Class - ^ 1 (a Book rri 5" GoMhtN". COKfRIGHT DEPOSIT. ''' I "'HE climate of the East Coast of Florida is nearer perfection than that of any other place on earth." SCENE IN Hotel grounds, Lake Worth. Showing Royal Poinciana Tree in Bloom. V FLORIDA: BEAUTIES OF THE EAST COAST A Collection of Photographs, With Text by Mrs. H. K. INGRAM. St. Augustine, 1893. ^1^ Copyright, 18113, by Juseph Richardson, General Passenger Agent, for the Jacksonville, St. Augustine & Indian River Railway. THE COMPLETE ART-PRINTING WORKS OF THE MATTHEWS-NORTHRUP CO., BUFFALO, N. V. 149S0 i8q3. FLORIDA: BEAUTIES OF THE EAST COAST. Text by Mrs. H. K. Ingram. E who arrives for the first time in Florida has reason to be delighted with the fine portal through which he makes his entrance into the" land of sud- den revelations and rapturous surprises. The city which meets him at the threshold of the State gives cheering prophecy of the beauties that lie within. JACKSONVILLE, sitting like a queen on a graceful bend of the St. Johns, receives tribute from both river and ocean, as their waters contend before her for prominence in daily tides. As once to Rome, all roads lead to Jacksonville, and, with her 30,000 inhabitants, she welcomes all who enter her gates from any road. She is the metropolis of the State — a live, progressive business center, with an ideal social life that reaches the height of gayety when her winter visitors throng her gates. She is fair to look upon with her oak-shaded streets, where the mammoth boughs meet over-head, making long perspectives of evergreen arches. From their branches hang festoons of gray moss that wave in every breeze like banners draped from the ceil- ings of a lofty hall. Her private homes are most attractive, but her most conspicuous feature is the great number and high rank of her winter hotels. They are substantial, comfortable structures of the old regime, home-like and quiet, yet sociable and pro- gressive. The fame of their management is well known over both continents; for their guests come from all countries, and their registers, winter after winter, bear the most distinguished of living names. The years are not many since this tair city was the ultima Ihule of the tourist. He enjoyed her fine shell drives, the entrancing sails or rows on the peerless St. Johns, and the ideal social life of his hotel, without wish to explore Florida farther. If to these the old trip up the Ocklawaha to Silver Springs were added, he became forthwith a veteran traveler and an authority on Florida. But these days are past. The almost magical development of the State has converted Jacksonville into a gate-way through which one enters the real Florida. To-day the traveler pauses in Jacksonville, if he be leisurely and conservative, — but he only pauses. The magic of the modern Aladdin's lamp has dotted this summer land with palaces sur- passing the most marvelous of Scharazade's dreams. The same magical influence has spanned the country with parallel bars, by which the traveler glides from point to point with all the celer- ity, and without the awkwardness, of seven-league boots. In this new era ST. AUGUSTINE has become the tourists' Mecca. A line of rolling parlors, en suite, awaits his transportation, and he never learns a pilgrim's weariness. The train makes its exit from Jacksonville through the Riverside suburb, and crosses the magnificent St. Johns on the draw-bridge of the Jacksonville, St. Augustine & Indian River Railway. This is a splendid triumph of modern engineering and a costly piece of work. From it is afforded a fine view up and down the river, and midway is presented, on looking back, the city stretching along its banks, and the fine harbor, upon the improve- ment of which the National Government and the local authorities of Duval County are spending large sums of money. The train glides at last out on solid land on the east shore of the river, and rushes on between hedges of Cherokee roses, orange groves, bits of hammock stretches and pine forests, and in the short space of one hour the quaint old Spanish city is in sight. To him who is looking for a venerable, well-preserved ruin, the first glimpse of the town is disappointing. He is borne for some distance on the outskirts of the city and sees nothing but the new, fresh look of a rapidly growing American town. On all sides are the signs not only of progress and the crude beginning of things, but of wealth — wealth that finishes and perfects as it goes, and relieves the air of newness by giving it the settled look of permanency. As the train approaches the station there rises in the mid-ground a per- fectly proportioned but massive looking dome. It marks the site of the Memorial Church. Beyond it, through lofty trees and verdant openings, appear turrets and towers of various shapes and sizes. They whet the appetite of the sight-seer, for, whether ancient or modern, this little city in its glimpses promises some- thing unique. The traveler finds lu.xurious carriages, stylish Jehus and concrete pavement, smooth and clean. As he rolls along a street lined with oleanders twenty to thirty feet high, arbor vitae, hoary larches and cedars mingled with hedges of roses, he comes suddenly to the beautiful church he has half seen before. It is built of coquina, a material found on the shore and low-lying islands of Florida's eastern coast. It is light gray in color, and has a venerable look, even when first e.xcavated. The impulse is to call anything built of it an "old stone building." Here, again, is the suggestion of the ancient and modern — newness without crudity, age without decay. The design of the church is a Greek cross, and its fine dome, encircled by slender turrets, throws the spell of the East over the beholder. A distant view of this build- ing is seen in the background of " a view from the Loggia" on another page. Farther up the street — still over the floor-like pavement — as he turns a corner, the traveler easily perceives that he is approaching the far-famed HOTEL PONCE DE LEON. The oleander trees have given place to massive stone pillars, rising from a substantial stone base and connected by long loops of heavy iron chains of unique patterns. At short intervals, by graceful sweeps, concave niches are formed that furnish places for growing palmettos, or other and rarer tropical growth. Just as this begins to grow monotonous, and he wonders at the extent of grounds thus lavishly carved from the very heart of a populous city, the turning of anotlier corner brings him upon a scene unparalleled in all his former travels at home or abroad. On one side the park-like grounds, sparkling fountains, tropical verdure and blooming plants mark the entrance grounds of one hotel. Before him the round tower, the kneeling balconies, the wide para- pets of a mediaeval castle, give a mere intimation of the dimensions of another. At his left a gate-way, lofty, arched and grand in pro- portions, as rich in its finishing and as iinposing in its entirety as any of the triumphal arches of foreign cities. With delighted bewilderment he recognizes that he is in the midst of that won- drous architectural group, the St. Augustine hotels. Through the arched gate-way he enters an enclosed court, blooming at all times of the year with fragrance and beauty. On stone walks he winds his way around a central fountain and basin. Ascending successive terraces of broad stone steps, he stands before the elegant front of the Ponce de Leon. As he gazes upward, before him is the grand doorway, surmounted by a far- reaching arch — an arch composed of Spanish shields in terra cotta. Each shield bears Spanish devices and one large letter; the letters, combined, spell the name of the hotel and of the old Spanish cavalier for whom it is christened — Ponce de Leon. On either side of the new arrival, stretching into far distances, rise the walls of the hotel. He is surrounded, shut into a small earthly paradise, by them. All around his horizon are broad galleries and wide windows with terra cotta cappings of beautiful designs. Massive pillars support the galleries and make shaded nooks and quiet corners that suggest the deep recesses of old castle towers. On every side are mediaeval emblems and suggestions of sunny Spain. It takes but little imagination to people the balconies above with dark-eyed senoritas, and the verandas bel