ntoua 388 aoins\\nI executicn des\\ncommandss qui iui sont\\nconfiees et se charge spe-\\ncialement de I expeaiUon des\\nColis Poslaux\\npour la France et VEtranger.\\nIDEIFOT\\nm Bum de la gare de Dijon-Vtll^", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0456.jp2"}, "457": {"fulltext": "L m^SHOTssm^^^ mmtmummn m rr g(u", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0457.jp2"}, "458": {"fulltext": "m^.", "height": "2938", "width": "1500", "jp2-path": "parisexposition101kr_0458.jp2"}, "459": {"fulltext": "}i^^l\\n-c:/.^j--^v V^\\n^ir-\\nw\\nJin", "height": "2938", "width": "1445", "jp2-path": "parisexposition101kr_0459.jp2"}, "460": {"fulltext": "", "height": "3031", "width": "1518", "jp2-path": "parisexposition101kr_0460.jp2"}}